This list of resources was discovered on tumblr and provided by “garçonnière,” a critical queer artist/writer living in Québec City.
It’s a great list and along with this resource she has great content on both her wordpress and tumblr blog so Mixed Bag Mag recommends following her there as well as on twitter @garconniere and facebook.
Many of my friends have been asking me what Idle No More is about: where to begin, what’s happening, why now, what’s next, etc. Although I’m well versed in many of the issues Idle No More addresses, have studied post-colonial theory, and have even covered some of the resistance to colonialism (in Caledonia/Six Nations, Grassy Narrows, and Sharbot Lake) – this feels like an overwhelming question. Partly because… well, it is an overwhelming question. Idle No More is a complicated movement because it is tackling a messy, tangled history – the history of colonialism, and the many incarnations of resistance to it.
That said, I’ve been consuming content voraciously, so here’s the best of what i’ve come across.
As a whole we are greater than the sum of our parts.
Not only is Black History Month about celebrating the contributions African Canadians have made to our society but it is also about calling Canada out on its educational amnesia with regards to a history stretching back to our origins as a Nation.
Unfortunately the system has been slow to change and in the 21st Century we still have problems. The Idle No More movement shows that there is much to be done in acknowledging that as a whole we are greater than the sum of our parts. If there is historical or contemporary exclusion of any group of people in this country we all suffer.
So for the month of February, as we draw nearer to the rebirth of Spring, MIXED BAG MAG will be focusing on the process of cultural healing – what does it mean, how can it look, and where can we all go together?
One of the most powerful ways to transform our perspective is when we allow ourselves to see the humanity of another human being as shared with our own. Art, performance, music, and storytelling create spaces of understanding. As we watch with our eyes, listen with our ears, often our hearts open as well.
To kick off Black History Month in the spirit of Sankofa (an African symbol that means to look back at where you have come to understand where you are going) Mixed Bag Mag is going back to the source of this continent by showcasing and posting on Aboriginal Artists as Cultural Provocateurs.
In Toronto we are lucky to have some great events taking place this week into the next.
On now at the Power Plant (on until May 5) is the exhibition Beat Nation.
“Beat Nation describes a generation of artists who juxtapose urban youth culture with Aboriginal identity to create innovative and unexpected new works that reflect the current realities of Aboriginal peoples today. #PPBeatNation” (cited from www.powerplant.org)
“Justseeds Artists’ Cooperative is a decentralized network of 24 artists committed to making print and design work that reflects a radical social, environmental, and political stance. With members working from the U.S., Canada, and Mexico, Justseeds operates both as a unified collaboration of similarly minded printmakers and as a loose collection of creative individuals with unique viewpoints and working methods. We believe in the transformative power of personal expression in concert with collective action. To this end, we produce collective portfolios, contribute graphics to grassroots struggles for justice, work collaboratively both in- and outside the co-op, build large sculptural installations in galleries, and wheatpaste on the streets – all while offering each other daily support as allies and friends.” (cited from www.justseeds.org)
SATURDAY at Ryerson is the “Pictures of by Indians”Symposium.
“Pictures of By Indians is a one-day symposium and discussion of photo-based art, culture and decolonization. This free public presentation will examine these issues through the practices of five internationally acclaimed Indigenous artists, and provide an opportunity to engage with the ways in which Indigenous photographic practices shape art and cultural discourses in Canada. The work of these artists represents a vast landscape of Indigenous artistic research, methodology and practice in the field of Indigenous photo-based arts and activism: Scott Benesiinaabandan, Rosalie Favell, Mary Longman, Shelley Niro and Jeff Thomas.” (cited from www.ryerson.ca/ric)
“Using the 1948 Universal Declaration of Human Rights as a point of departure, HUMAN RIGHTS HUMAN WRONGS examines whether images of political struggle, suffering and victims of violence work for or against humanitarian objectives, especially when considering questions of race, representation, ethical responsibility and the cultural position of the photographer.” (cited from www.ryerson.ca/ric)
Sunday take advantage of Power Plant’s “Sunday Scene” where a guest comes to give a talk and tour of the latest exhibits. This Sunday artist and writer Kristie McDonald will be giving on Beat Nation.
“Kristie MacDonald is an artist and writer who lives and works in Toronto. She is currently the Archivist at Vtape. Her art practice engages notions of the archive and the collection, as well as their roles in the evolving meanings and contextual histories of images and artifacts. Kristie holds a BFA from York University specializing in Visual Arts, and an MI from the University of Toronto specializing in Archival Studies. MacDonald will speak about our current exhibition Beat Nation.”(cited from www.thepowerplant.org)
Wednesday of next week return to Power Plant for In Conversation with Bonnie Devine and Dylan Miner.
“Bonnie Devine and Dylan Miner will discuss the emergence and significance of the artist/activist in historic and contemporary Indigenous aesthetic practice. Their conversation will address the convergence of art-making and political action to affect social change.” (cited from www.thepowerplant.org)