OPENING TOMORROW @ SAW GALLERY: For NAC’s #CanadaScene #callresponse exhibit featuring #female #Indigenous #artists comes to #Ottawa

Image of #callresponse artist Laakkuluk Williamson-Bathory (www.grunt.ca).

FROM THE CURATORS:

CALL/
To support the work of Indigenous North American women and artists through local art commissions that incite dialogue and catalyze action between individuals, communities, territories and institutions. To stand together across sovereign territories as accomplices in awakened solidarity with all our relations both human and non.

/RESPONSE
To ground art in responsible action, value lived experience, and demonstrate ongoing commitment to accountability and community building. To respond to re/conciliation as a present day negotiation and the reconstruction of communities in the aftermath of colonial trauma.

#callresponse arrives in Ottawa this weekend as part of a 5 site North American tour and started by Grunt Gallery, Vancouver. A {Re}conciliation initiative of the Canada Council for the Arts, the focus of this project is about “strategically centering Indigenous women as vital presences across multiple platforms” and is a “multifaceted project that includes a touring exhibition, website, social-media platform, and catalogue.”

The artists – Christi Belcourt, Maria Hupfield, Ursula Johnson, Tania Willard and Laakkuluk Williamson-Bathory.

The responders – Isaac Murdoch, Esther Neff & IV Castellanos, Rosalie Favell, Cheryl L’Hirondelle, Marcia Crosby and Tanya Tagaq.

Curated by Tarah Hogue in collaboration with Maria Hupfield and Tania Willard the SAW exhibition is also part of the National Arts Centre’s Canada Scene programming.

From the NAC: 

Beginning with a series of local art commissions by Indigenous women and artists whose home communities span the country, the project is geographically expansive yet brought together in the physical space of the gallery and the virtual space of the Internet. Envisioning the initial commissions as a call to action, each artist has invited a guest to respond to their work. The resulting works are exhibited together alongside a series of engaging public performances and events. (read more…)

#callresponse opens Sunday, June 18 from 5 – 9 pm. For more information visit the Facebook Event Page.

Participate in the conversation using the hashtag #callresponse.

Check out one of the artists – Laakkuluk Williamson Bathory – on CBC Arts!

OPENING TOMORROW @ CENTRAL ART GARAGE: For NAC’s #CanadaScene the 007 Collective of #Ottawa based #Indigenous #artists responds to #Canada150


“It’s Complicated” artists portraits by Rosalie Favell.

IT’S COMPLICATED – Indigenous artists respond to Canada’s Sesquicentennial.

I have been looking forward to this show ever since I first heard the rumour it was going to be happening! Ottawa is home to a great community of Indigenous artists and as part of the National Arts Centre’s Canada Scene the 007 (Ottawa Ontario 7) will be showing at Central Art Garage, a small but mighty gallery located in Chinatown.

This is not the first show for 007. Artist Barry Ace started the collective as a way to create shows that were not curator focused but driven by the decisions and the desires of the artists.

The Ottawa Ontario 7 (OO7) are a group of Ottawa-based emerging, mid-career, and established artists who have come together as a collective for the sole purpose of presenting new work outside of the established curatorial practice and traditional institution art venues. The collective’s philosophy is unrestricted and provides each artist with the freedom and flexibility to take risks, experiment, or present works that are an extension of their current body of work. (read more…)

This year is the collective’s 5th year anniversary. Over the last 5 years 007 has shown in various venues in Ottawa but also at the Gladstone Hotel in Toronto as well as Five Myles Gallery in Brooklyn, New York. Each location the artist list changes to include Indigenous artists practicing in that particular city.  And at each show new artists are given the role of “special agent.” This year the role goes to Barry Pottle, Joi T. Arcand and Meryl McMaster. The other artists featured:


Joi Arcand, kiyām, neon chanel sign, 40.5 x 18, 2017 (www.centralartgarage.com)

This year’s show is in response to #Canada150. Along with the opening there will be a panel discussion and film screening. The panel “will reflect on the five-year anniversary of the OO7 Collective and Special Agents, including their formation and exhibition history. The artists will also share their personal views and response to Canada’s sesquicentennial celebrations in 2017 through a poignant discussion on their works of art in the Central Art Garage exhibition It’s Complicated.”

