Tomorrow artist panel with artists Jeff Thomas, Rosalie Favell and filmmaker Isabella-Rose Weetaluktuk speaking on activating the archives.
“The panel of artists includes Onondaga photographer and curator, Jeff Thomas; Métis artist, Rosalie Favell; and Inuk filmmaker, Isabella-Rose Weetaluktuk. All three use archival images in their innovative artistic practice, and will discuss the ways in which they are reclaiming and re-telling their histories and stories. All guests are encouraged to participate in the discussion.”
WHEN: Registration opens @ 9:30 am & panel begins at 10:30 am WHERE: Library and Archives Canada (Pellan Room 2nd Floor), 395 Wellington Street, Ottawa
“Project Naming enables Indigenous peoples to engage in the identification of photographs from Library and Archives Canada. LAC hopes that members of the public will share their knowledge. If you know the names of people depicted in our photographs or have information about an activity, event or place, LAC would love to hear from you. The majority of individuals depicted in the images in LAC’s collections were never identified. Many archival descriptions relating to events or activities are absent or have dated information (e.g. place names, band names or terminology). Or information is based on original inscriptions and captions found on the records, and hence reflects the biases and attitudes of non-Aboriginal society at the time.”
As part of the exhibition a conversation with curator Pamela Edmonds and the artists David Ofori Zapparoli and Yannick Anton will be moderated by Kwende Kefentse (aka DJ Memetic) tomorrow evening.
WHEN: Tuesday, February 27 @ 7 pm WHERE: Carleton University Art Gallery (CUAG), St. Patrick’s Building, Carleton University, Ottawa
More on the Outside These Walls:
“This exhibition brings together photographic works by Toronto-based artists Yannick Anton and David Ofori Zapparoli whose respective imagery share a community-focused and collaborative approach to documenting urban life and its people. Zapparoli has represented the visual history of Canadian cities for over 30 years, the majority of his work is informed by a strong social realist approach. Until 1999, he had focused on the public housing development of Regent Park, putting a human face on the stigmatized and transitional community of which he had been a part of since his teens.Anton’s candid and energetic photographs draw stylistic inspiration from the youthful, street, fashion, music and queer-positive cultures that he captures. Together both artists’ compelling works present unique and unapologetic insights into diverse landscapes and lives, addressing the systemic barriers that they expose and refute, while re-imagining regimes of the image away from fixed inscriptions of race, gender, class and corporeality.” (more info…)
Final day to see Transactions by curator Cara Tierney at CUAG
This amazing show “celebrating queer experiences” closes today after it’s run at the Carleton University Art Gallery (CUAG) in Ottawa. Curator Cara Tierney has created a space that pulsates with jubilation. The artists flesh out what it means to be deeply connected to your community as well as deeply loved by your community. The work in the show positions joy and empathy as resilience. Beautiful portraits of the Queer and allied community are created through visuals, words, and performance. Transactions is a visually stunning show that includes in situ graffiti by Ottawa based artist Kalkidan Assefa that wraps around corners softening the space “as the show unfolds in the visual embrace of this unswerving ally.” This is a not-to-be-missed exhibit!
WHEN: Sunday, February 12 from 1 – 5 pm WHERE: Carleton University Art Gallery, St. Patrick’s Building, Carleton University,
“Celebrating queer experiences that emerge from transactional creative exchanges, the artists in TRANSACTIONS define, refine, redefine, exult themselves today for the (a)genders of tomorrow, linking communities and challenging ideas of authenticity, allyship, belonging and being.”
Images from top to bottom: Portrait of Kama La Mackerel; graffiti by Kalkidan Assefa with work by Elisha Lim in the background; work by Elisha Lim; more work by Elisha Lim, graffiti by Kalkidan Assefa.
Warming up winter with free Indigenous film screenings.
Asinabka, one of Ottawa’s favourite summer film festivals, along with the Ottawa Art Gallery is presenting Unikkaaqtuarniq: Stories from the North just in time to celebrate Ottawa’s favourite season – winter! On Friday an outdoor screening will highlight Indigenous filmmaking from the Arctic and will include “a continuous looping program of short films by Inuit and Sámi filmmakers projected in a theatre made of snow.”
Presented in partnership with Skábmagovat film festival (Inari, Finland), the City of Ottawa, the Embassy of Finland, Gallery 101, the Ottawa Inuit Children’s Centre and Winterlude.
Also, part of the programming is award-winning filmmaker Alethea Arnaquq-Baril’s Angry Inuk
“In her film Angry Inuk, Inuit director Alethea Arnaquq-Baril joins a new tech-savvy generation of Inuit as they campaign to challenge long-established perceptions of seal hunting. Though most commercial sealing is conducted by Inuit in the Arctic, anti-sealing activism has created a perception of the industry that denies their central role in the sealskin market.”
Tipi Confessions Carleton: A Night of Indigenous Sexuality
A little bit about how Tipi Confessions came to be:
Tipi Confessions, inspired by BedPost Confessions and imported by Dr. Kim TallBear (Sisseton-Wahpeton Oyate) from Austin, Texas, is a show that explores sex and sexuality through lenses of humour and vulnerability…Working closely with BedPost co-founders and producers, sex bloggers Julie Gillis and Sadie Smythe and sex podcaster Mia Martina, we followed their sexy storytelling structure of entertainment, ethics, and education for the inaugural Tipi Confessions during the Faculty of Native Studies Indigenous Masculinities Symposium. Performers Josh Whitehead, Billy-Ray Belcourt, Tashina Makokis, Kim TallBear, and Richard VanCamp brought the audience to tears with soul-baring spoken word and raunchy humourous play-by-plays. In January 2016, Carleton University School of Indigenous and Canadian Studies PhD student, Charlotte Hoelke, launched Tipi Confessions for a student audience in Ottawa. (read more on Facebook Page)
WHEN:Friday, January 27th @ 6 – 10 pm WHERE: University Centre Atrium at Carleton University FREE! Multiple Door Prizes from Venus Envy!
