Making Treaty 7 on stage at the National Arts Centre for Canada Scene.
Another performance focusing on Indigenous storytelling hits the NAC this week. Making Treaty 7 follows Children of God, a play about the experience of residential school, and the opera Louis Riel, both of which were on stage last week.
From the National Arts Centre:
The Making Treaty 7 Cultural Society explores 140 year later, the historical significance of the events at Blackfoot Crossing in 1877. Their mission is to inspire reconciliation among all treaty peoples and to build bridges of understanding across cultures and generations. (read more…)
Making Treaty 7 is a breathtaking collaboration . . . an incredibly important and moving depiction of the history of Southern Alberta.
CALGARY MAYOR NAHEED NENSHI
WHEN: Tuesday, June, 19, 2017 at 7:30 pm WHERE: Babs Asper Theatre, National Arts Centre, 1 Elgin Street, Ottawa
The Performance is Pay What You Can and tickets can be purchased here.
Denesuline and Saulteaux artist Alex Janvier’s paintings depict vibrant worlds.
I believe we are all given moments in life where if we pause to be still and present we will know that we have witnessed something truly extraordinary. In the expansive space of the Great Hall of the National Gallery of Canada last night, those of us that were there had the opportunity to feel the burden of history momentarily lifted by the presence of someone who has dedicated his body, mind and soul to beauty and to the upholding of his culture.
The crowd that came out was as expansive as the space. NGC Director Marc Mayer said that he had never seen the place so full for any previous opening. The turnout illustrated how well respected this internationally known artist is and affirmed the place that Indigenous artists hold in the consciousness of the Canadian public.
At 81 years of age, Alex Janvier is a living legend. His paintings are vibrant expressions of dark emotions transformed via vivid memories of his culture that stayed located inside him despite being sent away to residential school. He spoke of his memories of women doing quill work and beading and the “special Friday from 2 to 4” where at school the children were given a few hours to paint. “It was the only time I could express what was down deep within and go back to the creator I believe in…go back to the inside of the little boy…where I wasn’t scared.” He went on to say that in his paintings “you will see what I talked about [the experience of residential school] but also the liberation from it.”
He shared these words on the same day as the US celebrate the arrival of the pilgrims on Plymouth Rock. On thanksgiving eve, in the twilight of the night fall, the backdrop of the American Embassy and Canada’s Parliament Hill was lit up and seen through the glass enclosure of the Great Hall. Ministers and MPs came out to express their admiration. An honouring song was sung. Dances performed. The word reconciliation uttered on more than one occasion.
Has Canada arrived at a new place in time? Has something changed? Perhaps reconciliation is less about a future moment to arrive at and more about a process to begin at.
Last night what we witnessed was the spiritual tenacity that comes from thousands of years of culture stretching back farther than the concept of ‘the West.’ Alex has spent his life time tapping into that “source” as he calls it. What he gave to us all was a gift, pointing to an imagined future in these troubled times. “I believe that this moment is meant for all of us to be here.”
If we accepted his gift, we experienced grace – one moment in a lifetime that has the possibility to change us all.
The exhibit runs through until April 17, 2017. More info on the Alex Janvier exhibit here.
Join curator Greg Hill in conversation with Alex Janvier Saturday, November 25 at 2 pm at the National Gallery of Canada. More info on the Facebook Event Page. Admission is FREE for all.
Leah Snyder of MIXED BAG MAG and Manjit Basi, founder of CITIZENS ACADEMY, are partnering to host a We Are Cities Round Table.
As the Nation’s capital, Ottawa has a unique cultural position and plays a significant role in determining the direction Canada will take on many important issues regarding the environment and human rights. Located on traditional Algonquin territory, the city has an active First Nations, Inuit and Métis community as well as a growing immigrant community; a large Francophone population with the province of Quebec just minutes away adds another element to the cultural milieu. Often labelled as a city of bureaucrats, in reality Ottawa has a thriving arts community that includes not only National institutions but a vibrant independent arts scene.
All of the above makes for an interesting dynamic and fertile ground to create big shifts especially around what deep diversity looks like in an urban context.
