Cris Derksen Trio. Image provided by Ottawa CHAMBERFEST.
#ChamberFringe promotes performances that reach new audiences for Classical music.
Ottawa’s CHAMBERFEST has begun and as part of the #ChamberFringe programming Chamberfest is bringing Cree / Mennonite cellist Cris Derksen to the stage. The mandate of the The Ottawa Chamber Music Society (OCMS) is to “make classical music accessible to everyone.” Acts like the Cris Derksen Trio fit the bill perfectly with Cris “weaving her classical training together with electronics and her Aboriginal ancestry” and then combining the performance with “master hoop dancer Nimkii Osawamick and percussionist Jesse Baird.” (read more…)
Cris is also known for her collaborative work with other Indigenous artists like Buffy Sainte-Marie, Leanne Betasamosake Simpson, Tanya Tagaq and A Tribe Called Red. I have seen Cris perform on numerous occasions, most recently with Cree / Dene / Irish performer Iskwé. As a cellist, Cris’ compositions add rich depth and resonance to the music of all of the artists she works with. With the addition of Indigenous hoop dancer Nimkii Osawamick Tuesday’s performance promises to be a special night for CHAMBERFEST.
“Electrified and covered in flecks of gold, you exit gasping for air.”– Weird Canada
Ottawa’s National Art Centre has your Friday night planned out with Scene-o-Rama!
The NAC always does a fantastic job of transforming their lobby space into a pulsating event space with a club-like atmosphere. Whether it’s an impromptu round dance with A Tribe Called Red or ITK’sTaste of the Arctic they are experts at hosting parties that are unique and sexy! This weekend opens with another FREE Canada Scene event hosted in the NAC’s Canal Lobby. Along with art, performances and live music, drinks and Canadian tapas ($8 / piece or 4 for $30) will be available throughout the evening.
WHEN: Friday, July 14 @ 9 pm – 12 am WHERE: National Arts Centre Ottawa in the Canal Lobby
A baffling bunch of sheep, two plaid-wearing brothers, a full-size lighthouse, five loopy film installations, an eight-sided keyboard extravaganza, vocal gymnastics, an intimate touch, exquisite dancing, six-thousand light bulbs, movies created and destroyed, a bamboo forest, and more. Welcome to Scene-O-Rama!
Hosted by DJ Memeticand featuring performances and installations by:
Jesse Stewart with DJ Memetic, DJ Emily Jones, and Vincent Bishop
15 X AT NIGHT Fortier Danse-Création
Performer Naishi Wang
The Brothers Plaid Bill Coleman and Mark Shaub
Caitlind Brown and Wayne Garrett
battery opera performance
Guy Maddin, Evan Johnson, and Galen Johnson
Pixie Cram, Dave Johnson, Paul Gordon, Roger D.Wilson
Lilith & Cie/Aurélie Pedron
Range Light, Borden-Carleton, PEI Kim Morgan
Presented in association with the Canada Dance Festival
The National Art Centre Ottawa begins the week with Miguel De Armas’ Cuban grooves.
Last week’s Canada Scene line-up started with Buffy Sainte-Marie performing with special guests DJ Shub (formerly of A Tribe Called Red) and the legendary Randy Bachman. This performance not only opened the week but as a Canada Scene signature event closed the Canada 150 celebrations in the city of Ottawa. The performance was incredible and you could sense there were many Buffy (and Randy!) fans in the audience. The opening act – Leela Gilday– also wowed the crowd. Leela “weaves her experiences as a northerner, a member of the Dene nation, and a traveller into songs with a sense of humour and social justice, and an ironic appreciation of human folly.” If ever you have the opportunity to see Leela perform you will not be disappointed by her talent and power. (Read more…)
This week Canada Scene opens with Ottawa-based Havana-born musician Miguel De Armas. For the show tonight “Miguel brings his bright Latin beat to the festival’s Canada Stage series for a performance that is nothing short of a master class in original Cuban rhythms – airy, feel-good jazz that spreads itself comfortably in all directions and into all kinds of music.” The show, starting at 6 pm at the NAC, is FREE and part of the ongoing Scene@6 series running throughout Canada Scene in the NAC’s newly designed Atrium. The series “showcases this country’s top folk, roots, world, and jazz artists.” (read more…)
Upcoming FREE Scene@6 performances include William Prince, Karim Dabo, The Jerry Cans and Nick Sherman as well as many other amazing performers. For the full list click here.
