Oh my! Where does one start?! First let me say this. There is nothing boring about Ottawa. So let’s just put that “it’s the city that rolls up the sidewalks at night” myth to rest. Just when I think I might get a breather from events the Writers Festival ends by seguing this city into another festival celebrating the arts – The National Arts Centre’s Ontario Scene. “Imagine 600 Ontario artists, from all disciplines, performing in the national spotlight on the stages of Ottawa/Gatineau: that’s Ontario Scene.”
The biggest limiting factor to Ontario Scene is that my body only allows for me to be in one place at one time. I may have to settle for 300 Artists, 30-ish events and maybe 1 less day.
I have already clocked two events with back to back nights at Carleton University Art Gallery for the Opening and Artist Walk Thru of the current exhibit “Human Nature.” This show “presents fourteen contemporary Ontario artists whose works look at the state of the natural world and our impact on it.”
Images by Leah Snyder for Mixed Bag Mag.
Graffiti Boxman Project. Photo Flips BSC. Kwende Kefentse.Credit James Park Photography.
“Century Song is a live performance hybrid showcasing the extraordinary Canadian soprano NEEMA BICKERSTETH. A radical revisioning of the recital form from one of Canada’s most exciting theatre companies, it is part classical song, part dance, part projection, and entirely theatrical.” Find outmore…
Digging Roots. Raven Kanatakta and Shoshona Kish. Photo Ratul Debnath.
DECLARATION is a great Ontario Scene initiative that will be running from April 29 to May 3.
“DECLARATION is a celebration of Indigenous peoples’ right to engage in the creation and evolution of arts and culture, as asserted in Article 11 of the 2007 United Nations Declaration on the Rights of Indigenous Peoples. Created by Toronto-based ARTICLE 11, DECLARATION is an immersive, live, sound and image installation and performance-creation lab. It offers the rare opportunity to witness established Indigenous artists mid-process as they take risks and explore new approaches and collaborations in a responsive, interdisciplinary environment.”
Read more about the full DECLARATION programming here.
Santee Smith. Image by Red Works.
John Morris, NAC Executive Chef
Also, on the menu, literally, is food – the best of what Ontario has to offer in the culinary arts.
On Monday night:
“le café presents a WINEMAKER’S DINNER that showcases and complements the delightful wines of Pelee Island, Canada’s oldest and most southerly wine region. For this special occasion, National Arts Centre Executive Chef JOHN MORRIS will prepare a sumptuous five-course menu with all-Ontario ingredients, and every course will be paired with the finest varietals that Pelee Island has to offer. Winemaster MARTIN JANZ, of Pelee Island Winery, will be in attendance.”
On Tuesday night:
“Experience the innovative and mouth-watering creations of more than a dozen top chefs from across the province as they vie for the $10,000 top prize in the ONTARIO CULINARY CHALLENGE. Each chef will prepare uniquely Ontario small plates, using a selection of 100% local and regional meats, cheeses, fruits, and vegetables. With the support of Wine Country Ontario, chefs will be partnered with Ontario wineries to produce the perfect food-wine pairings, which attendees can sample throughout the night. Rub elbows with chefs, sommeliers, and media, sample some of the province’s finest wines, and cast your vote to award the first-place prize for the very best of the best in Ontario’s culinary arts.”
Alright, time for a 2nd shot of espresso and I will be ready to go.
Past history and present tense invoked with installations at Fort York, Toronto.
Today we know of Fort York as the (barely visible) small patch of green space that buffers the expansive condo development that now grinds against the north and south sides of the Gardiner and barricades us from a view of the sky.
In 1793 the plan for a garrison was put into place by John Graves Simcoe. At the time, Niagara was the capital of the province but Simcoe felt that Toronto was a more suitable place for a naval base that would protect the area from the possibility of an American attack. Soon after, it was decided to move the base again – to Kingston – but a community had already developed around the area and by 1800 there was a residence built for the lieutenant-governor on the site.
In the spring of 1813 the Fort was attacked by the Americans. Both the Indigenous nations of the Mississaugas and the Ojibwa assisted Canadian and British forces to keep the Americans at bay but in the years the followed Fort York was continually attacked and occupied by American Forces. Eventually, due to the victory of the British in the War of 1812, Fort York became a more stabilized community that grew to become the settlement that was renamed Toronto in 1934, from the Kanienke’haka (Mohawk) word Tkaronto meaning “the place in the water where trees are standing.”
Two centuries of peace have passed but the site still remains to commemorate the battles and lives lost.
It has also become a great place to showcase dramatic and large scale art and performance.
Luminato does Fort York.
In 2012, as part of the commemoration of the 200 years since the war of 1812, Luminato staged a massive art install at the Fort called “The Encampment.”
“Marking the bicentennial of the War of 1812, The Encampment is both a luminous large-scale art installation and a kind of metaphoric archaeological dig—one that unearths not physical artefacts but long-buried shards and strands of human experience. Conceived as a “temporal village,” the installation comprises 200 A-frame tents pitched on the grounds of Fort York, which fell to U.S. forces during the war. Each tent contains an installation by one of 200 artistic collaborators, selected via an open call for contributors. Each creates a visual representation of an aspect of the war’s civilian history, gleaned from research into real-life stories of family, love, loss, survival, patriotism, collaboration and betrayal. Visible at a distance from several downtown locations, the massive assemblage of tents presents a wondrously glowing sculptural landscape. Explored at close quarters and through social activations, it offers poignant insights into the lives of ordinary people swept up in the epic drama of history.” More info…
Kaha:wi Dance Theatre participates in remembering and honouring the lost lives.
