Mixed Bag Mag joins Artists & Curators from Canada at the Venice Biennale.
Mixed Bag Mag has been invited by The Power Plant Contemporary Art Gallery in Toronto to participate in the Creative Time Summit 2015 at the Venice Biennale. The Creative Time Summit’s theme this year is “Curriculum” and “throughout the Summit, conversations on curriculum will examine the social, infrastructural, administrative, and private conditions under which knowledge is produced and intertwined with social contracts.”
Mixed Bag Mag’s coverage will focus on how art has the potential to change the way we engage with social and political issues. With the appointment of Nigerian curator Okwui Enwezor as the head curator, this year’s Biennale has taken on a more political tone. He is the first African to be in this position. He has pushed the discussion around immigration and economy using the vehicle of art. I will be exploring his curatorial approach to engaging with the intersections of art, politics and commerce.
10 Artists from Canada will also be attending along with The Power Plant Delegation.
• Adrian Blackwell (Ontario)
• Deana Bowen (Ontario)
• Carole Condé and Karl Beveridge (Ontario)
• Jen Delos Reyes (Manitoba)
• Elle Flanders and Tamira Sawatzky, of Public Studio (Ontario)
• Justin Langlois (British Colombia)
• Duane Linklater (Ontario)
• Nadia Myre (Quebec)
Thank you to The Power Plant for this opportunity. Also thank you to each of organizations that made it possible for this trip to happen! Thanks to Galerie SAW Gallery in Ottawa for their support.
Honouring the spirit of Louis Riel and cultural resiliency.
Today, Manitobans are celebrating Louis Riel Day in remembrance of Riel’s political and social impact for the province of Manitoba. “Louis Riel was the driving force behind Manitoba becoming Canada’s fifth province. His dream of a province that embraces all cultures is still shared by Manitobans today.” (sited from Government of Manitoba’s website)
But Riel’s impact was larger than the locality of the battles fought in the late 1800s and his vision is still relevant in contemporary times. As a leader who fought for the rights and cultural sovereignty of the Métis people Riel has become for many (even non-Métis people) an icon of resistance. He understood the fissures that occur in the dried up riverbeds that lie between culture and geopolitics. Today many are still praying for rain and fighting the same battle.
Riel also believed in the power of artists. He is quoted as saying “My people will sleep for one hundred years, but when they awake, it will be the artists who give them their spirit back.”
In this spirit MIXED BAG MAG celebrates Louis Riel Day with a feature on Cree Métis artist Jason Baerg. Jason’s current show at Urban Shaman in Winnipeg, Manitoba features his work from his series Nomadic Bounce. The work for Nomadic Bounce was produced as part of a residency in Australia RMIT School of Art and is about (re/dis)location. Nomadic Bounce points to the fact that whether we are near or far from ‘home’, it is an ever present concept we return to even when our feelings around home are ambiguous, even tenuous.
Detail shot of Nomadic Bounce series at Urban Shaman. Image provided by the artist.
Jason has called many places home. Born in Sarnia, Ontario Jason was young when he moved with his mother and siblings to Prince Albert, Saskatchewan to be closer to his Aboriginal family. As a teenager he ‘bounced’ back to Sarnia, Ontario where he lived with his Mennonite father. Soon after he moved to Kitchener-Waterloo to finish high school. Then there was Montreal for university, Toronto for college and art residencies in New York, Santa Fe and Australia.
“Home is a headspace”
But like a bird, Jason always circles back to where his migration route began. For Jason home base is located in the power of Indigenous Knowledge, both the spiritual concepts and the potent visuals that speak through the language of symbols. This is what grounds Nomadic Bounce but like much of Jason’s work, with this project, he also chose to take a investigative journey around innovative techniques.
Nomadic Bounce was an exploration into what happens when you take traditional painting then utilize ‘cutting edge’ technologies to intervene and agitate perceptions of what painting / sculpture / installation can be.
The paintings were based on seven 33 second video clips Jason made of poignant moments he experienced at home / abroad / in transit. Two mirror sets of paintings were created: one set remained as traditional paintings that could be fixed to a wall; the other set was laser cut into shapes and intended to be used for site specific installations. A shape that is ubiquitous in this series is the thunderbolt. Jason explains that he uses the thunderbolt often as it is affirms change but not just any type of change – it is the type of change that is “dramatic, immediate, rapid.” When he brings this symbol into his work it is about shifting energy.
The original intent of the body of work was to re-assemble it each time it changed location as the idea of a journey was the core conceptual premise of the series. In Australia the laser cuts were assembled into mandalas, powerful circles that establish a sacred space and represent the cosmos. Jason imagined that the next manifestation of the work would be something similar but then the work took on a life (or lives) of its own when it disembarked at each new destination.
