CLOSING THIS WEEKEND: Micah Lexier @ The Power Plant & Beat Nation @ Musée d’art contemporain de Montréal


Image of Micah Lexier and More Than Two courtesy The Power Plant.

Polar opposites in the continuum of contemporary art. 

Beat Nation and One, and Two, and More Than Two lie at the contradictory ends of Contemporary Canadian Art and within Micah Lexier’s One, and Two, and More Than Two show more contractions occur. In his video piece and Two refuse is moved around on a clean slate. This is Micah’s collection of cardboard cast-offs that he has curated based on similarities. He carefully choreographs the debris. This is my favourite work in the show. I will miss its precise impreciseness.


Image of Micah Lexier and Two courtesy The Power Plant.

In and More Than Two Micah has gathered together a slice of Toronto’s art community. He visited the studios of over 100 artists working in Toronto and took something from each place. The controversy with this collection is around the issue of whether it is a proper survey of Toronto’s current art scene as it is a selection of predominantly white artists. And More Than Two is the antithesis of how most people regard Toronto – the quintessential Multi Culti city. And for all the material diversity encased in the vitrines the process of categorization renders the work even more homogenous. And More Than Two seems less about diversity and collaboration and more about curation based on a chosen aesthetic. Regardless, the effect is stunning.

Micah’s way of organizing randomness carries over into his own solo work One where what seems like an  arbitrary selection of his work notes becomes contained within the even flow of frames spaced without pause across four walls.


Image of Micah Lexier and More Than Two courtesy The Power Plant.

Without a doubt this entire show is visually impactful. It is ordered disorder, asymmetrical symmetry, and the visual polarization of black juxtaposed with an abundance of white space. The immediate evaluation tends to be that this exhibit reads as sterile but upon closer inspection it is anything but. What I notice about this show is it slows people down as they meander through the vitrines and then onto the other rooms all the while mesmerized. People stop to take a long look because as you walk through it you get the sense that each object, each page, each cardboard cutout has been chosen with reverence. And therein lies the warmth.

Provocative and engaging One, and Two, and More Than Two closes tomorrow, Sunday, January 5.


Beat Nation: Art, Hip Hop and Aboriginal Culture
from Musée d’art contemporain de Mtl on Vimeo.

The content of Beat Nation (also at the Power Plant earlier this year) brings us to the intersection where the choice around aesthetics is motivated by agency – a re-mixing of the conscience soul of Hip Hop as applied to the right to embody one’s Indigeneity in a contemporary context. 

“Beat Nation:  Art, Hip Hop and Aboriginal Culture describes a generation of artists who juxtapose urban culture with Aboriginal identity to create innovative and unexpected new works that reflect the realities of Aboriginal peoples today.” read more…

This show is also about a multi-layered experience using music, dance, and mixed media to indigenize the white cube gallery space. 

Beat Nation is an example of another beautiful show that challenges what is contemporary Canadian Art. Originally an online exhibition, it has been hugely successful as it has traveled back and forth across the country at various venues. Each iteration of the show brings in a new arrangement of artists with the MACM show including the following:

Jackson 2bears, KC Adams, Sonny Assu, Bear Witness, Jordan Bennett, Raymond Boisjoly, Corey Bulpitt & Aime Milot, Kevin Lee Burton, Raven Chacon, Dana Claxton, Dustinn Craig, Nicholas Galanin, Maria Hupfield, Mark Igloliorte, Cheryl L’Hirondelle, Duane Linklater, madeskimo, Dylan Miner, Kent Monkman, Marianne Nicolson, Skeena Reece, Hoka Skenandore and Rolande Souliere

Both of these exhibits showcase how Canadian  Art is coming into its own a powerful contemporary voice.

