Angry Inuk and Rhymes for Young Ghouls screen in Ottawa tonight as part of National Canadian Film Day for Canada’s Sesquicentennial.
Today is National Canadian Film Day 150 (NCFD 150). This initiative is part of the Government of Canada’s Canada 150 Signature Projects. More than 1700 locations will be screening the best in Canadian film today, April 19, 2017 from “coast-to-coast-to-coast celebration of Canadian cinema in honour of our nation’s sesquicentennial.” More information can be found at www.canadianfilmday.ca.
Tonight in Ottawa you can catch Angry Inuk at Gallery 101 or Rhymes for Young Ghouls at Ottawa University.
ANGRY INUK WHEN: 6:30 – 9:30 pm, Wednesday, April 19, 2017 WHERE: 51B Young Street, Ottawa **Pay What You Can**
Register on the Facebook Event Page.
RHYMES FOR YOUNG GHOULS WHEN: 6:30 – 9:30 pm, Wednesday, April 19, 2017 WHERE: University of Ottawa Library, Morriset Hall, 1st Floor, 65 University
**FREE*** Register on Eventbrite
This film fest is “the world’s largest film festival — ever. National Canadian Film Day 150 (NCFD 150) is a massive one-day” screening. The website has a complete event listing of all screenings. To find a screening in your town or city click here.
This weekend the city of Ottawa hosts two talented women. Filmmaker Alethea Arnaquq-Baril will be screening her doc “TUNNIIT: Retracing the Lines of Inuit Tattoos” at Carleton University, a CIRCLE(Centre for Indigenous Research, Culture, Language & Education) event.
WHEN: Friday, October 7 @ 6-8:30 pm WHERE: St. Patrick’s Building (Behind the Residence Commons) Rm 100 at Carleton University, 1125 Colonel By Drive, Ottawa, ON K1S 5B6, Paid Parking Lot P6
On Saturday night singer / songwriter Iskwéwill be performing at the Mercury Lounge along with cellist Cris Derksen.
WHEN: Saturday, October 8 Doors Open @ 8pm Show starts @ 9pm WHERE: Mercury Lounge
$12 Advance Tickets. More at the Door.
One World Film Festival opens at the Library & Archives this weekend in Ottawa.
This weekend whether you are in the Capital of Ontario or the Capital of Canada, both cities are hosting independent film festivals with programming that offers critique to current issues, like Oil and Occupation as well as Occupation because of Oil.
In Ottawa the One World Film Festival is in it’s 25th year. It runs from Thursday September 25th to Saturday, September 27th.
THURSDAY: Above All Else @ 6:30 pm
(Includes Panel Discussion with filmmakers John Fiege and Anita Grabowski and Ben Powless of Ecology Ottawa after screening)
“an intimate portrait of a group of landowners and activists in East Texas who tried to stop construction of the Keystone XL pipeline, a $7 billion dollar project slated to carry tar sands oil from Canada to refineries on the Texas Gulf Coast. They risk financial ruin, personal safety, and the security of their families as they attempt to protect their land and defend their rights. The film is both an exploration of the human spirit and a window into how social change happens in America.”More info…
FRIDAY: Virunga @ 6:30 pm (Includes Panel Discussion after the screening)
“Africa’s oldest national park, Virunga is a UNESCO world heritage site, and the last natural habitat for the endangered mountain gorilla. None of that will stop the business interests and rebel insurgencies lurking at the park’s doorstep. Orlando von Einsiedel pairs gorgeous natural scenes from Virunga with riveting footage of the Congolese crisis, raising an ardent call for conservation as a vital human enterprise. Along the way, he spotlights the incredibly dangerous work that is often required to safeguard the environment.”More info…
SATURDAY: Watchers of the Sky @ 6:00 pm & On The Side of the Road @ 8:45 pm
“WATCHERS OF THE SKY interweaves four stories of remarkable courage, compassion, and determination, while setting out to uncover the forgotten life of Raphael Lemkin – the man who created the word “genocide,” and believed the law could protect the world from mass atrocities. Inspired by Samantha Power’s Pulitzer Prize-winning book, A Problem From Hell, WATCHERS OF THE SKY takes you on a provocative journey from Nuremberg to The Hague, from Bosnia to Darfur, from criminality to justice, and from apathy to action.”More info…
“Former West Bank settler Lia Tarachansky looks at Israelis’ collective amnesia of the fateful events of 1948 when the state of Israel was born and most of the Palestinians became refugees. She follows the transformation of Israeli veterans trying uncover their denial of the war that changed the region forever. Tarachansky then turns the camera on herself and travels back to her settlement where that historical erasure gave birth to a new generation, blind and isolated from its surroundings. Attempting to shed a light on the country’s biggest taboo, she is met with outrage and violence.”More info…
Sunday includes a screening of Omar, one of my favourite movies of 2013. Along with dramas and shorts by Palestinian filmmakers, the festival also includes films about Palestine from the perspective of non-Palestinians. One example is Village Under the Forest.
