Angry Inuk and Rhymes for Young Ghouls screen in Ottawa tonight as part of National Canadian Film Day for Canada’s Sesquicentennial.
Today is National Canadian Film Day 150 (NCFD 150). This initiative is part of the Government of Canada’s Canada 150 Signature Projects. More than 1700 locations will be screening the best in Canadian film today, April 19, 2017 from “coast-to-coast-to-coast celebration of Canadian cinema in honour of our nation’s sesquicentennial.” More information can be found at www.canadianfilmday.ca.
Tonight in Ottawa you can catch Angry Inuk at Gallery 101 or Rhymes for Young Ghouls at Ottawa University.
ANGRY INUK WHEN: 6:30 – 9:30 pm, Wednesday, April 19, 2017 WHERE: 51B Young Street, Ottawa **Pay What You Can**
Register on the Facebook Event Page.
RHYMES FOR YOUNG GHOULS WHEN: 6:30 – 9:30 pm, Wednesday, April 19, 2017 WHERE: University of Ottawa Library, Morriset Hall, 1st Floor, 65 University
**FREE*** Register on Eventbrite
This film fest is “the world’s largest film festival — ever. National Canadian Film Day 150 (NCFD 150) is a massive one-day” screening. The website has a complete event listing of all screenings. To find a screening in your town or city click here.
The CANADIAN MASTERS Series welcomes Abenaki filmmaker Alanis Obomsawin.
This week NFB documentary filmmaker Alanis Obomsawin will be visiting Ottawa as part of the CANADIAN MASTERS series presented by the Canadian Film Institute in collaboration with Carleton University’s School For Studies In Art and Culture: Film Studies.
The Canadian Film Institute’s Canadian Masters series is an annual celebration of excellence in Canadian filmmaking, featuring extensive onstage interviews, special screenings, and audience discussions with some of the greatest names in Canadian film history. In our 2016-2017 inaugural season, we are honoured to present three extraordinary Canadian masters of the moving image: Atom Egoyan (November), Alanis Obomsawin (January), and Guy Maddin (March). more about the CFI
Alanis Obomsawin, OC, is filmmaker, singer, artist, storyteller of Abenaki descent (born 31 August 1932 near Lebanon, New Hampshire). One of Canada’s most distinguished documentary filmmakers, Alanis Obomsawin began her career as a professional singer and storyteller before joining the National Film Board of Canada (NFB) in 1967.
Her award-winning films address the struggles of Aboriginal peoples in Canada from their perspective, giving prominence to voices that have long fallen on deaf ears. An Officer of the Order of Canada, she has received multiple Governor General’s Awards, lifetime achievement awards and honorary degrees. (The Canadian Encyclopedia)
THURSDAY, JANUARY 26 – Alanis Obomsawin in Person: The Interview
7:30 – 9:30 pm
Arts Court Theatre, 2nd Floor of Arts Court, 2 Daly Avenue, Ottawa
$15 (+HST) Tickets available at the door and on sale here Seating for the interview on January 26th is limited. Get your tickets early! More info here
FRIDAY, JANUARY 27 – Screening of “We Can’t Make the Same Mistake Twice” with Alanis Obomsawin in Attendance
7 – 10 pm (doors open at 6:30 pm)
Theatre at Richcraft Hall (Formerly the River Building)
FREE! More info here
This weekend the city of Ottawa hosts two talented women. Filmmaker Alethea Arnaquq-Baril will be screening her doc “TUNNIIT: Retracing the Lines of Inuit Tattoos” at Carleton University, a CIRCLE(Centre for Indigenous Research, Culture, Language & Education) event.
WHEN: Friday, October 7 @ 6-8:30 pm WHERE: St. Patrick’s Building (Behind the Residence Commons) Rm 100 at Carleton University, 1125 Colonel By Drive, Ottawa, ON K1S 5B6, Paid Parking Lot P6
On Saturday night singer / songwriter Iskwéwill be performing at the Mercury Lounge along with cellist Cris Derksen.
WHEN: Saturday, October 8 Doors Open @ 8pm Show starts @ 9pm WHERE: Mercury Lounge
$12 Advance Tickets. More at the Door.
Asinabka Film and Media Arts Festival returns to Ottawa for another year of unique programming.
