“We ask that you, your community, and your organization join us to send a loud and clear message to Canada and the world that we will no longer accept the colonial system of dispossession, expropriation, and oppression that Canada has imposed on us for the past 150 years.” ~ REOCCUPATION
A small group of students wanted to put together an action to speak to Canada’s sesquicentennial. On Wednesday night they went up to Parliament Hill to set up a tipi to host people arriving to perform ceremony on the Hill, unceded Algonquin territory, during the Canada 150 Celebrations. Arrests were made, thankfully people were released and the group went into negotiations with the RCMP and other security. Last night they succeeded in moving their tipi onto the Hill. This afternoon the Prime Minister and his wife met with the group that includes the Bawating Water Protectors. This is a monumental event and an important action. Tonight and tomorrow REOCCUPATION will remain on the Hill. Everyone is welcome to come in solidarity. Food, water, and tobacco is being requested.
5AM Sunrise Ceremony
2PM Outdoor Panel: ‘Land Dispossession and Legal Technologies’ with Fredrick Stoneypoint, Ojibwe, Sagamok Anishnawbek First Nation, Student in Sociology & Human Rights and more speakers to be confirmed
7h00PM-9PM Indoor Panel: ‘Cultural Appropriation in Art & Resurgence in Indigenous Art’
with Indigenous artists and curators Cody Purcell, Delilah Saunders, Alex Nahwegahbow, and Victoria Ransom (NOTE: This event takes place at The Origin, 57 Lyndale
5AM Sunrise Ceremony
7AM-4PM All Day Action! Join for Details.
6PM Feast and Debrief for Protectors and Participants. Location to Be Announced on Place.
Métis artist David Garneau’s performance “Dear John, Louis David Riel” (www.nac-cna.ca)
The National Arts Centre Ottawa offers more programming on Louis Riel.
Métis artist, writer and educator David Garneau is in town for a performance on the history of Louis Riel. The work is part of the programming for the NAC’s Canada Scene and follows the controversial Louis Riel opera that opened this past weekend at the NAC. The performance will take place on Parliament Hill today at the Sir John A. Macdonald statue.
From the NAC:
Join Métis artist David Garneau at the bronze statue of Sir John A. Macdonald on Parliament Hill for a powerful performative dialogue between the Métis leader Louis Riel and Canada’s first prime minister. Dressed as Riel, Garneau imagines an encounter between Riel and Macdonald, who charged Riel with high treason in 1885, leading to Riel’s execution by hanging. The artist’s performance touches on themes of masculinity and power display, Métis identity, and the complexity of reconciliation – which assumes that a harmonious relationship existed between the two parties in the first place. (read more…)
WHEN: Monday, June 19, 2017 WHERE: Parliament Hill, 111 Wellington Street, Ottawa, Canada at the Sir John A. MacDonald statue
Image: Andrew Alexander. Provided by The Ghomeshi Effect.
Sexual Assault Survivors, Lawyers, and Activists Speak Out Through The Ghomeshi Effect
WHEN: Friday, February 27 @ 7:30 pm & Saturday, February 28 @ 2:30 pm / 7:30 pm WHERE: The Gladstone Theatre, 910 Gladstone Avenue, Ottawa TICKETS: $17.47/$28.09/$31.63 Purchase Here
So many of us felt impacted when the news broke about CBC Q host Jian Ghomeshi. It brought up a lot of mixed emotions for me. When I heard and read the descriptions of his behaviour, they were all too familiar. As the trial started then proceeded many of us felt raw as we witnessed how the proceedings went down. Social media became the public commons where we could work out what was happening and perhaps contribute to some kind of change in policy. The conversation continues with productions like The Ghomeshi Effect.
Words from the Team:
The Ghomeshi Effect’s script uses transcriptions of interviews Jessica Ruano (Director) conducted with local Ottawa residents about their lived experiences in dealing with sexual violence and the justice system. The interviews range from confessional first-person accounts to expert analyses of how the law is constructed to handle these cases.
“Through this process we found that many people have become disillusioned by the court system and do not always see it as the best means for seeking justice,” says Ruano. “In this play we explore why this is and discuss potential alternatives.”
