J’net AyAyQwaYakSheelth – Nuu-chah-nulth Textile Artist, Cedar Bark Weaver, and Indigenous Outreach and Learning Coordinator at the ROM
For the Winter 2017 semester with support from its Aboriginal Education Council, the School of Fashion at Ryerson University developed Aboriginal curricula for its mandatory first year course FSN 223: Fashion Concepts and Theory, instructed by Dr. Ben Barry, Associate Professor of Equity, Diversity & Inclusion. A lecture was researched and delivered by Ojibway MA Candidate Riley Kucheran, and a panel event featured Angela DeMontigny, Métis Fashion Designer; Sage Paul, Setsuné Indigenous Fashion Incubator; and J’net Ayayqwayaksheelth, Nuu-chah-nulth Textile Artist, Cedar Bark Weaver, and Indigenous Outreach and Learning Coordinator at the ROM. ‘Fashioning Reconciliation’ is a conversation about Truth & Reconciliation, Cultural Appropriation and Indigenizing the Fashion Industry.
Leah Snyder of MIXED BAG MAG and Manjit Basi, founder of CITIZENS ACADEMY, are partnering to host a We Are Cities Round Table.
As the Nation’s capital, Ottawa has a unique cultural position and plays a significant role in determining the direction Canada will take on many important issues regarding the environment and human rights. Located on traditional Algonquin territory, the city has an active First Nations, Inuit and Métis community as well as a growing immigrant community; a large Francophone population with the province of Quebec just minutes away adds another element to the cultural milieu. Often labelled as a city of bureaucrats, in reality Ottawa has a thriving arts community that includes not only National institutions but a vibrant independent arts scene.
All of the above makes for an interesting dynamic and fertile ground to create big shifts especially around what deep diversity looks like in an urban context.
We would love your contribution to the conversation on city/community building in Ottawa. Please join us!
WHEN: Tuesday, March 17, 2015 5:30 – 8 pm
WHERE: Carleton University Art Gallery
1125 Colonel By Drive (St. Patricks Building)
“With your help we will build a vision and action plan to make Canadian cities healthy and exciting places to live, work and play. The campaign will bring peoples’ ideas together and build on the city-focused initiatives that are already taking place across the country. We Are Cities will help connect existing city-building work in order to strengthen and mobilize our collective efforts to enable the change we need. We Are Cities was launched by a number of organizations that believe that a prosperous future for Canada depends on thriving cities. For cities to succeed, citizens need to take an active role in identifying a path forward to achieve resilience, prosperity and inclusivity.” Find out more on www.wearecities.ca and follow at#WeAreCities.
The Sahmat Collective is another great show at the AGM!
I recently had the chance to get in to the AGM to see this incredible show. The Art Gallery of Mississauga isn’t exactly small and it isn’t exactly large but it seems to be the optimal amount of space and it’s always beautifully utilized. The corridor that takes you into the main gallery feels like an intimate welcome that primes you for what lies ahead. There is also a cave-like alcove that works perfectly for video installations. Every time I see an exhibit here I am impressed!
The AGM is a gallery that is doing a tremendous job making their institution relevant to the broader community of Mississauga – one of the most culturally diverse in Canada. Their current exhibit The Sahmat Collective: Art & Activism in India since 1989 uses up almost every available surface in the gallery to create a time capsule of India at a moment in her history when culture clashes were reaching a boiling point.
“Since 1989, the influential Delhi based Sahmat Collective has offered a platform for artists, writers, poets, musicians, actors, and activists to create and present works of art that promote artistic freedom and celebrate secular, egalitarian values. The collective formed in the weeks after playwright, actor,and activist Safdar Hashmi was fatally attacked by political thugs while performing a street play. In the more than twenty years since, Sahmat has drawn on India’s secular heritage and an expansive group of collaborators to produce a series of projects that engage in important political and social debates through a mix of high art and street culture.”Read more…
I walked through the show with a friend who had grown up in Gujarat. As a Muslim she had memories of the religious conflicts. The exhibit timeline reached back to touch her early childhood. The Sahmat Collective was the result of a reaction to what was taking place around her, her family and others at this time.
In urban settings where much of the population comes from abroad arts institutions can become midwives for the emergence of memories that provide a link to the motherland left behind. Galleries can give the members of their community an emotionally deep experience by participating with memory, not as nostalgia, but rather as place to locate dialogue that can impact social change here in Canada.
As part of the programming for The Sahmat Collective show the AGM did just that. “Thinking Globally, Acting Locally” was a panel discussion on “Art, Activism and Artist Collectives” that included Canadian artist duo Condé + Beveridge activists / artists whose careers stretch back even father than 1989. The panel posed the question:
“What is the role of the artist collective and what is the relationship between art and activism from both a global and local perspective?”
