STUDIO JAYWALL, Cut the Cheese, TO DO Tonight!
Last night at Pecha Kucha Kevin Yuen Kit Lo of LOKI (Jay Wall’s partner in crime for the show opening tonight in the Junction) asked me how I knew Jay. I couldn’t recall the exact moment of our meeting but I also don’t remember a time when his presence wasn’t somehow on the periphery of my own investigation on how best to support and promote ‘Toronto the Good\ through an alchemic mix of community building, design thinking and iconic visuals.
I was probably first aware of his presence through his work. Jay’s baby is STUDIO JAYWALL a “Toronto-based team specializing in creative direction and graphic/interactive design for social, culture, environmental and city-building initiatives.”
I liked that this guy was using his creative powers for good and that he understood how beautifully designed visuals could motivate people to change – even encourage an activist spirit!
“Let the Dead Man Rise” t-shirt design by Jay with custom handlettering for Toronto folk musician Joe Zambon.
Jay Wall and Sean Martindale at Pecha Kucha, telling the story of the cARTographyTO ad takeover project.
Above images of Intersection (Evergreen CityWorks) provided by STUDIO JAYWALL.
Some of Jay’s local clients include Spacing Magazine, Centre for Social Innovation, Live Green Toronto, Metcalf Foundation and East Scarborough Storefront. Another client is Evergreen CityWorks located at the former site of the Toronto Brickworks in the beautiful Don Valley. For the shoot I had asked Jay to bring some artifacts with him that he felt spoke to design in Toronto. One of the objects he brought was an old Toronto Brickworks brick that he found along the Lake Ontario shoreline.
“The type ‘TBCo.’ stands for the Toronto Brick Company which was historically based at the Brick Works. I live near the Don Valley, and I love visiting the Brick Works. It’s also interesting to encounter bricks like this when walking the shore of Lake Ontario, across town from the Brick Works. It’s not uncommon though to find these. Many of the old bricks that the city was built with have been turned to rubble and used as fill to expand the edge of the city out into the lake.
“In a rapidly changing neighbourhood, how does the past meet the future? Through the documentation, re-imagining, and re-composition of vernacular storefront signage, lettering and typography, we present a visual commentary on the changing face of the Junction. We look at how the old and new co-exist – what stays and what gets left behind – in an attempt to spark a conversation about hopes for the Junction’s future.”
Another artifact Jay brought along was the Jane Jacobs pin he always showcases somewhere on his person. Toronto loves their Jane! When I moved to Toronto my (re)introduction to the city I thought I knew from growing up close by was the unknown stories uncovered through Jane’s Walks around the city.
“I always wear Jane on my jacket or bandana. I like having her company as I’m riding, walking, or working in the city. She’s a powerful icon of citizen-led city-building (especially for Torontonians), and the triad of intelligence, love, and resistance.”
Above and below are examples of STUDIO JAYWALL‘s work for Jane’s Walk Toronto.
The story behind the “W” and why Jay decided to bring it speaks to the ethos of Jay’s way of working.
As designers we are constantly scanning our surroundings to take in and then synthesize what we see. The hundreds, possibly thousands of hours, I have spent walking through Toronto has made me understand it better and helped me find its patterns as well as its anomalies. Jay’s way of scanning the city is on his bike. A passionate advocate for a bike-friendly Toronto, Jay is a member of Cycle Toronto and collaborated with the Urban Repair Squad on “street art pieces drawing attention to cycling issues in the city.”
Patrizia was able to translate this perfectly because she embodies all of this in the way that she fluidly moves through her world. She acknowledges that for her, there isn’t a clear separation between work and her personal life. Her way of living seems to be an improvisational dance, her steps guided by a strong sense of intuition and a desire to truly love what enters into her mix. For the lounge area she pairs her most adored pieces from the 
Perhaps that is why, when photographing 
All above images by Leah Snyder for Mixed Bag Mag.
“Sum Chair” by Derek McLeod, Prototype Section of IDS ’12. Image by Leah Snyder.
In the background “Frill Table” by Derek McLeod at Shiny Pretty Things show, Cooper Cole Gallery, TO DO ’13. Image by Leah Snyder.
All images of Derek McLeod’s work, unless otherwise noted, provided by 
Left image neck piece by 
MIXED BAG MAG recommends heading North of the city this weekend for 2 important shows that speak to our expanding urban centres / suburbs and promote dialogue around how to be more intentional around our future growth.
