AXENÉO7 is an artist-run-centre in Gatineau, Quebec that features the work of leading contemporary visual, performance and media artists. The artists who show at Axe are often working from the space of art-as-social-practice producing provocative work that challenges societal norms. For this latest initiative Axe is collaborating with DAÏMÔN, Galerie UQO, and the National Arts Centre’s Canada Scene to present À perte de vue / Endless Landscapea “major visual arts event in Gatineau’s historic La Fonderie building.”
From the National Arts Centre’s website:
Measuring over 58,000 square feet, La Fonderie is one of the few remaining vestiges of Gatineau’s industrial heritage and is an inspiring place for the creation and elaboration of large-scale installations. To encourage a wide range of proposals demonstrating the multifarious approaches to interventionist and in situ work, AXENÉO7 sought, from all regions of Canada, visual artists who have experience working in installation. These selected artists have produced new, monumental works that bring artists, thinkers, and audiences together to reflect upon the intricate relationship Canadians and First Peoples maintain with the land. (read more…)
Saturday night, due the national and local popularity of A Tribe Called Red, was sold out for the NAC Presents turns 5!event.The NAC basically turned their main foyer into a night club. The effect was brilliant. The NAC definitely knows how to throw a sexy #Decolonize party.
Mehdi Cayenne was also amazing bringing a francophone presence to the event. The importance of the evening was not lost on him and he got the crowd engaged in celebrating the diversity that Canada represents – but a diversity that needs to broaden to recognize First Nations, Inuit and Métis as significant contributors of culture.
Dancer James Jones charmed the crowd during ATCR’s performance combining breakdancing moves with hoop dancing. It was clear from the crowd’s reaction that contemporary Indigenous culture is celebrated and the impact is positive.
If you missed Saturday’s event you can still take advantage of the events the rest of the week. And if you are not in the Ottawa area the Art & Reconciliation Panel Discussion moderated by Truth and Reconciliation Commissioner Marie Wilson will be livestreamed at this link here.
TUESDAY – SATURDAY (January 12 – 16 at various times): Jack Charles V The Crown “Aboriginal. Actor. Addict. Residential School Survivor. Cat Burglar. Homosexual. Jack Charles is an Australian tribal Elder and a living legend. This highly entertaining and autobiographical presentation, which includes a three-piece band, runs the gamut of a life lived to its utmost, spanning Charles’ career as an actor/musician, a lifetime of political activism, and a terrifying descent into heroin addiction and petty crime. His experience as a stolen child echoes the plight of Canada’s own Indigenous people – and his heart-warming presence, generous spirit and unswerving optimism make his journey one of resilience and reconnection. Jack Charles is a theatrical marvel.”
WEDNESDAY (January 13 from 5:30 – 6:30 pm): Rita Joe National Song Project “Students from schools in Nova Scotia and Quebec will perform music they created based on Rita Joe’s I Lost My Talk poem.”
Mi’kmaq youth from ABMHS High School, Eskasoni, Cape Breton, N.S.
Algonquin youth from Kitigan Zibi Kikinamadinan School, Maniwaki, QC
Frances Joe, the daughter of poet Rita Joe
Moe Clark, Host and Multi Media Métis Artist
Alexander Shelley, Music Director of the NAC Orchestra
Annie Smith St-Georges, Algonquin Elder
Jessica Bolduc, 4R’s Youth Movement
THURSDAY (January 14 at 6:30 pm) : Art & Reconciliation FREE & LIVESTREAM! A timely panel discussion on art in the context of reconciliation moderated by Dr. Wilson, Commissioner, Truth and Reconciliation Commission of Canada, and featuring panelists Rachael Maza, acclaimed Australian theatre director of Jack Charles V The Crown, Joseph Boyden, author of the award-winning novels Three Day Road and The Orenda, and composer John Estacio. The panel discussion will be introduced by the Right Honourable Joe Clark. The event will be live streamed at nac-cna.ca/live. Guests to attend the event include Their Excellencies David Johnston the Governor General of Canada and his wife Sharon Johnston, Mrs. Sophie Grégoire-Trudeau, and National Chief Perry Bellegarde of the Assembly of First Nations.
THURSDAY – FRIDAY (January 14 – 15, 8 pm & 7 pm): I Lost My Talk “World premiere of I Lost My Talk, composed by John Estacio and performed in Southam Hall by the NAC Orchestra under the direction of NAC Music Director Alexander Shelley. This immersive, multidisciplinary work – based on the poem by the late Mi’kmaw elder and poet Rita Joe – was commissioned for the NAC Orchestra to commemorate the 75th birthday of The Right Hon. Joe Clark by his family, and features an extraordinary film produced by Barbara Willis Sweete.”
Legacy of Hope exhibit looks the impact of the Residential Schools opens tomorrow at the National Arts Centre
And finally from now until the end of the month the exhibit 100 YEARS OF LOSS: The Residential School System in Canada will be available for viewing from 2 pm onwards each day.
“This bilingual exhibition, created by The Legacy of Hope Foundation, raises awareness and understanding of the history and legacies of the Residential School System in Canada. Through archival photographs and documents, first-person testimonies, and evocative works of art, the exhibition encourages us to learn about this difficult history, to recognize its legacies in our country today, and to contribute our own acts of reconciliation.
When one of my favourite Quebec Designers, Tat Chao, introduced me to the work of Basma Osama (Ceramik B.) and Marie-José Gustave I was struck by how loyal they both were to their material of choice. These women are faithful to their muse!
Basma’s silky white work is easy on the eyes. Her bowls,cups and dishes evoke a handsome elegance which I am sure makes the food caressed inside look all the more tantalizing. But the real stunner is her piece The Letter No. 1. Assembled with over 1000 pieces of hand-thrown porcelain it is without comparison!
