From Haida artist Robert Davidson to American artist Kara Walker Mixed Bag Mag covered a lot of artistic ground.
My art muscle is damn strong! In 4 days I was able to cover (almost) everything. It was a major marathon (Bed-Stuy to Manhattan – up to Harlem – back to Brooklyn) but I arrived at the finish line inspired by all that New York has to offer right now.
It was the small-but-mighty shows that grabbed my attention the most and made me regret that I wouldn’t be staying longer.
& of course Surveillapocalypse with the 007 Collective and artCodex at Five Myles Gallery Brooklyn. The work of Brooklyn based artist David Wallace was beautiful to witness.
I have been around the world – East Berlin during the Reunification of Germany, L.A. during the Rodney King riots, even Johannesburg leading up to the elections where Mandela’s win changed the course of history…
…but never New York!
Sometimes living close by a place makes you take it for granted. This trip was about righting that wrong and finally showing some love to New York. And the timing couldn’t have been better for gathering MIXED BAG MAG style content! Also on the agenda was Kara Walker’s A Subtlety at the Domino Sugar Factory in Brooklyn as well as seeing Ai Wei Wei’s According to What for a second time at the Brooklyn Museum. It was interesting comparing this iteration of the show to last year’s at the Art Gallery of Ontario (AGO). Another chance at comparison will be when the AGO hostsBefore and after the Horizon: Anishinaabe Artists of the Great Lakes, currently on at the National Museum of the American Indian.
When you deep dive into a city’s art scene to explore different neighbourhoods with their private galleries, artist-run centres and national institutions you witness how much art enriches the lives of the inhabitants as well as the visitors. Life wouldn’t be as wonderful without artists!
I got a little lazy pulling out my clunky pro camera so I decided instead to capture New York thru the lightness of a cell cam. Here is just a small sampling of what I experienced. There will be more trips south of the border in an effort to uncover how artists transform urban spaces and cultural places but for this moment I was just a 21st Century flâneur with a phone.
Maria Hupfield stands in front of “Splash” a sculpture by Haitian-American artist Engles.
Artist Nava Waxman at Wall Space Gallery.Image by Leah Snyder.
Artist Nava Waxman’s RITUALS is a beautiful show by a beautiful artist who knows how to infuse all of her work with mystery and movement.
Painting by Nava Waxman at Wall Space Gallery. Image by Leah Snyder.
“Not all ideas can be communicated through words. Gesture and movement, memory and the sensations of the body have their own language, just as art does. These “languages” and the ideas they communicate cannot be reduced to the simple structures of grammar that shape so much of our understanding.
Nava Waxman’s work is a laboratory of thought. The remarkable quality of her pieces is in their capacity to focus on the body as an instrument directly linked to a mode of thought. An idea is given the space to evolve through the action of drawing. The body, which is always present by abstraction in Waxman’s works, is capable of both communication and possessing a living memory. This memory is internal and organic. It cannot be accurately represented with spoken or written language. In this latest series of works – by basing her series of repetitions on the starting point of a single action, represented in a movement of the hand applying paint – Waxman creates visual works whose meaning cannot be divorced from the movement that created them. The visual representation of the action becomes analogous to the ritual of the movement itself.”
The show closes this weekend at Wall Space Gallery, 358 Richmond Road, Ottawa.
Hours of Operation this Weekend:
Saturday 10 – 5 pm
Sunday 11 – 4 pm
For the last 20 years Mongrel Media has played an important role in broadening the scope of Canadian film. Always beautiful, thought provoking and socially relevant, this year Mongrel Media’s Empire of Dirt premiered at TIFF and ImagineNATIVE. This weekend Empire of Dirt is at Ottawa’s Bytowne Cinema on Rideau Street.
Sunday, Dec 8, 4:15pm
Monday, Dec 9, 9:00pm
Tuesday, Dec 10, 4:30pm
“As in many Native families, Lena Mahikan (Cara Gee) grew up in the cycle of abuse.
