#OTTAWA TONIGHT: Featuring #Indigenous #Artists “When Raven Became Spider” opens @ OAG Annex Gallery @ City Hall

Shaun Beyale, The Time Traveler, ink, gray Copic marker, and white Gellyroll pen on paper, 2015, courtesy Ottawa Art Gallery.

Curated by Leena Minifie When Raven Became Spider features 6 Indigenous artists whose work references superheros and ‘sheros.’

From the Ottawa Art Gallery:

“Taking its title from a Sonny Assu button blanket depicting Spiderman in a traditional Kwakwa̱ka̱’wakw style, When Raven Became Spider is guest curated by Vancouver-based Gitxaala/British, curator, artist and writer Leena Minifie. Minifie’s research examines supernatural characters in Indigenous art and modern comic superheroes. She notes that traditional stories often highlight figures with superheroic traits, but that these figures maintain complexity as they are fallible, and capable of making mistakes. Most pop comic icons lean towards the archetypal, exhibiting simplified ways of being; they are good or evil. This generation of Indigenous artists and storytellers are increasingly depicting modern super-beings and using pop icon images within their work, blurring the line between oral stories and modern comics. Their aesthetics, style, and composition flow between both worlds.

Does the use of these modern-day images generate a space for oral narratives related to super beings? Or does it reduce these characters into one-dimensional archetypes? Does this work make stories more accessible and palatable to audiences and listeners, who may not be familiar with storytelling traditions? Do modernized forms sacrifice a certain degree of the three-dimensionality and nuance of the characters they depict? Can these characters still transmit old-world, oratory tales and teach us something about the frail human condition, as they were intended?

When Raven Became Spider grapples with such questions.”

ARTISTS:

WHEN: Vernissage is Thursday, February 26 @ 5:30
WHERE: OAG Annex, City Hall, 110 Laurier Avenue West, Ottawa

The OAG Annex gallery is open daily from 9 am to 8 pm.
Free admission.  Wheelchair accessible. Parking available.
For more information: 613-233-8699 x234, info@ottawaartgallery.ca

Organized by:  Dunlop Art Gallery, Regina Public Library

 

OTTAWA TOMORROW: “Kanata 150?” critiques #Canada150

Image: Oo Aqpik “Crown for Sedna” 2016. Provided by Studio Sixty Six. 

Countering celebrations of nationalism with alternate narratives. 

Graduating just last year from Carleton University with a Masters in Art History, Rose Ekins has already made her mark on the Ottawa art scene with her ambitious programming at Studio Sixty Six, a commercial gallery located off of Bronson Avenue. Gallery owner Carrie Colton trusted Rose’s vision allowing her the opportunity to consider how a commercial gallery could also play a role in creating a space for art that wasn’t just about saleability but also about provoking tough questions. “I was able to carve out a mandate for myself” and that mandate includes diversity not only in the media that artists work in but more importantly cultural diversity and the stories that get communicated through the work. 

In an effort to offer a counter-narrative to the stories of nationalism that will be getting lots of air time in the 2017 celebrations of Canada’s Sesquicentennial, Rose has curated KANATA 150? a show that questions what the celebrations are about and who the celebrations are for. Featuring predominantly Ottawa based artists, KANATA 150? is “a nod to the origin of the country’s name,” and “presents seven emerging Indigenous artists reflecting on the nature of “Canada 150”.”

Image: Barry Pottle “Creeping South.” Provided by Studio Sixty Six

One of these artists is Barry Pottle, whose work documenting the Urban Inuit experience has previously been featured on Mixed Bag Mag. Also, the work of fellow Inuk, artist Oo Aqpik, will be presented in this show that roots Studio Sixty Six’s 2017 provocative programming that will include emerging artists Florence Yee (Menu of Exoticism) and Kosi Nnebe (Coloured Conversations) later on in the year. Originally from Nunavut, Oo is “well known for her roles in the Inuit language programs in television, radio and recently a feature film documentary, Arctic Defenders.” Like Oo, the artists of KANATA 150 are working in the capacity of activists and ambassadors of culture. Their work is about communicating to Canadians that it is a great risk if Indigenous perspectives, on where this country is headed, are not moved to the centre of all national debates. 