ONE, AND TWO, AND MORE THAN TWO
The Power Plant
231 Queens Quay W, Toronto, ON M5J 2G8
Tuesday–Sunday 10–5 PM
Free admission

BEAT NATION
Musée d’art contemporain de Montréal
185 Rue Ste-Catherine Ouest, Montréal, QC, H2X 3X5
Tuesday to Sunday: from 11 a.m. to 6 p.m.
$12 adults

RECOMMENDED READING
Museum Pieces: Toward the Indigenization of Canadian Museums
“Ruth Phillips argues that these practices are “indigenous” not only because they originate in Aboriginal activism but because they draw on a distinctively Canadian preference for compromise and tolerance for ambiguity. Phillips dissects seminal exhibitions of Indigenous art to show how changes in display, curatorial voice, and authority stem from broad social, economic, and political forces outside the museum and moves beyond Canadian institutions and practices to discuss historically interrelated developments and exhibitions in the United States, Britain, Australia, and elsewhere.” Read more…

Inside the White Cube: The Ideology of the Gallery Space
“….O’Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery was based. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, he raises the question of how artists must construe their work in relation to the gallery space and system.” Read more…


Beat Nation artist Geronimo Inutiq (madeskimo), curator Candice Hopkins and Beat Nation artist Dylan Miner speak on moving between the past and the present in contemporary Indigenous art in Canada and America.

CONTEMPORARY ABORIGINAL ART: Resources for All The Talent

Aboriginal dance troupe performing outside on hills at night with city of Toronto as backdropKaha:wi Dance Theatre performing The Honouring at Fort York, Toronto. Image by Leah Snyder for Mixed Bag Mag.

Experiencing “The Honouring” by Kaha:wi Dance Theatres

It was a mad dash to Fort York from the MacMillan Theatre just coming out of Feng Yi Ting, the contemporary Chinese opera directed by Atom Egoyan as part of Luminato ’13.

I was determined and praying to the Gods & Goddesses of Transport that they would remove all obstacles one may encounter when riding the TTC.

I made it. A little late but it was worth the sprint up to Fort York from Bathurst, camera bag and all.

Aboriginal dance troupe performing outside on hills at night with city of Toronto as backdrop

What a stunning venue! The open air, the smell of the fires, the grass covered hills, old rock walls and the cityscape in behind. The context was beautiful but the visual juxtaposition points to an unfortunate history. The Honouring is:

“a site-specific multi-disciplinary performance honouring First Nations warriors of the War of 1812, featuring Onkwehonwe families who sacrificed to protect Haudenosaunee sovereignty, culture and land. Audiences have the opportunity to understand the complexity of the War of 1812 through the experiential lens of First Nations, offering a human face to our history.  All First Nations took part in the War of 1812 as sovereign Nation allies to Britain. 
The Honouring pays homage to their personal sacrifices and belief in what was the best for their family, community and future generations.”  More info…

Here’s a sampling of just how stunning the work of Kaha:wi is:

“Kaha:wi Dance Theatre (KDT) is one of Canada’s leading contemporary dance companies, recognized for its seamless fusing of indigenous and contemporary dance into a compelling signature choreographic vision.”  Read more…

As part of a continuation of MIXED BAG MAG’s post on National Aboriginal Day and the challenge put out there to Canadians to find out more about contemporary Aboriginal art here are some MIXED BAG MAG recommendations to get everyone started.

All of these organizations, programs, artists, and exhibitions work to dismantle the legacy of stereotypes that has stopped the dominant culture from seeing the dimensionality that we all carry within us as creative human beings as well as offer a critical voice regarding not only Canada’s First Peoples but Indigenous Peoples from around the world.

The below list focuses on Aboriginal arts in Canada and predominantly new media /visual artists. Stay tuned for a part two that will  include much more!

ARTS ORGANIZATIONS AND GALLERIES THAT FOCUS ON CONTEMPORARY FIRST NATIONS, MÉTIS, INUIT & INDIGENOUS CULTURE

ImagineNATIVE Film & Media Festival (Toronto)
The imagineNATIVE Film + Media Arts Festival celebrates the latest works by Indigenous peoples at the forefront of innovation in film, video, radio, and new media. Each fall, imagineNATIVE presents a selection of the most compelling and distinctive Indigenous works from around the globe.”  More info…

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Planet Indigenus (Toronto)
Since 2004, Planet Indigenus, in partnership with Brantford, Ontario’s Woodland Cultural Centre, has explored such ancestry and cultures through Indigenous artists. Through a 10-day, international, multidisciplinary arts festivals attended by over 700,000 people… Planet IndigenUS has raised public awareness, broken stereotypes and fostered a cross-cultural dialogue between Canadians.”  More info…

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Woodlands Cultural Centre (Brantford)
“The Woodland Cultural Centre was established in October 1972 under the direction of the Association of Iroquois and Allied Indians upon the closure of the Mohawk Institute Residential School. The Centre originally began its focus on collecting research and artifacts to develop its library and museum collections.  More info…

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Installation in art gallery
Installation by Roland Souliere at Urban Shaman. Image from www.rolandsouliere.com.