Bringing these stories to life is a broad group of multidisciplinary and bilingual performers: Leah Archambault, Marc-André Charette, Gabrielle Lalonde, Annie Lefebvre, Emmanuel Simon, and Mekdes Teshome. Setting the scene are lighting designer Benoît Brunet-Poirier, sound designer Martin Dawagne, and Métis mixed-media artist Mique Michelle, who will be creating a graffiti-inspired floor design for the stage.
“Ever since we began this project we have known that this conversation was bigger than us,” says Griffin. “Whenever we talk to people about the play, there’s always someone who has a story to share or an opinion to contribute. This performance is about our community and we made a point of including a diverse group of individuals and stories in the script, and opening up the conversation to our audiences.”
Important supplemental programming
Along with the play, there has been auxiliary programming to provide more opportunities for reflection and dialogue. The opening night included a keynote address by Glen Canning, the father of Rehtaeh Parsons, the young girl who took her life in 2013 after she was sexually assaulted and then bullied online. Glen has become an activist against rape culture and how it most often re-victimizes survivors as they move through the ‘justice’ system. He speaks about “youth, consent and the way mixed messages about definitions of rape affected Rehtaeh’s case.”
“Beginning these conversations with our kids when they are teenagers is essential,” says Canning, “because in so many cases we are willing to believe anything about women in order to excuse anything about a man.”
Last Saturday, a fundraiser was held with local pop-band The PepTides.
“It has always been part of our mandate as a band and members of the community to promote equality and human rights. The stories in the script hit close to home and there was no doubt that we wanted to be part of this important conversation,” says band member Scottie Irving.
This is the final weekend for The Ghomeshi Effect at The Gladstone Theatre but there will be one final performance at The Shenkman Centre on Thursday, February 2.
Tickets for this weekend can be purchased here. More info on The Shenkman Centre performance here.
The CANADIAN MASTERS Series welcomes Abenaki filmmaker Alanis Obomsawin.
This week NFB documentary filmmaker Alanis Obomsawin will be visiting Ottawa as part of the CANADIAN MASTERS series presented by the Canadian Film Institute in collaboration with Carleton University’s School For Studies In Art and Culture: Film Studies.
The Canadian Film Institute’s Canadian Masters series is an annual celebration of excellence in Canadian filmmaking, featuring extensive onstage interviews, special screenings, and audience discussions with some of the greatest names in Canadian film history. In our 2016-2017 inaugural season, we are honoured to present three extraordinary Canadian masters of the moving image: Atom Egoyan (November), Alanis Obomsawin (January), and Guy Maddin (March). more about the CFI
Alanis Obomsawin, OC, is filmmaker, singer, artist, storyteller of Abenaki descent (born 31 August 1932 near Lebanon, New Hampshire). One of Canada’s most distinguished documentary filmmakers, Alanis Obomsawin began her career as a professional singer and storyteller before joining the National Film Board of Canada (NFB) in 1967.
Her award-winning films address the struggles of Aboriginal peoples in Canada from their perspective, giving prominence to voices that have long fallen on deaf ears. An Officer of the Order of Canada, she has received multiple Governor General’s Awards, lifetime achievement awards and honorary degrees. (The Canadian Encyclopedia)
THURSDAY, JANUARY 26 – Alanis Obomsawin in Person: The Interview
7:30 – 9:30 pm
Arts Court Theatre, 2nd Floor of Arts Court, 2 Daly Avenue, Ottawa
$15 (+HST) Tickets available at the door and on sale here Seating for the interview on January 26th is limited. Get your tickets early! More info here
FRIDAY, JANUARY 27 – Screening of “We Can’t Make the Same Mistake Twice” with Alanis Obomsawin in Attendance
7 – 10 pm (doors open at 6:30 pm)
Theatre at Richcraft Hall (Formerly the River Building)
FREE! More info here
Manif Solidaire de la Marche des Femmes à Washington DC. La rencontre d’Ottawa est une de plusieurs événements ayant lieu au pays et sert aussi de lieu officiel de regroupement au Canada.
Parcours: Débute au Monument aux Droits de la personne, se poursuivra via Laurier pour se conclure àu Bronson Centre où auront lieu des présentations à l’intérieur.
Le 21 janvier 2017, nous marcherons.
Nous marcherons en solidarité avec les centaines de milliers de femmes à Washington alors qu’elles investiront la rue de leurs buts communs et de leurs voix distinctes.
