#CANADASCENE: #FREE #Music this week at the National Arts Centre #Ottawa

The National Art Centre Ottawa begins the week with Miguel De Armas’ Cuban grooves.

Last week’s Canada Scene line-up started with Buffy Sainte-Marie performing with special guests DJ Shub (formerly of A Tribe Called Red) and the legendary Randy Bachman. This performance not only opened the week but as a Canada Scene signature event closed the Canada 150 celebrations in the city of Ottawa. The performance was incredible and you could sense there were many Buffy (and Randy!) fans in the audience. The opening act – Leela Gilday– also wowed the crowd. Leela “weaves her experiences as a northerner, a member of the Dene nation, and a traveller into songs with a sense of humour and social justice, and an ironic appreciation of human folly.” If ever you have the opportunity to see Leela perform you will not be disappointed by her talent and power. (Read more…)

This week Canada Scene opens with Ottawa-based Havana-born musician Miguel De Armas. For the show tonight “Miguel brings his bright Latin beat to the festival’s Canada Stage series for a performance that is nothing short of a master class in original Cuban rhythms – airy, feel-good jazz that spreads itself comfortably in all directions and into all kinds of music.” The show, starting at 6 pm at the NAC, is FREE and part of the ongoing Scene@6 series running throughout Canada Scene in the NAC’s newly designed Atrium. The series “showcases this country’s top folk, roots, world, and jazz artists.” (read more…)

Upcoming FREE Scene@6 performances include William Prince, Karim Dabo, The Jerry Cans and Nick Sherman as well as many other amazing performers. For the full list click here.


WILLIAM PRINCE


KARIM DABO


THE JERRY CANS


NICK SHERMAN


LEELA GILDAY


DJ SHUB

OPENING TOMORROW @ SAW GALLERY: For NAC’s #CanadaScene #callresponse exhibit featuring #female #Indigenous #artists comes to #Ottawa

Image of #callresponse artist Laakkuluk Williamson-Bathory (www.grunt.ca).

FROM THE CURATORS:

CALL/
To support the work of Indigenous North American women and artists through local art commissions that incite dialogue and catalyze action between individuals, communities, territories and institutions. To stand together across sovereign territories as accomplices in awakened solidarity with all our relations both human and non.

/RESPONSE
To ground art in responsible action, value lived experience, and demonstrate ongoing commitment to accountability and community building. To respond to re/conciliation as a present day negotiation and the reconstruction of communities in the aftermath of colonial trauma.

#callresponse arrives in Ottawa this weekend as part of a 5 site North American tour and started by Grunt Gallery, Vancouver. A {Re}conciliation initiative of the Canada Council for the Arts, the focus of this project is about “strategically centering Indigenous women as vital presences across multiple platforms” and is a “multifaceted project that includes a touring exhibition, website, social-media platform, and catalogue.”

The artists – Christi Belcourt, Maria Hupfield, Ursula Johnson, Tania Willard and Laakkuluk Williamson-Bathory.

The responders – Isaac Murdoch, Esther Neff & IV Castellanos, Rosalie Favell, Cheryl L’Hirondelle, Marcia Crosby and Tanya Tagaq.

Curated by Tarah Hogue in collaboration with Maria Hupfield and Tania Willard the SAW exhibition is also part of the National Arts Centre’s Canada Scene programming.

From the NAC: 

Beginning with a series of local art commissions by Indigenous women and artists whose home communities span the country, the project is geographically expansive yet brought together in the physical space of the gallery and the virtual space of the Internet. Envisioning the initial commissions as a call to action, each artist has invited a guest to respond to their work. The resulting works are exhibited together alongside a series of engaging public performances and events. (read more…)

#callresponse opens Sunday, June 18 from 5 – 9 pm. For more information visit the Facebook Event Page.

Participate in the conversation using the hashtag #callresponse.

Check out one of the artists – Laakkuluk Williamson Bathory – on CBC Arts!

#CANADA150: National #CanFilmDay #Ottawa events celebrating #filmmakers & #film in #Canada

Angry Inuk and Rhymes for Young Ghouls screen in Ottawa tonight as part of National Canadian Film Day for Canada’s Sesquicentennial.

Today is National Canadian Film Day 150 (NCFD 150). This initiative is part of the Government of Canada’s Canada 150 Signature Projects. More than 1700 locations will be screening the best in Canadian film today, April 19, 2017 from “coast-to-coast-to-coast celebration of Canadian cinema in honour of our nation’s sesquicentennial.”  More information can be found at www.canadianfilmday.ca.