Her father, a residential school survivor, was an alcoholic until he killed himself when
Lena was 10. Her mother, only 14 years her senior, turned to the slots and was
consumed. By the time Lena was 15, she was pregnant and, before giving birth, was
kicked to the curb by her mom. For 13 years Lena has been living, poverty stricken in
Toronto, struggling to make ends meet, being chased by her own demons. The
cycle continues and Lena is now watching helplessly as her own daughter, Peeka
(Shay Eyre) spirals out of control, landing herself in the ER following a drug overdose.
As her final attempt at survival, Lena decides to return home and face her own
mother and a past she’s tried desperately to escape. Empire of Dirt tells the story
of three generations of Mahikan women who are given a second chance to be family
and put an end to the painful legacy that has plagued them.”
“Timeraiser is a volunteer matching fair, a silent art auction, and a night out on the town. The big Timeraiser twist is rather than bid money on artwork, participants bid volunteer hours.
Throughout the evening, participants meet with various non-profit organizations in the room to find available volunteer opportunities that meet their needs. Once matches are made, the bidding can begin. Winning bidders have 12 months to complete their pledge in order to bring the artwork home as a reminder of their goodwill”
Âhasiw Maskegon-Iskwew, isi-pîkiskwêwin-ayapihkêsîsak (Speaking the Language of Spiders), Website, 1994, screen capture courtesy of ImagineNATIVE.
It’s a great feeling to be in a crowded room and seeing that you are surrounded by people whose passion is making this world a more equitable and empathetic place. This is the first year that ImagineNATIVE has included an Art Crawl as part of its programming and judging by the large turnout it was a good call! Partnering with some of the galleries and artist-run-centres at 401 Richmond (also where ImagineNATIVE is located) Friday’s event was about “featuring contemporary Aboriginal new media art, commissions and retrospectives and artist talks by curators and attending artists.”
On left, curator Jimmy Elwood. On right, Executive Director of ImagineNATIVE Jason Ryle.
Love Sick Child at A Space
The crawl began at A Space with Love Sick Child curated by Jimmy Elwood and featuring the work of ÂhasiwMaskegon-Iskwew along with Cheryl L’Hirondelle, Adrian Stimson and Leslie McCue. Leslie’s work was particularly poignant. She explains that the piece was based around an Anishinaabe saying “Make your words as sweet as strawberries.” Poised above a rock secured behind plexi-glass is a funnel of strawberry juice that slowly drips over the stone the duration of the exhibit causing it to become the colour of berries / the colour of blood. The audience is invited to talk into a microphone and speak words to the rock. The words can be thoughtful or thoughtless, kind or angry. Leslie explains that the rock, like our bones, forever holds the energetic vibrations of the words. When asked how one can tell if people are speaking positive or negative words to the rock she says you can’t. The blood red juice drips regardless and like verbal abuse one won’t see the direct impact of the words.
Artist Leslie McCue in front of her work.
Photography by Tyler Hagan courtesy of ImagineNATIVE.
In The Similkameen / Similkameen Crossroads at Gallery 44
Another moving work is “In The Similkameen / Similkameen Crossroads” by Tyler Hagen at Gallery 44. This exhibit is part of an NFB web documentary which can be viewed at nfb.ca/crossroads.
“It’s a highly personal undertaking for Hagan, who, since obtaining his Métis citizenship, has struggled to reconcile his suburban Christian upbringing with the blighted history of the church in Indigenous communities.”
Left to right artist Tyler Hagan, Noa Bronstein of Gallery 44 and Daniel Northway-Frank of ImagineNATIVE.
Photography by Nigit’stil Norbert courtesy of ImagineNATIVE.
“Trade Marks presents a new generation of Indigenous artists who, through newly commissioned photographic, video and audio works, challenge working assumptions of who they are. The exhibition contributes to the recently revived conversation on what it is to be Indigenous in Canada today. It also considers how these artists have responded to the imposition of Western systems of classification on non-Western arts and how their artistic practices have been informed by methodologies of decolonization.”