Nous exprimerons notre solidarité envers celles et ceux faisant partie de rassemblements semblables partout au Canada et dans le monde pour soutenir les droits des femmes en tant que partie intégrante du respect des droits de la personne. Nous nous unissons contre les paroles, les attitudes et les actions qui causent des clivages telles que nous avons observé au cours des événements de l’année dernière.
Nous affirmerons haut et fort notre soutien envers les droits des femmes de tous horizons.
**ESPRIT DE LA MARCHE & CONSIDÉRATIONS ÉTHIQUES**
Cette marche non-violente, inclusive et intersectionnelle a pour objectif de manifester en faveur des droits des femmes – toutes les femmes – peu importe leur appartenance ethnique, leur croyances religieuses, leur affiliations politiques, leur identité de genre cis/trans ou leur orientation sexuelle. La violence, qu’elle soit pour ou contre la droite, la gauche, le centre ou les indépendants, n’est pas la bienvenue et ne sera pas tolérée. Nous sommes résolument engagées envers le féminisme et l’inclusion sociale.
Femmes et filles, Personnes transgenres ou au genre fluide
Hommes et garçons
Personnes vivant avec un handicap
Personnes oeuvrant au sein d’un métier du sexe
Toutes les communautés religieuses
Défenseurs du changement climatique
Toute autre personne voulant offrir son soutien
Cet événement a été mis sur pied suite à l’élection de Trump à la Maison Blanche en réponse aux attitudes, messages et actions discriminatoires, incitant à la haine, qui ont émergé pendant la campagne et qui continuent d’être véhiculés par les discours politiques partout au monde. Nous reconnaissons que même au Canada, il reste beaucoup de chemin à faire. La violence conjugale, l’harcèlement en milieu de travail, le sexisme à l’école et la dénégation des victimes d’agressions sexuelles représentent tous des réalités d’ici qu’il presse toujours de solutionner. Cette marche servira de plateforme où les femmes les plus marginalisées de notre pays pourront s’exprimer et se faire entendre.
À ce jour, aucun pays au monde n’a encore atteint l’égalité entre les sexes, mais cela ne signifie pas que nous devons y renoncer. Nous ne tolérerons aucune discrimination ni aucune victimisation des femmes, ni aucune violation des droits des femmes, que ce soit par des mots, des actions ou des politiques. Nous ne permettrons pas que nos droits durement gagnés soient floués et nous continuerons notre quête d’une égalité intersectionnelle et substantielle!
“Assez égales”, ça ne suffit pas!
Nous espérons que nos frères, pères, fils, maris et autres alliés masculins marcheront à nos côtés — les droits des femmes font partie intégrante des droits de la personne!
Cet événement n’est que le début. Unissons-nous. Soyez solidaires.
Solidarity/Sister March with Women’s March on Washington #WomensMarch. The Ottawa gathering @wmwottawawomenmarch is one of many local events taking place in Canada and also serves as the official Canadian Sister March #WMWCanada.
Route: Starts at the Human Rights Monument, proceeding via Lisgar to Laurier and then marching to the Bronson Centre at 211 Bronson ave for indoor rally!
On January 21st, 2017, we will march.
We will march the same day as hundreds of thousands of women in Washington as they take to the streets – all with a common goal but each with a diverse voice.
We will stand in solidarity with people gathering all over Canada and the world that day in support of women’s rights as an integral part of recognizing human rights. We will rally against the divisive words, attitudes and actions sparked by the events of the last year.
We will take a stand and support the rights of ALL women.
**SPIRIT AND ETHOS OF THE MARCH**
The purpose of this *non-violent*, *inclusive* and *intersectional* protest is to take a stand for and support women’s rights — the rights of ALL women — with women from all races, all religious communities, all political affiliations, cis or transgender and all sexual orientations. Violence, whether from or against the right-wing, left-wing, centre or independents, is not welcome and will not be condoned. We are unabashedly committed to intersectional feminism and inclusion:
This North American event was sparked by Trump’s election to the White House and is a response to the hate-inciting, divisive, discriminatory attitudes, messages and actions that emerged and have been normalized in political discourse around the globe. We also recognize that even in Canada, we still have so much work to do. Domestic violence, workplace harassment, gender bias in education & derogatory attitudes towards sexual assault survivors are all real and pressing issues here at home. This march will serve as a platform for these women in our most marginalized communities to speak and be heard.