Starting today and running through until Monday July 3rd Toronto’s Harbourfront Centre, a leader in diverse programming that speaks to our times, is hosting Our Home on Native Land Festival. Indigenous artists will be performing all weekend long. Some of the featured artists include:
On the occasion of Canada Day, Our Home On Native Land aims to spark questions, conversations, and ultimately a rethinking of “what it means to be Canadian” by foregrounding, celebrating, and making space for the diverse voices and stories of belonging to this land that are often excluded from typical ideas and expressions of Canadianness.
By focusing on narratives of creative resistance, intersectional solidarity, social justice, and decolonization, Our Home On Native Land reveals the connective threads that exist between Indigenous and diverse, newcomer communities in their creative contributions to the artistic and cultural fabric of Canada, or Kanata.
This festival takes its title from a well-known act of resistance committed by Indigenous peoples across Canada, whereby they intentionally change the line “Our Home and Native Land” to “Our Home On Native Land” to re-ascribe Indigenous sovereignty over the lands now known as Canada.
Credit Tanya Tagaq for helping to bring Inuit throat singing into the mainstream, paving the way for bands like Iqaluit’s Jerry Cans to get noticed beyond their remote Northern community. The band—Andrew Morrison, Nancy Mike, Gina Burgess, Brendan Doherty and Steve Rigby—represents the kind of musical cross-pollination that occurs around the world. In addition to using tradition Inuit materials, the Jerry Cans pull from country music, folk and reggae to create a highly distinctive sound. With songs that are primarily written in Inuktitut, the band sings about Northern pride, challenging the perceptions about life there and carrying a powerful political message. The quintet’s debut album, Nunavuttitut, was released in 2012. Two other recordings followed in 2014 and 2016, and the band has toured extensively across Canada and as far afield as Australia. (read more…)
Warming up winter with free Indigenous film screenings.
Asinabka, one of Ottawa’s favourite summer film festivals, along with the Ottawa Art Gallery is presenting Unikkaaqtuarniq: Stories from the North just in time to celebrate Ottawa’s favourite season – winter! On Friday an outdoor screening will highlight Indigenous filmmaking from the Arctic and will include “a continuous looping program of short films by Inuit and Sámi filmmakers projected in a theatre made of snow.”
Presented in partnership with Skábmagovat film festival (Inari, Finland), the City of Ottawa, the Embassy of Finland, Gallery 101, the Ottawa Inuit Children’s Centre and Winterlude.
Also, part of the programming is award-winning filmmaker Alethea Arnaquq-Baril’s Angry Inuk
“In her film Angry Inuk, Inuit director Alethea Arnaquq-Baril joins a new tech-savvy generation of Inuit as they campaign to challenge long-established perceptions of seal hunting. Though most commercial sealing is conducted by Inuit in the Arctic, anti-sealing activism has created a perception of the industry that denies their central role in the sealskin market.”
Oh my! Where does one start?! First let me say this. There is nothing boring about Ottawa. So let’s just put that “it’s the city that rolls up the sidewalks at night” myth to rest. Just when I think I might get a breather from events the Writers Festival ends by seguing this city into another festival celebrating the arts – The National Arts Centre’s Ontario Scene. “Imagine 600 Ontario artists, from all disciplines, performing in the national spotlight on the stages of Ottawa/Gatineau: that’s Ontario Scene.”
The biggest limiting factor to Ontario Scene is that my body only allows for me to be in one place at one time. I may have to settle for 300 Artists, 30-ish events and maybe 1 less day.
I have already clocked two events with back to back nights at Carleton University Art Gallery for the Opening and Artist Walk Thru of the current exhibit “Human Nature.” This show “presents fourteen contemporary Ontario artists whose works look at the state of the natural world and our impact on it.”
Images by Leah Snyder for Mixed Bag Mag.
Graffiti Boxman Project. Photo Flips BSC. Kwende Kefentse.Credit James Park Photography.
“Century Song is a live performance hybrid showcasing the extraordinary Canadian soprano NEEMA BICKERSTETH. A radical revisioning of the recital form from one of Canada’s most exciting theatre companies, it is part classical song, part dance, part projection, and entirely theatrical.” Find outmore…
Digging Roots. Raven Kanatakta and Shoshona Kish. Photo Ratul Debnath.