In Prince Albert the work configured to resemble the cityscape Jason grew up with and the view of the buildings as seen from across the river divide. In Edmonton, as Idle No More gained momentum and the Journey of the Nishiyuu topped the headlines, the pieces were assembled into four jack rabbits that were inspired by the cunning abilities of the trickster when opposing the status quo.
Nomadic Bounce installed at Strathcona County Art Gallery, Edmonton. Image provided by the artist.
The Battle of Batoche in 1885 was a defeat for the Métis people that led to the surrender and eventual execution of Louis Riel. When Jason’s work arrived at The Mendel Art Gallery in Saskatoon the Battle combined with the impact of the railway on Indigenous people was the spirit that moved the work to configure into an empty train car modeled on the post-modern solar-powered speed trains of Japan. Jason says this form was about “an act of reclamation, giving the power back to the People.”
Now at Urban Shaman the work has emerged as two wolves, both in a strong stance, reflecting their gaze upon each other. Jason sees the wolf as an innovator who leaves the pack to find new knowledge that is brought back to fuel resiliency. “The wolf is looking into the future, the past, into the community and at itself, concurrently.”
The beauty is that this series of work that began as a meditation on home has become fluid, adaptable to place and flexible – changing shape without compromising the original sum of its parts.
FYI– Jason’s show RETURNINGcloses this weekend at Urban Shaman so if you are in the Winnipeg area this would be a great show to check out!
Artist: Jason Baerg
Dates: January 17 to February 22, 2014
Opening reception on January 17 | Artist Talk at 9pm
Location: Urban Shaman’s Main and Marvin Francis Media Art Galleries
In partnership with Art City Youth Exhibition, Urban Shaman’s AND Gallery
While in Ottawa this summer to cover Sakahàn at the National Gallery I discovered a lot about this city that I love so I decided I needed to spend more than a weekend and more than a week – why not an entire month?!
Turns out I came at a great time! Despite the dull November sky there are some vibrant events happening this week.
“Bounty is a solo exhibition of recent work by artist Chikonzero (Chiko) Chazunguza exploring his subversive take on the ongoing inequalities of exchange between contemporary Africa and the Western world. This installation brings together a series of paintings, photographic images as well as a performative work that reflects on the artist’s experiences living and working across three continents (Africa, Europe and Canada).”
THURS @ OTTAWA ART GALLERY
“Aboriginal scholar, poet and writer, Armand Garnet Ruffo previews his forthcoming book based on the life and art of Norval Morrisseau! The book combines the mythic world of Ojibway storytelling with evocative realism to tell the amazing story of the artist’s life. The reading will be accompanied by a visual presentation of the artist’s paintings.”
Single screenings: $5 / Biennial all-access pass: $15
“Now in its fifth edition, the Art Star Video Art Biennial is a unique platform for artists and curators working with moving images to connect and exchange in the national capital. Under the theme of Witness and Testify, Art Star highlights practices rooted in place, intimacy, and broader questions of social movements and collective histories. Over four days, SAW hosts screenings, social events, and masterclasses with video artists from around the planet, and curators culled from our vibrant local milieu. We’re thrilled to be partnering this year with the Media Arts Network of Ontario for their national conference, Evolve or Perish, which will add a special contingent of media artists, programmers, and theorists to the mix. Join us as we celebrate art’s potential to effect social change and challenge our assumptions of the world around us.”
“World-class, award-winning, and Oscar-submitted films from 27 countries across the European Union!
Special guests welcomed this year include Tahar Rahim, lead actor from the Cannes-selected Grand Central (France), as well as Matthias Drescher, producer of the acclaimed drama Shifting the Blame (Germany).
I know a lot of talented people – people who inspire me with their insight, challenge my perceptions, and expand my mind.
Some of the those people are these four women – artist Christine Kim, curator Crystal Mowry, designer Gelareh Saadatpajouh and architect Talayeh Hamidya. I have walked away from every conversation with these women with some golden nugget and so it goes without saying that when I found out that each of them were adding their talent to Nuit Blanche 2013 they all got added to my must-see list (along with everything Ami Barak curated!).
CHRISTINE KIM & PAPER ORBS
“Paper Orbs begins the night as a massive origami sculpture which dissolves into thousands of paper helmets worn by visitors as they parade down University Avenue. As both a lantern and a center of gravity, the paper float pulls visitors in and encourages them to return throughout the night to experience the dissolution of the paper sculpture. The accumulated paper helmets disperse into scattered constellations that float along the street. The helmets also resonate with notions of patterned order and militaristic armor.” More info…
CRYSTAL MOWRY WITH IVAN JURAKIC & ROMANCING THE ANTHROPOCENE
“Curators Ivan Jurakic and Crystal Mowry invite you to explore the age of man and its effect on our environment along King Street west of Yonge Street and Bay Street south of Richmond Street West…The Anthropocene, or age of man, is a term proposed by geologists and ecologists as a replacement for the Holocene, the current geological epoch that began over 10,000 years ago. The Anthropocene marks a distinct era after the advent of the Industrial Revolution, a period in which humanity has left an indelible mark on both the geological record and the ecosystem. At face value it acknowledges the triumph of science and human achievement but it also suggests a cautionary message regarding climate change, the destruction of natural habitat, resource depletion, and the extinction of plant and animal species.
