INTERSECTING THE CITY: Urban Fabric at the Textile Museum Toronto shows how the natural and constructed co-exist


Queen. Image provided by Scott Norsworthy.

“Urban fabric as a metaphor for the city” ~ Deborah Wang

“The artists in Urban Fabric: Portraits of a City engage with the interwoven hard and soft dimensions of the city from multiple perspectives; their photographs, paintings, sculpture, film, and pattern-making create a portrait of a city, often taking Toronto as their subject.”

This year’s Toronto Design Offsite included an interesting partnership between TO DO and the Textile Museum. Urban Fabric: Portraits of a City, curated by TO DO’s Creative Director Deborah Wang (pictured right) traversed the intersections of what comprises a city – “the built environment, webs of individuals, and the social, technological, and economic processes that produce a particular urban framework” as well as the insertions / assertions of nature.

The exhibit featured stunning photography by Scott Norsworthy that included the West End of Toronto. Hard isolating walls of bricks, unbroken expanses of asphalt and a multiplicity of electrical wires were softened by gentle light blanketing the concrete jungle with air and sky. Sheila Ayearst‘s series of Concrete paintings also contained a softness despite their subject matter. The canvasses, in varying shades of gray, had titles like Beaconsfield Concrete, again recalling the West End and its rapid development.

“Holes in the urban fabric, these sites speak to the city as an evolving network of development, appropriation, redevelopment, undoing, and neglect.” ~ Scott Norsworthy

(top to bottom) Dundas, Dupont, and Dupont. Images provided by Scott Norsworthy.

“Visitors in search of escape instead encounter.” Jessica Craig

Jessica Craig’s large projection of a location along the Don Valley revealed the lushness of a green Toronto that doesn’t just exist as an unattainable Shangri-La in our imagination.


Don Valley #212 (2012). Image provided by Jessica Craig. 

“Long protected from intervention by floodwaters and topography, the ravine defies construction and therefore profit: it is a fracture in an otherwise unified urban fabric.”

Jessica’s photographic work considers the concept of “terrain vague” and in her essay Landscape off the path she writes:

“Terrain vague is Ignasi de Solà-Morales’ term for abandoned spaces within a city that exist outside the common social realm and are often perceived as empty.”

These transitional spaces, because of the ambiguous mystery they offer city dwellers, hold latent potentiality as places of enchantment and restoration. “The value of the still unaffected land – and the relief it offers to a highly developed city – is difficult to quantify” but there is a sense that spaces, such as these, are seen as necessary in order to restore some sort of balance to the rigid confines of the constructed city.

(top to bottom) Don Valley #212, Don Valley #132, Don Valley #240 (2012). Images provided by Jessica Craig.  

“Roots are the first kind of textile.” ~ Scott Euson

For artist Scott Eunson plant roots are like fibers as they shoot up and spread out and the city is like fabric in that it is made up of many single “elements [fibers] that cooperate with the whole” as it rises up and moves out across the landscape like a rhizome. He spoke on how we often talk about the city as though it is a textile “neighbourhoods are knit together” or “densely woven.” He took wire and wood along with roots and bent metal, all found on walks through the city, to loop and twist a typography into place.

His piece Material Map – Toronto represents the complexity of urban spaces and their intertwining of newly digitized and still naturalized realities. The city is where we are often forced to locate our busy lives but not without letting go of our desire to feel our natural-ness now and again. As skyscrapers rise we haven’t completely forgotten the call of the waves. The shoreline always beckons us to return to some ancient cellular memory. Below the foundation of the city lies what was once the Glacial Lake Iroquois, what’s left now named Lake Ontario which means “Lake of Shining Waters” in the Wyandot language.

I like that this piece presented without judgement. In the assemblage there is no warning about the eradication of nature due to the city, the metal wires are able to co-exist with the natural. Despite the entanglement there is a type of order and an absence of hierarchy. The wood and wire take turns coming up between the foreground from the background, at times each receding, other times bending or breaking out of the grid.