Urban Shaman (Winnipeg)
“Urban Shaman Contemporary Aboriginal Art is a nationally recognized leader in Aboriginal arts programming and one of the foremost venues and voices for Aboriginal art in Canada.”  More info…

Young naked females wrapped in Hudson Bay blanket holding a teddy bear between the two of them.
Blanket 1 by Keesic Douglas part of Close Encounters exhibit at Urban Shaman. Image from www.artsforall.ca.

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Installation in gallery of patchwork flags and dolls
Work by Natalie Ball at Grunt Gallery. Image from www.grunt.ca.

Grunt Gallery (Vancouver)
Grunt is an artist-run centre founded in 1984 in Vancouver, BC, with a vision to be an international renowned artist-run centre furthering contemporary art practice. Through the exploration of our diverse Canadian cultural identity we offer innovative public programming in exhibitions, performances, artist talks, publications and special projects.” More info…

Gallery room full of canvases painted in West Coast art style
Work by Andrew Dexel at Grunt Gallery. Image from gruntarchives.tumblr.com.

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AbTec (Montreal)
AbTeC is a network of academics, artists and technologists whose goal is to define and share conceptual and practical tools that will allow us to create new, Aboriginally-determined territories within the web-pages, online games, and virtual environments that we call cyberspace.”  More info…


Work by Skawennati Fragnito of AbTec. Image from www.facebook.com/skawennati.

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Large painting by Isaac Narciso Weber of OCADU’s Indigenous Visual Culture Program, exhibit as part of  Planet Indigenus Festival. Image by Leah Snyder for Mixed Bag Mag.

Indigenous Visual Culture Program @ OCAD U (Toronto)
The program prepares students to engage in complex and evolving global discourses in Aboriginal history, art history and contemporary art practice across a range of expressions, material and media.”  More info…


Work in foreground by Tara Bursey from OCADU’s Indigenous Visual Culture Program, exhibit as part of Harbourfront Centre’s Planet Indigenus Festival. Image by Leah Snyder for Mixed Bag Mag.

CURRENT & RECENT EXHIBITIONS CONTEMPORARY FIRST NATIONS, MÉTIS, INUIT & INDIGENOUS CULTURE

Logo that says Indigenous And Urban

Indigenous & Urban @ The Museum of Civilization (Ottawa)
OPENING TODAY!
“Live. Engaging. Diverse. Inspired and challenged by contemporary urban life,Canadian Indigenous artists address issues of identity and stereotypes through humorous and thought-provoking works. Indigenous and Urban is a summer-long program featuring visual and media arts, music, dance, film, readings and interactive workshops.”  More info…

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IN THE FLESH (Ottawa)
“In the Flesh examines the hierarchical relationship between humans and animals within a cultural and museological context, and investigates colonial politics, as well as issues of gender as they relate to the mastery of the natural world…In the Flesh grants us visual access to nature while calling into question the politics of representation. As the guest catalogue essayist Ariel Smith notes: “With In the Flesh, the Ottawa Art Gallery participates in a city-wide indigenization of gallery spaces to coincide with the National Gallery of Canada’s Sakahàn: International Indigenous Art exhibition. This indigenization does not exist within a vacuum, and we must reflect on the ways in which these acts of claiming space respond to and are in conversation with both the current and historical politics of Indigenous cultural sovereignty.””
More info…

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Sakahàn: International Indigenous Art (Ottawa)
CURRENTLY RUNNING UNTIL SEPT 2, 2013
“Sakahàn—meaning “to light [a fire]” in the language of the Algonquin peoples—brings together more than 150 works of recent Indigenous art by over 80 artists from 16 countries, celebrating the National Gallery’s ongoing commitment to the study and appreciation of Indigenous art. This exhibition is the first in an ongoing series of surveys of Indigenous art. The artworks in Sakahàn provide diverse responses to what it means to be Indigenous today. Through their works, the artists engage with ideas of self-representation to question colonial narratives and present parallel histories; place value on the handmade; explore relationships between the spiritual, the uncanny and the everyday; and put forward highly personal responses to the impact of social and cultural trauma. The artworks range from video installations to sculptures, drawings, prints, paintings, performance art, murals and other new, site-specific projects created specifically for this exhibition.”  More info…


Cover of Sakahan Catalogue. Image from www.amazon.com.