KANATA 150? opens tomorrow evening and promises to be an engaging way to start a critical year in Canada’s history. ARTISTS:

WHEN: Thursday, January 12 @ 6 – 9 pm
WHERE: Studio Sixty Six, 202-66 Muriel Street, K1S4E1

Free – Bar & Food
Physically accessible building
This event is taking place on the unceded territory of the Algonquin Anishinabeg Nation

“The City of Ottawa and Government of Canada are celebrating the 150th anniversary of the Dominion of Canada with events, promotions, and other ambitious goals to increase Canadian pride and patriotism. These festivities are promoting both the history and future of the nation state confederated in 1867. Canada is a country built from settler colonialism, which leaves the question of how the Indigenous peoples of this land are meant to participate in these celebrations. KANATA 150? (January 12 – February 18), a nod to the origin of the country’s name, presents seven emerging Indigenous artists reflecting on the nature of “Canada 150”.”

More info on the Facebook Event Page.

Follow Studio Sixty Six on Facebook, twitter and Instagram.

Image: Krystle Retieffe “Through the Looking Glass – 150 Years” 2016. Provided by Studio Sixty Six

#OTTAWA TONIGHT: Mino Bimaadiiziwin (A Good Life) Art Show at SAW Gallery

Visual Arts created by our local Indigenous Artists.

Tonight starts the first of many art openings this month in Ottawa. SAW Gallery will host Mino Bimaadiiziwin (A Good Life) Art Show. The show is part of the Aboriginal Youth Arts Entrepreneurship Program.

WHEN: Friday, January 6, 2017 @ 7 – 10 pm
WHERE: SAW Gallery, 67 Nicholas Street, Ontario

Traditional appetizers will be served through the evening as well as entertainment by various talented singing artists throughout the event.  

Entrance Fee by Donation.

Come on out!

The Parfleche by David Charette, 16″ x 20″, acrylic paint.

WHAT BEAUTY!: Alex Janvier retrospective opens to a full house at the National Gallery of Canada Ottawa

Denesuline and Saulteaux artist Alex Janvier’s paintings depict vibrant worlds.

I believe we are all given moments in life where if we pause to be still and present we will know that we have witnessed something truly extraordinary. In the expansive space of the Great Hall of the National Gallery of Canada last night, those of us that were there had the opportunity to feel the burden of history momentarily lifted by the presence of someone who has dedicated his body, mind and soul to beauty and to the upholding of his culture.

The crowd that came out was as expansive as the space. NGC Director Marc Mayer said that he had never seen the place so full for any previous opening. The turnout illustrated how well respected this internationally known artist is and affirmed the place that Indigenous artists hold in the consciousness of the Canadian public. 

At 81 years of age, Alex Janvier is a living legend. His paintings are vibrant expressions of dark emotions transformed via vivid memories of his culture that stayed located inside him despite being sent away to residential school. He spoke of his memories of women doing quill work and beading and the “special Friday from 2 to 4” where at school the children were given a few hours to paint. “It was the only time I could express what was down deep within and go back to the creator I believe in…go back to the inside of the little boy…where I wasn’t scared.” He went on to say that in his paintings “you will see what I talked about [the experience of residential school] but also the liberation from it.”

He shared these words on the same day as the US celebrate the arrival of the pilgrims on Plymouth Rock. On thanksgiving eve, in the twilight of the night fall, the backdrop of the American Embassy and Canada’s Parliament Hill was lit up and seen through the glass enclosure of the Great Hall. Ministers and MPs came out to express their admiration. An honouring song was sung. Dances performed. The word reconciliation uttered on more than one occasion.