Tonight in Ottawa you can catch Angry Inuk at Gallery 101 or Rhymes for Young Ghouls at Ottawa University.

Angry Inuk (Trailer) from NFB/marketing on Vimeo.

ANGRY INUK
WHEN: 6:30 – 9:30 pm, Wednesday, April 19, 2017
WHERE: 51B Young Street, Ottawa
**Pay What You Can**
Register on the Facebook Event Page

RHYMES FOR YOUNG GHOULS
WHEN: 6:30 – 9:30 pm, Wednesday, April 19, 2017
WHERE: University of Ottawa Library, Morriset Hall, 1st Floor, 65 University
**FREE***
Register on Eventbrite  

This film fest is “the world’s largest film festival — ever. National Canadian Film Day 150 (NCFD 150) is a massive one-day” screening. The website has a complete event listing of all screenings. To find a screening in your town or city click here

Other ways to participate are watching a television broadcast or streaming / downloading a film online. CBC is streaming the following today:

  • Atanarjuat (The Fast Runner) – The telling of an Inuit legend of an evil spirit causing strife in the community and one warrior’s endurance and battle of its menace.
  • Away from Her – A man coping with the institutionalization of his wife because of Alzheimer’s disease.
  • Incendies – Twins journey to the Middle East to discover their family history, and fulfill their mother’s last wishes.
  • Last Night – At the turn of the century, the populous knows the world is coming to an end.
  • Manufacturing Landscapes
    Follow Edward Burtynsky through China as he photographs the country’s massive industrial revolution. It leads us to meditate on our impact on the planet.
  • Stories We Tell – A film that playfully excavates layers of myth and memory to reveal the truth at the core of a family of storytellers.
  • Sweet Hereafter
    A bus crash in a small town brings a lawyer to the town to defend the families.

Tweet your fave film to #CANADAFILMDAY!

#OTTAWA THIS WEEKEND: “Unikkaaqtuarniq – Stories from the North” #Inuit & #Sámi #Film Screenings Presented by @OttawaArtG & @AsinabkaFest

Warming up winter with free Indigenous film screenings.

Asinabka, one of Ottawa’s favourite summer film festivals, along with the Ottawa Art Gallery is presenting Unikkaaqtuarniq: Stories from the North just in time to celebrate Ottawa’s favourite season – winter! On Friday an outdoor screening will highlight Indigenous filmmaking from the Arctic and will include “a continuous looping program of short films by Inuit and Sámi filmmakers projected in a theatre made of snow.” 


The Orphan and the Polar Bear – Trailer from Taqqut Productions on Vimeo.

WHEN: Friday February 3 @ 5:30 – 8 pm & Saturday, February 4 @ 6 – 8 pm
WHERE: Lansdowne Park, 450 Queen Elizabeth Drive, Ottawa
FREE EVENT

More info on the Facebook Event Page.

**ADDITIONAL SCREENING ADDED**

WHEN: Saturday, February 18 @ 2 – 5 pm
WHERE: Gallery 101, 51 B Young Street, Ottawa
FREE EVENT 

More info here.

Presented in partnership with Skábmagovat film festival (Inari, Finland), the City of Ottawa, the Embassy of Finland, Gallery 101, the Ottawa Inuit Children’s Centre and Winterlude.

Also, part of the programming is award-winning filmmaker Alethea Arnaquq-Baril’s Angry Inuk

“In her film Angry Inuk, Inuit director Alethea Arnaquq-Baril joins a new tech-savvy generation of Inuit as they campaign to challenge long-established perceptions of seal hunting. Though most commercial sealing is conducted by Inuit in the Arctic, anti-sealing activism has created a perception of the industry that denies their central role in the sealskin market.”


Angry Inuk (Trailer) from NFB/marketing on Vimeo.

WHEN: Sunday, February 5 @ 1:30 pm & Monday, February 6 @ 9:20 pm
WHERE: Bytowne Cinema, 325 Rideau Street, Ottawa
FREE EVENT

More info on the Facebook Event Page

Presented in partnership with Asinabka Film & Media Arts Festival, Ottawa Art Gallery & Bytowne Cinema.

Other highlights include:

  • Performances by Indigenous Arctic artists
  • Ottawa premieres of the films “Winter” (Geronimo Inutiq), “Muittit” (Sámi music video), Dolastallat (Marja Helander)


OTTAWA TOMORROW: “Kanata 150?” critiques #Canada150

Image: Oo Aqpik “Crown for Sedna” 2016. Provided by Studio Sixty Six. 