The shape of the work represents Toronto as it is contained by the borders of the Humber River on the West and the Don River on the East. A few wires and twigs grow out past the North, West and East boundaries but at the shoreline of the Lake all halts, deferring to the great body of water that lies to the city’s south.

For me this piece is hopeful suggesting that there can be a resolution between the requirements of a city with all of its systems and our urban yearning for woods and water, that the existence of one doesn’t mean the end of the other.

Perhaps we can wrap ourselves around the notion that balance is not beyond our imagination and our quest to discover where it lies in the urban space is the taut thread that snaps everything in place.

Urban Fabric closed on January 25, 2015. Read more about the show on the Textile Museum’s website.

Images by Leah Snyder for Mixed Bag Mag unless otherwise noted.

 

DESIGN IN CANADA: Fitting it all together

Design in Canada is alive and well.

I make it no secret that my favourite part of IDS is and always will be Studio North and Prototype. This is where you get to experience design that is less about trends and more about design thinking and process.


Prototyping a chair from Tony Round on Vimeo.

The other reason I love Studio North and Prototype is because it showcases Canadian design talent. Walking into boutique hotels, urban restos and condo model suites in this country one might think that the only options out there for interior designers are the unchallenged classics. The result – a predictable bore often referencing designers who are cold in the grave. Le Corbusier is long gone but his furniture and overpriced knockoffs are as ubiquitous as ghosts on Halloween. In a world still dominated by Mies and Eames it’s always refreshing to see interior designers and architects take a chance on artists and designers who are still alive and kicking.

When we get the opportunity to see interior designers incorporate more locally sourced art and design the results are far more interesting. One recent example of designers who did just that is the stunning Skwachàys Lodge in Vancouver.“Skwachàys (pronounced skwatch-eyes) Lodge and Residence at 31 West Pender Street in Vancouver houses a fair trade gallery, boutique hotel and an urban Aboriginal artist residence. 

Owned and operated by the Vancouver Native Housing Society (VNHS), the facility provides 24 shelter rate apartments for Aboriginal people at risk of homelessness, and two social enterprises that support the Society’s mission and financial sustainability.

The top three floors contain 18 boutique hotel units for socially responsible travelers and Aboriginal patients travelling to Vancouver from remote areas to receive medical treatment. The hotel units have recently been transformed with the assistance of a team of artists, designers, and suppliers.

Find out more…

In Toronto we have the Gladstone Hotel. Along with rooms designed by artists the Gladstone is also regular venue for local art and design with events like Come Up To My Room, part of Toronto Design Offsite.

“Internationally recognized as Canada’s favourite Boutique Art Hotel, the Gladstone uniquely blends historical Victorian architecture with contemporary luxury, downtown culture and whole lot of art, making it an iconic Toronto hub for locals and international travelers alike.

Supporting 37 artist designed hotel rooms,  over 70 art exhibitions a year, 4 diverse event venue spaces and 2 restaurants, all on a strong values-based mandate, the Gladstone strives to foster an authentic experience for its guests and the local community.”

Find out more…

My discoveries at Toronto’s Interior Design Show.

Each designer featured below was someone I encountered at IDS 2015 who approached their design thoughtfully, thinking about how to take good design and snap it into place – simply and beautifully.

TAT CHAO

I have featured Tat Chao a couple of times on Mixed Bag Mag and have been a fan since falling in love with his up-cycled candle holders at the One of Kind Show a few years back. This year he arrived at IDS ’15 with products that flat pack well and assemble in seconds – “no glue, no screws.”

DIÈSE or “hashtag” in English “is a flower vase made from four pieces of 3mm clear acrylic and a test tube. The way the pieces are assembled will result in different shapes. No glue, no screws are necessary. Just slide the slots into each other.”