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Border Cultures Part One: homes, land (Windsor)
2013

“Border Cultures: Part One (homes, land) brings together artists working locally and nationally with those exploring these issues in Ireland, Mexico, Palestine to list a few. Using drawing and printmaking, sculpture and photography, video and sound-based installations, artists in this exhibition develop nuanced critiques and perspectives on questions of nationhood, citizenship and identity in the border-lands” More Info…


Installation by Dylan Miner. Image by Frank Piccolo on wcontemporaryart.wordpress.com.

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Contemporary Aboriginal art in a large gallery space with white wallsInstallation view of Beat Nation: Art, Hip Hop and Aboriginal Culture at The Power Plant, Toronto, December 2012 – May 2013. Photo by Toni Hafkenscheid.

Beat Nation (Toronto)
2013
Beat Nation describes a generation of artists who juxtapose urban youth culture with Aboriginal identity to create innovative and unexpected new works that reflect the current realities of Aboriginal peoples today. ”  More info…

Contemporary Aboriginal art in a large gallery space with white walls
Installation view of Beat Nation: Art, Hip Hop and Aboriginal Culture at The Power Plant, Toronto, December 2012 – May 2013. Photo by Toni Hafkenscheid.

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Poster for Fashionality featuring the work of Dana Claxton.

Fashionality @ The McMichael (Kleinberg)
2012
“Fashionality” is a newly coined term that refers to the visual culture and semiotics of dress and adornment. Combining the words “fashion,” “personality,” and “nationality,” it reflects the interplay between clothing, identity, and culture.”  More info…


Poster for Fashionality featuring the work of KC Adams.

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Art work by Luke Parnell. Image by Leah Snyder for Mixed Bag Mag.

Not So Fast | NSF (Toronto)
2012
“Objects tell a story and reveal a history through the way they are made. In the current state of late-capitalism, value is often measured in terms of speed and efficiency. NOT SO FAST | NSF invites a reconsideration of time and place to present different kinds of value. This exhibition brings together works by seven Indigenous artists who address the many products and by-products of consumer society.”  More info…


Work by Tania Willard. Image by Leah Snyder for Mixed Bag Mag.

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AboDIGITAL (Kelowna)
2012
“In aboDIGITAL, Mi’kmaw artist Jordan Bennett examines the interface of audio-visual technologies and the internet with his First Nations heritage. Bennett’s art deftly blends such seemingly disparate elements as Mi’kmaq worldview, hip hop culture, ceremonial practice and graffiti aesthetics, creating dynamic works that express the fluidity, vitality and continuity of Aboriginal cultures in the present.More info…

Painting of a google search with the words "why are native americans' and the resulting drop down of resultsPainting by Jordan Bennett. Image from www.alternatorcentre.com.

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Artist Sonny Assu with Decolonize Me curator Heather Igloliorte.

Decolonize Me (Ottawa)
2011
“Decolonize Me features six contemporary Aboriginal artists whose works challenge, interrogate and reveal Canada’s long history of colonization in daring and innovative ways. Deliberately riffing on the title of Morgan Spurlock’s film, the pop-cultural phenomenon Super Size Me (2004), the exhibition’s title emphasizes the importance of recognizing the role of the individual within larger discussions of shared colonial histories and present-day cultural politics.” More info…


Decolonize Me show at Bishop University. Image from www.ubishops.ca.

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Image from www.ago.net.

Inuit Modern @ The AGO (Toronto)
2011
The exhibition considers how the Inuit have coped with and responded to the swift transition from a traditional lifestyle to one marked by the disturbing complexities of globalization and climate change.  More info

& The Inuit Modern Symposium
“Inuit artists and thinkers reflected on this statement during a three-part online symposium..
. It explored the questions: What are the current issues affecting Inuit art today and how has modernity complicated life in Canada’s far North? How has Inuit art changed the way that Canada and Inuit are viewed internationally?”  More on…

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Image from the cover of Close Encounters Catalogue.

