The National Capital Commission hosts talk on heritage conservation and nation building.
If you are in the Ottawa area a great regular event is the Capital Urbanism Lab Lecture Series offered by the National Capital Commission (NCC). The NCC is a Crown Corporation that manages federal lands, and “nationally significant public places” in and around Ottawa playing a role in heritage conservation in the National Capital Region. Their Urbanism Lab gathers to it experts in design, architecture, city building and heritage who rethink and reconsider our approaches to creating communities that work for everyone. Past speaker topics have included Indigenous Place Makingand Youth Engagement in City Building. Upcoming lectures in 2018 will be focused on topics such as Canadian Design as a Cultural Export and The Capital and a Healthy 10-Minute Neighbourhood. Past lectures are all archived on the NCC’s Youtube Channel.
Tonight’s lecture, Heritage, circa 1967, will focus on heritage projects that came into being during Canada’s Centennial year in 1967. That time was a moment of national building much like we see now with the Sesquicentennial and Canada 150. Reflection on nation building moments are critical for understanding how processes can compound the problems instead of inspiring new ways of sharing and co-existing in spaces that are often contested and problematic in how they position dominant culture at the expense of other members of a community. Come on out tonight and participate in conversations around creating better communities.
Heritage, circa 1967: The lessons and legacy of Canada’s centennial in the Capital and beyond
WHEN: Wednesday, October 11, 2017 @ 6:30 – 8:30 pm WHERE: National Capital Commission, 202-40 Elgin Street, Ottawa, K1P 1C7
The Curators and Conservators who worked on the new Canadian and Indigenous Galleries speak on their work.
This week the new Canadian and Indigenous Galleries has opened. To celebrate the occasion the NGC is offering tours all day Saturday with the experts who make things happen at the Gallery. All tours are free with admission.
SCHEDULE OF TOURS
10 AM KATERINA ATANASSOVA: Senior Curator, Canadian Art
Room A105 (English with Bilingual Q & A)
Join Katerina Atanassova, Senior Curator, Canadian Art, as she talks about the new installation of works by the Group of Seven and Tom Thomson and provides insight into the artists who shaped the Canadian art landscape in the early 20th century.
11 AM CHRISTINE LALONDE: Associate Curator, Indigenous Art
Room A101 (English with Bilingual Q & A)
Meet Christine Lalonde, Associate Curator, Indigenous Art, as she talks about the Gallery’s new installation of Indigenous art and provides insight into the Indigenous cultures who created the works on view.
12 PM JONATHAN SHAUGHNESSY: Associate Curator, Contemporary Art Room C218 (English with Bilingual Q & A)
Join artists Damian Moppett and Ron Moppett as they discuss their work and exhibition with Jonathan Shaughnessy, Associate Curator, Contemporary Art.
2:30 PM DORIS COUTURE-RIGERT: Chief, Conservation & Technical Research Room A102 (English with Bilingual Q & A)
Join Doris Couture-Rigert, Chief, Conservation and Technical Research, as she address the challenges faced in conserving, restoring and displaying works of art in the Canadian and Indigenous Galleries
3:30 PM GENEVIÈVE SAULNIER: Conservator, Contemporary Art
Room B205 (French with Bilingual Q & A)
Join Geneviève Saulnier, Conservator, Contemporary Art, as she address the challenges faced in conserving, restoring and displaying works of art in the Canadian and Indigenous Galleries.
As a teenager, I was saving my grocery store pay cheque to get to concerts like Fishbone and Red Hot Chilli Peppers at venues such as the Concert Hall in Toronto. I remember seeing The Tragically Hip around the same time. A friend, an early and super enthusiastic fan, convinced me to go a with her. It was a local venue (The Highlands in Cambridge, Ontario) and the ticket price was dirt cheap. If I recall, it was 1989. They had just come out with their album Up to Here and were gaining lots of buzz in alternative music circles. There probably wasn’t more than 300 people in the bar that night but they played as tight as they did in Kingston at their final concert and Gord Downie moved around on stage like his pants were on fire. I was impressed. This band had presence for sure and you could tell they were about to get big. At the time, The Hip wasn’t necessarily my kind of music but I came to realize Gord Downie was my kind of man – a solid, compassionate and politically astute person who stands behind his convictions. And so, because I am a big fan of the person he is, I tuned into CBC to participate, along with so many others across the country, in witnessing an act of grace.
