Design in Canada is alive and well.
I make it no secret that my favourite part of IDS is and always will be Studio North and Prototype. This is where you get to experience design that is less about trends and more about design thinking and process.
The other reason I love Studio North and Prototype is because it showcases Canadian design talent. Walking into boutique hotels, urban restos and condo model suites in this country one might think that the only options out there for interior designers are the unchallenged classics. The result – a predictable bore often referencing designers who are cold in the grave. Le Corbusier is long gone but his furniture and overpriced knockoffs are as ubiquitous as ghosts on Halloween. In a world still dominated by Mies and Eames it’s always refreshing to see interior designers and architects take a chance on artists and designers who are still alive and kicking.
Owned and operated by the Vancouver Native Housing Society (VNHS), the facility provides 24 shelter rate apartments for Aboriginal people at risk of homelessness, and two social enterprises that support the Society’s mission and financial sustainability.
The top three floors contain 18 boutique hotel units for socially responsible travelers and Aboriginal patients travelling to Vancouver from remote areas to receive medical treatment. The hotel units have recently been transformed with the assistance of a team of artists, designers, and suppliers.”
In Toronto we have the Gladstone Hotel. Along with rooms designed by artists the Gladstone is also regular venue for local art and design with events like Come Up To My Room, part of Toronto Design Offsite.
“Internationally recognized as Canada’s favourite Boutique Art Hotel, the Gladstone uniquely blends historical Victorian architecture with contemporary luxury, downtown culture and whole lot of art, making it an iconic Toronto hub for locals and international travelers alike.
Supporting 37 artist designed hotel rooms, over 70 art exhibitions a year, 4 diverse event venue spaces and 2 restaurants, all on a strong values-based mandate, the Gladstone strives to foster an authentic experience for its guests and the local community.”
My discoveries at Toronto’s Interior Design Show.
Each designer featured below was someone I encountered at IDS 2015 who approached their design thoughtfully, thinking about how to take good design and snap it into place – simply and beautifully.
I have featured Tat Chao a couple of times on Mixed Bag Mag and have been a fan since falling in love with his up-cycled candle holders at the One of Kind Show a few years back. This year he arrived at IDS ’15 with products that flat pack well and assemble in seconds – “no glue, no screws.”
DIÈSE or “hashtag” in English “is a flower vase made from four pieces of 3mm clear acrylic and a test tube. The way the pieces are assembled will result in different shapes. No glue, no screws are necessary. Just slide the slots into each other.”
(view opening image to see how DIÈSE is configured into a hashtag)
“Part of the “NO GLUE NO SCREWS” series, TRIÈDRE is made from three pieces of laser cut acrylic and simply assembled together by sliding the slots into each other. The result is an ultra-modern and scuptural object where the content (fruits, vegetables, bread, etc) are beautifully displayed.”
Follow Tat and see more of his work:
Website – www.tatchao.com
Twitter – @tatchao
Instagram – @tatchao
Another brilliant flat packer project is the Origami Chair by Cut and Fold (Andrea Kordos & Tony Round). One of the DesignLines loves selections this chair moves like the wings of a butterfly to flap lightly into place.
“The Origami Chair is inspired by papercraft – the idea that folding simple shapes can create amazing forms. We’ve designed the chair to be simple and beautiful. The origami chair’s nest-like shape is generous and ergonomic, while the thin baltic birch shell keeps it efficient and minimal. The facets of the shell are connected with piano hinges – this give the chair some flex for added comfort. The thin shell sits on top of an elegantly folded steel frame. It’s available in different finishes including natural wood veneer, solid-colour laminates, and leather or cowhide.”
Follow Cut and Fold and see more of their work:
Website – www.cut-fold.com
Twitter – @CutFold
Eugene has been on Mixed Bag Mag before but as a visual artist which is how I first encountered his work at the Toronto Outdoor Art Exhibit many moons ago as well as more recently at Manifesto’s 2012 art show (see the eagle sculpture).
But Eugene’s first love is design and he attended OCAD U’s Industrial Design program. This year he brought “Light W8” to Prototype. An elegant idea, the light uses river rocks to displace the weight to adjust the height of the lamp. Designed for easy shipping the lamp comes apart and can be put back together will minimal effort.
Follow Eugene and see more of his work:
Website – www.eugenepaunil.com
Twitter – @eugenepaunil
Instagram – @paunilstudio
Geof, like Eugene and Tat, has also been on Mixed Bag Mag for a feature on IDS ’12. This year’s contribution to Prototype won him the award as well as DesignLines Magazine’s DesignLines loves badge. It’s when you are up close and personal with this chair, from the Euclid Collection, that you can see the stunning joinery and the hex motif reiterated.
Follow Geof and see more of his work:
Website – www.geoframsay.com
Facebook – /geoframsaydesign
Twitter – @geoframsay
It’s a great time to consider Canadian and Indigenous designers and artists. There is more than enough talent here and it can feel good to invest your dollars in the business of someone you can actually speak with – whose blood is still warm in their veins. Knoll won’t shut down if a few Urbanites forego purchasing Saarinen’s design cliche of a table for their condo but as a buyer making that kind of decision may be enough to keep the next Ray Eames in business.
Above images of the Interior Design Show by Leah Snyder for Mixed Bag Mag. All other images provided by each designer.