Has Canada arrived at a new place in time? Has something changed? Perhaps reconciliation is less about a future moment to arrive at and more about a process to begin at.

Last night what we witnessed was the spiritual tenacity that comes from thousands of years of culture stretching back farther than the concept of ‘the West.’ Alex has spent his life time tapping into that “source” as he calls it. What he gave to us all was a gift, pointing to an imagined future in these troubled times. “I believe that this moment is meant for all of us to be here.”

If we accepted his gift, we experienced grace – one moment in a lifetime that has the possibility to change us all.

The exhibit runs through until April 17, 2017. More info on the Alex Janvier exhibit here.

Join curator Greg Hill in conversation with Alex Janvier Saturday, November 25 at 2 pm at the National Gallery of Canada. More info on the Facebook Event Page. Admission is FREE for all.

Images by Leah Snyder for Mixed Bag Mag.

SKETCH @ SAW: Friday Night Fundraiser at SAW Gallery Ottawa


Work by Kingmeata Etidlooie. Image provided by SAW Gallery.

Another year of SKETCH and raising money for local artist-run-centre Galerie SAW Gallery.

This year marks SAW‘s 12th edition of SKETCH, its annual fundraiser that draws an impressive crowd (along with bidding wars.) Always a fantastic event with art work available in everyone’s price range this night never disappoints.

WHEN: Friday, November 25
WHERE: SAW Gallery in the Arts Court building, 67 Nicholas St., Ottawa 

General admission: $15
VIP tickets: $20 (include access to VIP preview and reception)

VIP preview and reception: 5PM–7PM
Silent auction and sale: 7PM–10PM
After-party: 10PM–1AM

Music by The Vile Bodies (Ottawa) and DJs Michael Caffrey (Gatineau) and Chris International (Ottawa)

From the Facebook Event Page:

“Galerie SAW Gallery’s ever popular holiday fundraiser, with more than 150 participating artists!”

You won’t know what to choose from the hundreds of works available in every style imaginable! With many works priced affordably, starting at only $10, you have no excuse not to get your hands on one-of-a-kind treasures for your lovers, friends and family.

This year’s edition will include a spotlight on 1980s contemporary Inuit art, and signed photographic editions from Magnum Photos featuring artists from around the world.

All proceeds from this special edition of SKETCH will go toward Galerie SAW Gallery’s expansion within Arts Court in 2018. The new 15,000-square-foot SAW will include expanded galleries, a new international research and production space, a new archive and library, an expanded multidisciplinary venue and a renovated courtyard to accommodate festivals and screenings during the summer months. SKETCH will help kickstart our capital campaign for this transformative project!

Silent auction:

Pitseolak Ashoona, Alexis Boyle, David Barbour, Beaston (Graham Robinson), Natalie Bruvels, François Cambe, Robert Capa, Jackson Couse, Michael Davidge, Mario Doucette, Pat Durr, Kingmeata Etidlooie, nichola feldman-kiss, Melanie Garcia, Adrian Göllner, Greta Grip, Michael Harrington, Osheen Harruthoonyan, Pedro Isztin, David Kaarsemaker, Rolf Klausener, Charlene Lau Ahier, Jennifer Lefort, Alisdair MacRae, Steve McCurry, Scott McEwan, Susan Meiselas, Andrew Moncrief, Luke Norrad, Komi Olaf, Napachie Pootoogook, Barry Pottle, Oshoochiak Pudlat, Pudlo Pudlat, Raghu Rai, Dale Lancaster Ronson, Kakulu Saggiaktok, Andrew Smith, Anne Wanda Tessier, Amy Thompson, Cara Tierney, Larry Towell, Guillermo Trejo, Winnie Truong, Eric Walker, Owen Wandering, Tavi Weisz + Ambera Wellman

Art sale:

Howard Adler, David Anderson, Tiffany April, Stephany Bearskin, Danielle Beaulieu, Anne Bell, Paige Bultje, Sabastien Callender, David Cation, Jeanette Charron, Pamela Cockcroft-Lasserre, Patrick Cocklin, Kristina Corre, Cairn Cunnane, Shabnam Dastoornejad, Lougien Dawoudian, Krasi Dimtch, Danielle Doucet, Virginia Dupuis, eightyaday, Sarah Ewing, Jonathan Ferrabee, Charlotte Ford, Ioana Georgescu, Elena Gorlenko, Elliot Gould, Macarena Guerra-García, Kate Hanchuk, France Henault, Emily Hobson, Gillian Holt, Rachel Horan, Saghi Hossein, Aurelia Istinah, Olga Janina Chrzanowska, Anne Johnson, Sharon Katz, Manon Labrosse, Mariana Lafrance, LES666, Rachel Lin, Tara MacDonald, Jennifer Macklem, Alex Macneill, Sara Anne Mailhot, André Mantha, Martha Markowsky, Annegret Nill, Maria-Helena Pacelli, Geneviève Parenteau, Christina Petley, Isabelle Poirier, Judithe Poitras, John-David Powell, Rene Price, Yolaine Richards, Pierre Richardson, Ryan Richardson, Maureen Rooney Mitchell, Komi Seshie, Agamjot Singh, Alexander Snetsinger, Stéphanie St-Jean Aubre, Stefan St-Laurent, Jason St-Laurent, Talya Morgana Stein, Erik Stolpmann, Svetlana Swinimer, Justyna Szłuińska, Saranush Tchilingnan, Mai Lan Tom, France-Marie Trépanier, Maddison Trites, Vivien Tytor, Claudia Urbach, Sylvie Vaillancourt, Wendy Vance, Cosette Vandenberg, Truong Vo-Van, Vanessa Waller, Stephanie Wellman, Malika Welsh, Caroline Williams, Christopher Wong, Tanis Worme, Gillian Young, Melanie Yugo + Gabrielle Zimmerman

CIRCLE PRESENTS: Leanne Betasamosake Simpson performers new work at Carleton University Ottawa

Leanne Betasamosake Simpson will perform songs from her new album “f(l)ight: Songs & Stories for a Radical Indigenous Present.”

Tomorrow evening CIRCLE (Centre for Indigenous Research, Culture, Language and Education at Carleton University) will be hosting Leanne as part of their series of events bringing Indigenous culture provocateurs to the Carleton campus. f(l)ight: Songs & Stories for a Radical Indigenous Present is Leanne’s newest album.

MORE ABOUT f(l)ight:

“f(l)ight is a new album of story-songs from acclaimed Michi Saagiig Nishnaabeg artist Leanne Betasamosake Simpson. Effortlessly interweaving Simpson’s complex poetics and multi-layered stories of the land, spirit, and body with lush acoustic and electronic arrangements, f(l)ight claims a unique space in contemporary Indigenous music and performance.

The album is a haunting, powerful hybrid of words, songs, and perspectives. From the gentle invocation of other forms of life offered in songs like “Road Salt” and “The Oldest Tree in the World”, to the dissonant sonics of “Caribou Ghosts and Untold Stories” and the pulsing, hypnotic rhythms of “Under Your Always Light”, Simpson’s words reverberate within and between the sounds that surround them.” Read more…

WHEN: Thursday, November 24 @ 7 – 8:30 pm
WHERE: Azrieli Theatre Rm 302, Azrieli Building, Carleton University, 1125 Colonel By Dr., Ottawa (Paid Parking at Library Parking Lot)

**FREE ADMISSION**

Check out Leanne performing with Anishinaabe / Nehayo singer Tara Williamson for Toronto’s Basement Revue.

Come on out!

Poster design by Leah Snyder for CIRCLE

ASINABKA CELEBRATES 5 YEARS: #Indigenous #Film #Media #Arts #Festival on #Algonquin #Territory #Ottawa

Asinabka Film and Media Arts Festival returns to Ottawa for another year of unique programming.