This year Ottawa’s locally minded but internationally connected Film and Media Arts Festival, Asinabka, turns five. I have been attending this annual festival for the last 3 years and I am looking forward to my 4th year. I have seen it mature and grow its audience while still maintaining an important discourse with the local community of Ottawa especially regarding issues impacting Indigenous communities here on Algonquin Territory. Co-Director / Programmer Howard Adler shares that as “Asinabka Festival returns for our 5th year we couldn’t be more excited about our programming and our local and international partnerships.”
Each year the festival opens on Victoria Island at the site of Aboriginal Experiences, a beautiful location that foregrounds the Indigenous opening night film against the background of Parliament Hill and the Supreme Court of Canada – a highly symbolic vista. This year’s festival opens with Fire Song (Director Adam Garnet Jones), a film about youth suicide, sexuality, family obligations and future options.
Prior to the screening Indigenous Walks will be giving a tour that will begin at the Human Rights Monument (Elgin Street by City Hall) and end at the island where there will be a feast provided to the festival goers to share before the screening begins. Regarding the 2016 Festival programming “this is no doubt our most ambitious festival yet, showcasing more Indigenous film, media art, music, and performance than ever before, utilizing two of Ottawa’s best artist-run Centre’s for our Gallery Crawl (Gallery 101 & SAW), and continuing with our stunning traditional opening night welcome and outdoor film screening on Victoria Island!” states Howard. “There will be more delegates, filmmakers, and guests attending our festival than ever before, and there’s not enough room here to express how excited and thankful we are to host and present so much amazing art! Chi-Miigwech to everyone involved and to our faithful audience who return every year.“
Work by Geronimo Inutiq. Image provided by Asinabka.
Also this year Inuk media artist Geronimo Inutiq will have a solo show (ᐃᓱᒪᒋᓇᒍ – isumaginagu – don’t think anything of it) opening at Gallery 101 (51 Young St. Suite B). Regarding his contribution and involvement Geronimo says that Asinabka “gives us an opportunity to show and see contemporary original art works in a context that goes beyond inter-national boundaries. I am grateful and honoured to exhibit my work with video and images, and – with the Festival – help push the boundaries of what indigenous and Inuit media and art can be today.”
A little bit about the show:
How do you feel? Have you listened to your instinct today? What is your gut telling you? All the combined fields of natural and social sciences have elucidated great intellectual theories as to the nature and function of what we do and the reasons and functionality behind it. To Geronimo Inutiq, the process of artistic expression is an alternative language to all that. Guided by some sort of arbitrary intuition and abstract sense of aesthetics, he produces cultural artefacts that have been shown in galleries and museums in the context of contemporary indigenous and Inuit art exhibits and performance – both nationally and internationally. read more…
“Cowboys N’ Indians” by Alison Bremner in “Neon NDN.” Image provided by Asinabka.
“Urban Inuk” Jocelyn Piirainen is an “emerging curator with a growing interest in indigenous contemporary art. Her entry into the curatorial world began in with the first ever Indigenous Curatorial Incubator program, where she put together the “UnMENtionables” screening program and helped coordinate the “Memories of the Future” exhibition for the 2015 Asinabka Film and Media Arts Festival.” This year Jocelyn returns to Asinabka to curate Neon NDN: Indigenous Pop-Art Exhibition at SAW Gallery (Arts Court Building, 67 Nicolas St.).
From her curatorial statement:
In an article titled “Is There an Indigenous Way to Write about Indigenous Art?”, Richard William Hill recently contemplated “in purely practical terms, how would you bracket off Indigenous culture? Where do you draw the line? No more pop culture?”Had certain Indigenous artists bracketed off pop culture, Neon NDN would have been something quite different. In this Information Age, pop culture is everywhere and it’s not surprising many contemporary Indigenous artists engage with popular characters from film, television, video games, comic books, even corporate symbols and brand names. Through interacting with, reclaiming, and repurposing popular culture, Indigenous artists challenge a number of stereotypes and Hollywood tropes that have been set against Indigenous people and culture.read more…
Jocelyn states that “for this show, I really just wanted to create a sense of fun and bring in lots of colour. The theme is pop art – and for Indigenous artists, this theme isn’t quite so new as one might think.”
Both shows open on Saturday, August 13 and their will be Gallery Crawl with a FREE Shuttle bus provided. The bus will leave SAW Gallery after the 3 pm screening (OKA Legacy) wraps up. The bus will leave Gallery 101 to head back to SAW after the opening of Geronimo’s show that also includes a FREE BBQ. Neon NDN‘s vernissage will begin at 7:30 pm. Stay for the Music Night that will start at 9 pm.