Using the Anthropocene as our guiding principle, we want to address the complexities of this proposed new age within the context of the urban environment while addressing our enduring, and yet troubled relationship with the natural world.” More info…
Where: King Street west of Yonge Street & Bay Street south of Richmond Street West. View Map
TALAYEH HAMIDYA & GELAREH SAADATPAJOUH (SOCIETY OF HOME LUDENS) & YOU ARE IN THE LABYRINTH
‘You are in a labyrinth’ is a game designed by ‘Society of Homo Ludens’ and commissioned by Queen West BIA for the special event of Nuit Blanche 2013 Toronto.
“Every labyrinth is made of three defining elements: a starting point, a centre and a path in between that connects the dots. On October 5th, the city becomes your labyrinth, look for clues and signs along the path for direction. At the centre, a reward is awaiting you, where you will be given an insight into yourself and the world around you, only if you complete the path from the beginning to the end. But first you have to hum a secret to grant the entry into the labyrinth.” More info…
Where: Alex Wilson Parkett, 522 Richmond Street West. Look for arrows and signs around the city for direction. View Map
“A labyrinth is a symbolic journey…but it is a map we can really walk on, blurring the difference between map and world.”
~ Rebecca Solnit, Wanderlust: A History of Walking
Also excited about THIRD CULTURE at the OCAD U Student Gallery.
“Third Culture is an exhibition of multi-media works that examine and interrogate the historical and ongoing dilemmas of multiculturalism. The artists featured use technological, sonic, and visual arts, and combine elements of science fiction, historical fiction, fantasy and magic-realism.” More info…
Re-inventing the wheel – what Duchamp’s Ready-mades, Ai Weiwei and Toronto’s cyclists have in common.
“In 2013, we will celebrate the centenary of the Armory Show, the International Exhibition of Modern Art that was organized by the Association of American Painters and Sculptors in the vast spaces of U.S. National Guard armories, New York and is considered as a breaking point, crucial in the history of modernity. Among the scandalously radical works of art, pride of place goes to Marcel Duchamp’s cubist/futurist style Nude Descending a Staircase. The same year, Duchamp installed a Bicycle Wheel on a chair in his studio and this is considered as well as the starting point of the intrusion of “Ready-mades” (found objects which Duchamp chose and presented as art) in the art world. The idea was to question the very notion of Art and the artistic attitude towards objects. The objects found on the street, chosen by the artist, will take an aura of art object within the frame of the art institution. We now live in a century where objects exist in the museums and the exhibition spaces. If we take the objects back to the street in the context of an event like Nuit Blanche, while allowing the artists to treat and handle them as referenced works of art, we hope to close the loop and reconcile the public with the status of the ubiquity of the object.” ~ Ami Barak, Visiting Curator for Nuit Blanche 2013on “Off to a Flying Start”
While listening to French curator Ami Barak speak at this week’s Power Plant lecture regarding his curatorial choices for Nuit Blanche I couldn’t help but think of one of this city’s advocates for cyclists and how she’s probably excited for all the focus placed on bikes this year.
“In addition to the significant lack of on-street bike infrastructure, one of the biggest issues for those riding bikes to get around the city is the condition of the roadways. Years-old utility cuts and potholes are a major hazard on some of the most heavily used routes. This terrible road surface is often found in the already difficult to navigate space between the doorzone and streetcar tracks on most of the East-West routes – this creates an even more dangerous scenario for even the most experienced riders.“
Toronto’s Arts Festivals seem to have a knack for intuitively selecting themes that are timely – Luminato’s choice for its 2011 production of 1001 Nights and that year’s focus on Arab performers and writers helped expand the dialogue around the Arab Spring immediately after it happened. Ami’s choice for installing Ai Weiwei’s Forever Bicycles at City Hall corresponds well with Ai Weiwei’s current exhibit at the AGO that speaks to human rights abuses by the Chinese government but perhaps unanticipated, although certainly important, is how Forever Bicycles speaks to Toronto’s recent issues and the rights of its citizens to have their concerns regarding cycling acknowledged by our government.
Speaking about Forever Bicycles Yvonne says “It’s such a thrill that it is on the doorstep of City Hall. I can’t think of a better place for it to be! Hopefully it sends a message and is not just seen as a structure made of bikes – that it resonates with people at city hall as relating to current issues.”