Last night people experienced the stellar human being Gord is. His affection and love for his band mates came through with the closeness of their body language – the way they embraced each other at the end of each set and before yet another encore. By the end of the night it was clear to everyone, if you didn’t already know, that the Hip’s frontman is an exceptional storyteller. Sometimes cryptic, other times unconcealed, whether he takes his audience deep into a mystery or documents a moment in history his songwriting sets up a scene for the listener. All can enter in and feel the emotion he evokes with words and notes. And those emotions he sings of are complex filled with longing, doubt, courage, truth, frustration as well as joy.
And so it was fitting and symbolic that this man who has protested against corporate energy giant Enbridge (Rock the Line), donated hundreds of thousands of dollars to environmental organizations (WaterKeeper) and performed in support of an Indigenous community in crisis (Attawapiskat First Nation) would confront his audience with the complicated, emotionally loaded story of Canada at a historical moment when so much anger, confusion and shame is rising to the surface. Along with those darker emotions we are also seeing goodwill and empathy. Hearts are opening.
Online, in real time, I watched my Facebook start to percolate with feeds of friends thankful that he took this very heightened and intense moment to drop a truth bomb onto the crowd.
Dr. Kahente Horn-Miller is one of those friends. A proud Kanien’kéha (Mohawk) woman from Kahnawà:ke she teaches at Carleton University in Ottawa introducing students to the concepts of Indigenous Governance. She is also a performer who re-enacts the Haudenosaunee creation story of Sky Woman. She “re-matriates” the ethnographic accounts of Sky Woman written down by white men recording what they believed to be a dying culture. She revives the story of Sky Woman by weaving in the reflections of contemporary Haudenosaunee women who use it as a guiding force for their lives asserting spiritual sovereignty. She shares:
His words connected us to the moment. All of us watching across the internet and television screens, the Indigenous and non-indigenous people who grew up loving the music, he brought us together. His last words to us mean so much. He knew the numbers of people that would be watching world wide and used that as a gift to bring his message home. “There are problems in this country…” he said. “The people way up north, that we were trained our entire lives to ignore,trained our entire lives to hear not a word on what’s going on up there. What’s going on up there ain’t good, maybe worse than it’s ever been…. We’re going to get it fixed.” I think he may be right.
Originally from Wasauksing First Nation, Anishinaabe writer and CBC journalist Waubgeshig Rice is now based in Ottawa and was fortunate to see the second-to-last Hip show here at The Canadian Tire Centre. Although he didn’t view CBC’s livestream of the final performance he caught up with the news and comments online after the show.
It’s very heartwarming to know that with an audience of millions during what could be his last public performance, Gord Downie chose to put the spotlight on the plight of Indigenous people and the government’s responsibility to address the issues. He made few other statements or proclamations during the show, so the fact he spoke about the need to pay attention to Indigenous communities during his limited time was very moving. Hopefully Canadian leaders heed his words, and Canadian fans follow his example.
We need a different kind of land.
We need different kinds of cultural expressions and relationships to this land. So if you are a Hip fan who hasn’t considered how our environment is negatively impacted by corporate / government entanglement around natural resources or considered Canada’s complicated and hurtful relationships with Indigenous folks and the intersection where these problems all meet consider the legacy Gord Downie handed off to the audience last night.
Change lies in the hands of Canadians.
