TODAY 4 #CANADASCENE: On #Parliament #Metis #artist David Garneau performs “Dear John, Louis David Riel”


Métis artist David Garneau’s performance “Dear John, Louis David Riel” (www.nac-cna.ca)

The National Arts Centre Ottawa offers more programming on Louis Riel.

Métis artist, writer and educator David Garneau is in town for a performance on the history of Louis Riel. The work is part of the programming for the NAC’s Canada Scene and follows the controversial Louis Riel opera that opened this past weekend at the NAC. The performance will take place on Parliament Hill today at the Sir John A. Macdonald statue.

From the NAC:

Join Métis artist David Garneau at the bronze statue of Sir John A. Macdonald on Parliament Hill for a powerful performative dialogue between the Métis leader Louis Riel and Canada’s first prime minister. Dressed as Riel, Garneau imagines an encounter between Riel and Macdonald, who charged Riel with high treason in 1885, leading to Riel’s execution by hanging. The artist’s performance touches on themes of masculinity and power display, Métis identity, and the complexity of reconciliation – which assumes that a harmonious relationship existed between the two parties in the first place. (read more…)

WHEN: Monday, June 19, 2017
WHERE: Parliament Hill, 111 Wellington Street, Ottawa, Canada at the Sir John A. MacDonald statue

FREE EVENT!

C MAGAZINE REVIEW: Jolene Rickard speaks on Indigenous Cultural Resurgance and Wampum at the Creative Time Summit Venice Biennale

C Magazine looks at the curatorial presentation of the issue of Citizenship at the Venice Biennale.

The Winter edition of C Magazine is out. Inside the pages is a review I wrote on “Questioning Citizenship at the Venice Biennale.”  Here is a little sneak peek: 

I attended the Biennale this past August with The Power Plant’s delegation of artists and curators from Canada to take part in the Creative Time Summit (read CREATIVE TIME SUMMIT AT THE BIENNALE: Mixed Bag Mag arrives in Venice)It was an amazing time where we as creative professionals looked at ways we can critique and improve the Biennale culture from the inside. Along with the opportunity to meet other cultural provocateurs from around the world I also had the opportunity to meet Okwui Enwezor, the curator for the 2015 Biennale “All The World’s Futures.”

This edition of C Magazine is on Citizenship and features: 

“Derrick Chang, Victor Wang on the 12th Bienal de la Habana, Yaniya Lee on citizenship and Canadian art criticism, Krista Belle Stewart, Scott Benesiinaabandan, David Garneau and Cathy Busby responding to Canada’s Truth and Reconciliation Commission Report, and Justin A. Langlois, Amanda Shore, Rinaldo Walcott, Leah Snyder, Elle Flanders, Tamira Sawatsky and Adrian Blackwell questioning citizenship at the Venice Biennale; plus an artist project by Tyler Coburn. Also included are reviews of exhibitions and books, as well as our regular sections On Writing by Critical Art Writing Ensemble, Inventory by Bambitchell and Artefact by acqueline Hoang Nguyen” Read more…

To purchase or download the digital version click here.

From the Creative Time Summit Venice 2015 website: 

“As the Director of the American Indian Program and Associate Professor in the History of Art and Art Departments at Cornell University, Jolene Rickard is primarily interested in issues of indigeneity within a global context. Her recent projects include serving as the advisor for “Sakahàn: 1st International Quinquennial of New Indigenous Art” at the National Gallery of Canada in 2013, conducting research through a Ford Foundation Research Grant in 2008-11, participating in New Zealand’s Te Tihi Scholar/Artist Gathering in 2010, and co-curating the inaugural exhibition for the Smithsonian’s National Museum of the American Indian in Washington, D.C. in 2004. She is from the Tuscarora Nation (Haudenosaunee). Her book,Visualizing Sovereignty will be published in 2016.”

Watch all the Creative Time Summit 2015 Venice presentations here.