“Body of War reflects on how man becomes a soldier through the relentless repetition of acts of violence. What happens to the psyche as it learns to transgress social principles and integrates the willingness to kill? Set in the geography of the Normandy Landings and punctuated by testimonies of retired and serving soldiers, a mis-en-scene of visceral hand-to-hand combat is gradually deconstructed. The viewer is invited to engage in the relationship between human intimacy and the brutality of war choreography.
CHIC POINT by Sharif Waked (Nazareth, Palestine / Israel) Video Installation
“Chic Point ponders, imagines, and interrogates “fashion for Israeli Checkpoints.”
Male models expose body parts – lower backs, chests, abdomens – peek through holes, materials and standard clothes are transformed into pieces that follow normative fashion standards while calling them into question. Chic Point bares the loaded politics of the gaze as it documents the thousands of moments in which Palestinians are forced to undress in the face of interrogation, as they attempt to move through the intricate and constantly expanding network of Israeli checkpoints.”More info…
“The work is an attempt to explore world orders that defy geo-political definition. A red carpet-flag allows the audience to experience the glamour of walking down the catwalk, while unexpectedly being confronted with different political ideas regarding the fall of a totalitarian system.”More info…
MELTING POINT, 2014 by LeuWebb Projects (Toronto), Jeff Lee (Toronto), & Omar Khan (Toronto) Light Installation
“Located on the original shore of Lake Ontario, Fort York was built for defense. Over time, the Fort has stood its ground against enemy advances, expressways and condos as the lake’s edge has pushed further away. Situated in this context of protection and resistance is Melting Point, a sound and light based installation. Melting Point stocks a pair of cannons with an artillery of glowing good feelings, in the form of sparkling tributaries of light pouring from the mouths of the old weapons. Accompanied by a chorus of rolling waves and trilling harps, the work lays a defense agsinst the swirling market forces beyond, countering hard with soft and dark with light and creating a safe space for Art.”More info…
“Mismatched chairs are gathered from households for re-creation of the moment of a family function. Initiated by the audience, the movement of these objects creates the sounds of a family shuffling their chairs into position at the table.
The mirrored floor captures the physical reflections of the audience and the chairs, imbued with personal nostalgia, thus becoming the medium that retains and reflects private experience and memory.” More info…
BRIGHT BUNDLE 2014
“Bright Bundle is a light sculpture ablaze with pulsating light and sound representing the past and present of growth, prosperity, culture and the future. Set in the centre of Fort York, this 1000 metre ribbon of LED lights will glow and pulsate in a golden-white colour seen from a distance and beckon audiences from surrounding pathways towards it to bath in the glow of its pulsating lights and sound.”More info…
Wishing everyone a safe (and dry) night!
NOTE:Ascendant Line & Melting Point will continue to be on display until October 13.
“Before Day Break contemplates a sensitive artistic practice. Evoking the complexity of life itself, artists from diverse regions will offer singular perspectives in an attempt to cover different angles of reality. Through these practices they enable the audience to turn the ordinary into extraordinary artistic memory. Like the pixels in a photograph, human relationships, religion, socio-political and cultural behaviour are among the themes used to present a deeper message that speaks to the universality of the human experience. Motivated to challenge and surprise the viewer’s expectations, this vibrant environment will invite reflection on contemporary history, while juxtaposing it to Canada’s quest for inclusion and plurality. All of this leads to satisfaction of the eye and the intellect.Before Day Break defends and trusts the restorative power of art.” More info…
All images above by Leah Snyder for Mixed Bag Mag unless otherwise noted.
Days of recognition are always problematic. There are celebrations for everything from Water to Women. In an age where a well branded campaign can get an issue talk time does the message get diluted when those commemorative days are reduced down to a quick and digestible moment of cultural exchange?
When I bring up the Residential School System with non-native friends its shocking how no one seems to have much of an idea of what this is and what took place – is still taking place.
Genocides? Only happen in places with exotic names. Not here.
Slavery? That happened in America.
Cultural Amnesia? Never heard of this.
Most Canadians no little about the history of Indigenous Peoples here in Canada and their experience of Indigenous culture is at arm’s length – behind glass in a museum, a film with questionable stereotypes, a Canada Day performance.
So on this National Aboriginal Day here’s a challenge for Canadians – let’s start to get acquainted with not only the history of First Nations, Métis and Inuit people but also the contemporary issues that we as a country are connected to and implicated in.
If experiencing the Arts is your way to expose your mind to new narratives that’s great because we have so many amazing contemporary Aboriginal artists in this country and MIXED BAG MAG will continue to post on all the incredible talent. Best part – there’s probably something to experience the other 364 days of the year!
“Today, June 21, is Canada’s National Aboriginal Day. This morning, like most other days, I woke up, made my coffee, and sat down to read the news. The consensus seems to be that today is a day to celebrate Aboriginal cultures and to remember our vibrant history within Canada.
In the newspapers, stories of celebration and cultural performance encourage all Canadians to learn about us, to let us share our cultures with them, and to celebrate Aboriginals as part of Canada’s strong foundation of diversity. And, like most other days, I also read stories about the ongoing struggles for Indigenous land rights, protection of Indigenous grave sites, and recognition of high rates of violence. Yet I further notice that coverage of these concurrent realities — the celebration and the struggles — seem to be kept very separate, as though they cannot exist together, or are somehow irreconcilable in the minds of Canadians and the federal government.” Read more on Media Indigena…
“Over 600+ native women in Canada are reported missing or murdered in the last 20 years. Many vanished without a trace with inadequate inquiry into their disappearance or slaying paid by the media, the general public, politicians and even law enforcement. This is a travesty of justice.
Walking With Our Sisters is a commemorative art installation of 600+ moccasin vamps (tops) created and donated by hundreds of caring and concerned individuals to draw attention to this injustice.” Read more on www.walkingwithoursisters.ca