This is serious stuff. If this world has a hope in hell of surviving the climate change tipping point we have arrived at it will be because the Inuit elders in the Arctic are heard and consulted. It will be because Canadians decide that a road blockade that asserts First Nations governance isn’t an inconvenience. Rather, these kinds of actions will be understood as the original custodians of the land offering protection for natural resources. Canadians will be able to see that in the long term these actions benefit everyone living here as well as ensure the survival of the entire planet.
Protection of water, trees, and air is the most critical issue at this moment.
Gord Downie gets that. It’s why he has contributed his time and talent as well as put his money where his mouth is. It’s why he’s been a strong ally in support of Idle No Moreraising awareness about Canada’s involvement / non-involvement with issues facing Indigenous people living within the political boundaries of Canada. It’s why he is vocal about Canada’s not-so-pleasant past and the current realities faced by everyone living within these borders.
I would not want any part in propagating, galvanizing or burnishing some of the stupid mythology in this country – that we are this clean pristine place, that we got it all figured out, that we know best for the world, that there is nothing anyone can teach us…these things I write about…the Canada I know…I wouldn’t do it if I thought I just was propping up an old stupid mythology. (Q Interview 2012)
Last night this man who has given much to Canada in terms of fleshing out Canadian identity cautioned about the nostalgic trap ‘Canada the Good’ will land this Nation in if Canadians decide to remain comfortable in this narrative. In his role as a storyteller he summoned his audience to critique as well as re-vision what Canadian identity means. Does being a Canadian include consideration of Indigenous sovereignty and support of those working towards environmental equity? He called out his audience as well as Prime Minister Justin Trudeauto be on the right side of history, to push for change.
As a fan, where on this land do you stand?
“ABOUT THIS MAP” by the Tragically Hip
About this map, here we are, here See, this is us, the exit is here, and We’ve come too far, to just feel like this, yeah We’ve come too far, to be feeling like this
Certain, certain You want to, want to Certain, certain You want to, want to
About this map, it’s a bit out of date, yeah Territories shifted, and things get renamed There’s coups, revolutions, and boundaries blur Volcanoes and earthquakes turn words into birds
It’s certain, certain You want to, want to Certain, certain You want to, want to, want to
But, oh, about this map It goes beyond, beyond And, oh about this map About this map
About this map, here we are, here See, this is me, and there you are, there, and There’s got to be more than just to despair There’s got to be more than just to despair
I’m certain, certain I want to, want to You’re certain, certain You want to, want to, want to
And, oh, about this map It goes beyond, beyond Forget about this map About this map
And, oh, about this map We don’t live in our heads Forget about this map About this map About this map About this map About this map
Saturday, April 23 Carleton University will convene conversations on conservation
Last year I attended an engaging symposium on heritage conservation put on by Carleton University Students. Last year’s theme was Unsettling Heritage. This year the conversation will be focused on New Identities / Voices in Conservation and will pose the questions:
Whose heritage are we conserving?
Whose heritage is being unrepresented or underrepresented in the heritage conservation discourse of the 21st century?
“This theme aims to critically address missing identities and voices in the heritage field and/or highlight alternative stories and perspectives in heritage conservation.”
“In recent years, the identification and conservation of cultural heritage resources—the built environment, cultural landscapes, or intangible heritage—by heritage professionals, has needed to expand and broaden its understanding of community histories to address the plurality and the multi-narratives that exist in our communities. Events such as: the release of the Final Report on Residential Schools by the Truth and Reconciliation Commission, the Occupy movement, the protests for gender equality rights, the push for youth engagement in civic duties (voting), and the global issue of refugees and immigration, have recently highlighted some of these ignored or unknown identities and voices that exist, and which have been underrepresented or unrepresented in the field of heritage conservation.” Read more…
Online registration closes tomorrow at noon. Tickets will also be available at the venue door Mill Street Brewery, 555 Wellington Street, Ottawa.