DECLARATION is a great Ontario Scene initiative that will be running from April 29 to May 3.
“DECLARATION is a celebration of Indigenous peoples’ right to engage in the creation and evolution of arts and culture, as asserted in Article 11 of the 2007 United Nations Declaration on the Rights of Indigenous Peoples. Created by Toronto-based ARTICLE 11, DECLARATION is an immersive, live, sound and image installation and performance-creation lab. It offers the rare opportunity to witness established Indigenous artists mid-process as they take risks and explore new approaches and collaborations in a responsive, interdisciplinary environment.”
Read more about the full DECLARATION programming here.
Santee Smith. Image by Red Works.
John Morris, NAC Executive Chef
Also, on the menu, literally, is food – the best of what Ontario has to offer in the culinary arts.
On Monday night:
“le café presents a WINEMAKER’S DINNER that showcases and complements the delightful wines of Pelee Island, Canada’s oldest and most southerly wine region. For this special occasion, National Arts Centre Executive Chef JOHN MORRIS will prepare a sumptuous five-course menu with all-Ontario ingredients, and every course will be paired with the finest varietals that Pelee Island has to offer. Winemaster MARTIN JANZ, of Pelee Island Winery, will be in attendance.”
On Tuesday night:
“Experience the innovative and mouth-watering creations of more than a dozen top chefs from across the province as they vie for the $10,000 top prize in the ONTARIO CULINARY CHALLENGE. Each chef will prepare uniquely Ontario small plates, using a selection of 100% local and regional meats, cheeses, fruits, and vegetables. With the support of Wine Country Ontario, chefs will be partnered with Ontario wineries to produce the perfect food-wine pairings, which attendees can sample throughout the night. Rub elbows with chefs, sommeliers, and media, sample some of the province’s finest wines, and cast your vote to award the first-place prize for the very best of the best in Ontario’s culinary arts.”
Alright, time for a 2nd shot of espresso and I will be ready to go.
Past history and present tense invoked with installations at Fort York, Toronto.
Today we know of Fort York as the (barely visible) small patch of green space that buffers the expansive condo development that now grinds against the north and south sides of the Gardiner and barricades us from a view of the sky.
In 1793 the plan for a garrison was put into place by John Graves Simcoe. At the time, Niagara was the capital of the province but Simcoe felt that Toronto was a more suitable place for a naval base that would protect the area from the possibility of an American attack. Soon after, it was decided to move the base again – to Kingston – but a community had already developed around the area and by 1800 there was a residence built for the lieutenant-governor on the site.
In the spring of 1813 the Fort was attacked by the Americans. Both the Indigenous nations of the Mississaugas and the Ojibwa assisted Canadian and British forces to keep the Americans at bay but in the years the followed Fort York was continually attacked and occupied by American Forces. Eventually, due to the victory of the British in the War of 1812, Fort York became a more stabilized community that grew to become the settlement that was renamed Toronto in 1934, from the Kanienke’haka (Mohawk) word Tkaronto meaning “the place in the water where trees are standing.”
Two centuries of peace have passed but the site still remains to commemorate the battles and lives lost.
It has also become a great place to showcase dramatic and large scale art and performance.
Luminato does Fort York.
In 2012, as part of the commemoration of the 200 years since the war of 1812, Luminato staged a massive art install at the Fort called “The Encampment.”
“Marking the bicentennial of the War of 1812, The Encampment is both a luminous large-scale art installation and a kind of metaphoric archaeological dig—one that unearths not physical artefacts but long-buried shards and strands of human experience. Conceived as a “temporal village,” the installation comprises 200 A-frame tents pitched on the grounds of Fort York, which fell to U.S. forces during the war. Each tent contains an installation by one of 200 artistic collaborators, selected via an open call for contributors. Each creates a visual representation of an aspect of the war’s civilian history, gleaned from research into real-life stories of family, love, loss, survival, patriotism, collaboration and betrayal. Visible at a distance from several downtown locations, the massive assemblage of tents presents a wondrously glowing sculptural landscape. Explored at close quarters and through social activations, it offers poignant insights into the lives of ordinary people swept up in the epic drama of history.” More info…
Kaha:wi Dance Theatre participates in remembering and honouring the lost lives.
