#CANADA150 ALTERNATE PLANS: #Reoccupation on #ParliamentHill #Ottawa 4 #Resistance150

“We ask that you, your community, and your organization join us to send a loud and clear message to Canada and the world that we will no longer accept the colonial system of dispossession, expropriation, and oppression that Canada has imposed on us for the past 150 years.” ~ REOCCUPATION

A small group of students wanted to put together an action to speak to Canada’s sesquicentennial. On Wednesday night they went up to Parliament Hill to set up a tipi to host people arriving to perform ceremony on the Hill, unceded Algonquin territory, during the Canada 150 Celebrations. Arrests were made, thankfully people were released and the group went into negotiations with the RCMP and other security. Last night they succeeded in moving their tipi onto the Hill. This afternoon the Prime Minister and his wife met with the group that includes the Bawating Water Protectors. This is a monumental event and an important action. Tonight and tomorrow REOCCUPATION will remain on the Hill. Everyone is welcome to come in solidarity. Food, water, and tobacco is being requested.

Join the FACEBOOK EVENT PAGE to keep up to date.

SCHEDULE:

JUNE 30
5AM Sunrise Ceremony
9AM Breakfast
1PM Lunch
2PM Outdoor Panel: ‘Land Dispossession and Legal Technologies’ with Fredrick Stoneypoint, Ojibwe, Sagamok Anishnawbek First Nation, Student in Sociology & Human Rights and more speakers to be confirmed
6h30PM Dinner
7h00PM-9PM Indoor Panel: ‘Cultural Appropriation in Art & Resurgence in Indigenous Art’
with Indigenous artists and curators Cody Purcell, Delilah Saunders, Alex Nahwegahbow, and Victoria Ransom (NOTE: This event takes place at The Origin, 57 Lyndale

JULY 1
5AM Sunrise Ceremony
7AM-4PM All Day Action! Join for Details.
6PM Feast and Debrief for Protectors and Participants. Location to Be Announced on Place.

Interested? Contact the organizers at: TurtleIslandwaterprotectors@gmail.com

National Call to Action: https://www.facebook.com/events/193248851194723/

OTHER WAYS TO OFFER SUPPORT:

DONATE –  (etransfer): mderia22@live.ca

TOMORROW 4 #CANADASCENE: “Making Treaty 7” & more #Indigenous programming at the #NAC


Making Treaty 7 (www.nac-cna.ca)

Making Treaty 7 on stage at the National Arts Centre for Canada Scene. 

Another performance focusing on Indigenous storytelling hits the NAC this week. Making Treaty 7 follows Children of God, a play about the experience of residential school, and the opera Louis Riel, both of which were on stage last week.

From the National Arts Centre:  

The Making Treaty 7 Cultural Society explores 140 year later, the historical significance of the events at Blackfoot Crossing in 1877. Their mission is to inspire reconciliation among all treaty peoples and to build bridges of understanding across cultures and generations. (read more…)

Making Treaty 7 is a breathtaking collaboration . . . an incredibly important and moving depiction of the history of Southern Alberta.

CALGARY MAYOR NAHEED NENSHI

WHEN: Tuesday, June, 19, 2017 at 7:30 pm
WHERE: Babs Asper Theatre, National Arts Centre, 1 Elgin Street, Ottawa

The Performance is Pay What You Can and tickets can be purchased here.

 

TODAY 4 #CANADASCENE: On #Parliament #Metis #artist David Garneau performs “Dear John, Louis David Riel”


Métis artist David Garneau’s performance “Dear John, Louis David Riel” (www.nac-cna.ca)

The National Arts Centre Ottawa offers more programming on Louis Riel.

Métis artist, writer and educator David Garneau is in town for a performance on the history of Louis Riel. The work is part of the programming for the NAC’s Canada Scene and follows the controversial Louis Riel opera that opened this past weekend at the NAC. The performance will take place on Parliament Hill today at the Sir John A. Macdonald statue.