(view opening image to see how DIÈSE is configured into a hashtag)

“Part of the “NO GLUE NO SCREWS” series, TRIÈDRE is made from three pieces of laser cut acrylic and simply assembled together by sliding the slots into each other. The result is an ultra-modern and scuptural object where the content (fruits, vegetables, bread, etc) are beautifully displayed.”

Follow Tat and see more of his work:
Website – www.tatchao.com
Twitter – @tatchao
Instagram – @tatchao

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CUT AND FOLD

Another brilliant flat packer project is the Origami Chair by Cut and Fold (Andrea Kordos & Tony Round). One of the DesignLines loves selections this chair moves like the wings of a butterfly to flap lightly into place.

“The Origami Chair is inspired by papercraft – the idea that folding simple shapes can create amazing forms. We’ve designed the chair to be simple and beautiful. The origami chair’s nest-like shape is generous and ergonomic, while the thin baltic birch shell keeps it efficient and minimal. The facets of the shell are connected with piano hinges – this give the chair some flex for added comfort. The thin shell sits on top of an elegantly folded steel frame. It’s available in different finishes including natural wood veneer, solid-colour laminates, and leather or cowhide.”


The Origami Chair from Tony Round on Vimeo.

Follow Cut and Fold and see more of their work:
Website – www.cut-fold.com
Twitter – @CutFold

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EUGENE PAUNIL
Eugene has been on Mixed Bag Mag before but as a visual artist which is how I first encountered his work at the Toronto Outdoor Art Exhibit many moons ago as well as more recently at Manifesto’s 2012 art show (see the eagle sculpture).

But Eugene’s first love is design and he attended OCAD U’s Industrial Design program. This year he brought “Light W8” to Prototype. An elegant idea, the light uses river rocks to displace the weight to adjust the height of the lamp. Designed for easy shipping the lamp comes apart and can be put back together will minimal effort.

Follow Eugene and see more of his work:
Website – www.eugenepaunil.com
Twitter – @eugenepaunil
Instagram – @paunilstudio

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GEOF RAMSAY
Geof, like Eugene and Tat, has also been on Mixed Bag Mag for a feature on IDS ’12. This year’s contribution to Prototype won him the award as well as DesignLines Magazine’s DesignLines loves badge. It’s when you are up close and personal with this chair, from the Euclid Collection, that you can see the stunning joinery and the hex motif reiterated.

“Inspired by the purity of geometric form, is a three part collection of products that fit together perfectly to create unique groupings and combinations. The forms of the hexagon, triangle and rhombus are repeated throughout the entirety of each piece, shaping the legs, profiles and joinery. The Euclid Collection is crafted from solid oak and is available in a natural or black satin finish.”

Follow Geof and see more of his work:

Website – www.geoframsay.com

Facebook – /geoframsaydesign
Twitter – @geoframsay

 

It’s a great time to consider Canadian and Indigenous designers and artists. There is more than enough talent here and it can feel good to invest your dollars in the business of someone you can actually speak with – whose blood is still warm in their veins. Knoll won’t shut down if a few Urbanites forego purchasing Saarinen’s design cliche of a table for their condo but as a buyer making that kind of decision may be enough to keep the next Ray Eames in business.


Cut and Fold at IDS15 from Tony Tound on Vimeo.

Above images of the Interior Design Show by Leah Snyder for Mixed Bag Mag. All other images provided by each designer.

TORONTO DESIGN OFFSITE: Quilter & Textile Designer Libs Elliott opens at Cutler and Gross

Growing up with Mennonite family around meant quilts were ever present. Because of this I can appreciate the work and the communal effort that go into these blankets that can fetch thousands of dollars at relief sales, but heir aesthetic, often full of feminine florals and wallflower palettes – not my thing. Then I saw Libs’ work – my kind of quilt! Using computer generated code and bold colour combinations Libs’ quilts are not about having a soft presence. They are loud and assertive.

