Tomorrow artist panel with artists Jeff Thomas, Rosalie Favell and filmmaker Isabella-Rose Weetaluktuk speaking on activating the archives.
“The panel of artists includes Onondaga photographer and curator, Jeff Thomas; Métis artist, Rosalie Favell; and Inuk filmmaker, Isabella-Rose Weetaluktuk. All three use archival images in their innovative artistic practice, and will discuss the ways in which they are reclaiming and re-telling their histories and stories. All guests are encouraged to participate in the discussion.”
WHEN: Registration opens @ 9:30 am & panel begins at 10:30 am WHERE: Library and Archives Canada (Pellan Room 2nd Floor), 395 Wellington Street, Ottawa
“Project Naming enables Indigenous peoples to engage in the identification of photographs from Library and Archives Canada. LAC hopes that members of the public will share their knowledge. If you know the names of people depicted in our photographs or have information about an activity, event or place, LAC would love to hear from you. The majority of individuals depicted in the images in LAC’s collections were never identified. Many archival descriptions relating to events or activities are absent or have dated information (e.g. place names, band names or terminology). Or information is based on original inscriptions and captions found on the records, and hence reflects the biases and attitudes of non-Aboriginal society at the time.”
Warming up winter with free Indigenous film screenings.
Asinabka, one of Ottawa’s favourite summer film festivals, along with the Ottawa Art Gallery is presenting Unikkaaqtuarniq: Stories from the North just in time to celebrate Ottawa’s favourite season – winter! On Friday an outdoor screening will highlight Indigenous filmmaking from the Arctic and will include “a continuous looping program of short films by Inuit and Sámi filmmakers projected in a theatre made of snow.”
Presented in partnership with Skábmagovat film festival (Inari, Finland), the City of Ottawa, the Embassy of Finland, Gallery 101, the Ottawa Inuit Children’s Centre and Winterlude.
Also, part of the programming is award-winning filmmaker Alethea Arnaquq-Baril’s Angry Inuk
“In her film Angry Inuk, Inuit director Alethea Arnaquq-Baril joins a new tech-savvy generation of Inuit as they campaign to challenge long-established perceptions of seal hunting. Though most commercial sealing is conducted by Inuit in the Arctic, anti-sealing activism has created a perception of the industry that denies their central role in the sealskin market.”
Tipi Confessions Carleton: A Night of Indigenous Sexuality
A little bit about how Tipi Confessions came to be:
Tipi Confessions, inspired by BedPost Confessions and imported by Dr. Kim TallBear (Sisseton-Wahpeton Oyate) from Austin, Texas, is a show that explores sex and sexuality through lenses of humour and vulnerability…Working closely with BedPost co-founders and producers, sex bloggers Julie Gillis and Sadie Smythe and sex podcaster Mia Martina, we followed their sexy storytelling structure of entertainment, ethics, and education for the inaugural Tipi Confessions during the Faculty of Native Studies Indigenous Masculinities Symposium. Performers Josh Whitehead, Billy-Ray Belcourt, Tashina Makokis, Kim TallBear, and Richard VanCamp brought the audience to tears with soul-baring spoken word and raunchy humourous play-by-plays. In January 2016, Carleton University School of Indigenous and Canadian Studies PhD student, Charlotte Hoelke, launched Tipi Confessions for a student audience in Ottawa. (read more on Facebook Page)
WHEN:Friday, January 27th @ 6 – 10 pm WHERE: University Centre Atrium at Carleton University FREE! Multiple Door Prizes from Venus Envy!
Featuring sexy appearances & performances by:
Emcees: Charlotte Hoelke & Tess Laude & your anonymous CONFESSIONS!
Have a listen to the first Tipi Confession session held at the University of Alberta Faculty of Native Studies at the Art Gallery of Alberta’s Ledcor Theatre.
“It was an evening full of fun, sexy, and heartbreaking poetry and spoken word performances by the beautiful and brilliant Joshua Whitehead, Billy-Ray Belcourt, Kim Tallbear, and Richard Van Camp. Your podcast host, Tashina Makokis, was also one of the performers of that night.”
“Taking its title from a Sonny Assu button blanket depicting Spiderman in a traditional Kwakwa̱ka̱’wakw style, When Raven Became Spider is guest curated by Vancouver-based Gitxaala/British, curator, artist and writer Leena Minifie. Minifie’s research examines supernatural characters in Indigenous art and modern comic superheroes. She notes that traditional stories often highlight figures with superheroic traits, but that these figures maintain complexity as they are fallible, and capable of making mistakes. Most pop comic icons lean towards the archetypal, exhibiting simplified ways of being; they are good or evil. This generation of Indigenous artists and storytellers are increasingly depicting modern super-beings and using pop icon images within their work, blurring the line between oral stories and modern comics. Their aesthetics, style, and composition flow between both worlds.