From the NAC:

Join Métis artist David Garneau at the bronze statue of Sir John A. Macdonald on Parliament Hill for a powerful performative dialogue between the Métis leader Louis Riel and Canada’s first prime minister. Dressed as Riel, Garneau imagines an encounter between Riel and Macdonald, who charged Riel with high treason in 1885, leading to Riel’s execution by hanging. The artist’s performance touches on themes of masculinity and power display, Métis identity, and the complexity of reconciliation – which assumes that a harmonious relationship existed between the two parties in the first place. (read more…)

WHEN: Monday, June 19, 2017
WHERE: Parliament Hill, 111 Wellington Street, Ottawa, Canada at the Sir John A. MacDonald statue

FREE EVENT!

OPENING TOMORROW @ SAW GALLERY: For NAC’s #CanadaScene #callresponse exhibit featuring #female #Indigenous #artists comes to #Ottawa

Image of #callresponse artist Laakkuluk Williamson-Bathory (www.grunt.ca).

FROM THE CURATORS:

CALL/
To support the work of Indigenous North American women and artists through local art commissions that incite dialogue and catalyze action between individuals, communities, territories and institutions. To stand together across sovereign territories as accomplices in awakened solidarity with all our relations both human and non.

/RESPONSE
To ground art in responsible action, value lived experience, and demonstrate ongoing commitment to accountability and community building. To respond to re/conciliation as a present day negotiation and the reconstruction of communities in the aftermath of colonial trauma.

#callresponse arrives in Ottawa this weekend as part of a 5 site North American tour and started by Grunt Gallery, Vancouver. A {Re}conciliation initiative of the Canada Council for the Arts, the focus of this project is about “strategically centering Indigenous women as vital presences across multiple platforms” and is a “multifaceted project that includes a touring exhibition, website, social-media platform, and catalogue.”

The artists – Christi Belcourt, Maria Hupfield, Ursula Johnson, Tania Willard and Laakkuluk Williamson-Bathory.

The responders – Isaac Murdoch, Esther Neff & IV Castellanos, Rosalie Favell, Cheryl L’Hirondelle, Marcia Crosby and Tanya Tagaq.

Curated by Tarah Hogue in collaboration with Maria Hupfield and Tania Willard the SAW exhibition is also part of the National Arts Centre’s Canada Scene programming.

From the NAC: 

Beginning with a series of local art commissions by Indigenous women and artists whose home communities span the country, the project is geographically expansive yet brought together in the physical space of the gallery and the virtual space of the Internet. Envisioning the initial commissions as a call to action, each artist has invited a guest to respond to their work. The resulting works are exhibited together alongside a series of engaging public performances and events. (read more…)

#callresponse opens Sunday, June 18 from 5 – 9 pm. For more information visit the Facebook Event Page.

Participate in the conversation using the hashtag #callresponse.

Check out one of the artists – Laakkuluk Williamson Bathory – on CBC Arts!

OPENING TOMORROW @ CENTRAL ART GARAGE: For NAC’s #CanadaScene the 007 Collective of #Ottawa based #Indigenous #artists responds to #Canada150


“It’s Complicated” artists portraits by Rosalie Favell.

IT’S COMPLICATED – Indigenous artists respond to Canada’s Sesquicentennial.

I have been looking forward to this show ever since I first heard the rumour it was going to be happening! Ottawa is home to a great community of Indigenous artists and as part of the National Arts Centre’s Canada Scene the 007 (Ottawa Ontario 7) will be showing at Central Art Garage, a small but mighty gallery located in Chinatown.

This is not the first show for 007. Artist Barry Ace started the collective as a way to create shows that were not curator focused but driven by the decisions and the desires of the artists.