WHERE: Mill Street Brewery, 555 Wellington Street WHEN: Saturday, April 23 from 9:00 am to 4 pm COST: $15 Students / $45 General Admission (Online Registration) $20 Students / $50 General Admission (At the Door)
TRC Commissioner Marie Wilson moderates a panel of cultural provocateurs speaking on Art & Reconciliation.
“It’s time for the rest of Canada to do the heavy lifting” ~ I Lost My Talk composer John Estacio
On Thursday, January 14 the National Arts Centre hosted a panel discussion on ART & RECONCILIATION prior to the opening night of I Lost My Talk, a performance inspired by the poetry of Mi’kmaq elder and poet Rita Joe. The response to this event was tremendous. Hundreds of people swelled up the stairs from the lobby where the 100 Years of Loss exhibit on the impact of Residential Schools is installed until the end of this week. The event also drew political support. In attendance was the Prime Minister’s wife Sophie Grégoire-Trudeau, the Governor General’s wife Sharon Johnston, National Chief of the Assembly of First Nations Perry Bellegarde and former Prime Minister The Right Honourable Joe Clark. I Lost My Talk was a commission by Clark’s family for his 75th birthday. A moving and lovely gift that we all got a chance to participate in and benefit from.
Canadian writer Joseph Boyden speaks on his commission to write the libretto for the Royal Winnipeg Ballet’s Going Home Star.
It’s encouraging to see a National cultural institution take such a leadership role in implementing the Truth and Reconciliation Commission’s Calls to Action. It’s also poignantly symbolic to have a National cultural institution recognize, in the present moment, a fact that history has tried to obscure. Both the panel and the performance of I Lost My Talk opened with the National Arts Centre acknowledging that “we are on UNCEDED Algonquin territory.”
On the panel, along with Canadian writer Joseph Boyden and John Estacio, the composer for the musical score of I Lost My Talk, was Rachel Maza, “acclaimed Australian theatre director of Jack Charles V The Crown.” I had the opportunity to attend this incredible play that delved into the impact of assimilation policies on Indigenous people in Australia. Over the course of 75 minutes Jack charmed us with his beautiful way of presenting his biography – a life full of identity confusion and much loss but also an amazing amount of grace due to Jack’s own incredible resilience. I left with many mixed emotions. Find out more about the play…
Jack Charles receives a standing ovation at the closing of his performance of Jack Charles V The Crown at the NAC.
Going Home Star opens this week in Ottawa at the National Arts Centre.
“Going Home Star – Truth and Reconciliation is the brilliant result of a star-studded collaboration between the Royal Winnipeg Ballet, award-winning Canadian author Joseph Boyden, acclaimed choreographer Mark Godden, and renowned Canadian composer Christos Hatzis. Going Home Star was ten years in the making, first envisioned by late Cree elder/activist Mary Richard and RWB Artistic Director André Lewis. Searing and sensitive, this powerfully emotional classical ballet is the deeply resonant love story of Annie and Gordon, a pair of contemporary Aboriginal young people coming to terms with a souldestroying past. Hatzis’s multi-layered score incorporates music by Inuk throat singer Tanya Tagaq (winner of the 2014 Polaris Music Prize), Steve Wood, and the Northern Cree Singers.” Read more…
The creative team and performers of Going Home Star speak at the NAC about the ballet during the Truth and Reconciliation Commission gathering in May/June 2015
Also, this weekend at the NAC is Innu author, composer and singer Florent Vollant performing on Saturday, January 30.
“born in Labrador in 1959 and grew up on a reserve named Maliotenam, east of Sept-Îles. He began his musical career in the middle of the 80s and helped to create the Festival Innu Nikamu, which, since its founding, has brought together many musicians and singers from various Amerindian nations.”read more…
Manifesto Festival 8th Annual Art Show features Visual Artists from around the GTA.
I met these two beautiful women, Esie Mensah and Sara Golish, at the Opening Night art exhibit at Manifesto two years ago. Esie was proudly standing in front of the stunning portrait Sara had painted of her. I noted both these women had serious style. But more than that, they had spirit. I have a knack for picking out the good souls in a crowd. They were both vibrant and gracious, two qualities this world needs more of.