To Indigenous peoples of this land, from coast to coast to coast, 150 years represents a very minuscule passage of time, especially in terms of the longstanding presence and occupation of homeland territories. Yet this seemingly fleeting moment in time is monumental in its impact on Indigenous communities, culture, language, identity, rights, water, and land.

This exhibition by 10 Indigenous artists working in diverse artistic practices offers an alternative perspective to the widely propagated Canada 150 celebrations by revealing timely and poignant aspects of the convoluted historical and contemporary relationship between Canada and Indigenous peoples. If there is any room for celebration in 2017 from an Indigenous perspective, it is a celebration of survivance, tenacity, and perseverance. It’s a complicated celebration. (read more…)

 

SCHEDULE: 

4 PM PANEL DISCUSSION

The panel will include artists Barry Ace, Howard Adler, Rosalie Favell, Meryl McMaster, Ron Noganosh, Frank Shebageget, and Leo Yerxa.

7-10 PM OPENING

Please join the artists for a sneak preview of the exhibition following the discussion. Food and beverages will be available for purchase, hosted by The Belmont restaurant.

9 PM SCREENING

Special Guest Outdoor Film Screening by Howard Adler (Co-director of Asinabka Film and Media Festival)

The exhibition opening will include a screening of a new film work by Howard Adler at 9:00 p.m.

Join the Facebook Event Page for more info.

Happening now: Installation of Barry Ace's Kitchi Zibi Omàmìwininì Anishinàbe. OO7 Collective, It's Complicated….

Posted by Central Art Garage on Tuesday, June 13, 2017

FINAL DAY: “Project Naming” @ Library & Archives #Canada

Tomorrow artist panel with artists Jeff Thomas, Rosalie Favell and filmmaker Isabella-Rose Weetaluktuk speaking on activating the archives.

“The panel of artists includes Onondaga photographer and curator, Jeff Thomas; Métis artist, Rosalie Favell; and Inuk filmmaker, Isabella-Rose Weetaluktuk. All three use archival images in their innovative artistic practice, and will discuss the ways in which they are reclaiming and re-telling their histories and stories. All guests are encouraged to participate in the discussion.”

WHEN: Registration opens @ 9:30 am & panel begins at 10:30 am
WHERE: Library and Archives Canada (Pellan Room 2nd Floor), 395 Wellington Street, Ottawa

FREE Event. Everyone is welcome to attend.

REGISTRATION LINK & CONFERENCE SCHEDULE 

More about Project Naming:

“Project Naming enables Indigenous peoples to engage in the identification of photographs from Library and Archives Canada. LAC hopes that members of the public will share their knowledge. If you know the names of people depicted in our photographs or have information about an activity, event or place, LAC would love to hear from you. The majority of individuals depicted in the images in LAC’s collections were never identified. Many archival descriptions relating to events or activities are absent or have dated information (e.g. place names, band names or terminology). Or information is based on original inscriptions and captions found on the records, and hence reflects the biases and attitudes of non-Aboriginal society at the time.”

Top image by Leah Snyder for Mixed Bag Mag. 

CLOSING THIS WEEK: Temporal (Re)Imaginings showcases Indigenous artists at the Canada Council Ottawa

Curator Alexandra Nahwegahbow presents an thematically strong and visually stunning show at the Âjagemô Art Space.