Galleries should also be looking at the spiritual topography that New Canadians layer onto the land as a way to be relevant to more diverse audiences. “Stories of our Landscape | Conversations after Sahmat” was an event that brought people out to ride along in the “Architecture Bus Tour” for “an introduction to the migration of various religious architectural traditions to the Mississauga cityscape.”
The exhibit curated by Jessica Moss and Ram Rahman and presented by University of Chicago’s Smart Museum of Art was
“animated by the urgent belief that art can propel change and that culture can reach across boundaries. Sahmat has offered a platform for an expansive group of artists and collaborators to present powerful works of art that defend freedom of expression and battle intolerance within India’s often divisive political landscape. Based out of Delhi, the Sahmat Collective uses a combination of high art and street art to resist forces that threaten the pluralist and democratic spirit of creative expression in India. In conjunction with this exhibition, the Art Gallery of Mississauga presents programming that interprets exhibition themes within the Canadian context to critically examine the role of the artist collective, the relationship between art and activism and the ways in which art has the capacity to make change.” Read more…
In plurality their is unity. With unity comes strength.
The Sahmat Collective: Art & Activism in India since 1989 closes this weekend October 19.
Kids standing in solidarity with First Nations, Inuit and Metis children
The best led crusade may just be a children’s crusade because today on Parliament Hill small but mighty voices were articulate in their demands for Harper to “have a heart” with regards to issues around education improvements for Aboriginal children.
From the voices of babes.
One wee one said “I am just in Grade 3 but I know the difference between right and wrong.” She continued by saying “Mr. Harper, you spend money on silly things like rockets that don’t fly.” Enough said.
And don’t think that these kids are buying it regarding the First Nations Education Act. They get it that a one-size-fits-all education system and dollars handed out with conditions attached doesn’t translate into equitable and culturally based education. They could probably put a lot of MPs to shame with their proper pronunciation of Anishinaabe and knowing that Turtle Island refers to the original name for the continent that the governments of Canada and America now occupy.
“Stephen Harper, we’ve got some homework for you, make our Canada a better place for FN education”
It means nothing if it’s not true.
These kids stood up under the shadow of the Parliament Buildings and spoke to the fact that the National Narrative of an inclusive society that respects human rights falls apart when you look at the Canadian government’s past and present relations with Indigenous Canada.
Kids from all backgrounds – Somali, East Asian, Palestinian, European – showed up and represented.
These kids get it. And on a cold, winter’s day it is what warms your heart!
“The First Nations Child & Family Caring Society stands with First Nations children, youth, and families for equal opportunities to succeed.
Using a reconciliation framework that respectfully engages First Nation and non-Aboriginal peoples, the Caring Society provides high quality resources to support First Nations communities to empower children, youth and families. The award-winning Caring Society is proud to work with our partners in Canada and around the world to promote the rights of Indigenous children, youth and families.” For more information on their services visit their website.
Tomorrow’s forecast in Toronto? Perfect Weather with possibility of plenty of art!
MIXED BAG MAG recommends heading North of the city this weekend for 2 important shows that speak to our expanding urban centres / suburbs and promote dialogue around how to be more intentional around our future growth.
Due to popular demand Canadian photographer Edward Burtynsky’s The Landscape that We Change is held over until Thanksgiving Monday at The McMichael in picturesque Kleinburg, Ontario.
“Burtynsky does not seek to position his images into the realm of political polemic. The artist has stated that they “are what they are.” His photographs engage the observer through what the artist refers to as a “duality” in the viewing process. In Burtynsky’s aesthetic interpretation, his images render the subject most often in rich colour, detail, and textural qualities. Simultaneously, the observer is made aware of the devastation and altered state of nature that is portrayed. The tension generated by mediating the dual nature of the individual’s response to the image is intended to provoke a thoughtful dialogue about the environment and societal attitudes.” Read more…
For more information on planning your visit to The McMichael click here.
IAIN BAXTER&’s “Markhamaze” at the Land|Slide Possible Futures exhibit.
Over in Markham is the much talked about Land|Slide Possible Futures exhibit that includes a large group of national and international artists covering the 25 acre grounds of the Markham Museum. Taking art of out the gallery space and plunking it into the perfect autumn setting of changing leaves, grass and blue skies was a pretty brilliant idea! Tomorrow will be my 4th visit. Green space + public art = My Idea of a Day Well Spent!
“Land|Slide Possible Futures is a groundbreaking large-scale public art exhibition which responds to a world in transition where the past, present and future collide. The landscape of Markham will be transformed by the work of over 30 national and international artists to explore themes of multiculturalism, sustainability, and community.” Read more…
FYI – FREE SHUTTLE SERVICE on Saturday from MOCCA & CSI Bathurst. Below info from Land|Slide’s Facebook page.