“Inspired from a handwritten personal letter, Letter No. 1 carries a language that goes beyond visual perception. The elements of this language aim to reach, to call out to the reader and invite interaction. Emotions and thoughts come through two simultaneous rhythms: a linear rhythm, punctuated by spaces that allow the content of this letter to physically place itself. And the rhythm of curves, unique to each element, give each sign its meaning, as words often do. The shapes of these organic elements, coming out of the wooden support, act as the conveyors of meaning. The support, made of local walnut wood, supports the text and underlines it as a language sign.”
Basma was lead to porcelain because of a need to “work with a refined type of clay” as well as desire to “submit to its whimsical character.” Her loyalty to porcelain? “Because I love it! I meticulously craft it and work on its texture, and it gives it back, every time!” Her muse is as faithful to her as she is to it!
When asked what is special about this material as opposed to other materials she has worked with she replies “I like its texture, its density, its colour, the way it behaves in the kiln…and the way it reasserts how humble I have to remain when I use it.”
And when I inquire if there is a romance she has with the material she emphatically answers “Yes, a huge one! One of many years, many events, many stories and I would not exchange it for any other clay!”
Beautifully blurring craft and design.
Marie-José Gustave’s objects and furniture merge design with craft. She says that she has always been inspired by and has a passion for craft. This led her to master in clothing production as well as to develop a skill set that includes sewing, knitting, and weaving along with paper molding. But her love affair with cardboard came from a more practical encounter. Upon moving to Quebec from France and wondering what to do with all the boxes that remained as evidence of her transition she began to experiment with the material that had now taken up residency in her new home. The boxes never left and instead motivated her to create what is now a strong body of work that shows the beauty of this humble material.
I have always adored the textural richness of cardboard. I have used it in my own art practice so it makes sense that I would gravitate to Marie-José‘s work but what I found fresh was the way she manipulated the cardboard. That is what ultimately seduced me. She has taken this material to another level and has prototyped a new way of thinking about cardboard as a valid choice of material for decor and design. “I love the challenge of diverting the material to make it soft and flexible, find its transparency, shape it the way I want.” She definitely has a lover’s touch!
Music, Visual & Performance Art in James Street North area of Hamilton, Ontario.
There is always lots to do in the city but there is also always a reason to get away and this weekend Hamilton’s SuperCrawl 2013 offers as good a reason as any because this successful festival, now in its 5th year, is expected to draw of crowd of over 80,000 and will feature music, visual and performance art!
SOME OF THE SUPERCRAWL HIGHLIGHTS:
1. Brooklyn Artist Jason Krugman
Jason Krugman is an artist who invents new applications for LED lighting technology. His work combines materials with electronics, referencing nature through accumulation and modularity. His studio produces large-scale LED cable systems as well as installation artworks for public spaces and events. Read more…
BGL is a collective of three Québécois artists (Jasmin Bilodeau, Sébastien Giguère and Nicolas Laverdière) whose productions find their pleasure in breaking down the distance between art and audience, bringing the viewer into a vivid and active experience. Read more…
3. Canadian Muralists Alexa Hatanaka & Patrick Thompson
Alexa Hatanaka and Patrick Thompson’s work encourages individuals who see, interact and move through their artworks to rethink, contemplate and renew their relationships to their environment. They are a team that values public art and collaboration, and together they paint large-scale murals using latex and aerosol. Their work combines colourful figures and stream-of-consciousness mark-making. Read more…
4. Circus Orange
“Our show at Super Crawl this year will be a custom ensemble of a number of our more awesome show components fit together seamlessly to create a spectacular twenty-five minute long performance. The show will consist of the following elements: Our pedal powered flying Pyrocopter, a flying opera singer with a dramatic pyro waterfall, our truly original flamethrower trampoline act, a crane based aerial silks performance (suspended underneath the Pyrocopter), fire/pyro performers and our animated hydraulic lift stage. All this will be staged with special effects and high-elevation pyrotechnic highlights. It will be great!” Read more…
Shows starts at 8:05 Saturday, Sept 14 at the Circus Orange Event Area
5. Superbrawl by Hammer City Roller Girls
This year the Hammer City Roller Girls are excited to hold their annual outdoor roller derby bout as part of Supercrawl, Hamilton’s premier festival for music, arts, and performance – and now roller derby! SuperBRAWL will place on Saturday, September 14 at 2:00 pm on the skatepad at Hamilton Waterfront Trust’s Pier 8, as part of Supercrawl’s new Waterfront stage.
“They know very well what they are fighting for and its probably worth much [more] than nine holes in the ground.”
Just over a month ago the Turkish people came out to demonstrate in Taksim Square in Istanbul. The ignition – the desire to save trees. In an overdeveloped but ancient city, Gezi Park is one of the few green spaces left and the plan to rob the citizens of this enduring place for want of a modern mall was the final strike of the match.
In seeing the footage of the masses that showed up in Istanbul, I fantasized about the same size of a crowd gathering to protect the trees and the sacred natural spaces we have left here in Canada a land once so abundant with natural beauty but now being sliced through and whittled down.
Today is the anniversary of the blaze that started here in the town of Oka and Kanesatake community in Quebec. A developer’s desire to conform the land into a golf course was the fuel for a blaze that burned regarding human rights.
For the want of trees a population was ignited into action to deal with the deeper discontents.
The trees in Gezi Park were / are symbolic of the deeper discontent of the Turkish people with regards to their government. Most people would be in agreement that the Turkish people, in their desire to save the trees, acted poetically in their fight for justice.
Was Oka any different?
END NOTE: Some of the land desired for development was a burial ground for the Mohawk people of that community. For over 400 years an Armenian cemetery was located in that area of Gezi Park. After the Armenian Genocide the cemetery was razed.