Breaking with tradition while bending the boundaries of craft, technology and design, her creations are like a post-structural take on textiles. You could succinctly wrap up Jacques Derrida in one of these deconstructed babies.

Libs’ work is gorgeous and if you want to see more head over to Cutler and Gross (758 Queen St. W) to view her display “Wrap Yourself in Code” as part of Toronto Design Offsite.

Follow Libs on Facebook, Instagram and Twitter.

(Above image of Leah Snyder photographing Libs Elliott by Jay Wall)

Libs rocks some local designers below.

Ring by Vitaly
Brooch by Julie Moon
Glasses by Cutler and Gross

Libs’ quilt patterns were in collaboration with designer and technologist Joshua Davis. Read more about the process here.

Libs is seen here with Vivien Leung  (Pecha Kucha) and Jay Wall (“Reading/Writing the Junction” at Cut the Cheese)

Posts on Vivien and Jay to follow…!

#TODO15


Above images by Leah Snyder for Mixed Bag Mag.

 

TORONTO DESIGN OFFSITE FESTIVAL: Kicks Off Starting Now!

Two women standing in front of wall, sunglasses and dresses onTO DO’s Gelareh Saadatpajouh & Sanam Samanian with Canvas Bag by Jay Wall for Toronto Design Offsite Festival.

The Best of Independent Design in Toronto!

Fresh off the #MashUPStyle shoot with the women of Jack Your Body and inspired after weekend of the best from the Toronto Dance community at DanceWeekend’14 I was ready first thing this morning to capture some of the creative team behind Toronto Design Offsite Festival despite another cold snap.

The chill was chased away though by the warm personalities of TO DO’s Executive Director Sanam Samanian, R & D Director Gelareh Saadatpajouh and Communications Coordinator Michael R. Madjus all rocking their own personal style.

Each year I look forward to this event so I can discover little gems of design located around the festival route in Toronto’s core. This year I am excited to see the Wishbone Table by Alan Hindle of Stacklab and OCAD U’s 3rd edition of  Tables, Chairs and Other Unrelated Objects. Also over OCAD U at their Onsite Gallery is Terreform ONE (Open Network Ecology) and the show Biological Urbanism: An Opera of Disciplines from Architecture, Landscape, Urban Design, Biology, Engineering and Art. Running until February 22 Terreform ONE is a

“New York-based design group that promotes environmentally conscious urban planning. Its projects are an exciting mixture of architecture, landscape, urban design, biology, engineering and art and it is dedicated to finding innovative solutions for sustainability in energy, transportation, city infrastructure and waste management. The works featured in this exhibition at Onsite [at] OCAD U highlight Terreform ONE’s interest in incorporating living organisms in design, and advancing the notion of sustainability beyond a popularized mainstream rhetoric.”

And of course there is the Gladstone Hotel’s Come Up To My Room show  (#CUTMR) – one of the most celebrated mashup design-craft-art shows of the year in this city!

The official #TODO14 kick off party is Wednesday at SMASH – join the Facebook event page here but every day, starting today, there is something to see.

Get the:

FULL SCHEDULE

MAP

APP

For this MIXED BAG MAG edition of #MashUPStyle for #TODO14 Sanam, Michael and Gelareh showcased second hand finds from mothers’ closets, far-away and nearby vintage stores as well as some local designers like North Standard, jewellery designer Yasaman Pishvai (Void Jeweler) glasses by festival Sponsor iconic eye-wear designers Cutler and Gross.

Woman with cape on swinging around with back to viewer
Woman with skirt, cape and hat on standing against wall
Upclose shot of woman wearing sunglasses and hat
Woman holding hat in hand
Man standing in front of a wall laughing





All above images by Leah Snyder for Mixed Bag Mag.

DESIGN & DANCE: Let the weekend begin!

wood table with metal bases shaped like wishbonesWishbone Table by Alan Hindle of Stacklab.

DANCE WEEKEND & DESIGN WEEK!