“The Village Under the Forest explores the hidden remains of the destroyed Palestinian village of Lubya, which lies under South Africa Forest. During the 1948 Nabka, more than 500 Palestinian villages were destroyed. The Jewish National Fund raised money from around the world under the guise of ‘greening the desert’ and built forests and parks named after different countries on the remains of these villages in an attempt to erase their dark history. Writer/narrator Heidi Grunebaum revisits South Africa Forest, the forest she helped finance with the pennies she collected as a child twenty year ago. Using the forest and the ruins of Lubya as representative of a much wider process, this compelling film explores central themes of the Nakba – forced exile, erasure of memory, creating ‘facts on the ground’, and the Palestinian Right of Return.” More info…
“Making its debut at TIFF 2013, Giraffada is a light-hearted drama inspired by a true story. Ziad, a ten-year-old boy from the West Bank, spends all his free time at the Qalqilya zoo where his father Yacine (Saleh Bakri) works as the zoo’s veterinarian. In particular, Ziad has a special bond with the zoo’s two giraffes who he helps care for. Yacine, recently widowed, is determined to preserve the zoo as a haven for animals and for the local children who play there, temporarily escaping the hardships under occupation. One night, after an air strike on the city, one of Ziad’s beloved giraffes dies. The surviving giraffe stops eating due to the loss of her mate. Yacine is determined to save her by bringing in a new giraffe but the only zoo that can help him is in Tel Aviv. Yacine and Ziad are committed to doing whatever it takes to save their giraffe, even if it means breaking the law. Giraffada, which stars Mohammad Bakri (In Attendance), is a unique portrayal of childhood under occupation.”
Last week at Beit Zatoun TPFF hosted a talk on New Directions in Indigenous Cinema with Jesse Wente (Director of Film Programmes & curator of TIFF’s 2012 program First Peoples Cinema: 1500 Nations, One Tradition) and Rasha Salti (TIFF Programmer for African and Middle Eastern Cinema). Rasha discussed the historical and contemporary context of Palestinian cinema. There is a lot to be learned! The documentary Cinema Palestine offers more insight.
“Cinema Palestine is a poetic documentary which explores the life and work of multiple generations of Palestinian filmmakers and media artists. Based on in-depth interviews with a wide range of Palestinian artists living in the Middle East, as well as North American and Europe, the film documents the emergence of a Palestinian narrative through film, the relevance of film to the Palestinian national struggle and the relationship between art, personal experience and politics in one of the most contested landscapes in the world. The film features interviews with numerous filmmakers screened at TPFF including: Annemarie Jacir, Rashid Masharawi, Mohammad Bakri, Najwa Najjar, Hany Abu-Asad, Nasri Hajjaj and Mai Masri. A post-Screening Panel featuring Tim Schwab, Mohammad Bakri and Mais Darwazah will follow the film, with our guests further exploring the role of Palestinian cinema in the emergence of the Palestinian narrative.”
Screenings for the TPFF take place at TIFF and the AGO’s Jackman Hall. For full schedule details click here.
From Haida artist Robert Davidson to American artist Kara Walker Mixed Bag Mag covered a lot of artistic ground.
My art muscle is damn strong! In 4 days I was able to cover (almost) everything. It was a major marathon (Bed-Stuy to Manhattan – up to Harlem – back to Brooklyn) but I arrived at the finish line inspired by all that New York has to offer right now.
It was the small-but-mighty shows that grabbed my attention the most and made me regret that I wouldn’t be staying longer.