This year Ottawa’s locally minded but internationally connected Film and Media Arts Festival, Asinabka, turns five. I have been attending this annual festival for the last 3 years and I am looking forward to my 4th year. I have seen it mature and grow its audience while still maintaining an important discourse with the local community of Ottawa especially regarding issues impacting Indigenous communities here on Algonquin Territory. Co-Director / Programmer Howard Adler shares that as “Asinabka Festival returns for our 5th year we couldn’t be more excited about our programming and our local and international partnerships.”

Each year the festival opens on Victoria Island at the site of Aboriginal Experiences, a beautiful location that foregrounds the Indigenous opening night film against the background of Parliament Hill and the Supreme Court of Canada – a highly symbolic vista. This year’s festival opens with Fire Song (Director Adam Garnet Jones), a film about youth suicide, sexuality, family obligations and future options.

Prior to the screening Indigenous Walks will be giving a tour that will begin at the Human Rights Monument (Elgin Street by City Hall) and end at the island where there will be a feast provided to the festival goers to share before the screening begins. Regarding the 2016 Festival programming “this is no doubt our most ambitious festival yet, showcasing more Indigenous film, media art, music, and performance than ever before, utilizing two of Ottawa’s best artist-run Centre’s for our Gallery Crawl (Gallery 101 & SAW), and continuing with our stunning traditional opening night welcome and outdoor film screening on Victoria Island!” states Howard. “There will be more delegates, filmmakers, and guests attending our festival than ever before, and there’s not enough room here to express how excited and thankful we are to host and present so much amazing art! Chi-Miigwech to everyone involved and to our faithful audience who return every year.

Work by Geronimo Inutiq. Image provided by Asinabka. 

Also this year Inuk media artist Geronimo Inutiq will have a solo show (ᐃᓱᒪᒋᓇᒍ – isumaginagu – don’t think anything of it) opening at Gallery 101 (51 Young St. Suite B). Regarding his contribution and involvement Geronimo says that Asinabka “gives us an opportunity to show and see contemporary original art works in a context that goes beyond inter-national boundaries. I am grateful and honoured to exhibit my work with video and images, and – with the Festival – help push the boundaries of what indigenous and Inuit media and art can be today.” 

A little bit about the show:

How do you feel? Have you listened to your instinct today? What is your gut telling you? All the combined fields of natural and social sciences have elucidated great intellectual theories as to the nature and function of what we do and the reasons and functionality behind it. To Geronimo Inutiq, the process of artistic expression is an alternative language to all that. Guided by some sort of arbitrary intuition and abstract sense of aesthetics, he produces cultural artefacts that have been shown in galleries and museums in the context of contemporary indigenous and Inuit art exhibits and performance – both nationally and internationally. read more…

“Cowboys N’ Indians” by Alison Bremner in “Neon NDN.” Image provided by Asinabka. 

“Urban Inuk” Jocelyn Piirainen is an “emerging curator with a growing interest in indigenous contemporary art. Her entry into the curatorial world began in with the first ever Indigenous Curatorial Incubator program, where she put together the “UnMENtionables” screening program and helped coordinate the “Memories of the Future” exhibition for the 2015 Asinabka Film and Media Arts Festival.”  This year Jocelyn returns to Asinabka to curate Neon NDN: Indigenous Pop-Art Exhibition at SAW Gallery (Arts Court Building, 67 Nicolas St.).

From her curatorial statement:

In an article titled “Is There an Indigenous Way to Write about Indigenous Art?”, Richard William Hill recently contemplated “in purely practical terms, how would you bracket off Indigenous culture? Where do you draw the line? No more pop culture?”Had certain Indigenous artists bracketed off pop culture, Neon NDN would have been something quite different. In this Information Age, pop culture is everywhere and it’s not surprising many contemporary Indigenous artists engage with popular characters from film, television, video games, comic books, even corporate symbols and brand names. Through interacting with, reclaiming, and repurposing popular culture, Indigenous artists challenge a number of stereotypes and Hollywood tropes that have been set against Indigenous people and culture. read more…

Jocelyn states that “for this show, I really just wanted to create a sense of fun and bring in lots of colour. The theme is pop art – and for Indigenous artists, this theme isn’t quite so new as one might think.”