From the Opening Night at Victoria Island to the closing party at Kinki Lounge (41 York St. in the Byward Market) you can find the best in contemporary Indigenous film, media and visual arts at multiple venues across the city from Wednesday, August 10 to Sunday, August 14, 2016.
One World Film Festival opens at the Library & Archives this weekend in Ottawa.
This weekend whether you are in the Capital of Ontario or the Capital of Canada, both cities are hosting independent film festivals with programming that offers critique to current issues, like Oil and Occupation as well as Occupation because of Oil.
In Ottawa the One World Film Festival is in it’s 25th year. It runs from Thursday September 25th to Saturday, September 27th.
THURSDAY: Above All Else @ 6:30 pm
(Includes Panel Discussion with filmmakers John Fiege and Anita Grabowski and Ben Powless of Ecology Ottawa after screening)
“an intimate portrait of a group of landowners and activists in East Texas who tried to stop construction of the Keystone XL pipeline, a $7 billion dollar project slated to carry tar sands oil from Canada to refineries on the Texas Gulf Coast. They risk financial ruin, personal safety, and the security of their families as they attempt to protect their land and defend their rights. The film is both an exploration of the human spirit and a window into how social change happens in America.”More info…
FRIDAY: Virunga @ 6:30 pm (Includes Panel Discussion after the screening)
“Africa’s oldest national park, Virunga is a UNESCO world heritage site, and the last natural habitat for the endangered mountain gorilla. None of that will stop the business interests and rebel insurgencies lurking at the park’s doorstep. Orlando von Einsiedel pairs gorgeous natural scenes from Virunga with riveting footage of the Congolese crisis, raising an ardent call for conservation as a vital human enterprise. Along the way, he spotlights the incredibly dangerous work that is often required to safeguard the environment.”More info…
SATURDAY: Watchers of the Sky @ 6:00 pm & On The Side of the Road @ 8:45 pm
“WATCHERS OF THE SKY interweaves four stories of remarkable courage, compassion, and determination, while setting out to uncover the forgotten life of Raphael Lemkin – the man who created the word “genocide,” and believed the law could protect the world from mass atrocities. Inspired by Samantha Power’s Pulitzer Prize-winning book, A Problem From Hell, WATCHERS OF THE SKY takes you on a provocative journey from Nuremberg to The Hague, from Bosnia to Darfur, from criminality to justice, and from apathy to action.”More info…
“Former West Bank settler Lia Tarachansky looks at Israelis’ collective amnesia of the fateful events of 1948 when the state of Israel was born and most of the Palestinians became refugees. She follows the transformation of Israeli veterans trying uncover their denial of the war that changed the region forever. Tarachansky then turns the camera on herself and travels back to her settlement where that historical erasure gave birth to a new generation, blind and isolated from its surroundings. Attempting to shed a light on the country’s biggest taboo, she is met with outrage and violence.”More info…
Sunday includes a screening of Omar, one of my favourite movies of 2013. Along with dramas and shorts by Palestinian filmmakers, the festival also includes films about Palestine from the perspective of non-Palestinians. One example is Village Under the Forest.
“The Village Under the Forest explores the hidden remains of the destroyed Palestinian village of Lubya, which lies under South Africa Forest. During the 1948 Nabka, more than 500 Palestinian villages were destroyed. The Jewish National Fund raised money from around the world under the guise of ‘greening the desert’ and built forests and parks named after different countries on the remains of these villages in an attempt to erase their dark history. Writer/narrator Heidi Grunebaum revisits South Africa Forest, the forest she helped finance with the pennies she collected as a child twenty year ago. Using the forest and the ruins of Lubya as representative of a much wider process, this compelling film explores central themes of the Nakba – forced exile, erasure of memory, creating ‘facts on the ground’, and the Palestinian Right of Return.” More info…
“Making its debut at TIFF 2013, Giraffada is a light-hearted drama inspired by a true story. Ziad, a ten-year-old boy from the West Bank, spends all his free time at the Qalqilya zoo where his father Yacine (Saleh Bakri) works as the zoo’s veterinarian. In particular, Ziad has a special bond with the zoo’s two giraffes who he helps care for. Yacine, recently widowed, is determined to preserve the zoo as a haven for animals and for the local children who play there, temporarily escaping the hardships under occupation. One night, after an air strike on the city, one of Ziad’s beloved giraffes dies. The surviving giraffe stops eating due to the loss of her mate. Yacine is determined to save her by bringing in a new giraffe but the only zoo that can help him is in Tel Aviv. Yacine and Ziad are committed to doing whatever it takes to save their giraffe, even if it means breaking the law. Giraffada, which stars Mohammad Bakri (In Attendance), is a unique portrayal of childhood under occupation.”