Close Encounters: The Next 500 Years
2011
“A banner project for Winnipeg Cultural Capital of Canada 2010 Program comprised of a large-scale exhibition focused on presenting Indigenous art from around the world. This is an incredibly important show, featuring the work of a number of renowned Canadian Indigenous artists, complemented by some of the most innovative and engaging work drawn from Indigenous populations across the globe” More info…


Work by Pudlo Pudlat. Image from www.closeencounters.ca.

Aboriginal dance troupe performing outside on hills at night with city of Toronto as backdropKaha:wi Dance Theatre performing The Honouring at Fort York, Toronto. Image by Leah Snyder for Mixed Bag Mag.

VISUAL MEDICINE: Andrew Dexel Opening @ Neubacher Shor Contemporary in Toronto

Change of Seasons by Andrew (Enpaauk) Dexel. Acrylic on Canvas. Image from Neubacher Shor Contemporary.

“The explosion of colour is a form of medicine”

It’s fitting that Andrew Dexel’s work should follow MIXED BAG MAG’s post on the Journey of Nishiyuu. Andrew is another example of how young Aboriginal voices are getting our attention regarding the importance of referencing Indigenous Knowledge as a source for solutions to today’s problems.

Hailing from Vancouver, Andrew is from the Nlaka’pamux Nation. His work acknowledges the clash of values we have in Canada yet in its own way bridges the gap as he soothes the viewer with an artistic remedy.

“My work relates my spiritual path; my journey. I express the inspiration lovingly given to me through teachings and stories from my elders and mentors. My work embodies the powerful visions that I have been given through these teachings. I am grateful. My work is a modern expression embodying the symbolic abstract inspired by my home: Coast Salish Territory.” Andrew (Enpaauk) Dexel

Tomorrow evening in Toronto at the Neubacher Shor Contemporary Gallery in Parkdale Andrew’s show “Nooaitch” opens. As one of the artists featured in the online version of Beat Nation: Hip Hop as Indigenous Culture as well as the exhibition at SAW gallery in Ottawa, this solo show of Andrew’s work compliments the Beat Nation show currently on at The Power Plant.

Colourful painting down in Contemporary West Coast Art style Colourful painting down in West Coast Art style Colourful painting in the West Coast Style

“A fusion between graffiti and North West Coast Art”

“Ceremony and spirit, transformative art and ancient knowledge, these are themes throughout Nlaka’pamux artist, Andrew Dexel’s work…the voices of younger artists like Dexel who are working to fuse indigenous perspectives, aesthetics and tradition within new forms and materials are the cutting edge of ‘Native’ art. Dexel’s earlier work with graffiti art and street art led him to looking more diligently at Westcoast formline design and really solidified his ideas in line work. His unique palette, comes in part from this graffiti reference and also from the world of ceremony, the explosion of colour is a form of medicine, blowing up our expectations and creating new forms and ideas with diverse starting points. One part medicine, one part magic Dexel’s new body of work continues his exploration in healing and indigenous plant wisdom and ceremonial culture, with the beauty of his lines, the hopefulness of his palette and the spiritual animism that populate his canvasses.” ~ Tania Willard (co-curator of Beat Nation)

Andrew is part of a growing movement of contemporary Aboriginal artists who hover in the in-between space of traditional and modern. These artists blend together indigenous knowledge of healing  with a street smart aesthetic. It is here that  Andrew (Enpaauk) Dexel moves fluidly. He offers us “visual medicine.” Experience the healing.

Dexel’s new body of work continues his exploration in healing and indigenous plant wisdom and ceremonial culture”

Andrew’s new work at Nooaitch show

www.visualmedicine.ca | En Paa Uk Flickr Stream

WEDNESDAY NIGHT…
Opening Reception for Andrew Dexel: Nooaitch
Neubacher Shor Contemporary 6 – 9pm
(Show runs until April 27)
5 Brock Avenue, Toronto, M6K 2K6

Map to Neubacher Shor Contemporary

Logo that reads Neubacher Shor Contemporary

Acrylic painting on wood in West Coast Art styleRaven Child by Andrew (Enpaauk) Dexel. Acrylic on Crated Wood Panel. Image from Neubacher Shor Contemporary.