DanceWeekend’14 by Dance Ontario is here! Starting tonight at  7pm at Fleck Dance Theatre some of the best dancers and choreographers in Toronto will be showcasing their work through until Sunday evening. For the price of $10 per day you can drop in and see the talent.

And the work week begins with Toronto Design Offsite Festival kicking off and carrying us through to next Sunday.

All the best every day for the next 10 days!

Get all the info here!

woman with antlers held up framing her face
Santee Smith of Kaha:wi Dance

 

SAVE THE DATE: Dance & Design on the Schedule this January in Toronto

Left image neck piece by Bin Dixon Ward provided by TO DO. See the necklace at TO DO’s Digital Promises Show. Right image Ritmo Flamenco provided by Dance Ontario.

JANUARY 9 – 19: JACK YOUR BODY (PART OF NEXT STAGE FESTIVAL 2014)

“Jack Your Body is a high-energy dance performance that pays homage to American street dance culture. The cast poses, struts, waacks and jacks their way through soul train, paradise garage and other iconic street dance scenarios. Issues of race, gender and social status come into focus during this dynamic dance piece that explores the evolution of underground social dances from the 70s-90s.” More info…

WHERE: Factory Mainspace on 125 Bathurst St, Toronto
HOW MUCH: $15, purchase tickets here
Follow on Facebook and twitter @Mixmixdance and join Facebook Event Page

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JANUARY 17 – 19: DANCEWEEKEND BY DANCE ONTARIO

“Dance Ontario’s Dance Weekend takes place annually at the Fleck Dance Theatre, Harbourfront, and features an incredible line-up of dance artists over three days.” More info…

WHERE: Fleck Dance Theatre, 207 Queens Quay W, Toronto. View map here.
HOW MUCH: All the dance you can handle for $10 a day or $25 for weekend pass!
Click here for Full Schedule

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JANUARY 20 – 26: TORONTO DESIGN OFFSITE FESTIVAL (aka TO DO)

“The Toronto Design Offsite Festival (TO DO) is a not-for-profit, independent design festival happening annually at the end of January. TO DO’s aim is to provide exposure for local and national designers; to foster public understanding and knowledge of the practice of design; and to create an ongoing presence that promotes Canada’s creativity, drawing on great thinkers, practitioners, and educators to a deliver an innovative celebration of art and design.” More info…

WHERE: All over the Downtown core & beyond, view the full map here!
HOW MUCH: Unless specified most events are FREE!
Click here for Full Schedule

 

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JANUARY 23 – 26: COME UP TO MY ROOM (aka CUTMR as part of TO DO)

“Come up to My Room is the Gladstone Hotel’s annual alternative design event. CUTMR invites artists and designers to show us what goes on inside their heads. Coming together in dialogue and collaboration, participants are limited only by their imaginations, making CUTMR one of the most exciting shows in Toronto.” More info…

WHERE: The Gladstone Hotel,1214 Queen St. W, Toronto
HOW MUCH: $10 ($5 for students on January 24th)
Click here for Full Archive of Past CUTMR Events

 

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JANUARY 23 – 24: THE INTERIOR DESIGN SHOW

“The Interior Design Show is Canada’s premier showcase of new products, innovative designers and avant-garde concepts from North America and beyond. For one weekend each January, the city of Toronto is filled with industry superstars, cutting-edge emerging names, design-savvy consumers and top media outlets. And for 3.5 action-packed days, the Interior Design Show shapes the design world for the year to come.” Read more...

WHERE: Metro Toronto Convention Centre (North Building)
HOW MUCH: $19 per day advanced or $22 per day at the door
Click here for Full Schedule

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JANUARY THROUGH TO FEBRUARY: 100% TOBEUS – 100 DESIGNERS FOR 100 NEW TOY CARS

“TobeUs was born as a vent of a designer who became a father and could not stand the sight of his own children using toys for just a few hours and then destroying them or stopping looking at them.This is how the idea of TobeUs was born: toy cars made of wood, strong and sweet-scented, beautiful and clever because they are planned by skillful and passionate designers.” Read more…

WHERE: Design Exchange at 234 Bay St. View map here.
HOW MUCH: Adults $10, Students & Seniors $8

TO DO 2014 Promo Video from Toronto Design Offsite Festival on Vimeo.