Last week at Beit Zatoun TPFF hosted a talk on New Directions in Indigenous Cinema with Jesse Wente (Director of Film Programmes & curator of TIFF’s 2012 program First Peoples Cinema: 1500 Nations, One Tradition) and Rasha Salti (TIFF Programmer for African and Middle Eastern Cinema). Rasha discussed the historical and contemporary context of Palestinian cinema. There is a lot to be learned! The documentary Cinema Palestine offers more insight.
“Cinema Palestine is a poetic documentary which explores the life and work of multiple generations of Palestinian filmmakers and media artists. Based on in-depth interviews with a wide range of Palestinian artists living in the Middle East, as well as North American and Europe, the film documents the emergence of a Palestinian narrative through film, the relevance of film to the Palestinian national struggle and the relationship between art, personal experience and politics in one of the most contested landscapes in the world. The film features interviews with numerous filmmakers screened at TPFF including: Annemarie Jacir, Rashid Masharawi, Mohammad Bakri, Najwa Najjar, Hany Abu-Asad, Nasri Hajjaj and Mai Masri. A post-Screening Panel featuring Tim Schwab, Mohammad Bakri and Mais Darwazah will follow the film, with our guests further exploring the role of Palestinian cinema in the emergence of the Palestinian narrative.”
Screenings for the TPFF take place at TIFF and the AGO’s Jackman Hall. For full schedule details click here.
Palestinian director Hany Abu-Assad succeeds again at telling an important story.
Mark Twain said that “truth is stranger than fiction” because “fiction is obliged to stick to possibilities; Truth isn’t” which makes the film Omar, the fictional account of three childhoods friends, even more devastating as this fiction is the plausible reality of those living today in occupied Palestine.
Palestinian Director Hany Abu-Assad’s film is a thriller and a love story. The movie twists and turns as quickly as the main character Omar runs through the narrow passageways of the Nablus medina to escape Mossad, the Israeli Secret Service. Amjad, one of the childhood friends, asks the others “Do you know how they catch monkeys in Africa?” By getting them addicted to sugar cubes. Amjad describes how they pour the sweetness into a hole just large enough for the monkey to stick his hand into but small enough he cannot pull out when the hunters descend. Trapped the monkey still clings to the cubes.
The sweetness of Omar’s love for his best friend Tarek’s sister is what keeps bringing him back to the hole eventually trapping him into the Mossad’s madness that turns friend against friend and lover against lover. There is no exit the characters can take for this story to end positively.
Israeli Apartheid Week 2014 and how you can help support the people of Palestine.
“I do not want to appropriate resistance and neither do you. But stories, poetry, music, art, farming, dancing, singing, and laughter are beautiful because they baffle us with unanswered questions. Because they fumble with the idea of stability and fragility. Because they allow us to reconnect with each other and imagine a collective space of meeting. They help us see Haifa connected to Cairo and Beirut and help us see Turtle Island in its colourful past, deconstructing the grey buildings that occupy its present.”
Many must feel like the monkey trapped with his hand in the hole but perhaps a love story for land that unites a global movement for social justice may be the inspired sweetness to collectively dream a way out.
You can purchase Zatoun Olive Oil (truly the best olive oil in my opinion!!!) produced by a collective in Palestine at Beit Zatoun’s Toronto location in Mirvish Village – 612 Markham St. (1 minute from Bathurst subway stop on Bloor line, Markham St. exit)
“Proceeds are used to directly benefit Palestinian farmers and children living in occupied Palestine and to create awareness for peace in Palestine…Zatoun helps to create a context based in ordinary everyday life to view and discuss the situation in Palestine-Israel.”
In Ottawa Omar will be screening at the Bytowne Cinema Ottawa this week during the following times:
The Square is now playing at the Bytowne Cinema in Ottawa.
“We’re not looking for a leader…we’re looking for a conscience” says Ahmed Hassan, one of the revolutionaries featured in documentary on the events circling in and around Tahrir Square leading up to the removal of Mubarak and the implementation of Morsi.