Countering celebrations of nationalism with alternate narratives. 

Graduating just last year from Carleton University with a Masters in Art History, Rose Ekins has already made her mark on the Ottawa art scene with her ambitious programming at Studio Sixty Six, a commercial gallery located off of Bronson Avenue. Gallery owner Carrie Colton trusted Rose’s vision allowing her the opportunity to consider how a commercial gallery could also play a role in creating a space for art that wasn’t just about saleability but also about provoking tough questions. “I was able to carve out a mandate for myself” and that mandate includes diversity not only in the media that artists work in but more importantly cultural diversity and the stories that get communicated through the work. 

In an effort to offer a counter-narrative to the stories of nationalism that will be getting lots of air time in the 2017 celebrations of Canada’s Sesquicentennial, Rose has curated KANATA 150? a show that questions what the celebrations are about and who the celebrations are for. Featuring predominantly Ottawa based artists, KANATA 150? is “a nod to the origin of the country’s name,” and “presents seven emerging Indigenous artists reflecting on the nature of “Canada 150”.”

Image: Barry Pottle “Creeping South.” Provided by Studio Sixty Six

One of these artists is Barry Pottle, whose work documenting the Urban Inuit experience has previously been featured on Mixed Bag Mag. Also, the work of fellow Inuk, artist Oo Aqpik, will be presented in this show that roots Studio Sixty Six’s 2017 provocative programming that will include emerging artists Florence Yee (Menu of Exoticism) and Kosi Nnebe (Coloured Conversations) later on in the year. Originally from Nunavut, Oo is “well known for her roles in the Inuit language programs in television, radio and recently a feature film documentary, Arctic Defenders.” Like Oo, the artists of KANATA 150 are working in the capacity of activists and ambassadors of culture. Their work is about communicating to Canadians that it is a great risk if Indigenous perspectives, on where this country is headed, are not moved to the centre of all national debates. 

KANATA 150? opens tomorrow evening and promises to be an engaging way to start a critical year in Canada’s history. ARTISTS:

WHEN: Thursday, January 12 @ 6 – 9 pm
WHERE: Studio Sixty Six, 202-66 Muriel Street, K1S4E1

Free – Bar & Food
Physically accessible building
This event is taking place on the unceded territory of the Algonquin Anishinabeg Nation

“The City of Ottawa and Government of Canada are celebrating the 150th anniversary of the Dominion of Canada with events, promotions, and other ambitious goals to increase Canadian pride and patriotism. These festivities are promoting both the history and future of the nation state confederated in 1867. Canada is a country built from settler colonialism, which leaves the question of how the Indigenous peoples of this land are meant to participate in these celebrations. KANATA 150? (January 12 – February 18), a nod to the origin of the country’s name, presents seven emerging Indigenous artists reflecting on the nature of “Canada 150”.”

More info on the Facebook Event Page.

Follow Studio Sixty Six on Facebook, twitter and Instagram.

Image: Krystle Retieffe “Through the Looking Glass – 150 Years” 2016. Provided by Studio Sixty Six

SKETCH @ SAW: Friday Night Fundraiser at SAW Gallery Ottawa


Work by Kingmeata Etidlooie. Image provided by SAW Gallery.

Another year of SKETCH and raising money for local artist-run-centre Galerie SAW Gallery.

This year marks SAW‘s 12th edition of SKETCH, its annual fundraiser that draws an impressive crowd (along with bidding wars.) Always a fantastic event with art work available in everyone’s price range this night never disappoints.

WHEN: Friday, November 25
WHERE: SAW Gallery in the Arts Court building, 67 Nicholas St., Ottawa 

General admission: $15
VIP tickets: $20 (include access to VIP preview and reception)

VIP preview and reception: 5PM–7PM
Silent auction and sale: 7PM–10PM
After-party: 10PM–1AM

Music by The Vile Bodies (Ottawa) and DJs Michael Caffrey (Gatineau) and Chris International (Ottawa)

From the Facebook Event Page:

“Galerie SAW Gallery’s ever popular holiday fundraiser, with more than 150 participating artists!”

You won’t know what to choose from the hundreds of works available in every style imaginable! With many works priced affordably, starting at only $10, you have no excuse not to get your hands on one-of-a-kind treasures for your lovers, friends and family.