To date, there is no country in the world that has yet achieved gender equality, but that does not mean we should give up striving towards it. We will not tolerate any discrimination or victimization of women or any violation of women’s rights, whether through words, actions or policies. We will not allow our hard-won rights to be trampled on and we will not be stopped in our pursuit of intersectional, substantive equality for women rights and human rights that have yet to be recognized!
“Equal enough” is NOT enough! We hope to see our brothers, fathers, sons, husbands and other male allies marching with us — women’s rights are a crucial part of human rights!
This event is just the beginning. Unite with us. Stand in solidarity.
Image: Oo Aqpik “Crown for Sedna” 2016. Provided by Studio Sixty Six.
Countering celebrations of nationalism with alternate narratives.
Graduating just last year from Carleton University with a Masters in Art History, Rose Ekins has already made her mark on the Ottawa art scene with her ambitious programming at Studio Sixty Six, a commercial gallery located off of Bronson Avenue. Gallery owner Carrie Colton trusted Rose’s vision allowing her the opportunity to consider how a commercial gallery could also play a role in creating a space for art that wasn’t just about saleability but also about provoking tough questions. “I was able to carve out a mandate for myself” and that mandate includes diversity not only in the media that artists work in but more importantly cultural diversity and the stories that get communicated through the work.
In an effort to offer a counter-narrative to the stories of nationalism that will be getting lots of air time in the 2017 celebrations of Canada’s Sesquicentennial, Rose has curated KANATA 150? a show that questions what the celebrations are about and who the celebrations are for. Featuring predominantly Ottawa based artists, KANATA 150? is “a nod to the origin of the country’s name,” and “presents seven emerging Indigenous artists reflecting on the nature of “Canada 150”.”
Image: Barry Pottle “Creeping South.” Provided by Studio Sixty Six
One of these artists is Barry Pottle, whose work documenting the Urban Inuit experience has previously been featured on Mixed Bag Mag. Also, the work of fellow Inuk, artist Oo Aqpik, will be presented in this show that roots Studio Sixty Six’s 2017 provocative programming that will include emerging artists Florence Yee (Menu of Exoticism) and Kosi Nnebe (Coloured Conversations) later on in the year. Originally from Nunavut, Oo is “well known for her roles in the Inuit language programs in television, radio and recently a feature film documentary, Arctic Defenders.” Like Oo, the artists of KANATA 150 are working in the capacity of activists and ambassadors of culture. Their work is about communicating to Canadians that it is a great risk if Indigenous perspectives, on where this country is headed, are not moved to the centre of all national debates.
KANATA 150? opens tomorrow evening and promises to be an engaging way to start a critical year in Canada’s history. ARTISTS:
WHEN: Thursday, January 12 @ 6 – 9 pm WHERE: Studio Sixty Six, 202-66 Muriel Street, K1S4E1
Free – Bar & Food
Physically accessible building
This event is taking place on the unceded territory of the Algonquin Anishinabeg Nation
“The City of Ottawa and Government of Canada are celebrating the 150th anniversary of the Dominion of Canada with events, promotions, and other ambitious goals to increase Canadian pride and patriotism. These festivities are promoting both the history and future of the nation state confederated in 1867. Canada is a country built from settler colonialism, which leaves the question of how the Indigenous peoples of this land are meant to participate in these celebrations. KANATA 150? (January 12 – February 18), a nod to the origin of the country’s name, presents seven emerging Indigenous artists reflecting on the nature of “Canada 150”.”
This week Gord Downie premieres his project The Secret Path at the National Arts Centre and on CBC
I had the opportunity to attend the premiere of The Secret Path this past Tuesday at the National Arts Centre. It was not an easy event to get through. Gord Downie along with illustrator Jeff Lemire have created a work that invokes discomfort and deep pain – as it should.
Chanie (Charlie) Wenjack was a young Anishinaabe boy from Marten Falls First Nation. He was only one of 150,000 children that were taken from their parents and placed into residential schools often thousands of kilometres away. Far in physical and emotional distance, a large percentage of these children, an estimated 6000, never returned home.