& of course Surveillapocalypse with the 007 Collective and artCodex at Five Myles Gallery Brooklyn. The work of Brooklyn based artist David Wallace was beautiful to witness.
I have been around the world – East Berlin during the Reunification of Germany, L.A. during the Rodney King riots, even Johannesburg leading up to the elections where Mandela’s win changed the course of history…
…but never New York!
Sometimes living close by a place makes you take it for granted. This trip was about righting that wrong and finally showing some love to New York. And the timing couldn’t have been better for gathering MIXED BAG MAG style content! Also on the agenda was Kara Walker’s A Subtlety at the Domino Sugar Factory in Brooklyn as well as seeing Ai Wei Wei’s According to What for a second time at the Brooklyn Museum. It was interesting comparing this iteration of the show to last year’s at the Art Gallery of Ontario (AGO). Another chance at comparison will be when the AGO hostsBefore and after the Horizon: Anishinaabe Artists of the Great Lakes, currently on at the National Museum of the American Indian.
When you deep dive into a city’s art scene to explore different neighbourhoods with their private galleries, artist-run centres and national institutions you witness how much art enriches the lives of the inhabitants as well as the visitors. Life wouldn’t be as wonderful without artists!
I got a little lazy pulling out my clunky pro camera so I decided instead to capture New York thru the lightness of a cell cam. Here is just a small sampling of what I experienced. There will be more trips south of the border in an effort to uncover how artists transform urban spaces and cultural places but for this moment I was just a 21st Century flâneur with a phone.
Maria Hupfield stands in front of “Splash” a sculpture by Haitian-American artist Engles.
For the last 20 years Mongrel Media has played an important role in broadening the scope of Canadian film. Always beautiful, thought provoking and socially relevant, this year Mongrel Media’s Empire of Dirt premiered at TIFF and ImagineNATIVE. This weekend Empire of Dirt is at Ottawa’s Bytowne Cinema on Rideau Street.
Sunday, Dec 8, 4:15pm
Monday, Dec 9, 9:00pm
Tuesday, Dec 10, 4:30pm
“As in many Native families, Lena Mahikan (Cara Gee) grew up in the cycle of abuse.
Her father, a residential school survivor, was an alcoholic until he killed himself when
Lena was 10. Her mother, only 14 years her senior, turned to the slots and was
consumed. By the time Lena was 15, she was pregnant and, before giving birth, was
kicked to the curb by her mom. For 13 years Lena has been living, poverty stricken in
Toronto, struggling to make ends meet, being chased by her own demons. The
cycle continues and Lena is now watching helplessly as her own daughter, Peeka
(Shay Eyre) spirals out of control, landing herself in the ER following a drug overdose.
As her final attempt at survival, Lena decides to return home and face her own
mother and a past she’s tried desperately to escape. Empire of Dirt tells the story
of three generations of Mahikan women who are given a second chance to be family
and put an end to the painful legacy that has plagued them.”
Âhasiw Maskegon-Iskwew, isi-pîkiskwêwin-ayapihkêsîsak (Speaking the Language of Spiders), Website, 1994, screen capture courtesy of ImagineNATIVE.
It’s a great feeling to be in a crowded room and seeing that you are surrounded by people whose passion is making this world a more equitable and empathetic place. This is the first year that ImagineNATIVE has included an Art Crawl as part of its programming and judging by the large turnout it was a good call! Partnering with some of the galleries and artist-run-centres at 401 Richmond (also where ImagineNATIVE is located) Friday’s event was about “featuring contemporary Aboriginal new media art, commissions and retrospectives and artist talks by curators and attending artists.”
On left, curator Jimmy Elwood. On right, Executive Director of ImagineNATIVE Jason Ryle.
Love Sick Child at A Space
The crawl began at A Space with Love Sick Child curated by Jimmy Elwood and featuring the work of ÂhasiwMaskegon-Iskwew along with Cheryl L’Hirondelle, Adrian Stimson and Leslie McCue. Leslie’s work was particularly poignant. She explains that the piece was based around an Anishinaabe saying “Make your words as sweet as strawberries.” Poised above a rock secured behind plexi-glass is a funnel of strawberry juice that slowly drips over the stone the duration of the exhibit causing it to become the colour of berries / the colour of blood. The audience is invited to talk into a microphone and speak words to the rock. The words can be thoughtful or thoughtless, kind or angry. Leslie explains that the rock, like our bones, forever holds the energetic vibrations of the words. When asked how one can tell if people are speaking positive or negative words to the rock she says you can’t. The blood red juice drips regardless and like verbal abuse one won’t see the direct impact of the words.