This year’s edition will include a spotlight on 1980s contemporary Inuit art, and signed photographic editions from Magnum Photos featuring artists from around the world.

All proceeds from this special edition of SKETCH will go toward Galerie SAW Gallery’s expansion within Arts Court in 2018. The new 15,000-square-foot SAW will include expanded galleries, a new international research and production space, a new archive and library, an expanded multidisciplinary venue and a renovated courtyard to accommodate festivals and screenings during the summer months. SKETCH will help kickstart our capital campaign for this transformative project!

Silent auction:

Pitseolak Ashoona, Alexis Boyle, David Barbour, Beaston (Graham Robinson), Natalie Bruvels, François Cambe, Robert Capa, Jackson Couse, Michael Davidge, Mario Doucette, Pat Durr, Kingmeata Etidlooie, nichola feldman-kiss, Melanie Garcia, Adrian Göllner, Greta Grip, Michael Harrington, Osheen Harruthoonyan, Pedro Isztin, David Kaarsemaker, Rolf Klausener, Charlene Lau Ahier, Jennifer Lefort, Alisdair MacRae, Steve McCurry, Scott McEwan, Susan Meiselas, Andrew Moncrief, Luke Norrad, Komi Olaf, Napachie Pootoogook, Barry Pottle, Oshoochiak Pudlat, Pudlo Pudlat, Raghu Rai, Dale Lancaster Ronson, Kakulu Saggiaktok, Andrew Smith, Anne Wanda Tessier, Amy Thompson, Cara Tierney, Larry Towell, Guillermo Trejo, Winnie Truong, Eric Walker, Owen Wandering, Tavi Weisz + Ambera Wellman

Art sale:

Howard Adler, David Anderson, Tiffany April, Stephany Bearskin, Danielle Beaulieu, Anne Bell, Paige Bultje, Sabastien Callender, David Cation, Jeanette Charron, Pamela Cockcroft-Lasserre, Patrick Cocklin, Kristina Corre, Cairn Cunnane, Shabnam Dastoornejad, Lougien Dawoudian, Krasi Dimtch, Danielle Doucet, Virginia Dupuis, eightyaday, Sarah Ewing, Jonathan Ferrabee, Charlotte Ford, Ioana Georgescu, Elena Gorlenko, Elliot Gould, Macarena Guerra-García, Kate Hanchuk, France Henault, Emily Hobson, Gillian Holt, Rachel Horan, Saghi Hossein, Aurelia Istinah, Olga Janina Chrzanowska, Anne Johnson, Sharon Katz, Manon Labrosse, Mariana Lafrance, LES666, Rachel Lin, Tara MacDonald, Jennifer Macklem, Alex Macneill, Sara Anne Mailhot, André Mantha, Martha Markowsky, Annegret Nill, Maria-Helena Pacelli, Geneviève Parenteau, Christina Petley, Isabelle Poirier, Judithe Poitras, John-David Powell, Rene Price, Yolaine Richards, Pierre Richardson, Ryan Richardson, Maureen Rooney Mitchell, Komi Seshie, Agamjot Singh, Alexander Snetsinger, Stéphanie St-Jean Aubre, Stefan St-Laurent, Jason St-Laurent, Talya Morgana Stein, Erik Stolpmann, Svetlana Swinimer, Justyna Szłuińska, Saranush Tchilingnan, Mai Lan Tom, France-Marie Trépanier, Maddison Trites, Vivien Tytor, Claudia Urbach, Sylvie Vaillancourt, Wendy Vance, Cosette Vandenberg, Truong Vo-Van, Vanessa Waller, Stephanie Wellman, Malika Welsh, Caroline Williams, Christopher Wong, Tanis Worme, Gillian Young, Melanie Yugo + Gabrielle Zimmerman

THANKS-GIVING WEEKEND: Talented #Indigenous #Women coming to #Ottawa

This weekend the city of Ottawa hosts two talented women. Filmmaker Alethea Arnaquq-Baril will be screening her doc “TUNNIIT: Retracing the Lines of Inuit Tattoos” at Carleton University, a CIRCLE (Centre for Indigenous Research, Culture, Language & Education) event.

WHEN: Friday, October 7 @ 6-8:30 pm
WHERE: St. Patrick’s Building (Behind the Residence Commons) Rm 100 at Carleton University, 1125 Colonel By Drive, Ottawa, ON K1S 5B6, Paid Parking Lot P6
*FREE ADMISSION**

On Saturday night  singer / songwriter Iskwé will be performing at the Mercury Lounge along with cellist Cris Derksen.