Does the use of these modern-day images generate a space for oral narratives related to super beings? Or does it reduce these characters into one-dimensional archetypes? Does this work make stories more accessible and palatable to audiences and listeners, who may not be familiar with storytelling traditions? Do modernized forms sacrifice a certain degree of the three-dimensionality and nuance of the characters they depict? Can these characters still transmit old-world, oratory tales and teach us something about the frail human condition, as they were intended?
When Raven Became Spider grapples with such questions.”
Image: Oo Aqpik “Crown for Sedna” 2016. Provided by Studio Sixty Six.
Countering celebrations of nationalism with alternate narratives.
Graduating just last year from Carleton University with a Masters in Art History, Rose Ekins has already made her mark on the Ottawa art scene with her ambitious programming at Studio Sixty Six, a commercial gallery located off of Bronson Avenue. Gallery owner Carrie Colton trusted Rose’s vision allowing her the opportunity to consider how a commercial gallery could also play a role in creating a space for art that wasn’t just about saleability but also about provoking tough questions. “I was able to carve out a mandate for myself” and that mandate includes diversity not only in the media that artists work in but more importantly cultural diversity and the stories that get communicated through the work.
In an effort to offer a counter-narrative to the stories of nationalism that will be getting lots of air time in the 2017 celebrations of Canada’s Sesquicentennial, Rose has curated KANATA 150? a show that questions what the celebrations are about and who the celebrations are for. Featuring predominantly Ottawa based artists, KANATA 150? is “a nod to the origin of the country’s name,” and “presents seven emerging Indigenous artists reflecting on the nature of “Canada 150”.”
Image: Barry Pottle “Creeping South.” Provided by Studio Sixty Six
One of these artists is Barry Pottle, whose work documenting the Urban Inuit experience has previously been featured on Mixed Bag Mag. Also, the work of fellow Inuk, artist Oo Aqpik, will be presented in this show that roots Studio Sixty Six’s 2017 provocative programming that will include emerging artists Florence Yee (Menu of Exoticism) and Kosi Nnebe (Coloured Conversations) later on in the year. Originally from Nunavut, Oo is “well known for her roles in the Inuit language programs in television, radio and recently a feature film documentary, Arctic Defenders.” Like Oo, the artists of KANATA 150 are working in the capacity of activists and ambassadors of culture. Their work is about communicating to Canadians that it is a great risk if Indigenous perspectives, on where this country is headed, are not moved to the centre of all national debates.
KANATA 150? opens tomorrow evening and promises to be an engaging way to start a critical year in Canada’s history. ARTISTS:
WHEN: Thursday, January 12 @ 6 – 9 pm WHERE: Studio Sixty Six, 202-66 Muriel Street, K1S4E1
Free – Bar & Food
Physically accessible building
This event is taking place on the unceded territory of the Algonquin Anishinabeg Nation
“The City of Ottawa and Government of Canada are celebrating the 150th anniversary of the Dominion of Canada with events, promotions, and other ambitious goals to increase Canadian pride and patriotism. These festivities are promoting both the history and future of the nation state confederated in 1867. Canada is a country built from settler colonialism, which leaves the question of how the Indigenous peoples of this land are meant to participate in these celebrations. KANATA 150? (January 12 – February 18), a nod to the origin of the country’s name, presents seven emerging Indigenous artists reflecting on the nature of “Canada 150”.”
Visual Arts created by our local Indigenous Artists.
Tonight starts the first of many art openings this month in Ottawa. SAW Gallery will host Mino Bimaadiiziwin (A Good Life) Art Show. The show is part of the Aboriginal Youth Arts Entrepreneurship Program.
WHEN: Friday, January 6, 2017 @ 7 – 10 pm
WHERE: SAW Gallery, 67 Nicholas Street, Ontario
Traditional appetizers will be served through the evening as well as entertainment by various talented singing artists throughout the event.
Entrance Fee by Donation.
Come on out!
The Parfleche by David Charette, 16″ x 20″, acrylic paint.
Denesuline and Saulteaux artist Alex Janvier’s paintings depict vibrant worlds.