“Body of War reflects on how man becomes a soldier through the relentless repetition of acts of violence. What happens to the psyche as it learns to transgress social principles and integrates the willingness to kill? Set in the geography of the Normandy Landings and punctuated by testimonies of retired and serving soldiers, a mis-en-scene of visceral hand-to-hand combat is gradually deconstructed. The viewer is invited to engage in the relationship between human intimacy and the brutality of war choreography.
CHIC POINT by Sharif Waked (Nazareth, Palestine / Israel) Video Installation
“Chic Point ponders, imagines, and interrogates “fashion for Israeli Checkpoints.”
Male models expose body parts – lower backs, chests, abdomens – peek through holes, materials and standard clothes are transformed into pieces that follow normative fashion standards while calling them into question. Chic Point bares the loaded politics of the gaze as it documents the thousands of moments in which Palestinians are forced to undress in the face of interrogation, as they attempt to move through the intricate and constantly expanding network of Israeli checkpoints.”More info…
“The work is an attempt to explore world orders that defy geo-political definition. A red carpet-flag allows the audience to experience the glamour of walking down the catwalk, while unexpectedly being confronted with different political ideas regarding the fall of a totalitarian system.”More info…
MELTING POINT, 2014 by LeuWebb Projects (Toronto), Jeff Lee (Toronto), & Omar Khan (Toronto) Light Installation
“Located on the original shore of Lake Ontario, Fort York was built for defense. Over time, the Fort has stood its ground against enemy advances, expressways and condos as the lake’s edge has pushed further away. Situated in this context of protection and resistance is Melting Point, a sound and light based installation. Melting Point stocks a pair of cannons with an artillery of glowing good feelings, in the form of sparkling tributaries of light pouring from the mouths of the old weapons. Accompanied by a chorus of rolling waves and trilling harps, the work lays a defense agsinst the swirling market forces beyond, countering hard with soft and dark with light and creating a safe space for Art.”More info…
“Mismatched chairs are gathered from households for re-creation of the moment of a family function. Initiated by the audience, the movement of these objects creates the sounds of a family shuffling their chairs into position at the table.
The mirrored floor captures the physical reflections of the audience and the chairs, imbued with personal nostalgia, thus becoming the medium that retains and reflects private experience and memory.” More info…
BRIGHT BUNDLE 2014
“Bright Bundle is a light sculpture ablaze with pulsating light and sound representing the past and present of growth, prosperity, culture and the future. Set in the centre of Fort York, this 1000 metre ribbon of LED lights will glow and pulsate in a golden-white colour seen from a distance and beckon audiences from surrounding pathways towards it to bath in the glow of its pulsating lights and sound.”More info…
Wishing everyone a safe (and dry) night!
NOTE:Ascendant Line & Melting Point will continue to be on display until October 13.
“Before Day Break contemplates a sensitive artistic practice. Evoking the complexity of life itself, artists from diverse regions will offer singular perspectives in an attempt to cover different angles of reality. Through these practices they enable the audience to turn the ordinary into extraordinary artistic memory. Like the pixels in a photograph, human relationships, religion, socio-political and cultural behaviour are among the themes used to present a deeper message that speaks to the universality of the human experience. Motivated to challenge and surprise the viewer’s expectations, this vibrant environment will invite reflection on contemporary history, while juxtaposing it to Canada’s quest for inclusion and plurality. All of this leads to satisfaction of the eye and the intellect.Before Day Break defends and trusts the restorative power of art.” More info…
All images above by Leah Snyder for Mixed Bag Mag unless otherwise noted.
“North America’s Premier Festival of Global Jewish Music & Culture returns…
…with its 10th biennial celebration. Over 200 artists from more than a dozen countries will showcase the vibrancy and brilliance of Jewish artistic traditions, from traditional styles to cutting-edge, cross-cultural fusion.”
If you love Klezmer music, Toronto’s own Lemon Bucket Orkestra and all things Yiddish then by the lake is where you need to be. The 2012 Festival was really amazing and this year’s line up of Jewish performers and musicians from around the globe won’t disappoint. Best of all most of the events are FREE! Harbourfront knows how to do a long weekend well.
HIGHLIGHT TODAY: Lemon Bucket Orkestra will be giving a dance workshop @ 4 pm. “Learn Ukrainian and Breton dances to the thrilling musical accompaniment of Canada’s only klezmer-gypsy-party-punk-superband.” More info…
HIGHLIGHT TOMORROW: The Ashkenaz Parade @ 4 pm.