Director Jehane Noujaim leads us through the emotionally exhaustive journey that Egyptians have endured for the last two years. You are left with no answers just one large question that scratches at the mind – how does humankind not learn? Like a broken record revolution seems to be a track that keeps skipping back to repeat past prejudices and the same social injustices.
“The problem as revolutionaries, most of the time, we only object and say ‘no,’ and we never suggest alternatives.”
This is not a feel good film rather a reminder that we still have so much to learn.
As more information comes to light about the past as well as the present impact of the Residential School System on First Nations, Métis and Inuit people in Canada more ways of telling the story will manifest.
This year Toronto’s amazing Indigenous film festival ImagineNATIVE screened two important films – Empire of Dirt and Rhymes for Young Ghouls – that although speaking to the same issues, such as intergenerational violence, stylistically differ. This makes for a deeper reach as each film has the potential to draw upon an alternate audience.
Mi’kmaq filmmaker Jeff Barnaby’s Rhymes for Young Ghouls is sleek but not without some grit. The soundtrack of obscure Blues tracks adds even more sexiness. I wondered if I would find this distracting from the character development and the weight of the subject matter. In the end I felt this movie fleshed out the varying perspectives that films like Empire of Dirt and docs on the program of assimilation of Canada’s First Peoples bring to the table. The heroine, Aila, is stunningly played by Mohawk actress Kawennáhere Devery Jacobs who roots the movie with her intensity. It is through her coming-of-age eyes we see the horror that is hard to breathe through but we also see the possibility of magic and hope expressed in her ability not to give up on the wonder of life.
During a Q & A with Jeff Burnaby after RFYG’s screening as part of TIFF Top 10 of Canadian Films a comment was made by a woman in the audience who had grown up on a reserve. She appreciated that despite the painful realities Jeff didn’t shy away from including humour in the film. She expressed that often that side is missing, that the portrayal of First Nations people doesn’t include showing anyone as having a sense of humour. Mi’kmaq actor Glen Gould, Aila’s father in the film, answered by saying that it is humour that has allowed Aboriginal people to live on despite hundreds of years of attempted genocide. Jeff replies that “humour is an important part of surviving through this as Aboriginal people” and because documentaries miss this element it was with intent that he made sure to add comic relief.
Jeff wrapped up his Q & A by stating that “it is up to all of us now, not just Native people, to carry the the torch.”
Hopefully with such films like Rhymes for Young Ghouls non-Indigenous Canadians will be inspired to share in the grace as well as the humour of their Indigenous brothers and sisters and work towards lightening the burden of the past as we all move forward into the future.
Toronto screening times Today: 1:50pm, 4:05, 6:20 and 8:35.
Following the 8:35 screening there will be a Q&A hosted by First Weekend Club and conducted by Anna Hardwick, followed by a casual cocktail/meet/greet at the Imperial Pub (54 Dundas St. E) with writer/director Jeff Barnaby, producer John Christou and actors Glen Gould, Brandon Oakes and Roseanne Supernault.
For the last 20 years Mongrel Media has played an important role in broadening the scope of Canadian film. Always beautiful, thought provoking and socially relevant, this year Mongrel Media’s Empire of Dirt premiered at TIFF and ImagineNATIVE. This weekend Empire of Dirt is at Ottawa’s Bytowne Cinema on Rideau Street.
Sunday, Dec 8, 4:15pm
Monday, Dec 9, 9:00pm
Tuesday, Dec 10, 4:30pm
“As in many Native families, Lena Mahikan (Cara Gee) grew up in the cycle of abuse.
Her father, a residential school survivor, was an alcoholic until he killed himself when
Lena was 10. Her mother, only 14 years her senior, turned to the slots and was
consumed. By the time Lena was 15, she was pregnant and, before giving birth, was
kicked to the curb by her mom. For 13 years Lena has been living, poverty stricken in
Toronto, struggling to make ends meet, being chased by her own demons. The
cycle continues and Lena is now watching helplessly as her own daughter, Peeka
(Shay Eyre) spirals out of control, landing herself in the ER following a drug overdose.
As her final attempt at survival, Lena decides to return home and face her own
mother and a past she’s tried desperately to escape. Empire of Dirt tells the story
of three generations of Mahikan women who are given a second chance to be family
and put an end to the painful legacy that has plagued them.”