I believe we are all given moments in life where if we pause to be still and present we will know that we have witnessed something truly extraordinary. In the expansive space of the Great Hall of the National Gallery of Canada last night, those of us that were there had the opportunity to feel the burden of history momentarily lifted by the presence of someone who has dedicated his body, mind and soul to beauty and to the upholding of his culture.
The crowd that came out was as expansive as the space. NGC Director Marc Mayer said that he had never seen the place so full for any previous opening. The turnout illustrated how well respected this internationally known artist is and affirmed the place that Indigenous artists hold in the consciousness of the Canadian public.
At 81 years of age, Alex Janvier is a living legend. His paintings are vibrant expressions of dark emotions transformed via vivid memories of his culture that stayed located inside him despite being sent away to residential school. He spoke of his memories of women doing quill work and beading and the “special Friday from 2 to 4” where at school the children were given a few hours to paint. “It was the only time I could express what was down deep within and go back to the creator I believe in…go back to the inside of the little boy…where I wasn’t scared.” He went on to say that in his paintings “you will see what I talked about [the experience of residential school] but also the liberation from it.”
He shared these words on the same day as the US celebrate the arrival of the pilgrims on Plymouth Rock. On thanksgiving eve, in the twilight of the night fall, the backdrop of the American Embassy and Canada’s Parliament Hill was lit up and seen through the glass enclosure of the Great Hall. Ministers and MPs came out to express their admiration. An honouring song was sung. Dances performed. The word reconciliation uttered on more than one occasion.
Has Canada arrived at a new place in time? Has something changed? Perhaps reconciliation is less about a future moment to arrive at and more about a process to begin at.
Last night what we witnessed was the spiritual tenacity that comes from thousands of years of culture stretching back farther than the concept of ‘the West.’ Alex has spent his life time tapping into that “source” as he calls it. What he gave to us all was a gift, pointing to an imagined future in these troubled times. “I believe that this moment is meant for all of us to be here.”
If we accepted his gift, we experienced grace – one moment in a lifetime that has the possibility to change us all.
The exhibit runs through until April 17, 2017. More info on the Alex Janvier exhibit here.
Join curator Greg Hill in conversation with Alex Janvier Saturday, November 25 at 2 pm at the National Gallery of Canada. More info on the Facebook Event Page. Admission is FREE for all.
Work by Kingmeata Etidlooie. Image provided by SAW Gallery.
Another year of SKETCH and raising money for local artist-run-centre Galerie SAW Gallery.
This year marks SAW‘s 12th edition of SKETCH, its annual fundraiser that draws an impressive crowd (along with bidding wars.) Always a fantastic event with art work available in everyone’s price range this night never disappoints.
WHEN: Friday, November 25 WHERE: SAW Gallery in the Arts Court building, 67 Nicholas St., Ottawa
General admission: $15 VIP tickets: $20 (include access to VIP preview and reception)
VIP preview and reception: 5PM–7PM
Silent auction and sale: 7PM–10PM
Music by The Vile Bodies (Ottawa) and DJs Michael Caffrey (Gatineau) and Chris International (Ottawa)
“Galerie SAW Gallery’s ever popular holiday fundraiser, with more than 150 participating artists!”
You won’t know what to choose from the hundreds of works available in every style imaginable! With many works priced affordably, starting at only $10, you have no excuse not to get your hands on one-of-a-kind treasures for your lovers, friends and family.
This year’s edition will include a spotlight on 1980s contemporary Inuit art, and signed photographic editions from Magnum Photos featuring artists from around the world.
All proceeds from this special edition of SKETCH will go toward Galerie SAW Gallery’s expansion within Arts Court in 2018. The new 15,000-square-foot SAW will include expanded galleries, a new international research and production space, a new archive and library, an expanded multidisciplinary venue and a renovated courtyard to accommodate festivals and screenings during the summer months. SKETCH will help kickstart our capital campaign for this transformative project!