The Ottawa Ontario 7 (OO7) are a group of Ottawa-based emerging, mid-career, and established artists who have come together as a collective for the sole purpose of presenting new work outside of the established curatorial practice and traditional institution art venues. The collective’s philosophy is unrestricted and provides each artist with the freedom and flexibility to take risks, experiment, or present works that are an extension of their current body of work. (read more…)

This year is the collective’s 5th year anniversary. Over the last 5 years 007 has shown in various venues in Ottawa but also at the Gladstone Hotel in Toronto as well as Five Myles Gallery in Brooklyn, New York. Each location the artist list changes to include Indigenous artists practicing in that particular city.  And at each show new artists are given the role of “special agent.” This year the role goes to Barry Pottle, Joi T. Arcand and Meryl McMaster. The other artists featured:


Joi Arcand, kiyām, neon chanel sign, 40.5 x 18, 2017 (www.centralartgarage.com)

This year’s show is in response to #Canada150. Along with the opening there will be a panel discussion and film screening. The panel “will reflect on the five-year anniversary of the OO7 Collective and Special Agents, including their formation and exhibition history. The artists will also share their personal views and response to Canada’s sesquicentennial celebrations in 2017 through a poignant discussion on their works of art in the Central Art Garage exhibition It’s Complicated.”

To Indigenous peoples of this land, from coast to coast to coast, 150 years represents a very minuscule passage of time, especially in terms of the longstanding presence and occupation of homeland territories. Yet this seemingly fleeting moment in time is monumental in its impact on Indigenous communities, culture, language, identity, rights, water, and land.

This exhibition by 10 Indigenous artists working in diverse artistic practices offers an alternative perspective to the widely propagated Canada 150 celebrations by revealing timely and poignant aspects of the convoluted historical and contemporary relationship between Canada and Indigenous peoples. If there is any room for celebration in 2017 from an Indigenous perspective, it is a celebration of survivance, tenacity, and perseverance. It’s a complicated celebration. (read more…)

 

SCHEDULE: 

4 PM PANEL DISCUSSION

The panel will include artists Barry Ace, Howard Adler, Rosalie Favell, Meryl McMaster, Ron Noganosh, Frank Shebageget, and Leo Yerxa.

7-10 PM OPENING

Please join the artists for a sneak preview of the exhibition following the discussion. Food and beverages will be available for purchase, hosted by The Belmont restaurant.

9 PM SCREENING

Special Guest Outdoor Film Screening by Howard Adler (Co-director of Asinabka Film and Media Festival)

The exhibition opening will include a screening of a new film work by Howard Adler at 9:00 p.m.

Join the Facebook Event Page for more info.

Happening now: Installation of Barry Ace's Kitchi Zibi Omàmìwininì Anishinàbe. OO7 Collective, It's Complicated….

Posted by Central Art Garage on Tuesday, June 13, 2017

NAC ANNOUNCES #INDIGENOUS #THEATRE DIRECTOR: #Ottawa welcomes Kevin Loring to the National Arts Centre

Kevin Loring, the NAC’s new Indigenous Theatre Director in Children of God at the NAC. (www.nac-cna.ca)

Last year the National Arts Centre (NAC) in Ottawa announced they would be adding an Indigenous Theatre department to join their already strong English and Théâtre français / French Theatre departments. This decision was announced on “March 24, 2016 when the NAC unveiled details of its Strategic Plan entitled Canada is Our Stage: 2015-2020.”

The NAC, as a national institution, has been a leader in providing programming that serves the diversity of audiences in Canada but they realized they needed to do more.

“When the National Arts Centre first opened in 1969 it reflected the way Canada understood itself at the time, as a bi-cultural and bilingual country,” said Peter A. Herrndorf, the President and CEO of the NAC. “We opened with a French Theatre, English Theatre, Music and Dance Departments. Thankfully that understanding of Canada is changing through the extraordinary work of the Truth and Reconciliation Commission and through the work of many artists across the country. We are very pleased to be opening the first Indigenous Theatre in the NAC’s history and we look forward to meeting extraordinary candidates from across Canada who will build the new Indigenous Theatre Department.”

Yesterday the NAC announced the name of the new director – Kevin Loring, Nlaka’pamux from the Lytton First Nation. Kevin is no stranger to the NAC. In 2010 Kevin was the NAC Playwright-in-Residence and this past week and half he has been performing at the NAC as part of the cast of the Children of God, a poignant play about the history of residential schools. I had the opportunity to see the performance last week and Kevin’s performance was riveting.

