Last night at Pecha KuchaKevin Yuen Kit Lo of LOKI (Jay Wall’s partner in crime for the show opening tonight in the Junction) asked me how I knew Jay. I couldn’t recall the exact moment of our meeting but I also don’t remember a time when his presence wasn’t somehow on the periphery of my own investigation on how best to support and promote ‘Toronto the Good\ through an alchemic mix of community building, design thinking and iconic visuals.
I was probably first aware of his presence through his work. Jay’s baby is STUDIO JAYWALL a “Toronto-based team specializing in creative direction and graphic/interactive design for social, culture, environmental and city-building initiatives.”
I liked that this guy was using his creative powers for good and that he understood how beautifully designed visuals could motivate people to change – even encourage an activist spirit!
“Let the Dead Man Rise” t-shirt design by Jay with custom handlettering for Toronto folk musician Joe Zambon.
Jay Wall and Sean Martindale at Pecha Kucha, telling the story of the cARTographyTO ad takeover project.
“The type ‘TBCo.’ stands for the Toronto Brick Company which was historically based at the Brick Works. I live near the Don Valley, and I love visiting the Brick Works. It’s also interesting to encounter bricks like this when walking the shore of Lake Ontario, across town from the Brick Works. It’s not uncommon though to find these. Many of the old bricks that the city was built with have been turned to rubble and used as fill to expand the edge of the city out into the lake.
Besides the charm of holding a worn building block of Toronto with old type on it, the letters ‘TBCo.’ take on new meaning for me now. I read them as “To Be Continued” – a reminder that the story of our city is constantly being written, and that we have an important part to play in that. What is the future city that we want? How will graphic design – and decisions as seemingly small as choosing a typeface – help us to get there?”
These are the types of questions that informed STUDIO JAYWALL and LOKI ‘s upcoming show at Cut The Cheese, one of the newest restaurants in the Junction. Reading/Writing the Junctionopens tonight as part of Toronto Design Offsite but will continue on display until February 28th.
“In a rapidly changing neighbourhood, how does the past meet the future? Through the documentation, re-imagining, and re-composition of vernacular storefront signage, lettering and typography, we present a visual commentary on the changing face of the Junction. We look at how the old and new co-exist – what stays and what gets left behind – in an attempt to spark a conversation about hopes for the Junction’s future.”
Another artifact Jay brought along was the Jane Jacobs pin he always showcases somewhere on his person. Toronto loves their Jane! When I moved to Toronto my (re)introduction to the city I thought I knew from growing up close by was the unknown stories uncovered through Jane’s Walks around the city.
“I always wear Jane on my jacket or bandana. I like having her company as I’m riding, walking, or working in the city. She’s a powerful icon of citizen-led city-building (especially for Torontonians), and the triad of intelligence, love, and resistance.”
The story behind the “W” and why Jay decided to bring it speaks to the ethos of Jay’s way of working.
“This is an artifact from my York/Sheridan Design undergrad class grad show exhibition “YSDN 2010.” The “W” pointed to a table of work created by students whose last names started with W (that’s me). I didn’t actually design this, it’s a typeface that was custom designed by my classmate Jonathon Yule for the exhibition. It’s a simple reminder of my roots and how I’m part of the collective – like how the W is just one of 26 letters in the alphabet, but no other letter can do the job of the W. In fact, one of the slogans of our show was “The whole is the sum of its parts.” This idea relates to my studio’s work, in that we do projects that contribute to the collective good of society.”
Another example of Jay’s love of typographic expression is this shirt produced by STUDIO JAYWALLfor the band Currents.
“We’ve all heard that money doesn’t grow on trees. That was true only until we made this illustration for Ottawa-based post-punk band Currents. The hand-lettered band name fuses into the roots of a money-bearing tree, whose character suits the aggressiveness of the music. We printed the 2-colour illustration onto t-shirts and posters, which have been a hit with fans across North America.”
As designers we are constantly scanning our surroundings to take in and then synthesize what we see. The hundreds, possibly thousands of hours, I have spent walking through Toronto has made me understand it better and helped me find its patterns as well as its anomalies. Jay’s way of scanning the city is on his bike. A passionate advocate for a bike-friendly Toronto, Jay is a member of Cycle Toronto and collaborated with the Urban Repair Squad on “street art pieces drawing attention to cycling issues in the city.”
I like that Jay’s way of living is his way of working. They are one in the same. I would say that the most important (although unintentional) artifact of Toronto design that Jay brought along was his bike. Cycling “gives me a ground-level perspective on the city that informs my work. With my studio working a lot on sustainable city-building projects, where environmental and social issues intersect, we get to advocate for bike infrastructure in our own visual way.”
No doubt those future hours that Jay spends engaging with the city while on wheels will bring us more wonderful visuals that may someday become someone else’s artifacts for good design in Toronto!
made the spaces in-between smash / process dictates form / make art everyday / design create innovate think experiment play / shiny pretty things loop / embrace this space
After 6 days and 20+ events my mind is busy synthesizing all that I saw, everything I experienced and each person I interacted with.
Celebrating 15 yrs in partnership with IDS, Azure Magazine’s Trade Talks left me with more than enough food for thought and a satiated mind. Both Oki Sato and Philippe Malouin took the audience inside the head of a designer with regards to the important of process. True to Jerzsy Seymour’s reputation, his talk was full of surprises. Jurgen Mayer H., the German who has now become a sort of Starchitect for the Georgian Government spoke of the forward thinking with regards to institutional buildings in a country eager to emerge on the international scene as a destination of interest. The philosophy behind Jurgen’s design for the customs checkpoint at the border of Georgia and Turkey was to build a structure that would represent the meeting point of two countries rather than the dividing line between an “us” and a “them”. Watch for more of his work popping up on the landscape there!
And I have to agree with Jurgen’s comment to the ladies from ArtsCom on his way out the media lounge on Saturday. The show was well organized (and running on German Standard Time)!
Design Week wouldn’t be as successful as it is without the vision and dedication of people like Gelareh Saadatpajouh, Programs Coordinator of Toronto Design Offsite. Gelareh facilitated an engaging Design With Dialogue session that got each of us to show the group how our design practice looks. With all the different approaches that we shared and our individual ways of finding a solution, one thing was made clear – the community is stronger when we uplift and collaborate.
Everyone contributed to making Design Week such an incredible time!
If you are feeling like you want an early start on Design Week in Toronto then head on up to The Junction, the newest hub of d’lish design in the city. The Junction Kick-Off Weekend (part of Toronto Design Offsite) is taking place tonight and tomorrow afternoon
“The Warm-Up: Fire-Building in the Junction project to construct a fire pit at the train platform of the junction was set in motion by Marcin Kedzior and Noah Scheinman and involves students from Interior Design, Industrial Design, and Architectural Technology from Humber Institute of Technology and Advanced Learning.” Read more on Toronto Design Offsite
Saturday, January 19, 6-9 pm | Sunday, January 20, noon-3pm
Location: The Junction Train Platform at 2960 Dundas Street West (1/2 block east of Pacific Ave)