My maternal grandmother had 5 children. Then came 12 grandchildren. Now there are 9 great-grandchildren. With the exception of my grandmother, who lived a long and healthy life into her nineties, everyone is alive and well.
On the steps of the Human Rights Monument this Friday night in Ottawa, a Palestinian matriarch, with a cane in one hand and a flag in the other, slowly walked up to position herself in front of the faces of the children that have died in the recent attacks on Gaza. She smiled at the living children who ran up and down the steps around her in preparation for the ceremony. These children – in running shoes, cute sandals, sporty sunglasses and “The Amazing SpiderMan” shorts – are safe and sound in Canada.
This woman is probably in her seventies meaning she was born at a time when Israel had already begun its war on Palestine. Her children, grandchildren, and great-grandchildren have only known the story of war and never the story of peace.
I think again of my grandmother. She never had to witness the death of one of her children or grandchildren.
One child walked to the microphone. Stumbling on his words with the cracking voice of an adolescent boy transitioning into a young adult, he shared with the crowd that this week 9 of his extended family were killed in Gaza.
9 members wiped out. I struggle as to how to act in this moment. He can’t be more than 13. He has probably known more deaths in his family then years of his life.
I want children to be able to be just children with grandmothers who watch over them with laughter without wondering if today will be the last time they see their little ones play.
On Canada Day & Independence Day what are we celebrating?
I spent Canada Day around the landscape of Quebec just a short drive from Ottawa. It was in an effort to escape the masses that descend upon the Nation’s Capitol for the July 1st holiday.
Many Canadians, especially Torontonians, are fresh off the high of the successful celebration of #WorldPride14 in Toronto (complete with a rainbow that hugged the skyline after the parade). A massive crowd came out to show support for diversity around sexual orientation and gender. Businesses, banks, church groups and regular folk take a certain amount of ‘pride’ in Pride because it demonstrates that Toronto is a city that isn’t just about tolerating differences but rather it has created an entire bombastic celebration around those differences!
Ottawa is no different. Canada Day on Parliament Hill draws an exuberant multiculti crowd celebrating the fact that everyone can feel safe and thrive here in Canada no matter the cultural background of their parents and ancestors.
That’s the story Canadians love to share on July 1 and in America on July 4 it’s much the same. The legends of Manifest Destiny and the enterprising people who populated the Wild West occupy a lot of historical real estate. As the story goes, both nations were built by the hard work of immigrants so in the spirit of continuing that history most people would agree there is always room for more!
The trouble and the truth is that each wave of immigrants arrived to racism and discrimination – the Chinese, Vietnamese and even the Portuguese communities in Canada, the Japanese during World War II in both countries; the Irish and Jewish communities. The Ukrainians, Italians, and Mexicans; the Pakistanis, Somalis, and Arabs…the list goes on. Everyone at some time has been the outsider and placed into the unfortunate role of the societal scapegoat.
The cult of Multiculturalism, for all its talk of inclusivity, has created its own scapegoat – the First Peoples. In both America and Canada waves of migrants have washed over the detail that North America was not only built on the backs of slaves but on the bones of its Indigenous populations.
You can see it in the comment section of Facebook, the online sections of national newspapers and blogs – the hate speak when there is an article that calls out the fashion (mis)statements made by headdress hipsters or when there is a blockade on occupied land that inconveniences the occupier.
National stories are powerful but destructive if they are, in essence, tale tells.
On July 1 and July 4 when celebrating the creation of two colonizing nations it is important to think about how those stories exclude. Multiculturalism, with all its focus on providing a safe and welcoming space for newcomers, has created a blind spot obscuring how the focus on rights for immigrants can often be at the expense of the rights of the First Peoples of Turtle Island, the original word for the continent of North America.