Artist Leslie McCue in front of her work.
Photography by Tyler Hagan courtesy of ImagineNATIVE.
In The Similkameen / Similkameen Crossroads at Gallery 44
Another moving work is “In The Similkameen / Similkameen Crossroads” by Tyler Hagen at Gallery 44. This exhibit is part of an NFB web documentary which can be viewed at nfb.ca/crossroads.
“It’s a highly personal undertaking for Hagan, who, since obtaining his Métis citizenship, has struggled to reconcile his suburban Christian upbringing with the blighted history of the church in Indigenous communities.”
Left to right artist Tyler Hagan, Noa Bronstein of Gallery 44 and Daniel Northway-Frank of ImagineNATIVE.
Photography by Nigit’stil Norbert courtesy of ImagineNATIVE.
“Trade Marks presents a new generation of Indigenous artists who, through newly commissioned photographic, video and audio works, challenge working assumptions of who they are. The exhibition contributes to the recently revived conversation on what it is to be Indigenous in Canada today. It also considers how these artists have responded to the imposition of Western systems of classification on non-Western arts and how their artistic practices have been informed by methodologies of decolonization.”
Top image: artist Keesic Douglas speaking about his work. Bottom images: Curator Julie Nagam and artist Lisa Reihana. Artist Bear Witness at Prefix Gallery.
Lisa Reihana speaking about her work “in Pursuit of Venus” at A Space Gallery.
in The Pursuit of Venus back at A Space
The finale of the Art Crawl was the incredible work “in Pursuit of Venus” by Maori artist Lisa Reihana and curated by Julie Nagam.
“The video is inspired by the colonial 19thcentury panoramic wallpaper Les sauvages de la merPacifique(180405) which features European impressions of Indigenous South Pacific Islanders from accounts from Captain Cook’s and Louis de Bougainville’s journals, and reworked engravings by Webber and Hodges. Reihana explains that Les sauvages claims to be historical and is presented as such, when in actuality the wallpaper’s creators harvested information from different historical moments and relocated the bodies into a fictional Tahitian landscape, removing these Pacific people from their cultural, historical and political reality. In this work Reihana has restaged, reimagined and reclaimed the panoramic wallpaper by altering its original presentation of print form to liveaction video. She has brought each character alive with breathtaking precision of Maori and Pacific cultural practices and embodied knowledge. Each person on the screen resists the colonial misrepresentations of the past and present encounters with Indigenous people across the globe. Reihana’sin Pursuit of Venus is a live-action masterwork that unbinds the shackles of colonialism by producing a highly refined and dynamic video that brings forth visual poetics of Maori and Pacific cultures and knowledge.”
“in Pursuit of Venus” by Lisa Reihana courtesy of ImagineNATIVE.
If you missed out on last night you can still see these important shows tomorrow, ImagineNATIVE’s last day as well as in the weeks to come.
ImagineNATIVE, Toronto’s Film Festival focusing on film / new media productions by local and international indigenous artists, starts today!
“The imagineNATIVE Film + Media Arts Festival celebrates the latest works by Indigenous peoples at the forefront of innovation in film, video, radio, and new media. Each fall, imagineNATIVE presents a selection of the most compelling and distinctive Indigenous works from around the globe. The Festival’s programming, cultural & social events, and Industry Series attract and connect filmmakers, media artists, programmers, buyers, and industry professionals. The works accepted reflect the diversity of the world’s Indigenous nations and illustrate the vitality and excellence of our art and culture in contemporary media.”Find out more…
This year’s international spotlight is on the Maori Nationhood.
“This year, we are incredibly pleased to spotlight the works of Maori artists from Aotearoa (New Zealand). The Indigenous film industry in Aotearoa has long been the envy of many Indigenous artists living abroad. Critically and commercially successful feature films are joined by award-winning shorts, ground-breaking new media works and an expansive radio network.