Featuring sexy appearances & performances by:
Emcees: Charlotte Hoelke & Tess Laude & your anonymous CONFESSIONS!
Have a listen to the first Tipi Confession session held at the University of Alberta Faculty of Native Studies at the Art Gallery of Alberta’s Ledcor Theatre.
“It was an evening full of fun, sexy, and heartbreaking poetry and spoken word performances by the beautiful and brilliant Joshua Whitehead, Billy-Ray Belcourt, Kim Tallbear, and Richard Van Camp. Your podcast host, Tashina Makokis, was also one of the performers of that night.”
“Taking its title from a Sonny Assu button blanket depicting Spiderman in a traditional Kwakwa̱ka̱’wakw style, When Raven Became Spider is guest curated by Vancouver-based Gitxaala/British, curator, artist and writer Leena Minifie. Minifie’s research examines supernatural characters in Indigenous art and modern comic superheroes. She notes that traditional stories often highlight figures with superheroic traits, but that these figures maintain complexity as they are fallible, and capable of making mistakes. Most pop comic icons lean towards the archetypal, exhibiting simplified ways of being; they are good or evil. This generation of Indigenous artists and storytellers are increasingly depicting modern super-beings and using pop icon images within their work, blurring the line between oral stories and modern comics. Their aesthetics, style, and composition flow between both worlds.
Does the use of these modern-day images generate a space for oral narratives related to super beings? Or does it reduce these characters into one-dimensional archetypes? Does this work make stories more accessible and palatable to audiences and listeners, who may not be familiar with storytelling traditions? Do modernized forms sacrifice a certain degree of the three-dimensionality and nuance of the characters they depict? Can these characters still transmit old-world, oratory tales and teach us something about the frail human condition, as they were intended?
When Raven Became Spider grapples with such questions.”
Michèle Pearson Clarke, “MJ and Louise” from the “It’s Good to be Needed” series, C-Print, 2013
An exhibit on how loss impacts life opens this weekend at Gallery 101
In viewing the political circus down south there is a concern that we are moving away from consideration of those deep emotions that make us human. The masses are reduced down to behaving with base emotions expressed either as primal rage or manic exhilaration. Initiatives that allow for reflection on what makes us complex as well as beautiful are increasingly important giving us a chance to flesh out what it means to be human.
WHEN: Saturday, January 21 @ 3 – 7pm with panel discussion at 4 pm WHERE: Gallery 101, 51 B Young St, Ottawa
“Loss is the collateral damage of life. All of us, regardless of social status, cultural background, or ideological affiliation, experience a sense of loss, whether it is a state of bereavement at the death of a loved one, the disappearance of an old self, the expiry of childhood, etc., the state of loss permeates our experience and becomes a contrast that enables us to recognize the goodness, to savor the memories, and to keep going.
Universal Loss explores the ways in which artists with various practices, lifestyles, and backgrounds deal with the theme of loss within the context of the contemporary moment. In a world so rife with nationalistic tribalism, instability, uncertainty and conflict, working through (and embracing) this sense of the contingent, makes us better able to deal with the world, with ourselves, and our fellows: friends and strangers alike.”
Image: Oo Aqpik “Crown for Sedna” 2016. Provided by Studio Sixty Six.
Countering celebrations of nationalism with alternate narratives.
Graduating just last year from Carleton University with a Masters in Art History, Rose Ekins has already made her mark on the Ottawa art scene with her ambitious programming at Studio Sixty Six, a commercial gallery located off of Bronson Avenue. Gallery owner Carrie Colton trusted Rose’s vision allowing her the opportunity to consider how a commercial gallery could also play a role in creating a space for art that wasn’t just about saleability but also about provoking tough questions. “I was able to carve out a mandate for myself” and that mandate includes diversity not only in the media that artists work in but more importantly cultural diversity and the stories that get communicated through the work.
In an effort to offer a counter-narrative to the stories of nationalism that will be getting lots of air time in the 2017 celebrations of Canada’s Sesquicentennial, Rose has curated KANATA 150? a show that questions what the celebrations are about and who the celebrations are for. Featuring predominantly Ottawa based artists, KANATA 150? is “a nod to the origin of the country’s name,” and “presents seven emerging Indigenous artists reflecting on the nature of “Canada 150”.”
Image: Barry Pottle “Creeping South.” Provided by Studio Sixty Six
One of these artists is Barry Pottle, whose work documenting the Urban Inuit experience has previously been featured on Mixed Bag Mag. Also, the work of fellow Inuk, artist Oo Aqpik, will be presented in this show that roots Studio Sixty Six’s 2017 provocative programming that will include emerging artists Florence Yee (Menu of Exoticism) and Kosi Nnebe (Coloured Conversations) later on in the year. Originally from Nunavut, Oo is “well known for her roles in the Inuit language programs in television, radio and recently a feature film documentary, