C MAGAZINE REVIEW: Jolene Rickard speaks on Indigenous Cultural Resurgance and Wampum at the Creative Time Summit Venice Biennale

C Magazine looks at the curatorial presentation of the issue of Citizenship at the Venice Biennale.

The Winter edition of C Magazine is out. Inside the pages is a review I wrote on “Questioning Citizenship at the Venice Biennale.”  Here is a little sneak peek: 

I attended the Biennale this past August with The Power Plant’s delegation of artists and curators from Canada to take part in the Creative Time Summit (read CREATIVE TIME SUMMIT AT THE BIENNALE: Mixed Bag Mag arrives in Venice)It was an amazing time where we as creative professionals looked at ways we can critique and improve the Biennale culture from the inside. Along with the opportunity to meet other cultural provocateurs from around the world I also had the opportunity to meet Okwui Enwezor, the curator for the 2015 Biennale “All The World’s Futures.”

This edition of C Magazine is on Citizenship and features: 

“Derrick Chang, Victor Wang on the 12th Bienal de la Habana, Yaniya Lee on citizenship and Canadian art criticism, Krista Belle Stewart, Scott Benesiinaabandan, David Garneau and Cathy Busby responding to Canada’s Truth and Reconciliation Commission Report, and Justin A. Langlois, Amanda Shore, Rinaldo Walcott, Leah Snyder, Elle Flanders, Tamira Sawatsky and Adrian Blackwell questioning citizenship at the Venice Biennale; plus an artist project by Tyler Coburn. Also included are reviews of exhibitions and books, as well as our regular sections On Writing by Critical Art Writing Ensemble, Inventory by Bambitchell and Artefact by acqueline Hoang Nguyen” Read more…

To purchase or download the digital version click here.

From the Creative Time Summit Venice 2015 website: 

“As the Director of the American Indian Program and Associate Professor in the History of Art and Art Departments at Cornell University, Jolene Rickard is primarily interested in issues of indigeneity within a global context. Her recent projects include serving as the advisor for “Sakahàn: 1st International Quinquennial of New Indigenous Art” at the National Gallery of Canada in 2013, conducting research through a Ford Foundation Research Grant in 2008-11, participating in New Zealand’s Te Tihi Scholar/Artist Gathering in 2010, and co-curating the inaugural exhibition for the Smithsonian’s National Museum of the American Indian in Washington, D.C. in 2004. She is from the Tuscarora Nation (Haudenosaunee). Her book,Visualizing Sovereignty will be published in 2016.”

Watch all the Creative Time Summit 2015 Venice presentations here.

 

CREATIVE TIME SUMMIT AT THE BIENNALE: Mixed Bag Mag arrives in Venice

Mixed Bag Mag joins Artists & Curators from Canada at the Venice Biennale.

Mixed Bag Mag has been invited by The Power Plant Contemporary Art Gallery in Toronto to participate in the Creative Time Summit 2015 at the Venice Biennale. The Creative Time Summit’s theme this year is “Curriculum” and “throughout the Summit, conversations on curriculum will examine the social, infrastructural, administrative, and private conditions under which knowledge is produced and intertwined with social contracts.”

Mixed Bag Mag’s coverage will focus on how art has the potential to change the way we engage with social and political issues. With the appointment of Nigerian curator Okwui Enwezor as the head curator, this year’s Biennale has taken on a more political tone. He is the first African to be in this position. He has pushed the discussion around immigration and economy using the vehicle of art. I will be exploring his curatorial approach to engaging with the intersections of art, politics and commerce.

10 Artists from Canada will also be attending along with The Power Plant Delegation.

“Each of these artists will share their distinct perspectives on the relationship between art and social change, either by delivering Summit-style presentations on their work, or by leading roundtable discussion groups exploring issues central to their practices.” Read more on The Power Plant’s websie…

The artists participating are:

• Adrian Blackwell (Ontario)
• Deana Bowen (Ontario)
• Carole Condé and Karl Beveridge (Ontario)
• Jen Delos Reyes (Manitoba)
• Elle Flanders and Tamira Sawatzky, of Public Studio (Ontario)
• Justin Langlois (British Colombia)
• Duane Linklater (Ontario)
• Nadia Myre (Quebec)

Thank you to The Power Plant for this opportunity. Also thank you to each of organizations that made it possible for this trip to happen! Thanks to Galerie SAW Gallery in Ottawa for their support.

Images by Leah Snyder for Mixed Bag Mag.

 

BEST IN SHOW? EVERYONE! Design Week in Toronto & The Growth of a Community

Detail of colourful paper sculpture by Tara Keens-Douglas

made the spaces in-between smash / process dictates form /  make art everyday / design create innovate think experiment play /  shiny pretty things loop /  embrace this space

After 6 days and 20+ events my mind is busy synthesizing all that I saw, everything I experienced and each person I interacted with.