WHEN: Saturday, October 8 Doors Open @ 8pm Show starts @ 9pm
WHERE: Mercury Lounge
$12 Advance Tickets. More at the Door.

Visit the TUNNIIT Screening FB Event Page and ISKWE at Mercury Lounge FB Event Page for more information.

 

LEAVING A LEGACY: #GordDownie speaks to #Canadians about #Indigenous relations & what needs to change

Gord Downie. My kind of man. 

As a teenager, I was saving my grocery store pay cheque to get to concerts like Fishbone and Red Hot Chilli Peppers at venues such as the Concert Hall in Toronto. I remember seeing The Tragically Hip around the same time. A friend, an early and super enthusiastic fan, convinced me to go a with her. It was a local venue (The Highlands in Cambridge, Ontario) and the ticket price was dirt cheap. If I recall, it was 1989. They had just come out with their album Up to Here and were gaining lots of buzz in alternative music circles. There probably wasn’t more than 300 people in the bar that night but they played as tight as they did in Kingston at their final concert and Gord Downie moved around on stage like his pants were on fire. I was impressed. This band had presence for sure and you could tell they were about to get big. At the time, The Hip wasn’t necessarily my kind of music but I came to realize Gord Downie was my kind of man – a solid, compassionate and politically astute person who stands behind his convictions. And so, because I am a big fan of the person he is, I tuned into CBC to participate, along with so many others across the country, in witnessing an act of grace. 

Last night people experienced the stellar human being Gord is. His affection and love for his band mates came through with the closeness of their body language – the way they embraced each other at the end of each set and before yet another encore. By the end of the night it was clear to everyone, if you didn’t already know, that the Hip’s frontman is an exceptional storyteller. Sometimes cryptic, other times unconcealed, whether he takes his audience deep into a mystery or documents a moment in history his songwriting sets up a scene for the listener. All can enter in and feel the emotion he evokes with words and notes. And those emotions he sings of are complex filled with longing, doubt, courage, truth, frustration as well as joy.

And so it was fitting and symbolic that this man who has protested against corporate energy giant Enbridge (Rock the Line), donated hundreds of thousands of dollars to environmental organizations (WaterKeeper) and performed in support of an Indigenous community in crisis (Attawapiskat First Nation) would confront his audience with the complicated, emotionally loaded story of Canada at a historical moment when so much anger, confusion and shame is rising to the surface. Along with those darker emotions we are also seeing goodwill and empathy. Hearts are opening. 

Online, in real time, I watched my Facebook start to percolate with feeds of friends thankful that he took this very heightened and intense moment to drop a truth bomb onto the crowd.

Dr. Kahente Horn-Miller is one of those friends. A proud Kanien’kéha (Mohawk) woman from Kahnawà:ke she teaches at Carleton University in Ottawa introducing students to the concepts of Indigenous Governance. She is also a performer who re-enacts the Haudenosaunee creation story of Sky Woman. She “re-matriates” the ethnographic accounts of Sky Woman written down by white men recording what they believed to be a dying culture. She revives the story of Sky Woman by weaving in the reflections of contemporary Haudenosaunee women who use it as a guiding force for their lives asserting spiritual sovereignty. She shares:

His words connected us to the moment. All of us watching across the internet and television screens, the Indigenous and non-indigenous people who grew up loving the music, he brought us together. His last words to us mean so much. He knew the numbers of people that would be watching world wide and used that as a gift to bring his message home. “There are problems in this country…” he said. “The people way up north, that we were trained our entire lives to ignore, trained our entire lives to hear not a word on what’s going on up there. What’s going on up there ain’t good, maybe worse than it’s ever been…. We’re going to get it fixed.” I think he may be right.

Originally from Wasauksing First Nation, Anishinaabe writer and CBC journalist Waubgeshig Rice is now based in Ottawa and was fortunate to see the second-to-last Hip show here at The Canadian Tire Centre. Although he didn’t view CBC’s livestream of the final performance he caught up with the news and comments online after the show. 

It’s very heartwarming to know that with an audience of millions during what could be his last public performance, Gord Downie chose to put the spotlight on the plight of Indigenous people and the government’s responsibility to address the issues. He made few other statements or proclamations during the show, so the fact he spoke about the need to pay attention to Indigenous communities during his limited time was very moving. Hopefully Canadian leaders heed his words, and Canadian fans follow his example.