Top image: artist Keesic Douglas speaking about his work. Bottom images: Curator Julie Nagam and artist Lisa Reihana. Artist Bear Witness at Prefix Gallery.
Lisa Reihana speaking about her work “in Pursuit of Venus” at A Space Gallery.
in The Pursuit of Venus back at A Space
The finale of the Art Crawl was the incredible work “in Pursuit of Venus” by Maori artist Lisa Reihana and curated by Julie Nagam.
“The video is inspired by the colonial 19thcentury panoramic wallpaper Les sauvages de la merPacifique(180405) which features European impressions of Indigenous South Pacific Islanders from accounts from Captain Cook’s and Louis de Bougainville’s journals, and reworked engravings by Webber and Hodges. Reihana explains that Les sauvages claims to be historical and is presented as such, when in actuality the wallpaper’s creators harvested information from different historical moments and relocated the bodies into a fictional Tahitian landscape, removing these Pacific people from their cultural, historical and political reality. In this work Reihana has restaged, reimagined and reclaimed the panoramic wallpaper by altering its original presentation of print form to liveaction video. She has brought each character alive with breathtaking precision of Maori and Pacific cultural practices and embodied knowledge. Each person on the screen resists the colonial misrepresentations of the past and present encounters with Indigenous people across the globe. Reihana’sin Pursuit of Venus is a live-action masterwork that unbinds the shackles of colonialism by producing a highly refined and dynamic video that brings forth visual poetics of Maori and Pacific cultures and knowledge.”
“in Pursuit of Venus” by Lisa Reihana courtesy of ImagineNATIVE.
If you missed out on last night you can still see these important shows tomorrow, ImagineNATIVE’s last day as well as in the weeks to come.
ImagineNATIVE, Toronto’s Film Festival focusing on film / new media productions by local and international indigenous artists, starts today!
“The imagineNATIVE Film + Media Arts Festival celebrates the latest works by Indigenous peoples at the forefront of innovation in film, video, radio, and new media. Each fall, imagineNATIVE presents a selection of the most compelling and distinctive Indigenous works from around the globe. The Festival’s programming, cultural & social events, and Industry Series attract and connect filmmakers, media artists, programmers, buyers, and industry professionals. The works accepted reflect the diversity of the world’s Indigenous nations and illustrate the vitality and excellence of our art and culture in contemporary media.”Find out more…
This year’s international spotlight is on the Maori Nationhood.
“This year, we are incredibly pleased to spotlight the works of Maori artists from Aotearoa (New Zealand). The Indigenous film industry in Aotearoa has long been the envy of many Indigenous artists living abroad. Critically and commercially successful feature films are joined by award-winning shorts, ground-breaking new media works and an expansive radio network.
The Maori presence is prominent throughout Aotearoa and their population is roughly 673,500 or 15% of the national total. The Maori diaspora is also quite significant as more Maori reportedly now live in Australia than in Aotearoa. We welcome the Maori delegation to imagineNATIVE, to our shared territory with open arms, and invite you to enjoy and reflect on the Maori-made works.” Read more…
Catch the full line up of industry talks, master classes, art tours and of course screenings here.
Curator Sanaz Mazinani’s show The Third Space is wrapping up this weekend at Toronto’s Harbourfront Centre. MIXED BAG MAG caught up with this busy and multi-talented woman whose career as an artist, educator and curator has her bifurcating herself between Toronto and San Francisco. In the second part (read Part 1 here) of MIXED BAG MAG’s look into the work of contemporary Iranian art Sanaz offers historical background to the contemporary foreground of some of the work included The Third Space and the symbolic and visual power of script.