The Maori presence is prominent throughout Aotearoa and their population is roughly 673,500 or 15% of the national total. The Maori diaspora is also quite significant as more Maori reportedly now live in Australia than in Aotearoa. We welcome the Maori delegation to imagineNATIVE, to our shared territory with open arms, and invite you to enjoy and reflect on the Maori-made works.” Read more…
Catch the full line up of industry talks, master classes, art tours and of course screenings here.
Ghost Dance: Activism. Resistance. Art.
Ryerson Image Centre
6 – 8 pm
Runs until December 15
“Ghost Dance examines the role of the artist as activist, as chronicler and as provocateur in the ongoing struggle for Indigenous rights and self-empowerment.”More info…
Farandole: Perspectives on Western Canadian Metis Culture
Textile Museum of Canada
6:30 – 8 pm
Runs until November 14
“The exhibition’s title refers to a traditional French dance involving a chain formed as dancers hold hands, moving along in the leader’s path, captured in the cyclical relationship of collaboration, appropriation, and inspiration at the heart of Farandole. Exploring the ongoing connections between Métis and francophone culture, the exhibition offers a unique look at the continuum of high end fashion and traditional costume, storytelling, beadwork, weaving and embroidery. An innovative examination of 21st-century identity, Farandole reinforces the Textile Museum of Canada’s commitment to engaging experiences and creative practices that provide insight into our global context.” More info…
“Trade Marks presents a new generation of Indigenous artists who, through their various artistic strategies, challenge and interrogate working assumptions of who they are. The exhibition contributes to the recently revived conversation on what it is to be Indigenous in Canada today. It also considers how these artists have responded to the imposition of Western systems of classification on non-Western arts and how their artistic practices have been informed by methodologies of decolonization.” More info…
FYI – As Part of CULTURE DAYS curator Betty Julian will be giving a walk-through of the exhibit on Saturday, September 28 @ 2 – 2:30 pm. More info…
Manifesto’s Sacred Seven Art Exhibition& Heartist Pre-Show Panel Discussion
918 Bathurst St. (Dupont)
Panel Discussion (RSVP to firstname.lastname@example.org )
4- 6 pm
“HEARTIST A pre-show panel discussion and audience talk back about the growth of mentor-mentee collaborations in Canada, how they work, and add value to the health of the Canadian arts sector.”More Info…
Sacred Seven Art Exhibition
6 – 1 am
“The 7th Annual Manifesto Art Show will explore the notions of connectedness and evolution as we present thought-provoking works from over 25 artist across Canada and internationally.”More info…
Land|Slide Possible Futures
Runs until October 14
“Land|Slide Possible Futures is a groundbreaking large-scale public art exhibition which responds to a world in transition where the past, present and future collide. The landscape of Markham will be transformed by the work of over 30 national and international artists to explore themes of multiculturalism, sustainability, and community.”More Info…
For directions on how to get there from Toronto including directions for TTC & Free Shuttle Services from MOCCA on every Saturday starting September 21 as well as this Sunday, September 22 click here.
Lovesick Child: Âhasiw Maskêgon-Iskwêw, Leslie McCue, & Adrian Stimson
A Space Gallery
Runs until October 26
Opening Reception October 18, 5:30 PM – 7:30 PM
“Lovesick Child is Toronto’s first retrospective exhibition between A Space Gallery and the imagineNATIVE Film + Media Arts Festival on Aboriginal new media pioneer Âhasiw Maskêgon-Iskwêw. His work with the Canada Council for the Arts and the Banff Centre on a number of equity and new media initiatives such as Drum Beats to Drum Bytesin 1994 ensured Indigenous presence within the new territory of new media and the Internet.” More Info…
It was a late night tweet from one of Toronto’s finest MP Kristyn Wong Tam that put MIXED BAG MAG onto this exuberant project – WAACK REVOLT A Dance Film.
Watching the video I was sold on the fact that this team has tons of talent.
Waack Revolt’s Diana Reyes aka Fly Lady Di (above) and Emily Law aka Em Fatale (left).