The Civil Rights movement was about addressing the shame of White America and calling out how the Jim Crow laws and state supported segregation created a culture of scapegoating, one result being the most ugly of human expressions – public lynching.
Scapegoating is a mechanism that allows an individual or a society to deflect shame. There is shame in making another human being your chattel; there is shame in killing off a population of people to make room for your own kind. We are spiritual beings and on some level, even if it’s buried so deep our waking minds can make peace with our justifications, the soul sees the deception.
So on days of celebrating nationalism it’s also a good time to reflect on those stories mythologies about who we are as citizens.
Anishinaabe writer and Ryerson University professor Hayden King writes:
“…thinking about what Canada could become (or, “what is in us to be?”) I think about understanding. Not the same old discourse of peaceful acquisition, armchair policy expertise, or a Norval Morrisseau on the wall, but substantive understanding among Canadians of Anishinaabeg, Haudenosaunee and Mushkegowuk perspectives (as well as the other 50-odd nations)…Indigenous languages can have official status, but more importantly, be seen and heard on the land and in cities, known by everyone. We can be honest about the birth, life and times of Canada. If all of this is in us to be, we might have something to celebrate.” Read more in his article for the Toronto Star…
Great reasons for national celebrations!
The year 2014 saw the formation of the Cowboys and Indians Alliance created to stop the Keystone XL Pipeline. The delegates rode onto the Mall in Washington, DC and called on President Obama to “Reject and Protect” – reject the project and protect the earth.
2014 also saw the formation of the Healing Walks initiative where people came together for the sake of the land, water, and air as well as the people and animals who depend on the area around the tar sands to be returned to health.
After Hours at the Canadian Museum of Nature for Edible Arctic
Saturday night I attended the Canadian Museum of Nature’s After Hours Event. Part of the Edible Arctic Festival there was lots of yummy food using ingredients from the North. I had the best chowder I have ever tasted courtesy the Embassy of Norway. There was fresh-fried bannock with cloudberry jam, smoked salmon and arctic char. Inuk photographer Barry Pottle’s project Foodland Security occupied the 2nd floor of the rotunda and below his work was information about Inuit organizations like Inuit Tapiriit Kanatami (ITK). You could also take part in making an igloo out of foam blocks while behind you the National Film Board’s “How to Build an Igloo” was being screened. I discovered that an igloo can be constructed in 40 minutes. It takes me longer to pitch a tent!
The Wings of Johnny May director Marc Fafard with Johnny May.
“The Wings of Johnny May” by the National Film Board
There was also a screening of the NFB’s documentary “The Wings of Johnny May” which included a Q & A attended by the director Marc Fafard as well as the charming and witty Mr. May. Johnny was the first Inuk bush pilot and after decades of flying and tens of thousands of hours in the air he now fully embodies the knowledge of the Arctic land. He has also seen his world dramatically change more than once. As a small child his family only traveled by dog sled, a mode of transportation that he says was “slower but more pleasant.”
The beautiful 3-D documentary begins with the love story of Johnny May’s parents. Johnny’s father ended up in the Arctic when he went to work for the Hudson’s Bay Company. He was a young guy from the Prairies but he longed for the North. Soon after he arrived he met Johnny’s mother. He knew she was the love of his life so he stayed and learned Inuktitut and along with the love for a woman he developed a love for the land and its people. She gave birth to Johnny than more little ones arrived. The Inuit community adopted him as one of their own probably sensing that his soul had brought him there to stay. Johnny’s father was white but as the men at the Hudson Bay Co. said “he was more Inuit than the Inuit.”
Sounds like a typical Canadian story of intercultural love. Today these kinds of relationships are common. Most people don’t blink an eye when an interracial couple make a decision to build a life together. For Johnny’s father though it cost him his job. HBC made it clear they didn’t support his parents’ union and told his father he would have to pick between love or money. That was the world back then.