Both shows open on Saturday, August 13 and their will be Gallery Crawl with a FREE Shuttle bus provided. The bus will leave SAW Gallery after the 3 pm screening (OKA Legacy) wraps up. The bus will leave Gallery 101 to head back to SAW after the opening of Geronimo’s show that also includes a FREE BBQ. Neon NDN‘s vernissage will begin at 7:30 pm. Stay for the Music Night that will start at 9 pm.

From the Opening Night at Victoria Island to the closing party at Kinki Lounge (41 York St. in the Byward Market) you can find the best in contemporary Indigenous film, media and visual arts at multiple venues across the city from Wednesday, August 10 to Sunday, August 14, 2016.

For the full schedule click here.

Follow on Facebook & twitter @asinabkafest.

Images by Leah Snyder for Mixed Bag Mag unless otherwise noted. 

WORLD PREMIERE: “Life Reflected” at the National Arts Centre Ottawa

More important and inspiring programming by the NAC

This winter, as part of  the National Arts Centre’s programming for Art and ReconciliationI Lost My Talk premiered. This incredible and poignant performance included the beautiful choreography of Kaha:wi Dance Theatre‘s Santee Smith and stunning visual design by Montreal’s Normal. Tomorrow evening I Lost My Talk will be part of three other orchestral works premiering as part of Life Reflected. The National Art Centre Orchestra’s Director Alexander Shelley “brought together four remarkable Canadian composers to collaborate with Donna Feore to create an immersive symphonic experience celebrating youth, promise and courage, revealed in the compelling and diverse portraits of four women.”

Tomorrow’s performance will include:

ALICE MUNRO – Dear Life with music composed by Zosha Di Castri
“Dear Life” by Alice Munro, is a reflection on memory, childhood and the formative stages of life. The NAC Orchestra’s Dear Life was composed by Zosha Di Castri.”

AMANDA TODD – My Name is Amanda Todd with music composed by Jocelyn Morlock
My Name is Amanda Todd tells the story of a vibrant 15-year-old who, after suffering for years from cyber abuse, spoke out against harassment and bullying on YouTube. Music composed for the NAC Orchestra by Jocelyn Morlock. 

ROBERTA BONDAR – Bondarsphere with music composed by Nicole Lizée
Dr. Roberta Bondar’s remarkable expertise as an astronaut, physician, scientific researcher, and photographer have been interpreted in Bondarsphere by Nicole Lizée for the NAC Orchestra through soundtrack and video.

RITA JOE – I Lost My Talk with music composed by John Estacio
“I Lost My Talk” – by Mi’kmaw elder and poet Rita Joe, C.M. expresses her experience at Residential School. The NAC Orchestra’s I Lost My Talk was composed by John Estacio.

Read more about Life Reflected & purchase tickets available here.

Image from National Art Centre website

CLOSING THIS WEEK: Temporal (Re)Imaginings showcases Indigenous artists at the Canada Council Ottawa

Curator Alexandra Nahwegahbow presents an thematically strong and visually stunning show at the Âjagemô Art Space.

Consider the concepts of Decolonizing and Indigenizing. One feels heavy with past burdens, forward movement decelerated by arguments with ignorance. The other is charged with the quantum lightness of dreams. The time traveller moves forward swiftly and at the speed of light arrives back into the present with a renewed vision and the tools to construct an imagined future. To Indigenize is to banish colonization to a peripheral edge, advancing over the primitive mess to get on with the business of building improved systems that dramatically alter the landscape.