MEANWHILE ON THE OTHER SIDE OF THE WORLD: Design in Dubai

Flag with advertising for Design Days Dubai in front of the skyscraper The Burj Khalifa
Image from Design Days Dubai
.

Design Days Dubai and the emergence of a design community in the UAE.

Shows like IDS (Interior Design Show) here in Toronto have helped demystify design for a general audience. For the price of an entry ticket you can see fresh work by new independent Canadian designers in Studio North and Prototype or take advantage of international guests speaking on design and architecture. Along with Toronto Design Offsite, Design Week’s independent festival that runs concurrently, it’s a great way to get the creative juices flowing. But if you ever happen to be in Dubai in March there is a new show that is growing a community around design in the Emirates. (More MIXED BAG MAG posts on design in Toronto with TODO Festival & Highlights of Design Week 2013)

The first fair in the Middle East that focuses on furniture design and design objects Design Days Dubai aims “to strengthen greater appreciation and understanding for design as a form of applied arts.”

What I love is that the aesthetic collected is BOLD! The work you see at Design Days Dubai shows no fear when it comes to exploring form and materials. But somehow it still manages to be accessible maybe because it is so over-the-top fantastical that it is the recognizable stuff of our dreams – playful, imaginative, and in many cases, like nothing we have ever seen before in the flesh within our reach.

Colourful chair in a baroque style with Mondrian style painting in back and woman sitting beside in high heels The Proust Geometrica Chair on display the PF Emirates Interiors. Image from Design Days Dubai.

People walking through indoor exhibitions, painting with spattered painted on white canvas on left side. Visitors at Design Days Dubai. Photo by Siddharth Siva. Image from Design Days Dubai.

Sculpture of white face suspended ceiling and arms coming out from wall holding utensils, smiling ready to eat. Woman in background signing a book. Image from Design Days Dubai.


Image from Design Days Dubai.

A million times (Time Dubai) by Humans since 1982 from Humans since 1982 on Vimeo.

Man in traditional arabic style dress looking at large black and white abstract painting
Sheikh Zayed Bin Sultan Bin Khalifa Al Nahyan tours a special preview day at the Inaugural Design Days Dubai at Franziska Kessler
. Image from Design Days Dubai.

Exhibit space with assorted tables, chairs and contemporary design objects Southern Guild Gallery, South Africa. Image from Design Days Dubai.

Gradient Mashrabiya by mischer’traxler for Carwan Gallery, Beirut. Image from Design Days Dubai.

Man hanging a basket like structure woven from camel leather on wood frame. People looking on. Kwangho Lee at his workshop, Camel Leather Weaving at Design Days Dubai. Image from Design Days Dubai.

Chairs shaped liked bean bag chairs makde from coiled rope.Meltdown Chairs by Tom Price, UK. Photo by Klara Urbanova. Image from Design Days Dubai.

The Sharjah Art Foundation. Image from Universes in Universe.

The Sharjah Biennial – art work that pushes the envelope with some serious play and dark humour.

And in another desert location down the road, the Sharjah Biennial gathers together  incredible established and emerging artists who produce projects that skip over, around and through the artistic expressions of new media, street art and installation like kids at a game of hopscotch. Case in point – this stunning-crazy-brilliant piece by French-Tunisian “calligraffiti” artist El Seed.

Art work with collage of Arabic script and human figures with saying Please be Aware this Image Contains NudityBeware of this Artist by Ramin Haerizadeh. Image from www.sharjahfoundation.org.