It was this same world and its xenophobia that allowed for a moment in Canadian history that was, as the director Marc Fafard says, this country’s Shoah – one of the multitude of moments that was about creating a nation that serviced a European legacy with a commercial agenda. Johnny was down South for flight school. When he arrived back his entire dog team had been shot. In the 50s and 60s, across the North, orders were often given by those ‘in charge’ to shoot all dogs.
Johnny’s wife was in the audience and she closed the Q & A with her own memories of that time. She was far away at a residential school, missing her loved ones in a world foreign to her. She relates that in each family every child had their own dog – that child’s little friend. Louisa would think often of her dog and in the letters she wrote home she would ask how her pet was. Eventually the letters no longer contained messages about her dog. As a child, she could not fully understand the omission and realizes now that adults didn’t share that kind of tragic information with a child. There was no way for her to know that her dog had been killed until she arrived back in the North to a home changed forever – a mode of travel, a way of living, a cultural landscape – wiped out.
It has taken too much time for some sort of justice to happen. Johnny lost 9 dogs. A few years ago the government paid him $6,000 for that loss decades earlier when he was just a teenage boy trying to sort out how to be a man in a world changing at an unnatural pace.
“This was literally a domination gesture” says the director going on to relate how these actions cut the Inuit off from their source of food by putting an end to their travel and ability to be self-sufficient.
So many painful memories recalled by people like Johnny and Louisa but despite defining moments meant to cripple them they are still here – warm and open – allowing us to become joined to those memories as witnesses. Hopefully we become accountable ones.
Over the last few days at Edible Arctic and ITK’s A Taste of the Arctic that warmth and openness was encountered each time I met someone from the North. It’s incredible to see that the human spirit is able to find a way to move forward with hope. Cultures and communities that have been devastated are beyond surviving – they are thriving.
Top, demonstrating throat singing at the Edible Arctic Festival. Middle and bottom, Food at A Taste of the Arctic.
A Taste of the Arctic Gala at the National Arts Centre.
At A Taste of the Arctic on Monday night the youth from the Nunavut Sivuniksavut program came out to do a fashion show modelling what I call #Inuit #Glam. Wonderful ambassadors of Inuit culture, these young women and men are always rocking some serious style when I see them out and about in the city of Ottawa where they live for the duration of their course.
“Nunavut Sivuniksavut is a unique eight-month college program based in Ottawa. Founded in 1985, it is for Inuit youth from Nunavut who want to get ready for the educational, training, and career opportunities that are being created by the Nunavut Land Claims Agreement (NLCA) and the new Government of Nunavut…Students in the NS Program learn about Inuit history, organizations, land claims and other issues relevant to their future careers in Nunavut.” Read more…
Top 4 images, the Nunavut Sivuniksavut Students. Bottom left, Inuk Elder giving a blessing at A Taste of the Arctic. Bottom right, National Inuit Leader Terry Audla.
After a prayer from an Inuk elder the musical entertainment was provided by The Sundogs, Leanne Goose, The Jerry Cans and Beatrice Deer. Every band had the crowd jigging to melodies that included many different cultural expressions, incorporating both traditional and contemporary elements.
This may seem normal in the 21st century where mashup culture is the standard but hearing songs sung in Inuktitut with the inclusion of throat singing – all being performed in Canada’s Capital – this is a profound statement! Many generations of children were beaten in the residential schools when they spoke their mother tongue and throat singing, like so many cultural expressions, was banned as it was seen as sinful with no relevance in modern times. When language is embodied through the vehicle of culture, as the voices rise, the spirit is given the chance to be nourished.
Left, Nancy Mike of The Jerry Cans. Right, Beatrice Deer.
If you missed this year’s Edible Arctic at The Canadian Museum of Nature below are some of the highlights of the people, the food and most importantly the culture!
Top row, making maples syrup taffy and drinking Arctic berry tea. Bottom row, Annie Aningmiuq beading her seal skin clutches.
Inuk artist Jolly Attagoyuk showing his beautiful prints and drawings.
The Nunavut Sivuniksavut Students face painting traditional Inuit tattoo styles.