Kevin was also part of the 2012 NAC production of King Lear in the role of Edmund. Outside of his work with the NAC he is also known for his play Where the Blood Mixes which won the Governor General’s Literary Award for Drama in 2009.

Congratulations to NAC for their announcement and to Kevin for his new position as part of this important initiative!

See Kevin perform in Children of God closing this weekend. Performance times as follows:

FRIDAY 7:30 pm
SATURDAY 2 pm Matinee and 7:30 pm
SUNDAY 2 pm Matinee

For tickets and more information click here

Promotional image for Children of God. (www.nac-cna.ca)

ABOUT CHILDREN OF GOD

From the NAC website: 

Children of God is a gorgeous, powerful musical about an Oji-Cree family whose children were taken away to a residential school in Northern Ontario. The story of Rita, a mother who was never let past the school’s gate, and her kids, Tom and Julia, who never knew she came, pushes toward redemption. Children of God offers a thrilling blend of ancient traditions and contemporary realities, celebrating resilience and the power of the Indigenous cultural spirit. Inspired by First Nations music, Payette’s profoundly moving score also includes echoes of provocative Broadway masterpieces such as Fun Home and Next to Normal.


Audience Advisory:
 Mature themes. Some audience members may find certain scenes disturbing.
Emotional Support Workers are available to provide counseling to audience members who may require it. All are welcome in our support room. Please see an usher for directions.

 

_________________________________________________________________________

National Arts Centre. (2017). The NAC Names First Ever Artistic Director of Indigenous Theatre [Press release].

National Arts Centre. (2016). The NAC Recruits First Artistic Director of Indigenous Theatre [Press release].

MEET THE EXPERTS @ THE NGC THIS SATURDAY: The #curators & #conservators of the National Gallery of #Canada #Ottawa offer public tours

The Curators and Conservators who worked on the new Canadian and Indigenous Galleries speak on their work.

This week the new Canadian and Indigenous Galleries has opened. To celebrate the occasion the NGC is offering tours all day Saturday with the experts who make things happen at the Gallery. All tours are free with admission.

SCHEDULE OF TOURS

10 AM KATERINA ATANASSOVA: Senior Curator, Canadian Art

Room A105 (English with Bilingual Q & A)

Join Katerina Atanassova, Senior Curator, Canadian Art, as she talks about the new installation of works by the Group of Seven and Tom Thomson and provides insight into the artists who shaped the Canadian art landscape in the early 20th century.

11 AM CHRISTINE LALONDE: Associate Curator, Indigenous Art

Room A101 (English with Bilingual Q & A)

Meet Christine Lalonde, Associate Curator, Indigenous Art, as she talks about the Gallery’s new installation of Indigenous art and provides insight into the Indigenous cultures who created the works on view.

12 PM JONATHAN SHAUGHNESSY: Associate Curator, Contemporary Art
Room C218 (English with Bilingual Q & A)

Join artists Damian Moppett and Ron Moppett as they discuss their work and exhibition with Jonathan Shaughnessy, Associate Curator, Contemporary Art.


2:30 PM DORIS COUTURE-RIGERT: Chief, Conservation & Technical Research
Room A102 (English with Bilingual Q & A)

Join Doris Couture-Rigert, Chief, Conservation and Technical Research, as she address the challenges faced in conserving, restoring and displaying works of art in the Canadian and Indigenous Galleries

3:30 PM GENEVIÈVE SAULNIER: Conservator, Contemporary Art
Room B205 (French with Bilingual Q & A)

Join Geneviève Saulnier, Conservator, Contemporary Art, as she address the challenges faced in conserving, restoring and displaying works of art in the Canadian and Indigenous Galleries.

#OTTAWA TODAY: #WalkTheTalk for implementation of #UNDRIP Rally at #HumanRights #monument

A Mennonite-led Pilgrimage for Indigenous Rights walks to Ottawa.