Pitseolak Ashoona, Alexis Boyle, David Barbour, Beaston (Graham Robinson), Natalie Bruvels, François Cambe, Robert Capa, Jackson Couse, Michael Davidge, Mario Doucette, Pat Durr, Kingmeata Etidlooie, nichola feldman-kiss, Melanie Garcia, Adrian Göllner, Greta Grip, Michael Harrington, Osheen Harruthoonyan, Pedro Isztin, David Kaarsemaker, Rolf Klausener, Charlene Lau Ahier, Jennifer Lefort, Alisdair MacRae, Steve McCurry, Scott McEwan, Susan Meiselas, Andrew Moncrief, Luke Norrad, Komi Olaf, Napachie Pootoogook, Barry Pottle, Oshoochiak Pudlat, Pudlo Pudlat, Raghu Rai, Dale Lancaster Ronson, Kakulu Saggiaktok, Andrew Smith, Anne Wanda Tessier, Amy Thompson, Cara Tierney, Larry Towell, Guillermo Trejo, Winnie Truong, Eric Walker, Owen Wandering, Tavi Weisz + Ambera Wellman
Howard Adler, David Anderson, Tiffany April, Stephany Bearskin, Danielle Beaulieu, Anne Bell, Paige Bultje, Sabastien Callender, David Cation, Jeanette Charron, Pamela Cockcroft-Lasserre, Patrick Cocklin, Kristina Corre, Cairn Cunnane, Shabnam Dastoornejad, Lougien Dawoudian, Krasi Dimtch, Danielle Doucet, Virginia Dupuis, eightyaday, Sarah Ewing, Jonathan Ferrabee, Charlotte Ford, Ioana Georgescu, Elena Gorlenko, Elliot Gould, Macarena Guerra-García, Kate Hanchuk, France Henault, Emily Hobson, Gillian Holt, Rachel Horan, Saghi Hossein, Aurelia Istinah, Olga Janina Chrzanowska, Anne Johnson, Sharon Katz, Manon Labrosse, Mariana Lafrance, LES666, Rachel Lin, Tara MacDonald, Jennifer Macklem, Alex Macneill, Sara Anne Mailhot, André Mantha, Martha Markowsky, Annegret Nill, Maria-Helena Pacelli, Geneviève Parenteau, Christina Petley, Isabelle Poirier, Judithe Poitras, John-David Powell, Rene Price, Yolaine Richards, Pierre Richardson, Ryan Richardson, Maureen Rooney Mitchell, Komi Seshie, Agamjot Singh, Alexander Snetsinger, Stéphanie St-Jean Aubre, Stefan St-Laurent, Jason St-Laurent, Talya Morgana Stein, Erik Stolpmann, Svetlana Swinimer, Justyna Szłuińska, Saranush Tchilingnan, Mai Lan Tom, France-Marie Trépanier, Maddison Trites, Vivien Tytor, Claudia Urbach, Sylvie Vaillancourt, Wendy Vance, Cosette Vandenberg, Truong Vo-Van, Vanessa Waller, Stephanie Wellman, Malika Welsh, Caroline Williams, Christopher Wong, Tanis Worme, Gillian Young, Melanie Yugo + Gabrielle Zimmerman
Leanne Betasamosake Simpson will perform songs from her new album “f(l)ight: Songs & Stories for a Radical Indigenous Present.”
Tomorrow evening CIRCLE (Centre for Indigenous Research, Culture, Language and Education at Carleton University) will be hosting Leanne as part of their series of events bringing Indigenous culture provocateurs to the Carleton campus. f(l)ight: Songs & Stories for a Radical IndigenousPresent is Leanne’s newest album.
MORE ABOUT f(l)ight:
“f(l)ight is a new album of story-songs from acclaimed Michi Saagiig Nishnaabeg artist Leanne Betasamosake Simpson. Effortlessly interweaving Simpson’s complex poetics and multi-layered stories of the land, spirit, and body with lush acoustic and electronic arrangements, f(l)ight claims a unique space in contemporary Indigenous music and performance.
The album is a haunting, powerful hybrid of words, songs, and perspectives. From the gentle invocation of other forms of life offered in songs like “Road Salt” and “The Oldest Tree in the World”, to the dissonant sonics of “Caribou Ghosts and Untold Stories” and the pulsing, hypnotic rhythms of “Under Your Always Light”, Simpson’s words reverberate within and between the sounds that surround them.” Read more…
WHEN: Thursday, November 24 @ 7 – 8:30 pm WHERE: Azrieli Theatre Rm 302, Azrieli Building, Carleton University, 1125 Colonel By Dr., Ottawa (Paid Parking at Library Parking Lot)
Asinabka Film and Media Arts Festival returns to Ottawa for another year of unique programming.
This year Ottawa’s locally minded but internationally connected Film and Media Arts Festival, Asinabka, turns five. I have been attending this annual festival for the last 3 years and I am looking forward to my 4th year. I have seen it mature and grow its audience while still maintaining an important discourse with the local community of Ottawa especially regarding issues impacting Indigenous communities here on Algonquin Territory. Co-Director / Programmer Howard Adler shares that as “Asinabka Festival returns for our 5th year we couldn’t be more excited about our programming and our local and international partnerships.”