The History of Calligraphy in Persia
Persian Calligraphy has had a significant effect on the enhancement of Persian arts and culture. The various Iranian Calligraphic styles, such as Taliq, Nastaliq, Naskh, Thulth, Reqa, Towqi, Shekasteh, and Kufic each carry with them an emblem of an era of history. These decorative scripts allow the reader to visually enjoy the composition of the word, in a wholly new way, providing the viewer with multiple levels of engagement with the work of art.
Contemporary use of calligraphy by Iranian artists
Many Iranian artists find inspiration in the traditional forms of Persian Calligraphy. However, few are able to successfully marry the traditional forms of calligraphy with a contemporary voice in new and successful ways. One of these artists is Gita Hashemi, whose recent project “The Book of Illuminations” is featured in “The Third Space” exhibition. In this work Hashemi explores the intersection between politics and the personal through calligraphic representations of culturally charged words. Her calligraphy paintings do not merely render poetic verses, but aim to unpack the meaning behind words that we use on a daily basis to symbolically question cultural in-tolerances. One example uses the word “غربتی” which is a derogatory term that comes from the root word “غربت” and means the longing for one’s homeland. But used as an offensive term, it takes on a new meaning and refers to that person as someone who does not belong, and does not fit into the norm. These terms shown here in proximity to the personal narration of the artist’s life writing speak to the expectations placed on us and the limitations of societal benchmarks. Hashemi’sThe Book of Illuminations is a fresh approach to the long tradition of calligraphy from Iran and uses a feminist perspective to challenge this traditionally male-dominated, decorative practice by inserting the political into the equation.
In another project, Toronto based artist, Sona Safaei, uses the Farsi and English alphabet and essay writing styles to uncover the differences in the two languages, which intern demonstrate alternative ways of thinking through a subject. Her process often engages with lost meanings in translations, as she questions the possibility of communications across cultures through looking at the self and the feelings associated with otherness. In The Third Space exhibition, Safaei-Sooreh two works respond to the meeting of two languages (English and Farsi). In Alphabet, the viewer finds herself in front of a split screen video as the camera tracks two alphabets being hand written in pencil – one in English, from left to right, and the other in Farsi, from right to left. A dense and textured sound enhances the experience of watching each gesture. The sounds from the left and right videos combine in a seamless collaboration. An amalgamation occurs precisely at the moment when the video loop comes to a close and both sets of alphabets have been written out tin their entirety. This charming momentary union marks an important occurrence, as the English alphabet includes 26 letters and the Persian alphabet 32, this serendipitous synchronicity signals a potential for cohesion of these two cultures. Safaei-Sooreh’s second work titled, Border is a dual channel video installation in which two sets of texts on the subject of art intersect at the corner of a room. The writing disappears on the borderline where adjacent walls meet, creating a unique experience for the viewer, as the piece examines the duality of experiences always at play in transcultural situations.
Music, Visual & Performance Art in James Street North area of Hamilton, Ontario.
There is always lots to do in the city but there is also always a reason to get away and this weekend Hamilton’s SuperCrawl 2013 offers as good a reason as any because this successful festival, now in its 5th year, is expected to draw of crowd of over 80,000 and will feature music, visual and performance art!