For obvious reasons, the work that pools around this intimate Biennial is often about analysis of the politics of body, space, and nation but because the execution is so beautifully rendered the intense work powerfully draws you in through your eyes to open your heart and mind to important issues.

The Sharjah Art Foundation. Work by Imran Qureshi. Image from Universes in Universe.

The Sharjah Art Foundation. Work by Mustapha Benfodil. Image from Universes in Universe.

Like Toronto, Dubai is rapidly expanding while exploring what this means for this city that has become an international destination and like Toronto it will be exciting to watch how Dubai grows as a destination for design.

Toronto's CN Tower rising between condo highrises with early evening clouds forming in the sky Image by Leah Snyder for Mixed Bag Mag.

DESIGN MATTERS: Toronto Design Offsite Festival 2014

FINAL COUNTDOWN! For just $10 you can help support this amazing independent design festival!

Designers are the magic makers, the interfacers.
Designers allow the stuff of dreams to come to life.

Designers have the capability to make our day with well played functionality.

And that is why design matters! Because we live in a world where we engage with design round the clock.

Supporting a community that nurtures designers so they can give birth to great design just makes sense.

This festival is near and dear to my heart because as a designer it brings together some of the best independent talent we have in Toronto and each year I walk away inspired. Plus this warm bunch of creative geniuses do a fine job of thawing out Toronto in the coldest month of the year.

ONLY A FEW HOURS LEFT! Check out Toronto Design Offsite’s Indiegogo Campaign to see how you can help for as little as $10 and upwards for some great perks.

Limited Edition Silk Screen Tote by Studio Jay Wall – Get this Perk by Donating $50

 

 

 

Salvaged Wood Candle Holder by Ian Devenney – Get this Perk by Donating $75

 






From top to bottom, left to right. 1. Work by at TODO ’13 Launch Party. 2. Plate for Imm-Living Not Forkchops Show, Photo by Krystle Merrow
www.krystlemerrow.com @ Studio Huddle 3. Cob Holders by Lana Filippone for Imm Living’s Not Forkchops show 4. Bruno Billio’s install for Come Up to Room Event at The Gladstone 5. Zahra Ebrahim of archiTEXT at the TODO ’13 Launch Party 6. Michael Revil Madjus of Imm Living & Gelareh Saadatpajouh, R & D Director of TODO 7. Vivien Leung, Organizer for Pecha Kucha Toronto 8. Ashley Rumsey and Stanley Sun of Mason Studio at TODO ’13 Launch Party. Unless otherwise noted all images by Leah Snyder for Mixed Bag Mag.

Festival Talks: Zahra Ebrahim from Toronto Design Offsite Festival on Vimeo.

Festival Talks: Vivien Leung from Toronto Design Offsite Festival on Vimeo.

BEST IN SHOW? EVERYONE! Design Week in Toronto & The Growth of a Community

Detail of colourful paper sculpture by Tara Keens-Douglas

made the spaces in-between smash / process dictates form /  make art everyday / design create innovate think experiment play /  shiny pretty things loop /  embrace this space

After 6 days and 20+ events my mind is busy synthesizing all that I saw, everything I experienced and each person I interacted with.

Celebrating 15 yrs in partnership with IDS, Azure Magazine’s Trade Talks left me with more than enough food for thought and a satiated mind. Both Oki Sato and Philippe Malouin took the audience inside the head of a designer with regards to the important of process. True to Jerzsy Seymour’s reputation, his talk was full of surprises. Jurgen Mayer H., the German who has now become a sort of Starchitect for the Georgian Government spoke of the forward thinking with regards to institutional buildings in a country eager to emerge on the international scene as a destination of interest. The philosophy behind Jurgen’s design for the customs checkpoint at the border of Georgia and Turkey was to build a structure that would represent the meeting point of two countries rather than the dividing line between an “us” and a “them”. Watch for more of his work popping up on the landscape there!