Already familiar with dancer Diana Reyes aka Fly Lady Di (MIXED BAG MAG almost had her as part of the MASHUP STYLE shoot – next time Diana 😉 ) and Emily Law aka Em Fatale from the incredible Toronto dance troupe Kaha:wi (check out MIXED BAG MAG’s post on Kaha:wi’s The Honouring) it seemed an easy decision to get on board to help spread the word!
MIXED BAG MAG’s interview with WAACK’s Director / Writer Sonia Hong was in a word ‘soulful’. At a time where there is ubiquitous imagery representing a too-cool-for-school vibe we often mask our deeper human qualities like vulnerability and the yearning we all have for connectedness behind that chill exterior. I appreciated that Sonia was an open book and ready to share her history as to how she became a film artist who focuses on LGBTQ issues.
Bullied for not fitting in, somewhere along the way and at a young age, Sonia reached in to that spiritual place that we all have inside to find her source. From hiding her light to shining bright, Sonia had done such a remarkable turnaround with her confidence that a teacher who noticed shared this with her then asked her to be the valedictorian at her Grade 8 Graduation.
She built on that confidence and started to attend theatre summer schools where she said improv helped her try on new characters, play around with identity, and continue to grow more comfortable in her skin.
She also spent time working at Legal Aid alongside her mother. “If I hadn’t of gone to film school I would have gone to school for social work.” A keen sense of social justice, she takes her role as an artist seriously developing projects that can help kids struggling with their identity and place in the world.
Writer / Director Sonia Hong (right) with Producer Allia McLeod(left).
“Community building and creating an inclusive community is what I have always been really passionate about. I want to help young people feel empowered and to know from an early age that it’s ok to be yourself.”
Somewhere in the interview we got to speaking about girl culture – for me coming of age with Madonna and Sonia coming of age with the Spice Girls. Whether we agree with it or not, pop culture is what meets kids where they are at. As a female, Madonna taught me that my sexuality was for me alone to own and to be aware of it and my decisions around it but not without having fun – Express Yourself!; for Sonia the Spice Girls belted out the message that she understood to mean be yourself in the most bombastic way you dare – Zig A Zig Ah!
Our musical tastes have matured (I think?!) but for both of us the concern is that in today’s hyper-sexualized Britney-Miley-Nicki world sexuality now is only about an act of ‘performance’ for another’s gaze (mostly young girls for the validation of males) and something is getting lost in the delivery along with the chance for youth to develop a strong sense of self.
WAACK REVOLT takes all that on and promises to be sexy short with a definite message regarding understanding, owning and standing up for your sexuality. Commissioned by the Reel Asian International Film Festival as a collaboration between dancers and filmmakers, WAACK REVOLT will be premiering at this year’s festival.
“This cheeky love story, WAACK REVOLT. A DANCE FILM, sets the stage for a playful journey that opens during an audition in 1940s Hollywood. It is here that our two lovers first meet and begin their love affair with one another – which centers around their shared passion for “Waacking”. Outraged by their “Waacking” dance style, a visual metaphor for their unconventional love and identity, the public exclaim that they aren’t permitted to “Waack” in public, and must keep it behind closed doors.
In response, the couple escapes to different iconic time periods, sliding and interchanging between genders, ultimately blurring the lines entirely as they “Waack” their way to a full, vivid expression of themselves and their love.”
Using dance to challenge traditional gender roles and stereotypes.
The artistic medium of dance has given Sonia the perfect vehicle to investigate gender as it refers to sexuality.
Sonia goes deep into the exploration of how gestures sub-consciously communicate the assertion of power or an act of oppression and she explains that when they are thinking about the choreography they don’t want the dancer playing the male role to come across as a predator or the dancer embodying the female character as not without movements that communicate empowerment.
“I am really exiting about gender-bending with the actual choreography as music and dance are very gendered.”
Waack itself is a form of dance that evolved during the disco era and much like Voguing was embraced and developed by communities on the fringe of the mainstream as a way to own power around race, class and sexual orientation.
“To me, as a 12 yr old girl, the Spice Girls’ “Zig A Zig Ah” could mean anything you wanted it to much like this style of dance. You should be able to be yourself anywhere and you should be able to WAACK wherever you want.”
Emily Law aka Em Fatale
Professional dancer and founding member of the Toronto house dance crew Warehouse Jacks. Emily has been nominated for a Dora Mavor Moore award and a Gemini for her work with Kaha:wi Dance Theatre.