The Wenjack family was present at the NAC and has been a part of this project to bring awareness not only to the past but also to the present – many Indigenous teenagers must leave their community to attend high school. Having high schools on all reserves would allow for kids to stay in their home communities. This is part of the message of Pearl Wenjack, Chanie’s sister, who shared with the audience at the NAC her memories of her little brother and her hope for his legacy.
Along with the production of The Secret Path video and album a foundation (The Gord Downie & Chanie Wenjack Foundation) has also been established to raise money for projects that promote opportunities for cross-cultural dialogue between Non-Indigenous and Indigenous communities. In the spirit of reconciliation, as Gord Downie says “It’s time to get started folks, we had the last 150 years, now we have the next.”
Colten was a 22 year old man who was murdered on Tuesday, August 9. He was out for the day with friends. On the way back home they got a flat tire. They drove down a farmer’s lane to get help. They chose the wrong farm. While sitting in the back of the car Colten was shot by the farmer whose laneway they drove down. In one article I read the farmer’s wife was reported as saying “that’s what you get for trespassing” to the surviving friends.
Last week the farmer, charged with second degree murder, pleaded not guilty and was let out on $10,000 bail.
After Colten’s murder was released in the news social media was full of people posting in support of the farmer, Gerald Stanley.
1 person posted “In my mind his only mistake was leaving 3 witnesses.” That person was Ben Kautz. Kautz is (was) a councillor for Regina. He was not fired for his post that advocated for the death of 3 people. Rather, he “offered to resign” after social media responses to his post put pressure on him. Kautz’s wife was reported as saying “My husband removed his comment. I wish we could just leave it at that.”
Kautz himself said “It was a stupid thing to say. It wasn’t serious, (but) the damage is done. I’ve got to live with it.”
Why the callousness and such disregard for the lives of these young people as well as lack of grace for what the mourning family, friends and community of Colten’s must be going through? Because Colten was from Red Pheasant First Nation. Colten, as an Indigenous male, was in the wrong place at the wrong time looking for help from a bigot.
Another city councillor was reported saying about Kautz’s comments ““I think everybody says something sometimes that they regret 10 seconds after. I don’t think you’re human if you haven’t.”
Equating hate speech as something we all do? Only people with bad hearts say things like this and don’t consider the weight, the impact and the hurt those words have.
I have been in arguments with people that say Canada isn’t racist. I have had one person concede that that racism is well – “benign racism.” I am not really sure what that means as racism is never benign. Maybe it means that if that person doesn’t have a weapon that the person on the receiving end of the racism won’t be injured or even worse killed, that racism in Canada is different because the gun laws here differ from the States? Maybe Gerald Stanley’s Canadian brand of benign racism might have had different results if he wasn’t holding a gun that he felt justification for shooting because they were on his “property.”
Saturday, April 23 Carleton University will convene conversations on conservation
Last year I attended an engaging symposium on heritage conservation put on by Carleton University Students. Last year’s theme was Unsettling Heritage. This year the conversation will be focused on New Identities / Voices in Conservation and will pose the questions:
Whose heritage are we conserving?
Whose heritage is being unrepresented or underrepresented in the heritage conservation discourse of the 21st century?
“This theme aims to critically address missing identities and voices in the heritage field and/or highlight alternative stories and perspectives in heritage conservation.”
“In recent years, the identification and conservation of cultural heritage resources—the built environment, cultural landscapes, or intangible heritage—by heritage professionals, has needed to expand and broaden its understanding of community histories to address the plurality and the multi-narratives that exist in our communities. Events such as: the release of the Final Report on Residential Schools by the Truth and Reconciliation Commission, the Occupy movement, the protests for gender equality rights, the push for youth engagement in civic duties (voting), and the global issue of refugees and immigration, have recently highlighted some of these ignored or unknown identities and voices that exist, and which have been underrepresented or unrepresented in the field of heritage conservation.” Read more…
Online registration closes tomorrow at noon. Tickets will also be available at the venue door Mill Street Brewery, 555 Wellington Street, Ottawa.
WHERE: Mill Street Brewery, 555 Wellington Street WHEN: Saturday, April 23 from 9:00 am to 4 pm COST: $15 Students / $45 General Admission (Online Registration) $20 Students / $50 General Admission (At the Door)