Today at 2 pm at the Human Rights Monument Ottawa come to welcome the WALK THE TALK group who arrived from Kitchener (they walked the whole way!) in order to bring attention to the fact that the Government of Canada is still not complying with the United Nations Declaration of the Rights of Indigenous Peoples (UNDRIP) as promised. This 600 km trek began at Sterling Avenue Mennonite Church in Kitchener and the Walkers arrived last night at Ottawa Mennonite Church. Many Mennonite churches in Canada have offered their support in solidarity with this issue calling on the Liberal government to follow through on their words to implement the UNDRIP. 

Along with the rally there will also be a Teach-In tonight at Ottawa Mennonite Church, 1830 Kilborn Ave.

RALLY FOR BILL C-262
WHEN: Saturday, May 13, 2017 @ 2 pm
WHERE: Human Rights Monument (Ottawa City Hall), Elgin Street, Ottawa

TEACH IN
WHEN: Saturday, May 13, 2017 @ 7-9 pm
WHERE: 1830 Kilborn Avenue, Ottawa

For more info visit the Pilgrimage for Indigenous Rights website as well as coverage on APTN (Aboriginal Peoples Television Network) and the CBC.

FROM THE WALK THE TALK FACEBOOK EVENT PAGE

While the pilgrimage is in response to the Truth and Reconciliation Commission’s Call to Action (#48, see below) directed to churches and people of faith, all are welcome to attend this rally and subsequent walk through downtown Ottawa, where we will read out key sections of the TRC Calls to Action as well as the UN Declaration.

For too long, too many have spoken fine words of truth and reconciliation, but not matched those fine words with just actions. The pilgrimage, and this final day of activity, are a call to account for political leaders, church leaders, and all segments of Canadian society to meaningfully discuss and then act upon what it means to decolonize a society built on what the Truth and Reconciliation Commission clearly identified as “cultural genocide.”

Please join us to Walk the Talk May 13 with your own signs and banners, in the loving, transformational spirit that builds compassion, connection and community.

+++++++++
Truth and Reconciliation Commission Calls to Action 43, 44, 48 and 49
43. We call upon federal, provincial, territorial, and municipal governments to fully adopt and implement the United Nations Declaration on the Rights of Indigenous Peoples as the framework for reconciliation.

44. We call upon the Government of Canada to develop a national action plan, strategies, and other concrete measures to achieve the goals of the United Nations Declaration on the Rights of Indigenous Peoples.

48. We call upon the church parties to the Settlement Agreement, and all other faith groups and interfaith social justice groups in Canada who have not already done so, to formally adopt and comply with the principles, norms, and standards of the United Nations Declaration on the Rights of Indigenous Peoples as a
framework for reconciliation. This would include, but not be limited to, the following commitments:

i. Ensuring that their institutions, policies, programs, and practices comply with the United Nations Declaration on the Rights of Indigenous Peoples.

ii. Respecting Indigenous peoples’ right to self-determination in spiritual matters, including the right to practise, develop, and teach their own spiritual and religious traditions, customs, and ceremonies, consistent with Article 12:1 of the United Nations Declaration on the Rights of Indigenous Peoples.

iii. Engaging in ongoing public dialogue and actions to support the United Nations Declaration on the Rights of Indigenous Peoples.

iv. Issuing a statement no later than March 31, 2016, from all religious denominations and faith groups, as to how they will implement the United Nations Declaration on the Rights of Indigenous Peoples.

49. We call upon all religious denominations and faith groups who have not already done so to repudiate concepts used to justify European sovereignty over Indigenous lands and peoples, such as the Doctrine of Discovery and terra nullius.

#CANADA150: National #CanFilmDay #Ottawa events celebrating #filmmakers & #film in #Canada

Angry Inuk and Rhymes for Young Ghouls screen in Ottawa tonight as part of National Canadian Film Day for Canada’s Sesquicentennial.

Today is National Canadian Film Day 150 (NCFD 150). This initiative is part of the Government of Canada’s Canada 150 Signature Projects. More than 1700 locations will be screening the best in Canadian film today, April 19, 2017 from “coast-to-coast-to-coast celebration of Canadian cinema in honour of our nation’s sesquicentennial.”  More information can be found at www.canadianfilmday.ca.