We need a different kind of land.

We need different kinds of cultural expressions and relationships to this land. So if you are a Hip fan who hasn’t considered how our environment is negatively impacted by corporate / government entanglement around natural resources or considered Canada’s complicated and hurtful relationships with Indigenous folks and the intersection where these problems all meet consider the legacy Gord Downie handed off to the audience last night. 

Change lies in the hands of Canadians. 

This is serious stuff. If this world has a hope in hell of surviving the climate change tipping point we have arrived at it will be because the Inuit elders in the Arctic are heard and consulted. It will be because Canadians decide that a road blockade that asserts First Nations governance isn’t an inconvenience. Rather, these kinds of actions will be understood as the original custodians of the land offering protection for natural resources. Canadians will be able to see that in the long term these actions benefit everyone living here as well as ensure the survival of the entire planet. 

Protection of water, trees, and air is the most critical issue at this moment.

Gord Downie gets that. It’s why he has contributed his time and talent as well as put his money where his mouth is. It’s why he’s been a strong ally in support of Idle No More raising awareness about Canada’s involvement / non-involvement with issues facing Indigenous people living within the political boundaries of Canada. It’s why he is vocal about Canada’s not-so-pleasant past and the current realities faced by everyone living within these borders.

I would not want any part in propagating, galvanizing or burnishing some of the stupid mythology in this country – that we are this clean pristine place, that we got it all figured out, that we know best for the world, that there is nothing anyone can teach us…these things I write about…the Canada I know…I wouldn’t do it if I thought I just was propping up an old stupid mythology. (Q Interview 2012)

Last night this man who has given much to Canada in terms of fleshing out Canadian identity cautioned about the nostalgic trap ‘Canada the Good’ will land this Nation in if Canadians decide to remain comfortable in this narrative. In his role as a storyteller he summoned his audience to critique as well as re-vision what Canadian identity means. Does being a Canadian include consideration of Indigenous sovereignty and support of those working towards environmental equity? He called out his audience as well as Prime Minister Justin Trudeau to be on the right side of history, to push for change.

As a fan, where on this land do you stand?

“ABOUT THIS MAP” by the Tragically Hip

About this map, here we are, here
See, this is us, the exit is here, and
We’ve come too far, to just feel like this, yeah
We’ve come too far, to be feeling like this

Certain, certain
You want to, want to
Certain, certain
You want to, want to

About this map, it’s a bit out of date, yeah
Territories shifted, and things get renamed
There’s coups, revolutions, and boundaries blur
Volcanoes and earthquakes turn words into birds

It’s certain, certain
You want to, want to
Certain, certain
You want to, want to, want to

But, oh, about this map
It goes beyond, beyond
And, oh about this map
About this map

About this map, here we are, here
See, this is me, and there you are, there, and
There’s got to be more than just to despair
There’s got to be more than just to despair

I’m certain, certain
I want to, want to
You’re certain, certain
You want to, want to, want to

And, oh, about this map
It goes beyond, beyond
Forget about this map
About this map

And, oh, about this map
We don’t live in our heads
Forget about this map
About this map
About this map
About this map
About this map

ARTICLES & RESOURCES: 

Gord Downie uses Tragically Hip Concert to spur Trudeau on First Nations
The Politically Hip Gord Downie
Gord Downie speaking on Attawapiskat (CBC Q approximately 25:00)

CBC Aboriginal (Main Website & Facebook)
CBC Radio “Unreserved” (Main Website & Facebook)
CBC’s 8th Fire
APTN (Aboriginal Peoples Television Network Main Website & Facebook)
Environmental Defence (Main Website & Facebook)
WaterKeeper (Main Website & Facebook)
Environmental Defence (Main Website & Facebook)
Idle No More

ASINABKA CELEBRATES 5 YEARS: #Indigenous #Film #Media #Arts #Festival on #Algonquin #Territory #Ottawa

Asinabka Film and Media Arts Festival returns to Ottawa for another year of unique programming.

This year Ottawa’s locally minded but internationally connected Film and Media Arts Festival, Asinabka, turns five. I have been attending this annual festival for the last 3 years and I am looking forward to my 4th year. I have seen it mature and grow its audience while still maintaining an important discourse with the local community of Ottawa especially regarding issues impacting Indigenous communities here on Algonquin Territory. Co-Director / Programmer Howard Adler shares that as “Asinabka Festival returns for our 5th year we couldn’t be more excited about our programming and our local and international partnerships.”