SOME OF THE SUPERCRAWL HIGHLIGHTS:
1. Brooklyn Artist Jason Krugman
Jason Krugman is an artist who invents new applications for LED lighting technology. His work combines materials with electronics, referencing nature through accumulation and modularity. His studio produces large-scale LED cable systems as well as installation artworks for public spaces and events. Read more…
BGL is a collective of three Québécois artists (Jasmin Bilodeau, Sébastien Giguère and Nicolas Laverdière) whose productions find their pleasure in breaking down the distance between art and audience, bringing the viewer into a vivid and active experience. Read more…
3. Canadian Muralists Alexa Hatanaka & Patrick Thompson
Alexa Hatanaka and Patrick Thompson’s work encourages individuals who see, interact and move through their artworks to rethink, contemplate and renew their relationships to their environment. They are a team that values public art and collaboration, and together they paint large-scale murals using latex and aerosol. Their work combines colourful figures and stream-of-consciousness mark-making. Read more…
4. Circus Orange
“Our show at Super Crawl this year will be a custom ensemble of a number of our more awesome show components fit together seamlessly to create a spectacular twenty-five minute long performance. The show will consist of the following elements: Our pedal powered flying Pyrocopter, a flying opera singer with a dramatic pyro waterfall, our truly original flamethrower trampoline act, a crane based aerial silks performance (suspended underneath the Pyrocopter), fire/pyro performers and our animated hydraulic lift stage. All this will be staged with special effects and high-elevation pyrotechnic highlights. It will be great!” Read more…
Shows starts at 8:05 Saturday, Sept 14 at the Circus Orange Event Area
5. Superbrawl by Hammer City Roller Girls
This year the Hammer City Roller Girls are excited to hold their annual outdoor roller derby bout as part of Supercrawl, Hamilton’s premier festival for music, arts, and performance – and now roller derby! SuperBRAWL will place on Saturday, September 14 at 2:00 pm on the skatepad at Hamilton Waterfront Trust’s Pier 8, as part of Supercrawl’s new Waterfront stage.
I was determined and praying to the Gods & Goddesses of Transport that they would remove all obstacles one may encounter when riding the TTC.
I made it. A little late but it was worth the sprint up to Fort York from Bathurst, camera bag and all.
What a stunning venue! The open air, the smell of the fires, the grass covered hills, old rock walls and the cityscape in behind. The context was beautiful but the visual juxtaposition points to an unfortunate history. The Honouring is:
“a site-specific multi-disciplinary performance honouring First Nations warriors of the War of 1812, featuring Onkwehonwe families who sacrificed to protect Haudenosaunee sovereignty, culture and land. Audiences have the opportunity to understand the complexity of the War of 1812 through the experiential lens of First Nations, offering a human face to our history. All First Nations took part in the War of 1812 as sovereign Nation allies to Britain.The Honouringpays homage to their personal sacrifices and belief in what was the best for their family, community and future generations.” More info…
Here’s a sampling of just how stunning the work of Kaha:wi is:
“Kaha:wi Dance Theatre (KDT) is one of Canada’s leading contemporary dance companies, recognized for its seamless fusing of indigenous and contemporary dance into a compelling signature choreographic vision.”Read more…
All of these organizations, programs, artists, and exhibitions work to dismantle the legacy of stereotypes that has stopped the dominant culture from seeing the dimensionality that we all carry within us as creative human beings as well as offer a critical voice regarding not only Canada’s First Peoples but Indigenous Peoples from around the world.
The below list focuses on Aboriginal arts in Canada and predominantly new media /visual artists. Stay tuned for a part two that will include much more!