“Propelled by the music of Lemon Bucket Orkestra and all the Festival musicians, Shadowland Theatre will once again transform Harbourfront Centre into a swirling spectacle of colour, puppetry, stilt-dancing, and performance.”More info…
How one woman changed a community then went on to change the world.
So much of the way we think and act around neighbourhood, community and city building in the 21st Century is because of the ideas of a single woman – Jane Jacobs. If you need an example of how one human being can have huge impact, Jane is that inspiring person who walked her talk and went on to inspire an international movement. Her ideas of what a community should be resonated with many because it articulated what people already knew to be true as to why certain spaces become thriving communities.
Every year, to honour Jane’s legacy, cities world-wide hosts walks that allow people to discover some brilliant nuance of the place where they live that they may never have discovered otherwise. All of this is possible due to the thousands of volunteers who get out into their community and share their knowledge during Jane’s Walks.
I just discovered the above video highlighting a great walk I participated in a few years back. This walk, that featured the work of Toronto’s many street artists, had us meandering through the downtown core via the back alleys where a technicolour world awaited us. The tour was given by Jason of the Tour Guys, an organization in Toronto that specializes in giving offbeat tours of one of North America’s most interesting cities.
Women who are Indigenizing city spaces.
This year, in both Toronto and Ottawa, walks will be given that highlight the history of Indigenous Peoples.
“This walk will explore historic land use along Davenport Rd and the lands along the ridge while providing excellent views of the city. How did First Nations people get around? Who were some of the early movers and shakers? What was the origin of Wychwood Park?”
In Ottawa there is a newly launched initiative, Indigenous Walks, and IW’s tour guide, local Metis artist and educator Jaime Koebel, will be sharing her knowledge and passion for Indigenous history on Saturday and Sunday at 2pm each day. Jaime uses the experience of sight-seeing the beautiful monuments in the Capital city to allow people to experience the history of Ottawa, as well as the history of Canada, by walking in the shoes (or moccasins) of an Indigenous person. The tour starts at the Human Rights Monument at City Hall. More info can be found here.
And speaking of Indigenizing public spaces, artist Dana Claxton’s (Lakota) “Indian Candy” is part of CONTACT, Toronto’s annual festival celebrating the art of photography.
Each year CONTACT commissions work to be put up on billboards around the downtown core, activating what is normally a space reserved for spreading a message of commerce to instead spread messages on social issues.
Dana’s work “interrogates the presentation of Indigenous iconography through the digital archive in Indian Candy.
Working from found images of the “Wild West” sourced online, the artist focuses on those connected to Sitting Bull, the iconic tribal leader who led a resistance against government policies in the United States. As a descendant of Sitting Bull’s band who came to Canada, Claxton simultaneously mines her own personal family history and the legacy of racism. Her diverse range of images present aspects of Indigeneity in a new light; from the buffalo, which represents spirituality for Lakota people and was a main source of sustenance until their near annihilation, to signed souvenir cards from Buffalo Bill’s Wild West show. As a whole, Indian Candy uncovers truths and performs as a provisional archive of Aboriginal imagery seen through the lens of colonialism.”
For the month of May you will be able to see Dana’s billboards along Dundas St. West. For more information on the exhibit as well as a map click here.
Also part of CONTACT, some of MIXED BAG MAG’s favourite people, projects and art spaces!
And another favourite MIXED BAG MAG space for the arts, this time in Ottawa, is The National Arts Centre. This week “huff” has opened at the NAC and runs through until May 10. This provocative work has left everyone I know who has experienced it, changed. It’s not a piece of theatre that is easily digestible but despite the heavy subject matter, substance abuse among First Nations’ youth, people seem to walk away feeling that the experience of being uncomfortable witnessing Cliff Cardinal’s one man show was a positive one that includes a message of hope!
FYI- Be a part of the Samba Launch Party Procession Tonight at 6 pm. MIXED BAG MAG’ fave Zahra Ebrahim of archiTEXT will be one of the procession leaders of this walk that is all about PLAY! Details here.
WISHING EVERYONE A WEEKEND WHERE YOU LEARN SOMETHING NEW & HAVE FUN!
All above images of Jane’s Walk 2011 (Graffiti Tour & Samba Procession) by Leah Snyder for Mixed Bag Mag.