Each year the festival opens on Victoria Island at the site of Aboriginal Experiences, a beautiful location that foregrounds the Indigenous opening night film against the background of Parliament Hill and the Supreme Court of Canada – a highly symbolic vista. This year’s festival opens with Fire Song (Director Adam Garnet Jones), a film about youth suicide, sexuality, family obligations and future options.

Prior to the screening Indigenous Walks will be giving a tour that will begin at the Human Rights Monument (Elgin Street by City Hall) and end at the island where there will be a feast provided to the festival goers to share before the screening begins. Regarding the 2016 Festival programming “this is no doubt our most ambitious festival yet, showcasing more Indigenous film, media art, music, and performance than ever before, utilizing two of Ottawa’s best artist-run Centre’s for our Gallery Crawl (Gallery 101 & SAW), and continuing with our stunning traditional opening night welcome and outdoor film screening on Victoria Island!” states Howard. “There will be more delegates, filmmakers, and guests attending our festival than ever before, and there’s not enough room here to express how excited and thankful we are to host and present so much amazing art! Chi-Miigwech to everyone involved and to our faithful audience who return every year.

Work by Geronimo Inutiq. Image provided by Asinabka. 

Also this year Inuk media artist Geronimo Inutiq will have a solo show (ᐃᓱᒪᒋᓇᒍ – isumaginagu – don’t think anything of it) opening at Gallery 101 (51 Young St. Suite B). Regarding his contribution and involvement Geronimo says that Asinabka “gives us an opportunity to show and see contemporary original art works in a context that goes beyond inter-national boundaries. I am grateful and honoured to exhibit my work with video and images, and – with the Festival – help push the boundaries of what indigenous and Inuit media and art can be today.” 

A little bit about the show:

How do you feel? Have you listened to your instinct today? What is your gut telling you? All the combined fields of natural and social sciences have elucidated great intellectual theories as to the nature and function of what we do and the reasons and functionality behind it. To Geronimo Inutiq, the process of artistic expression is an alternative language to all that. Guided by some sort of arbitrary intuition and abstract sense of aesthetics, he produces cultural artefacts that have been shown in galleries and museums in the context of contemporary indigenous and Inuit art exhibits and performance – both nationally and internationally. read more…

“Cowboys N’ Indians” by Alison Bremner in “Neon NDN.” Image provided by Asinabka. 

“Urban Inuk” Jocelyn Piirainen is an “emerging curator with a growing interest in indigenous contemporary art. Her entry into the curatorial world began in with the first ever Indigenous Curatorial Incubator program, where she put together the “UnMENtionables” screening program and helped coordinate the “Memories of the Future” exhibition for the 2015 Asinabka Film and Media Arts Festival.”  This year Jocelyn returns to Asinabka to curate Neon NDN: Indigenous Pop-Art Exhibition at SAW Gallery (Arts Court Building, 67 Nicolas St.).

From her curatorial statement:

In an article titled “Is There an Indigenous Way to Write about Indigenous Art?”, Richard William Hill recently contemplated “in purely practical terms, how would you bracket off Indigenous culture? Where do you draw the line? No more pop culture?”Had certain Indigenous artists bracketed off pop culture, Neon NDN would have been something quite different. In this Information Age, pop culture is everywhere and it’s not surprising many contemporary Indigenous artists engage with popular characters from film, television, video games, comic books, even corporate symbols and brand names. Through interacting with, reclaiming, and repurposing popular culture, Indigenous artists challenge a number of stereotypes and Hollywood tropes that have been set against Indigenous people and culture. read more…

Jocelyn states that “for this show, I really just wanted to create a sense of fun and bring in lots of colour. The theme is pop art – and for Indigenous artists, this theme isn’t quite so new as one might think.”

Both shows open on Saturday, August 13 and their will be Gallery Crawl with a FREE Shuttle bus provided. The bus will leave SAW Gallery after the 3 pm screening (OKA Legacy) wraps up. The bus will leave Gallery 101 to head back to SAW after the opening of Geronimo’s show that also includes a FREE BBQ. Neon NDN‘s vernissage will begin at 7:30 pm. Stay for the Music Night that will start at 9 pm.

From the Opening Night at Victoria Island to the closing party at Kinki Lounge (41 York St. in the Byward Market) you can find the best in contemporary Indigenous film, media and visual arts at multiple venues across the city from Wednesday, August 10 to Sunday, August 14, 2016.

For the full schedule click here.