Each year the festival opens on Victoria Island at the site of Aboriginal Experiences, a beautiful location that foregrounds the Indigenous opening night film against the background of Parliament Hill and the Supreme Court of Canada – a highly symbolic vista. This year’s festival opens with Fire Song (Director Adam Garnet Jones), a film about youth suicide, sexuality, family obligations and future options.
Prior to the screening Indigenous Walks will be giving a tour that will begin at the Human Rights Monument (Elgin Street by City Hall) and end at the island where there will be a feast provided to the festival goers to share before the screening begins. Regarding the 2016 Festival programming “this is no doubt our most ambitious festival yet, showcasing more Indigenous film, media art, music, and performance than ever before, utilizing two of Ottawa’s best artist-run Centre’s for our Gallery Crawl (Gallery 101 & SAW), and continuing with our stunning traditional opening night welcome and outdoor film screening on Victoria Island!” states Howard. “There will be more delegates, filmmakers, and guests attending our festival than ever before, and there’s not enough room here to express how excited and thankful we are to host and present so much amazing art! Chi-Miigwech to everyone involved and to our faithful audience who return every year.“
Work by Geronimo Inutiq. Image provided by Asinabka.
Also this year Inuk media artist Geronimo Inutiq will have a solo show (ᐃᓱᒪᒋᓇᒍ – isumaginagu – don’t think anything of it) opening at Gallery 101 (51 Young St. Suite B). Regarding his contribution and involvement Geronimo says that Asinabka “gives us an opportunity to show and see contemporary original art works in a context that goes beyond inter-national boundaries. I am grateful and honoured to exhibit my work with video and images, and – with the Festival – help push the boundaries of what indigenous and Inuit media and art can be today.”
A little bit about the show:
How do you feel? Have you listened to your instinct today? What is your gut telling you? All the combined fields of natural and social sciences have elucidated great intellectual theories as to the nature and function of what we do and the reasons and functionality behind it. To Geronimo Inutiq, the process of artistic expression is an alternative language to all that. Guided by some sort of arbitrary intuition and abstract sense of aesthetics, he produces cultural artefacts that have been shown in galleries and museums in the context of contemporary indigenous and Inuit art exhibits and performance – both nationally and internationally. read more…
“Cowboys N’ Indians” by Alison Bremner in “Neon NDN.” Image provided by Asinabka.
“Urban Inuk” Jocelyn Piirainen is an “emerging curator with a growing interest in indigenous contemporary art. Her entry into the curatorial world began in with the first ever Indigenous Curatorial Incubator program, where she put together the “UnMENtionables” screening program and helped coordinate the “Memories of the Future” exhibition for the 2015 Asinabka Film and Media Arts Festival.” This year Jocelyn returns to Asinabka to curate Neon NDN: Indigenous Pop-Art Exhibition at SAW Gallery (Arts Court Building, 67 Nicolas St.).
From her curatorial statement:
In an article titled “Is There an Indigenous Way to Write about Indigenous Art?”, Richard William Hill recently contemplated “in purely practical terms, how would you bracket off Indigenous culture? Where do you draw the line? No more pop culture?”Had certain Indigenous artists bracketed off pop culture, Neon NDN would have been something quite different. In this Information Age, pop culture is everywhere and it’s not surprising many contemporary Indigenous artists engage with popular characters from film, television, video games, comic books, even corporate symbols and brand names. Through interacting with, reclaiming, and repurposing popular culture, Indigenous artists challenge a number of stereotypes and Hollywood tropes that have been set against Indigenous people and culture.read more…
Jocelyn states that “for this show, I really just wanted to create a sense of fun and bring in lots of colour. The theme is pop art – and for Indigenous artists, this theme isn’t quite so new as one might think.”
Both shows open on Saturday, August 13 and their will be Gallery Crawl with a FREE Shuttle bus provided. The bus will leave SAW Gallery after the 3 pm screening (OKA Legacy) wraps up. The bus will leave Gallery 101 to head back to SAW after the opening of Geronimo’s show that also includes a FREE BBQ. Neon NDN‘s vernissage will begin at 7:30 pm. Stay for the Music Night that will start at 9 pm.
From the Opening Night at Victoria Island to the closing party at Kinki Lounge (41 York St. in the Byward Market) you can find the best in contemporary Indigenous film, media and visual arts at multiple venues across the city from Wednesday, August 10 to Sunday, August 14, 2016.