We would love your contribution to the conversation on city/community building in Ottawa. Please join us!
WHEN: Tuesday, March 17, 2015 5:30 – 8 pm
WHERE: Carleton University Art Gallery
1125 Colonel By Drive (St. Patricks Building)
“With your help we will build a vision and action plan to make Canadian cities healthy and exciting places to live, work and play. The campaign will bring peoples’ ideas together and build on the city-focused initiatives that are already taking place across the country. We Are Cities will help connect existing city-building work in order to strengthen and mobilize our collective efforts to enable the change we need. We Are Cities was launched by a number of organizations that believe that a prosperous future for Canada depends on thriving cities. For cities to succeed, citizens need to take an active role in identifying a path forward to achieve resilience, prosperity and inclusivity.” Find out more on www.wearecities.ca and follow at#WeAreCities.
“North America’s Premier Festival of Global Jewish Music & Culture returns…
…with its 10th biennial celebration. Over 200 artists from more than a dozen countries will showcase the vibrancy and brilliance of Jewish artistic traditions, from traditional styles to cutting-edge, cross-cultural fusion.”
If you love Klezmer music, Toronto’s own Lemon Bucket Orkestra and all things Yiddish then by the lake is where you need to be. The 2012 Festival was really amazing and this year’s line up of Jewish performers and musicians from around the globe won’t disappoint. Best of all most of the events are FREE! Harbourfront knows how to do a long weekend well.
HIGHLIGHT TODAY: Lemon Bucket Orkestra will be giving a dance workshop @ 4 pm. “Learn Ukrainian and Breton dances to the thrilling musical accompaniment of Canada’s only klezmer-gypsy-party-punk-superband.” More info…
HIGHLIGHT TOMORROW: The Ashkenaz Parade @ 4 pm.
“Propelled by the music of Lemon Bucket Orkestra and all the Festival musicians, Shadowland Theatre will once again transform Harbourfront Centre into a swirling spectacle of colour, puppetry, stilt-dancing, and performance.”More info…
CONGRATS TO THE MANIFESTO TEAM ON ANOTHER YEAR OF AMAZING PROGRAMMING & IGNITING THE COMMUNITY!
This festival continues to show how when enough people connect on a vision something wonderful and fresh can occur. The weather today? Not so good but Manifsto is offering plenty of food for thought and inspiring creativity inside and away from the rain with their symposiums & talks.
NOON TODAY – SO MUCH THINGS TO SAY: Evolution Summit. An inspiring array of panel discussions, keynote speakers and mentor classes. More info…
3 PM TODAY – THE FLOOR AWARDS. Manifesto celebrates the best urban dance artists, educators, youth and community catalysts at our 3rd Annual Floor Awards. First created through community dance consultation, this awards provides a platform to honour the depth of creation and innovation happening in urban dance arts in Toronto. More info…
4 PM TODAY – HEARTIST. A pre-show panel discussion and audience talk back about the growth of mentor-mentee collaborations in Canada, how they work, and add value to the health of the Canadian arts sector. More info…
6PM TODAY – SACRED SEVEN ART SHOW – This year for the 7th Annual Manifesto Art Show we will explore the notions of connectedness and evolution as we present thought-provoking works from local artists as well as game-changers from across the globe.
“Everything in our world is sacred and interconnected – and we’re in the midst of an epochal shift to recognizing that truth in every realm of human endeavor.” – Stephen Dinan
When Iranian artist Shirin Neshat’s photography first started appearing the language, whether you understood Farsi or not, was explosive.
The images mixed violence, tenderness, and sensuality in a way I had never encountered before. I was used to seeing women valued in art as an aesthetic but not as a stage upon which a woman could perform an act of defiance by literally writing the script of her own point of view upon the body.
This was 1990s and the voices of women artists, especially of non-Western origin, were still muffled under the (wet) blanket of Modernity’s traditions in the way we were to experience art, talk about art as well as conduct the business of art.