And I have to agree with Jurgen’s comment to the ladies from ArtsCom on his way out the media lounge on Saturday. The show was well organized (and running on German Standard Time)!

I appreciated all the great conversations on architecture, design, and culture I had even if they were cut short because I was running off to the next event.  Thanks to Janet at Latitude 44, Ange-line and Michael of Imm-Living, Matt and Chris of Projector Design, Natalie and Kyle of Composite Angle as well as Laurie and Mania of Samare and Stanley and Ashley of Mason.  Also thanks to designers Tat Chao,Tahir Mahmood and Christopher Solar, the multi-talented Camal Pirbhai, visual artist Camille Turner and architect-slash-design-activist Zahra Ebrahim!

Design Week wouldn’t be as successful as it is without the vision and dedication of people like Gelareh Saadatpajouh, Programs Coordinator of Toronto Design Offsite. Gelareh facilitated an engaging Design With Dialogue session that got each of us to show the group how our design practice looks. With all the different approaches that we shared and our individual ways of finding a solution, one thing was made clear – the community is stronger when we uplift and collaborate.

Everyone contributed to making Design Week such an incredible time!

Plastic sign outside Made Design store
Drawings from group discussion that reads spaces in-between
Sign of Smash and Toronto Design Offsite on the glass window front of the store
Playing with dry ice at design workshop, designer Jerszy Seymour speaking at IDS with slide of drawing of volcano behind his head
Detail of install by Samare at IDS with samples of their felt rugs and the process
Designer Philippe Malouin speaking at IDS with screen behind him that says process dictates form
Window display with paper snowflakes and a poster that says Make Art Everyday
Window display with wooden lamp, chandilier with umbrella handle, and chandilier made with recycled stemware
White paper cloud like structures around modern furniture
Window in the front of gallery with shiny logo reflecting the buildings across the street
Room with mirrors on the floor and under the furniture reflecting the space in infinity, books piled high from floor to ceiling
Five panelists sitting with mics to talk about design in front of a brick wall
Colourful screen printed posters and image of black bricked storefront from street with sign saying Loop
A checkered building on colourful stilts suspended over older brick building with CN Tower in the background
Brick wall with painting across the side with the words Embrace this SpacePhotography by Leah Snyder for Mixed Bag Mag.

1. Detail of Tapestry by Tara Keens-Douglas for the Gladstone’s 10th Come Up To My Room
2. Sign outside MADE, Dundas West during DoDesign
3. Doodles from the Design with Dialogue group for Toronto Design Offsite
4. Sign outside SMASH, The Junction
5. Playing with design process at the Design with Dialogue group for Toronto Design Offsite
6. Designer Jerszy Seymour at IDS for Azure Magazine’s Trade Talks
7. Detail from Samare Design’s install at IDS for “How Do You Work?”
8. Designer Philippe Malouin speaking at IDS for Azure Magazine’s Trade Talks
9. Window display at ARTiculations, The Junction
10. Window display of Brothers Dressler’s  “Ash out of Quarantine Show” at ARTiculations
11. Up-cycled Stemware glass chandelier by Montreal designer Tat Chao at IDS
12. Chandelier with umbrella handle at LightForm at Toronto Design Offsite’s Opening Party
13. Mason Studio’s install at Pavilion for Toronto Design Offsite
14. Window at Cooper Cole Gallery, Dundas West for Shiny Pretty Things show
15. Bruno Billio’s install at the Gladstone’s 10th Come Up To My Room
16. Panel Discussion for Come Up To My Room 10th Anniversary at the Gladstone.  L to r – Andrea Carson Barker, Justin Langlois, Chrisina Zeidler, Zahra Ebrahim, & Pamila Matharu
17. Prints made in house at SMASH, The Junction
18. “Not Forkchops” exhibit at Loop Gallery on Dundas West, Toronto Design Offsite
19. View of OCAD University, McCaul Street
20. Outside wall of Student Gallery at OCAD University, McCaul Street