Tonight in Ottawa you can catch Angry Inuk at Gallery 101 or Rhymes for Young Ghouls at Ottawa University.

Angry Inuk (Trailer) from NFB/marketing on Vimeo.

ANGRY INUK
WHEN: 6:30 – 9:30 pm, Wednesday, April 19, 2017
WHERE: 51B Young Street, Ottawa
**Pay What You Can**
Register on the Facebook Event Page

RHYMES FOR YOUNG GHOULS
WHEN: 6:30 – 9:30 pm, Wednesday, April 19, 2017
WHERE: University of Ottawa Library, Morriset Hall, 1st Floor, 65 University
**FREE***
Register on Eventbrite  

This film fest is “the world’s largest film festival — ever. National Canadian Film Day 150 (NCFD 150) is a massive one-day” screening. The website has a complete event listing of all screenings. To find a screening in your town or city click here

Other ways to participate are watching a television broadcast or streaming / downloading a film online. CBC is streaming the following today:

  • Atanarjuat (The Fast Runner) – The telling of an Inuit legend of an evil spirit causing strife in the community and one warrior’s endurance and battle of its menace.
  • Away from Her – A man coping with the institutionalization of his wife because of Alzheimer’s disease.
  • Incendies – Twins journey to the Middle East to discover their family history, and fulfill their mother’s last wishes.
  • Last Night – At the turn of the century, the populous knows the world is coming to an end.
  • Manufacturing Landscapes
    Follow Edward Burtynsky through China as he photographs the country’s massive industrial revolution. It leads us to meditate on our impact on the planet.
  • Stories We Tell – A film that playfully excavates layers of myth and memory to reveal the truth at the core of a family of storytellers.
  • Sweet Hereafter
    A bus crash in a small town brings a lawyer to the town to defend the families.

Tweet your fave film to #CANADAFILMDAY!

#OTTAWA OPENING TODAY: “Outside These Walls – Photographs by Yannick Anton & David Ofori Zapparoli” @ #Carleton #University #Art #Gallery


David Ofori Zapparoli, Backstage at Fashion Show (1989), archival digital photograph, courtesy of the artist.

Tonight, as part of CUAG’s Winter exhibitions Outside These Walls opens to a party including DJ Memetic spinning the tunes!

WHEN: Monday, February 27 @ 5 pm
WHERE: Carleton University Art Gallery, St. Patrick Building, Carleton University, Ottawa

Featured Artists:

As part of the exhibition a conversation with curator Pamela Edmonds and the artists David Ofori Zapparoli and Yannick Anton will be moderated by Kwende Kefentse (aka DJ Memetic) tomorrow evening.

WHEN: Tuesday, February 27 @ 7 pm
WHERE: Carleton University Art Gallery (CUAG), St. Patrick’s Building, Carleton University, Ottawa

More on the Outside These Walls:

“This exhibition brings together photographic works by Toronto-based artists Yannick Anton and David Ofori Zapparoli whose respective imagery share a community-focused and collaborative approach to documenting urban life and its people. Zapparoli has represented the visual history of Canadian cities for over 30 years, the majority of his work is informed by a strong social realist approach. Until 1999, he had focused on the public housing development of Regent Park, putting a human face on the stigmatized and transitional community of which he had been a part of since his teens.Anton’s candid and energetic photographs draw stylistic inspiration from the youthful, street, fashion, music and queer-positive cultures that he captures.  Together both artists’ compelling works present unique and unapologetic insights into diverse landscapes and lives, addressing the systemic barriers that they expose and refute, while re-imagining regimes of the image away from fixed inscriptions of race, gender, class and corporeality.” (more info…)

ALSO OPENING TONIGHT: 

The Other NFB: The National Film Board of Canada’s Still Photography Division, 1941-1971
Curated by Carol Payne and Sandra Dyck

Making Radio Space in 1930s Canada
Curated by Michael Windover and Anne MacLennan

The exhibitions run from February 17 to May 7, 2017.


Yannick Anton, Blap Blap (“Yes Yes Y’all” Series) 2013, digital print. Courtesy of the Artist.