“I feel a strong parallel between the writings of contemporary Iranian poets and my images, which visualize the metaphors that are so important in the text.” ~ Shirin Neshat in World Art Magazine, 1996
no one is thinking about the flowers
no one is thinking about the fish
no one wants to believe
the garden is dying
that the garden’s heart is swollen under the sun
that the garden
is slowly forgetting its green moments
~ Forugh Farrokhzād
For me, the contemporary art I was studying in university and experiencing in galleries felt foreign and unrecognizable – not so much to my eyes but to my soul. In the experience of Shirin’s work I found a homeland. It was the gestures – the female hands and lips. It was the look in the eyes staring from one female to another. This time a woman’s gaze was directing the compositional outcome.
Since that time there has been an outburst of women in art. Internationally the work of women is some of the most exciting work to be encountered. The art is layered with explorative technique and quick cleverness as well as being emotionally charged.
But the commentary provided in the work is not exclusive to the female mind. Much of the work being produced is about the experience of being human.
Sona Safaei-Sooreh’s installation Alphabet and Border, currently showing at York Quay Gallery (Harbourfront Centre) as part of curator Sanaz Mazinani‘s The Third Space Exhibit uses a video of English text converging with Farsi script to get the audience to consider the contemporary condition of ever collapsing boundaries.
“Border is a video installation in which Farsi and English texts move towards a corner of a room and disappear on the borderline of two walls. It is about arbitrariness of rules and regulations, the sense of in-between-ness, duality and ambivalence that one experiences in a transcultural situation.
The borderline is a narrow vertical line between two walls: the joint. The place two walls meet. This very “thin line” changes the direction of one’s eye, all of a sudden similar to geopolitical borders in between countries. One step back or forth one is occupied with different laws and orders.”
This beautiful short by Elnaz Maassoumian treats text in a different way less about its abstraction and more about the poetics of its meaning as interpreted by the viewer.
“I am interested in Gaston Bachelard’s idea from The Poetics of Space. Bachelard talks about different kinds of spaces: nests, shells, corners…These spaces are approached both from their physical and metaphorical aspects: they offer refuge and constitute ‘doors for the imagination’. I am interested in the potentials of space. By this I mean the exploration of the possible uses that a space offers. I am approaching this through the reconfiguration of a given space to accommodate specific needs which can change over time. For these purposes, flexible, malleable materials constitute ideal means. They can be easily retooled or reshape to conform given purposes. They also open rich possibilities for redefinition of the relation between private-public; in-out; isolation-connection; visible-invisible.” More images on Elnaz’s website
To gain more insight into Shirin’s powerful imagery, both in the still and moving image, MIXED BAG MAG recommends Tirgan Festival at Harbourfront Centre this coming weekend. Shirin will be giving talks on her body of work and there will be screenings of both her feature film Women Without Men as well as her shorts. All events are FREE!
“We need to hone and cultivate a group of artists right now that really know who they are, know how they fit into their broader community and then have a message. We need to provide spaces…where an emerging artist can be given a space where they have critical thought and get to know who they are and how they fit into the continuum of art and art history…how they can shape and change the way that the future can look” ~ Che Kothari, founder of Manifesto
As part of the Manifesto Festival, Walk for Youth Arts was a parade down Toronto’s Yonge Street that brought out arts activists, community leaders and cultural provocateurs to bring awareness and rally support to keep our city’s youth programs diverse, accessible and funded!
To give an idea as to the importance of these programs in the lives of the youth that attend check out these videos on some of the initiatives you can find in Toronto.
“The young people involved are here because they are innovative, because they are passionate because they are creative and in this city something is happening that I don’t think has happened before, not youth organizing, that has happened before but youth organizing that has the potential to be sustainable, that has the potential to create real change, not change that’s only going to be around for two or three years but change that could actually alter the fabric of the way this society is operating and that is amazing!”~ Amanda Parris, Playwright & Performer
“Using art as a vehicle for social change is something I live by”~ Boonaa Mohammed, Spoken Word Poet & Storyteller
To view more videos on the talent, vision and action of organizations and projects who are changing the landscape of this city MIXED BAG MAG recommends visiting the Walk for Youth Arts Blog.
Keep updated on how you can support this cause by following along on Facebook and on Twitter at #Walk4YouthArts.