ARTS ORGANIZATIONS AND GALLERIES THAT FOCUS ON CONTEMPORARY FIRST NATIONS, MÉTIS, INUIT & INDIGENOUS CULTURE
ImagineNATIVE Film & Media Festival (Toronto) “The imagineNATIVE Film + Media Arts Festival celebrates the latest works by Indigenous peoples at the forefront of innovation in film, video, radio, and new media. Each fall, imagineNATIVE presents a selection of the most compelling and distinctive Indigenous works from around the globe.”More info…
Planet Indigenus (Toronto)
“Since 2004, Planet Indigenus, in partnership with Brantford, Ontario’s Woodland Cultural Centre, has explored such ancestry and cultures through Indigenous artists. Through a 10-day, international, multidisciplinary arts festivals attended by over 700,000 people… Planet IndigenUS has raised public awareness, broken stereotypes and fostered a cross-cultural dialogue between Canadians.”More info…
Woodlands Cultural Centre (Brantford) “The Woodland Cultural Centre was established in October 1972 under the direction of the Association of Iroquois and Allied Indians upon the closure of the Mohawk Institute Residential School. The Centre originally began its focus on collecting research and artifacts to develop its library and museum collections.”More info…
Urban Shaman (Winnipeg) “Urban Shaman Contemporary Aboriginal Art is a nationally recognized leader in Aboriginal arts programming and one of the foremost venues and voices for Aboriginal art in Canada.”More info…
Grunt Gallery (Vancouver)
“Grunt is an artist-run centre founded in 1984 in Vancouver, BC, with a vision to be an international renowned artist-run centre furthering contemporary art practice. Through the exploration of our diverse Canadian cultural identity we offer innovative public programming in exhibitions, performances, artist talks, publications and special projects.” More info…
AbTec (Montreal) “AbTeC is a network of academics, artists and technologists whose goal is to define and share conceptual and practical tools that will allow us to create new, Aboriginally-determined territories within the web-pages, online games, and virtual environments that we call cyberspace.” More info…
CURRENT & RECENT EXHIBITIONS CONTEMPORARY FIRST NATIONS, MÉTIS, INUIT & INDIGENOUS CULTURE
Indigenous & Urban @ The Museum of Civilization (Ottawa) OPENING TODAY! “Live. Engaging. Diverse. Inspired and challenged by contemporary urban life,Canadian Indigenous artists address issues of identity and stereotypes through humorous and thought-provoking works. Indigenous and Urbanis a summer-long program featuring visual and media arts, music, dance, film, readings and interactive workshops.” More info…
IN THE FLESH (Ottawa)
“In the Flesh examines the hierarchical relationship between humans and animals within a cultural and museological context, and investigates colonial politics, as well as issues of gender as they relate to the mastery of the natural world…In the Flesh grants us visual access to nature while calling into question the politics of representation. As the guest catalogue essayist Ariel Smith notes: “With In the Flesh, the Ottawa Art Gallery participates in a city-wide indigenization of gallery spaces to coincide with the National Gallery of Canada’s Sakahàn: International Indigenous Art exhibition. This indigenization does not exist within a vacuum, and we must reflect on the ways in which these acts of claiming space respond to and are in conversation with both the current and historical politics of Indigenous cultural sovereignty.””More info…
Sakahàn: International Indigenous Art (Ottawa)
CURRENTLY RUNNING UNTIL SEPT 2, 2013 “Sakahàn—meaning “to light [a fire]” in the language of the Algonquin peoples—brings together more than 150 works of recent Indigenous art by over 80 artists from 16 countries, celebrating the National Gallery’s ongoing commitment to the study and appreciation of Indigenous art. This exhibition is the first in an ongoing series of surveys of Indigenous art. The artworks in Sakahàn provide diverse responses to what it means to be Indigenous today. Through their works, the artists engage with ideas of self-representation to question colonial narratives and present parallel histories; place value on the handmade; explore relationships between the spiritual, the uncanny and the everyday; and put forward highly personal responses to the impact of social and cultural trauma. The artworks range from video installations to sculptures, drawings, prints, paintings, performance art, murals and other new, site-specific projects created specifically for this exhibition.”More info…
“Border Cultures: Part One (homes, land) brings together artists working locally and nationally with those exploring these issues in Ireland, Mexico, Palestine to list a few. Using drawing and printmaking, sculpture and photography, video and sound-based installations, artists in this exhibition develop nuanced critiques and perspectives on questions of nationhood, citizenship and identity in the border-lands” More Info…
Beat Nation (Toronto) 2013 “Beat Nation describes a generation of artists who juxtapose urban youth culture with Aboriginal identity to create innovative and unexpected new works that reflect the current realities of Aboriginal peoples today. ”More info…
Fashionality @ The McMichael (Kleinberg) 2012 “Fashionality” is a newly coined term that refers to the visual culture and semiotics of dress and adornment. Combining the words “fashion,” “personality,” and “nationality,” it reflects the interplay between clothing, identity, and culture.”More info…
Poster for Fashionality featuring the work of KC Adams.