Moving around within time and the power this strategy provides for transformation is what foregrounds Temporal (Re)Imaginings, the current exhibit at the Âjagemô, Canada Council’s art space on Elgin Street in Ottawa. Curator Alexandra Kahsenni:io Nahwegahbow writes that “in Indigenous traditions, storytellers and artists frequently challenge and disrupt Western perceptions of time as a linear, progressive unfolding of events. Rather, our stories and histories exist in places where time is round, open, malleable, and can fold and fluctuate.”

The exhibit begins with Carl Beam’s impactful Burying the Ruler and sets the intention for letting go of a colonial concept of time. This exhibit also presents an imagined future. While Canada is considering what ‘reconciliation’ with the past will look like as a cultural product, many of the works in this show feel unencumbered by history

They float within the space. Clouds (Hannah Claus) hovers on a sky blue wall.

They speak of time travel. Navigating by our Grandmothers (Rosalie Favell) is set in a scenery of stars.

They alter landscapes. In Here on Future Earth Joi T. Arcand “presents snapshots of Saskatchewan towns, cities and First Nation reserves in an alternate futuristic reality where Cree is the dominant language.”

They traverse the in between space of visions finding powerful antidotes to bring back from the other side. Meryl McMaster’s Victoria “explores the artist’s bi-cultural heritage (Indigenous/European) by engaging in an extraordinary liminal reality. Rather than viewing her identity as two opposing cultures in historical conflict, she fearlessly transforms it into a site of synergistic strength.”

At a time when centres of culture tend to slot alternate narratives in with reductive simplification, as an emerging curator, Alexandra offers elegant complexity. Beyond the concepts and cosmologies embedded in the selected work the choice of the pulsating palette – hot oranges and azurite blues – plays off the predominately white space to stimulate the eye, even energize the body.

Temporal (Re)Imaginings is both potent and curative, a compelling case for a future that is (re)imagined as it is Indigenized.

black stroke

Temporal (Re)Imaginings closes this weekend on Saturday, April 30. Canada Council’s Âjagemô art space is on the main floor of 150 Elgin Street. Hours of operation 7 am – 9 pm.

Temporal (Re)Imaginings also includes work by:

Barry AceGoota AshoonaLance Belanger, Alex Janvier , Roy Kakegamic, Mary LongmanMarianne NicolsonCaroline MonnetFrançoise Oklaga and Jessie Oonark

Below images from top to bottom:
Weesahkay Jack and the Great Flood (Roy Kakegamic 2005) & clouds (Hannah Claus 2008)
Detail of clouds (Hannah Claus 2008) image by Georges Khayat, provided courtesy of artist
Navigating by our Grandmothers (Rosalie Favell 2000) image courtesy of artist
Other Worlds (Alex Janvier 1984), Here on Future Earth (Joi T. Arcand 2010) & Alice from the series Modern Tipi (Caroline Monnet 2008)
Here on Future Earth by Joi T. Arcand (2010)
Victoria (Meryl McMaster 2013) image courtesy of artist 

  black stroke

Alexandra Kahsenni:io Nahwegahbow is Anishinaabe and Kanien’keha:ka, and a member of Whitefish River First Nation with roots in Kahnawake. She grew up just outside of Ottawa and is currently pursuing her PhD in Cultural Mediations in the Institute of Comparative Studies in Literature, Art and Culture at Carleton University. She has a strong interest in stories, oral history and Indigenous art and material culture, and believes that creativity, art and processes of imagining and art-making have the ability to change the world.

Image of Alexandra by Rosalie Favell

Read more about Alexandra on Urban Native Magazine.

black stroke

All images by Leah Snyder for Mixed Bag Mag unless otherwise noted

MORE ART & RECONCILIATION AT THE NATIONAL ARTS CENTRE OTTAWA: Going Home Star, Florent Vollant, & 100 Years of Loss Exhibit closes a full month of Indigenous programming

TRC Commissioner Marie Wilson moderates a panel of cultural provocateurs speaking on Art & Reconciliation. 