Follow on Facebook & twitter @asinabkafest.

Images by Leah Snyder for Mixed Bag Mag unless otherwise noted. 

CLOSING THIS WEEK: Temporal (Re)Imaginings showcases Indigenous artists at the Canada Council Ottawa

Curator Alexandra Nahwegahbow presents an thematically strong and visually stunning show at the Âjagemô Art Space.

Consider the concepts of Decolonizing and Indigenizing. One feels heavy with past burdens, forward movement decelerated by arguments with ignorance. The other is charged with the quantum lightness of dreams. The time traveller moves forward swiftly and at the speed of light arrives back into the present with a renewed vision and the tools to construct an imagined future. To Indigenize is to banish colonization to a peripheral edge, advancing over the primitive mess to get on with the business of building improved systems that dramatically alter the landscape.

Moving around within time and the power this strategy provides for transformation is what foregrounds Temporal (Re)Imaginings, the current exhibit at the Âjagemô, Canada Council’s art space on Elgin Street in Ottawa. Curator Alexandra Kahsenni:io Nahwegahbow writes that “in Indigenous traditions, storytellers and artists frequently challenge and disrupt Western perceptions of time as a linear, progressive unfolding of events. Rather, our stories and histories exist in places where time is round, open, malleable, and can fold and fluctuate.”

The exhibit begins with Carl Beam’s impactful Burying the Ruler and sets the intention for letting go of a colonial concept of time. This exhibit also presents an imagined future. While Canada is considering what ‘reconciliation’ with the past will look like as a cultural product, many of the works in this show feel unencumbered by history

They float within the space. Clouds (Hannah Claus) hovers on a sky blue wall.

They speak of time travel. Navigating by our Grandmothers (Rosalie Favell) is set in a scenery of stars.

They alter landscapes. In Here on Future Earth Joi T. Arcand “presents snapshots of Saskatchewan towns, cities and First Nation reserves in an alternate futuristic reality where Cree is the dominant language.”

They traverse the in between space of visions finding powerful antidotes to bring back from the other side. Meryl McMaster’s Victoria “explores the artist’s bi-cultural heritage (Indigenous/European) by engaging in an extraordinary liminal reality. Rather than viewing her identity as two opposing cultures in historical conflict, she fearlessly transforms it into a site of synergistic strength.”

At a time when centres of culture tend to slot alternate narratives in with reductive simplification, as an emerging curator, Alexandra offers elegant complexity. Beyond the concepts and cosmologies embedded in the selected work the choice of the pulsating palette – hot oranges and azurite blues – plays off the predominately white space to stimulate the eye, even energize the body.

Temporal (Re)Imaginings is both potent and curative, a compelling case for a future that is (re)imagined as it is Indigenized.

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Temporal (Re)Imaginings closes this weekend on Saturday, April 30. Canada Council’s Âjagemô art space is on the main floor of 150 Elgin Street. Hours of operation 7 am – 9 pm.

Temporal (Re)Imaginings also includes work by:

Barry AceGoota AshoonaLance Belanger, Alex Janvier , Roy Kakegamic, Mary LongmanMarianne NicolsonCaroline MonnetFrançoise Oklaga and Jessie Oonark

Below images from top to bottom:
Weesahkay Jack and the Great Flood (Roy Kakegamic 2005) & clouds (Hannah Claus 2008)
Detail of clouds (Hannah Claus 2008) image by Georges Khayat, provided courtesy of artist
Navigating by our Grandmothers (Rosalie Favell 2000) image courtesy of artist
Other Worlds (Alex Janvier 1984), Here on Future Earth (Joi T. Arcand 2010) & Alice from the series Modern Tipi (Caroline Monnet 2008)
Here on Future Earth by Joi T. Arcand (2010)
Victoria (Meryl McMaster 2013) image courtesy of artist 

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Alexandra Kahsenni:io Nahwegahbow is Anishinaabe and Kanien’keha:ka, and a member of Whitefish River First Nation with roots in Kahnawake. She grew up just outside of Ottawa and is currently pursuing her PhD in Cultural Mediations in the Institute of Comparative Studies in Literature, Art and Culture at Carleton University. She has a strong interest in stories, oral history and Indigenous art and material culture, and believes that creativity, art and processes of imagining and art-making have the ability to change the world.

Image of Alexandra by Rosalie Favell

Read more about Alexandra on Urban Native Magazine.

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All images by Leah Snyder for Mixed Bag Mag unless otherwise noted