Multiculturalism – one side of many multiple stories.
In a single day, as I cover events, I may spend time in one space that is about design thinking then another that is about curation. I may go from an event on government policy to one on social innovation. Sometimes these spaces may be more straight than queer or more queer than straight. They are religious, agnostic, humanist, and sometimes self-helpish.
They might be Arab or Anishinaabeg spaces and the rituals, protocols and ceremonies change.
It’s a rich way to exist. It’s also complicated.
Because no matter if it is about profession, spirituality or cultural / sexual identity wherever I go everyone is trying to figure out who the hell they are and what the heck does it all mean when you put it into the context of communities that mingle and merge but often overlook the deeper complexities of diversity – most importantly the distinction between Immigrant and Indigenous narratives in Canada.
The narrative of ‘Multiculturalism’ makes invisible the story of the First Peoples. I would argue that was part of the plan. By placing ‘Canada the Good’ on the marquee with a storyline ‘Celebration of a Cultural Mosaic’ the light required to illuminate the systematic oppression of First Nations, Inuit and Métis people in Canada instead casts a long shadow.
Initiatives like The Truth and Reconciliation Commission of Canada have now turned the spotlight onto that darkness but as the hearings come to a close, with so much being said, how do we move forward and ensure all the voices speaking are getting heard?
We listen – actively, deeply and with a commitment to sit with the uncomfortableness that comes when you bear witness to someone else’s pain.
The legacy of colonization is a culture built on the instability of over-consumption and hyper-consumerism that thrives on distraction. If that isn’t addressed, living in a world with a multiplicity of voices is going to be problematic because the process of engaged listening is at odds with a society that functions by keeping people in a detached state of insecurity and need.
The government may change but most likely it won’t. In the meantime we can recognize that people aren’t pie charts. We can colour code demographics and cover souls with blanket statements but then we will lose the emotional prosperity that comes when human beings learn how sit and be still with each other despite the surrounding noise.
The images in this post are from this past weekend’s events in Ottawa – The Book Launch of Min Fami at Octopus Books and Niigaan in Conversation at Carleton University. The quotes on the images of each woman demonstrate how many thoughtful people I encounter on any given day. It’s what makes me believe that a new space can be created regardless of systems in place that often seem beyond our control. To all the women I had the opportunity to listen to this weekend – Chi Miigwetch / شكرا.
MIN FAMI: Arab Feminist Reflections on Identity, Space and Resistance
“Min Fami: Arab Feminist Reflections on Identity, Space, and Resistance is an anthology that cradles the thoughts of Arab feminists, articulated through personal critical narratives, academic essays, poetry, short stories, and visual art. It is a meeting space where discussions on home(land), exile, feminism, borders, gender and sexual identity, solidarity, language, creative resistance, and (de)colonization are shared, confronted, and subverted. In a world that has increasingly found monolithic and one-dimensional ways of representing Arab womyn, this anthology comes as an alternate space in which we connect on the basis of our shared identities, despite physical, theoretical, and metaphorical distances, to celebrate our multiple voices, honour our ancestry, and build community on our own terms, and in our own voices.”
IIGAAN’s Oshkadis Chineekaneech: The Youth Will Lead
Niigaan is an Anishinaabemowin word for leading into the future. Oshkadis Chineekaneech Is the Anishinaabemowin phrase that translates The Youth Will Lead.
“Niigaan: In conversation is an opportunity for settler Canadians to hear and respond to what Indigenous Peoples have been saying: Canada has not committed itself to addressing the colonial relationship it still has with indigenous peoples. Canada is in denial about that relationship. It is fair to say that most Canadians believe that kind of relationship no longer exists. We are trying to tell you that that is wrong.
The results of our work will be another step towards the continual positive development of the relationship between Indigenous Peoples and non-native Canadians. The main end result will be to provide an engaging and focused space to encourage discussion, learn our collective history and to move forward to the future.”