Celebrating 15 yrs in partnership with IDS, Azure Magazine’s Trade Talks left me with more than enough food for thought and a satiated mind. Both Oki Sato and Philippe Malouin took the audience inside the head of a designer with regards to the important of process. True to Jerzsy Seymour’s reputation, his talk was full of surprises. Jurgen Mayer H., the German who has now become a sort of Starchitect for the Georgian Government spoke of the forward thinking with regards to institutional buildings in a country eager to emerge on the international scene as a destination of interest. The philosophy behind Jurgen’s design for the customs checkpoint at the border of Georgia and Turkey was to build a structure that would represent the meeting point of two countries rather than the dividing line between an “us” and a “them”. Watch for more of his work popping up on the landscape there!

And I have to agree with Jurgen’s comment to the ladies from ArtsCom on his way out the media lounge on Saturday. The show was well organized (and running on German Standard Time)!

I appreciated all the great conversations on architecture, design, and culture I had even if they were cut short because I was running off to the next event.  Thanks to Janet at Latitude 44, Ange-line and Michael of Imm-Living, Matt and Chris of Projector Design, Natalie and Kyle of Composite Angle as well as Laurie and Mania of Samare and Stanley and Ashley of Mason.  Also thanks to designers Tat Chao,Tahir Mahmood and Christopher Solar, the multi-talented Camal Pirbhai, visual artist Camille Turner and architect-slash-design-activist Zahra Ebrahim!

Design Week wouldn’t be as successful as it is without the vision and dedication of people like Gelareh Saadatpajouh, Programs Coordinator of Toronto Design Offsite. Gelareh facilitated an engaging Design With Dialogue session that got each of us to show the group how our design practice looks. With all the different approaches that we shared and our individual ways of finding a solution, one thing was made clear – the community is stronger when we uplift and collaborate.

Everyone contributed to making Design Week such an incredible time!

Plastic sign outside Made Design store
Drawings from group discussion that reads spaces in-between
Sign of Smash and Toronto Design Offsite on the glass window front of the store
Playing with dry ice at design workshop, designer Jerszy Seymour speaking at IDS with slide of drawing of volcano behind his head
Detail of install by Samare at IDS with samples of their felt rugs and the process
Designer Philippe Malouin speaking at IDS with screen behind him that says process dictates form
Window display with paper snowflakes and a poster that says Make Art Everyday
Window display with wooden lamp, chandilier with umbrella handle, and chandilier made with recycled stemware
White paper cloud like structures around modern furniture
Window in the front of gallery with shiny logo reflecting the buildings across the street
Room with mirrors on the floor and under the furniture reflecting the space in infinity, books piled high from floor to ceiling
Five panelists sitting with mics to talk about design in front of a brick wall
Colourful screen printed posters and image of black bricked storefront from street with sign saying Loop
A checkered building on colourful stilts suspended over older brick building with CN Tower in the background
Brick wall with painting across the side with the words Embrace this SpacePhotography by Leah Snyder for Mixed Bag Mag.

1. Detail of Tapestry by Tara Keens-Douglas for the Gladstone’s 10th Come Up To My Room
2. Sign outside MADE, Dundas West during DoDesign
3. Doodles from the Design with Dialogue group for Toronto Design Offsite
4. Sign outside SMASH, The Junction
5. Playing with design process at the Design with Dialogue group for Toronto Design Offsite
6. Designer Jerszy Seymour at IDS for Azure Magazine’s Trade Talks
7. Detail from Samare Design’s install at IDS for “How Do You Work?”
8. Designer Philippe Malouin speaking at IDS for Azure Magazine’s Trade Talks
9. Window display at ARTiculations, The Junction
10. Window display of Brothers Dressler’s  “Ash out of Quarantine Show” at ARTiculations
11. Up-cycled Stemware glass chandelier by Montreal designer Tat Chao at IDS
12. Chandelier with umbrella handle at LightForm at Toronto Design Offsite’s Opening Party
13. Mason Studio’s install at Pavilion for Toronto Design Offsite
14. Window at Cooper Cole Gallery, Dundas West for Shiny Pretty Things show
15. Bruno Billio’s install at the Gladstone’s 10th Come Up To My Room
16. Panel Discussion for Come Up To My Room 10th Anniversary at the Gladstone.  L to r – Andrea Carson Barker, Justin Langlois, Chrisina Zeidler, Zahra Ebrahim, & Pamila Matharu
17. Prints made in house at SMASH, The Junction
18. “Not Forkchops” exhibit at Loop Gallery on Dundas West, Toronto Design Offsite
19. View of OCAD University, McCaul Street
20. Outside wall of Student Gallery at OCAD University, McCaul Street