Image by Leah Snyder for Mixed Bag Mag.
Deconstructing the object by displacement.
Also an artist, Yvonne’s own bike inspired and politically motivated work was on display recently at the Hashtag Gallery on Dundas Street West. Yvonne snaps the city at street level then uses deconstructed bike wheels as frames – an interesting way to open up dialogue around the issues.
Image by Leah Snyder for Mixed Bag Mag.
Duchamp’s removal of an object from its familiar state and his presentation of it as an objet d’art was one of the actions of modernity that domino affected us into a century of change. The referential impact still reads as contemporary into the 21st Century as exemplified in works like Yvonne’s as well as those selected by Ami for Saturday’s big event. Thanks to Ami the dislocation of both objects of motion and objects of rest can be seen this year at Nuit Blanche – Toronto artist Bruno Brilo’s Familia, Garden Tower in Toronto by Tadashi Kawamata, Tortoise by Michel de Broin, Melik Ohanian’s El Agua de Nieblaand Pascale Marthine Tayou’s stunning presentation efficiently titled Plastic Bags.
For Ami, this idea of the “répétition du même objet” and how objects repeated over and over change the meaning is important. For Yvonne “speaking to this idea of repetition, I think that at this stage in Toronto it is too hard to ignore that so many people are choosing bicycles and that they are everywhere! You can’t ignore that much of the voting population and that how the city functions with regards to transportation includes bicycles.”
Ami’s choice of placing Ai Weiwei’s 3,000+ interconnected bicycles in front of City Hall may just become, for Toronto cyclists, a symbolicist act for contemporary Toronto.
For more information on how you can be a part of the movement to make Toronto a more bike-friendly city Yvonne recommends Cycle Toronto. “They are a city-wide cycling advocacy organization who are working year-round on improving conditions for people riding bikes in the city.”
For more information on Ami’s curatorial statement for “Off to a Flying Start” check out the Consulate General of France’s initiative Paris-Toronto and Nuit Blanche.
FYI – If you missed Ami’s talk this past Monday you can hear him again Saturday afternoon at 2 pm at The Power Plant along with the other Nuit Blanche curators – Patrick Macaulay, Ivan Jurakic and Crystal Mowry.
Every which way, by Kim Adams. Photo by Steven Martin, courtesy Museum London. (Image via Dandyhorse Magazine.) Every which way, by Kim Adams. Courtesy of Diaz Contemporary. (Image via Dandyhorse Magazine.)
Music, Visual & Performance Art in James Street North area of Hamilton, Ontario.
There is always lots to do in the city but there is also always a reason to get away and this weekend Hamilton’s SuperCrawl 2013 offers as good a reason as any because this successful festival, now in its 5th year, is expected to draw of crowd of over 80,000 and will feature music, visual and performance art!
SOME OF THE SUPERCRAWL HIGHLIGHTS:
1. Brooklyn Artist Jason Krugman
Jason Krugman is an artist who invents new applications for LED lighting technology. His work combines materials with electronics, referencing nature through accumulation and modularity. His studio produces large-scale LED cable systems as well as installation artworks for public spaces and events. Read more…
BGL is a collective of three Québécois artists (Jasmin Bilodeau, Sébastien Giguère and Nicolas Laverdière) whose productions find their pleasure in breaking down the distance between art and audience, bringing the viewer into a vivid and active experience. Read more…
3. Canadian Muralists Alexa Hatanaka & Patrick Thompson
Alexa Hatanaka and Patrick Thompson’s work encourages individuals who see, interact and move through their artworks to rethink, contemplate and renew their relationships to their environment. They are a team that values public art and collaboration, and together they paint large-scale murals using latex and aerosol. Their work combines colourful figures and stream-of-consciousness mark-making. Read more…
4. Circus Orange
“Our show at Super Crawl this year will be a custom ensemble of a number of our more awesome show components fit together seamlessly to create a spectacular twenty-five minute long performance. The show will consist of the following elements: Our pedal powered flying Pyrocopter, a flying opera singer with a dramatic pyro waterfall, our truly original flamethrower trampoline act, a crane based aerial silks performance (suspended underneath the Pyrocopter), fire/pyro performers and our animated hydraulic lift stage. All this will be staged with special effects and high-elevation pyrotechnic highlights. It will be great!” Read more…
Shows starts at 8:05 Saturday, Sept 14 at the Circus Orange Event Area
5. Superbrawl by Hammer City Roller Girls
This year the Hammer City Roller Girls are excited to hold their annual outdoor roller derby bout as part of Supercrawl, Hamilton’s premier festival for music, arts, and performance – and now roller derby! SuperBRAWL will place on Saturday, September 14 at 2:00 pm on the skatepad at Hamilton Waterfront Trust’s Pier 8, as part of Supercrawl’s new Waterfront stage.