Consider the concepts of Decolonizing and Indigenizing. One feels heavy with past burdens, forward movement decelerated by arguments with ignorance. The other is charged with the quantum lightness of dreams. The time traveller moves forward swiftly and at the speed of light arrives back into the present with a renewed vision and the tools to construct an imagined future. To Indigenize is to banish colonization to a peripheral edge, advancing over the primitive mess to get on with the business of building improved systems that dramatically alter the landscape.

Moving around within time and the power this strategy provides for transformation is what foregrounds Temporal (Re)Imaginings, the current exhibit at the Âjagemô, Canada Council’s art space on Elgin Street in Ottawa. Curator Alexandra Kahsenni:io Nahwegahbow writes that “in Indigenous traditions, storytellers and artists frequently challenge and disrupt Western perceptions of time as a linear, progressive unfolding of events. Rather, our stories and histories exist in places where time is round, open, malleable, and can fold and fluctuate.”

The exhibit begins with Carl Beam’s impactful Burying the Ruler and sets the intention for letting go of a colonial concept of time. This exhibit also presents an imagined future. While Canada is considering what ‘reconciliation’ with the past will look like as a cultural product, many of the works in this show feel unencumbered by history

They float within the space. Clouds (Hannah Claus) hovers on a sky blue wall.

They speak of time travel. Navigating by our Grandmothers (Rosalie Favell) is set in a scenery of stars.

They alter landscapes. In Here on Future Earth Joi T. Arcand “presents snapshots of Saskatchewan towns, cities and First Nation reserves in an alternate futuristic reality where Cree is the dominant language.”

They traverse the in between space of visions finding powerful antidotes to bring back from the other side. Meryl McMaster’s Victoria “explores the artist’s bi-cultural heritage (Indigenous/European) by engaging in an extraordinary liminal reality. Rather than viewing her identity as two opposing cultures in historical conflict, she fearlessly transforms it into a site of synergistic strength.”

At a time when centres of culture tend to slot alternate narratives in with reductive simplification, as an emerging curator, Alexandra offers elegant complexity. Beyond the concepts and cosmologies embedded in the selected work the choice of the pulsating palette – hot oranges and azurite blues – plays off the predominately white space to stimulate the eye, even energize the body.

Temporal (Re)Imaginings is both potent and curative, a compelling case for a future that is (re)imagined as it is Indigenized.

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Temporal (Re)Imaginings closes this weekend on Saturday, April 30. Canada Council’s Âjagemô art space is on the main floor of 150 Elgin Street. Hours of operation 7 am – 9 pm.

Temporal (Re)Imaginings also includes work by:

Barry AceGoota AshoonaLance Belanger, Alex Janvier , Roy Kakegamic, Mary LongmanMarianne NicolsonCaroline MonnetFrançoise Oklaga and Jessie Oonark

Below images from top to bottom:
Weesahkay Jack and the Great Flood (Roy Kakegamic 2005) & clouds (Hannah Claus 2008)
Detail of clouds (Hannah Claus 2008) image by Georges Khayat, provided courtesy of artist
Navigating by our Grandmothers (Rosalie Favell 2000) image courtesy of artist
Other Worlds (Alex Janvier 1984), Here on Future Earth (Joi T. Arcand 2010) & Alice from the series Modern Tipi (Caroline Monnet 2008)
Here on Future Earth by Joi T. Arcand (2010)
Victoria (Meryl McMaster 2013) image courtesy of artist 

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Alexandra Kahsenni:io Nahwegahbow is Anishinaabe and Kanien’keha:ka, and a member of Whitefish River First Nation with roots in Kahnawake. She grew up just outside of Ottawa and is currently pursuing her PhD in Cultural Mediations in the Institute of Comparative Studies in Literature, Art and Culture at Carleton University. She has a strong interest in stories, oral history and Indigenous art and material culture, and believes that creativity, art and processes of imagining and art-making have the ability to change the world.

Image of Alexandra by Rosalie Favell

Read more about Alexandra on Urban Native Magazine.

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All images by Leah Snyder for Mixed Bag Mag unless otherwise noted