Star Nation by Andrew (Enpaauk) Dexel. Acrylic on Canvas. Image provided by Neubacher Shor Contemporary.

DANCE TO THE BEAT OF ANOTHER DRUM: At Harbourfront Centre & The Power Plant this Weekend

The best from China. The best from Canada. In Toronto.

The most magical space that joins us all in some deep and ancient place is dance – the mysteriousness of a beat and where it takes our hearts, and minds when we start to move our feet.

One of the best places in this city to experience incredible dance is at the Fleck Dance Theatre. Part of the Harbourfront Centre, with programs like World Stage and Next Steps, Fleck showcases the most talented dancers and choreographers from home and around the world.

And just steps away is The Power Plant “Canada’s leading public gallery devoted exclusively to contemporary visual art” (cited www.thepowerplant.org)

Stunning Contemporary Chinese Dance.

Tonight and tomorrow Fleck features the Chinese dance troupe TAO Dance Theater. Reviews of their show Weight x3 & 2 have been amazing. Time to treat yourself, a little something for your soul!

A Mashup of Music, Art & Dance.  

And also on tonight, as part of the programming for Beat Nation, the Power Plant hosts a dance battle bringing into the gallery “dancers representing moments in Aboriginal and hip-hop dance history to create a unique, interdisciplinary event…16 of Toronto’s best dance crews will compete for $1,000 cash prize in a 2-on-2 elimination battle format and time rounds. ” (cited www.thepowerplant.org)

The Beat Nation Exhibit will be open until 9 with the competition beginning at 8:30.

This weekend dance to the south east west north earth sky.

TONIGHT & TOMORROW NIGHT…
TAO Dance Theater of China presents
Weight x3 & 2
Fleck Dance Theatre @ 8 pm
Purchase Tickets Here | Directions to Fleck

TONIGHT…
Beat Nation Dance Battle
The Power Plant
5:30 – 9 pm Gallery Open | 5:30 – 8:30 Cash Bar | 8:30 Dance Battle Begins
Directions to The Power Plant

MIXED BAG MAG also recommends checking out Vancouver’s Grunt Gallery and Beat Nation’s official website full of the good stuff and a taste of what you can find at The Power Plant!

#FF on Twitter:
@HarbourfrontTO
@ThePowerPlantTO
@gruntgallery
#PPBeatNAtion
#DanceTO

THE HISTORY OF ART AS ACTIVISM: In Conversation with Bonnie Devine & Dylan Miner

ARTIST TALK – In Conversation with Bonnie Devine & Dylan Miner

Wednesday, February 13 @ 7pm
The Power Plant
Admission: Free for Members | $12 Non-Members

More info on The Power Plant website

“Bonnie Devine and Dylan Miner will discuss the emergence and significance of the artist/activist in historic and contemporary Indigenous aesthetic practice. Their conversation will address the convergence of art-making and political action to affect social change.” (cited from www.thepowerplant.org)

More on Bonnie Devine on OCAD U’s website  & Wikipedia.

More on Dylan Miner on his website  & Wikipedia.

BEAT NATION: Art, Hip Hop and Aboriginal Culture @ The Power Plant

Contemporary Aboriginal art in a large gallery space with white wallsInstallation view of Beat Nation: Art, Hip Hop and Aboriginal Culture at The Power Plant, Toronto. 15 December 2012 – 5 May 2013. Photo by Toni Hafkenscheid.

EXHIBITION – Beat Nation: Art, Hip Hop and Aboriginal Culture
Exhibit runs until May 5, 2013.

More info on The Power Plant website
Also on The Toronto Star – “Beat Nation:Art, Hip Hop and Aboriginal Culture at the Power Plant: Review”

Contemporary Aboriginal art in a large gallery space with white walls
Installation view of Beat Nation: Art, Hip Hop and Aboriginal Culture at The Power Plant, Toronto. 15 December 2012 – 5 May 2013. Photo by Toni Hafkenscheid.