“It’s time for the rest of Canada to do the heavy lifting” ~ I Lost My Talk composer John Estacio

On Thursday, January 14 the National Arts Centre hosted a panel discussion on ART & RECONCILIATION prior to the opening night of I Lost My Talk, a performance inspired by the poetry of Mi’kmaq elder and poet Rita Joe. The response to this event was tremendous. Hundreds of people swelled up the stairs from the lobby where the 100 Years of Loss exhibit on the impact of Residential Schools is installed until the end of this week. The event also drew political support. In attendance was the Prime Minister’s wife Sophie Grégoire-Trudeau, the Governor General’s wife Sharon Johnston, National Chief of the Assembly of First Nations Perry Bellegarde and former Prime Minister The Right Honourable Joe Clark. I Lost My Talk was a commission by Clark’s family for his 75th birthday. A moving and lovely gift that we all got a chance to participate in and benefit from.

Canadian writer Joseph Boyden speaks on his commission to write the libretto for the Royal Winnipeg Ballet’s Going Home Star. 

It’s encouraging to see a National cultural institution take such a leadership role in implementing the Truth and Reconciliation Commission’s Calls to Action. It’s also poignantly symbolic to have a National cultural institution recognize, in the present moment, a fact that history has tried to obscure. Both the panel and the performance of I Lost My Talk opened with the National Arts Centre acknowledging that “we are on UNCEDED Algonquin territory.”

On the panel, along with Canadian writer Joseph Boyden and John Estacio, the composer for the musical score of I Lost My Talkwas Rachel Maza, “acclaimed Australian theatre director of Jack Charles V The Crown.”  I had the opportunity to attend this incredible play that delved into the impact of assimilation policies on Indigenous people in Australia. Over the course of 75 minutes Jack charmed us with his beautiful way of presenting his biography – a life full of identity confusion and much loss but also an amazing amount of grace due to Jack’s own incredible resilience. I left with many mixed emotions. Find out more about the play…

Jack Charles receives a standing ovation at the closing of his performance of Jack Charles V The Crown at the NAC. 

Going Home Star opens this week in Ottawa at the National Arts Centre.

As this month draws to a close the NAC is hosting Royal Winnipeg Ballet’s production of Going Home Star. 

“Going Home Star – Truth and Reconciliation is the brilliant result of a star-studded collaboration between the Royal Winnipeg Ballet, award-winning Canadian author Joseph Boyden, acclaimed choreographer Mark Godden, and renowned Canadian composer Christos Hatzis. Going Home Star was ten years in the making, first envisioned by late Cree elder/activist Mary Richard and RWB Artistic Director André Lewis. Searing and sensitive, this powerfully emotional classical ballet is the deeply resonant love story of Annie and Gordon, a pair of contemporary Aboriginal young people coming to terms with a souldestroying past. Hatzis’s multi-layered score incorporates music by Inuk throat singer Tanya Tagaq (winner of the 2014 Polaris Music Prize), Steve Wood, and the Northern Cree Singers.” Read more…

The creative team and performers of Going Home Star speak at the NAC about the ballet during the Truth and Reconciliation Commission gathering in May/June 2015

Going Home Star runs from Thursday, January 28 to Saturday, January 30 and then will continue its tour in Vancouver. Click here for performance dates and tickets. Tickets will be given to Residential School Survivors, more information can be found here.

Also, this weekend at the NAC is Innu author, composer and singer Florent Vollant performing on Saturday, January 30.

“born in Labrador in 1959 and grew up on a reserve named Maliotenam, east of Sept-Îles. He began his musical career in the middle of the 80s and helped to create the Festival Innu Nikamu, which, since its founding, has brought together many musicians and singers from various Amerindian nations.” read more…

And the National Arts Centre has more in store so be sure to follow along with their 2016 programming around Indigenous Storytelling on their website, Facebook  and Twitter @CanadasNAC.

Photography by Leah Snyder for Mixed Bag Mag.