Diana Reyes aka Fly Lady Di
Multi-disciplinary artist, who has appeared on several progams including MuchMusic’s “RapCity”, and CBC Music’s “How to Dance to Classical Music”. Diana is a member of b current’s prestigious rAiz’n ensemble – home to some of Canada’s most successful performing artists, playwrights and producers.
A dynamic and multi-faceted artist, based in Toronto, Maylee’s music combines organic and electronic forms, including elements of boogie, bossa, space funk, psychedelia and soul. She’s shared the stage with the likes of Janelle Monae, Lee Fields, Aloe Blacc, Little Dragon, and The Budos Band. SOCAN has recently nominated her for the coveted songwriting prize. Get into the ‘Waack Revolt. A Dance Film.” groove with some of her funky tunes. www.mayleetodd.com
When Iranian artist Shirin Neshat’s photography first started appearing the language, whether you understood Farsi or not, was explosive.
The images mixed violence, tenderness, and sensuality in a way I had never encountered before. I was used to seeing women valued in art as an aesthetic but not as a stage upon which a woman could perform an act of defiance by literally writing the script of her own point of view upon the body.
This was 1990s and the voices of women artists, especially of non-Western origin, were still muffled under the (wet) blanket of Modernity’s traditions in the way we were to experience art, talk about art as well as conduct the business of art.
“I feel a strong parallel between the writings of contemporary Iranian poets and my images, which visualize the metaphors that are so important in the text.” ~ Shirin Neshat in World Art Magazine, 1996
no one is thinking about the flowers
no one is thinking about the fish
no one wants to believe
the garden is dying
that the garden’s heart is swollen under the sun
that the garden
is slowly forgetting its green moments
~ Forugh Farrokhzād
For me, the contemporary art I was studying in university and experiencing in galleries felt foreign and unrecognizable – not so much to my eyes but to my soul. In the experience of Shirin’s work I found a homeland. It was the gestures – the female hands and lips. It was the look in the eyes staring from one female to another. This time a woman’s gaze was directing the compositional outcome.
Since that time there has been an outburst of women in art. Internationally the work of women is some of the most exciting work to be encountered. The art is layered with explorative technique and quick cleverness as well as being emotionally charged.
But the commentary provided in the work is not exclusive to the female mind. Much of the work being produced is about the experience of being human.
Sona Safaei-Sooreh’s installation Alphabet and Border, currently showing at York Quay Gallery (Harbourfront Centre) as part of curator Sanaz Mazinani‘s The Third Space Exhibit uses a video of English text converging with Farsi script to get the audience to consider the contemporary condition of ever collapsing boundaries.
“Border is a video installation in which Farsi and English texts move towards a corner of a room and disappear on the borderline of two walls. It is about arbitrariness of rules and regulations, the sense of in-between-ness, duality and ambivalence that one experiences in a transcultural situation.
The borderline is a narrow vertical line between two walls: the joint. The place two walls meet. This very “thin line” changes the direction of one’s eye, all of a sudden similar to geopolitical borders in between countries. One step back or forth one is occupied with different laws and orders.”
This beautiful short by Elnaz Maassoumian treats text in a different way less about its abstraction and more about the poetics of its meaning as interpreted by the viewer.
“I am interested in Gaston Bachelard’s idea from The Poetics of Space. Bachelard talks about different kinds of spaces: nests, shells, corners…These spaces are approached both from their physical and metaphorical aspects: they offer refuge and constitute ‘doors for the imagination’. I am interested in the potentials of space. By this I mean the exploration of the possible uses that a space offers. I am approaching this through the reconfiguration of a given space to accommodate specific needs which can change over time. For these purposes, flexible, malleable materials constitute ideal means. They can be easily retooled or reshape to conform given purposes. They also open rich possibilities for redefinition of the relation between private-public; in-out; isolation-connection; visible-invisible.” More images on Elnaz’s website
To gain more insight into Shirin’s powerful imagery, both in the still and moving image, MIXED BAG MAG recommends Tirgan Festival at Harbourfront Centre this coming weekend. Shirin will be giving talks on her body of work and there will be screenings of both her feature film Women Without Men as well as her shorts. All events are FREE!