This will take you up just in time for a talk by urban planners/artists Department of Unusual Certainties at 2:30PM, and a planning tour led by Land|Slide planning experts Lisa Hosale, Sara Udow and Katherine Perrott.
All above images by Leah Snyder for Mixed Bag Mag.
Art work from top to bottom:
Inside the wigwam of Julie Nagam’s “singing our bones home” install
Close up at video for Camille Turner’s AfroFuturist performance “Time Warp”
Architect Frank Haverman’s install “Untitled” (I call it “Brilliant”)
IAIN BAXTER&’s “Markhamaze” at the Land|Slide Possible Futures exhibit.
CONGRATS TO THE MANIFESTO TEAM ON ANOTHER YEAR OF AMAZING PROGRAMMING & IGNITING THE COMMUNITY!
This festival continues to show how when enough people connect on a vision something wonderful and fresh can occur. The weather today? Not so good but Manifsto is offering plenty of food for thought and inspiring creativity inside and away from the rain with their symposiums & talks.
NOON TODAY – SO MUCH THINGS TO SAY: Evolution Summit. An inspiring array of panel discussions, keynote speakers and mentor classes. More info…
3 PM TODAY – THE FLOOR AWARDS. Manifesto celebrates the best urban dance artists, educators, youth and community catalysts at our 3rd Annual Floor Awards. First created through community dance consultation, this awards provides a platform to honour the depth of creation and innovation happening in urban dance arts in Toronto. More info…
4 PM TODAY – HEARTIST. A pre-show panel discussion and audience talk back about the growth of mentor-mentee collaborations in Canada, how they work, and add value to the health of the Canadian arts sector. More info…
6PM TODAY – SACRED SEVEN ART SHOW – This year for the 7th Annual Manifesto Art Show we will explore the notions of connectedness and evolution as we present thought-provoking works from local artists as well as game-changers from across the globe.
“Everything in our world is sacred and interconnected – and we’re in the midst of an epochal shift to recognizing that truth in every realm of human endeavor.” – Stephen Dinan
The Europeans arrived to wide open spaces. Empty. Land to be cleared, cultivated and tamed into lots and plots. Roads carved and structures erected meant a civilization existed where none had before. Terra Nullius – “land belonging to no one” therefore it was reasonable that it should now be theirs to claim as their home and native land.
That is what is taught. That the first settlers came and inserted themselves into empty spaces that were just waiting to be filled by hard work, some elbow grease and a sense of adventure.
And it is that legacy of entitlement and the idea that the land is just there for the taking that has brought us to a point in this country’s history where things like Canada’s breaking with the of Kyoto Accord is actually a logical chapter in tale that has long been fraught with environmental abuse followed by overt denial of that abuse.
In spite of overwhelming evidence that the Alberta tar sands is an environmental disaster of epic proportions the Government continues to promote it as a new frontier that makes economic sense even if it is at the expense of people and land – when necessary, selective amnesia works best.
Visual artist Camille Turner refers to Canada as a “landscape of forgetting.” Her work on projects like Miss Canadiana and Hush Harbour deal with Canada’s accepted / expected overlooking of the history Black Canadians. Canada’s need to separate itself from its aggressive American Cousin whose obsessive enthusiasm for Manifest Destiny is always a PR nightmare has encouraged the adoption of ‘colonial-lite’ – some amount of assimilation is necessary but in the Canadian Mosaic no one gets burned in the Melting Pot. The only problem is that the facts that don’t properly support the fiction get erased – like slavery and a system of apartheid. They drop below the surface but they don’t go away.
In the dynamics of a family we see how generations can go on to willingly participate in a lie. It’s a survival mechanism to ensure the endurance of the clan but as the sins of the fathers are revisited on the sons, like a hiccup in time, the memories come back up.
For Canada that time has come. The ancestors are speaking through the lips of the children born at a time when things looked bright but these souls were perceptive to the fact that things weren’t right. A new generation of spiritual archaeologists are uncovering our culture and exposing it for what it is – problematic and painful. They are accessing the genetic archives where the emotional memories still exist.
This process of digging down through layers has become a mechanism for healing.
Though our language is still awkward and our methods may lack sophistication in the act of uncovering we come together – First Peoples, Settlers and New Immigrants – to get to the bottom of it.
So although unhappy it’s not without hope that I write these words.
“…Because Canada is a nation of diverse cultures, its people drawn from every region of the world, any discussion of reconciliation must include the perspectives of those who have arrived in more recent days and those who trace their family histories beyond western European colonial states…Those who have arrived in Canada from places of colonization, war, genocide, and devastation will very likely have valuable insights into historical trauma; their perspectives should be considered also.” Read more…