Not So Fast | NSF (Toronto) 2012 “Objects tell a story and reveal a history through the way they are made. In the current state of late-capitalism, value is often measured in terms of speed and efficiency. NOT SO FAST | NSFinvites a reconsideration of time and place to present different kinds of value. This exhibition brings together works by seven Indigenous artists who address the many products and by-products of consumer society.”More info…
2012 “In aboDIGITAL, Mi’kmaw artist Jordan Bennett examines the interface of audio-visual technologies and the internet with his First Nations heritage. Bennett’s art deftly blends such seemingly disparate elements as Mi’kmaq worldview, hip hop culture, ceremonial practice and graffiti aesthetics, creating dynamic works that express the fluidity, vitality and continuity of Aboriginal cultures in the present.” More info…
Decolonize Me (Ottawa) 2011 “Decolonize Me features six contemporary Aboriginal artists whose works challenge, interrogate and reveal Canada’s long history of colonization in daring and innovative ways. Deliberately riffing on the title of Morgan Spurlock’s film, the pop-cultural phenomenon Super Size Me (2004), the exhibition’s title emphasizes the importance of recognizing the role of the individual within larger discussions of shared colonial histories and present-day cultural politics.” More info…
Inuit Modern @ The AGO (Toronto) 2011
“The exhibition considers how the Inuit have coped with and responded to the swift transition from a traditional lifestyle to one marked by the disturbing complexities of globalization and climate change.” More info…
& The Inuit Modern Symposium
“Inuit artists and thinkers reflected on this statement during a three-part online symposium... It explored the questions: What are the current issues affecting Inuit art today and how has modernity complicated life in Canada’s far North? How has Inuit art changed the way that Canada and Inuit are viewed internationally?”More on…
Close Encounters: The Next 500 Years 2011 “A banner project for Winnipeg Cultural Capital of Canada 2010 Program comprised of a large-scale exhibition focused on presenting Indigenous art from around the world. This is an incredibly important show, featuring the work of a number of renowned Canadian Indigenous artists, complemented by some of the most innovative and engaging work drawn from Indigenous populations across the globe” More info…
The content on MIXED BAG MAG is about exploring the possibilities of what a new cultural landscape could look like in Canada. The people in projects listed above are our contemporary storytellers that are assembling an inspired mythology that has as its centre core values regarding the protection of our peoples and our environment.
Aboriginal cultural provocateurs are playing a key role in compelling Canadians to re-think identity and the national narrative.
K-os & Serena Ryder – snapping some great Canadian musicians. Home-grown talent at its best!
MIXED BAG MAG is pleased to showcase our talented guest photographer Ardean Peter’s coverage of some this year’s performances at the Luminato Hub. Out under the open air and starry skies (Luminato seems to have the Gods & Goddesses of weather on their side) each year you can enjoy music from all over – the most popular Italian rapper to the most acclaimed Sufi singers from Azerbaijan…it’s a definite trip. And best feature? It’s FREE so hit the Hub from 8 pm to 11 pm each night until this Sunday for some unique beats.
What Ardean has to say about Luminato:
“It is a treat to be able to see such talented and successful Canadian artists – and in a free venue! This past weekend I loved getting a chance to madly sing along to my favorite K-os songs and re-acquaint myself with Serena Ryder – a spectacular and genuine performer.
A bonus though was experiencing these artists amongst a diverse group of spectators – from age to ethnic background. Everyone was there to enjoy great live music and during the course of the night, I even connected with a new friend. Saturday night I found myself back at ‘The Hub’ for the Maxi Priest concert where I busted a move or two to the pop-reggae tunes.
I’m looking forward to attending a few more performances at David Pecaut Square before the festival closes this Sunday but next year I plan to add even more of Luminato’s events to my schedule so I can experience and enjoy everything that Luminato has to offer!”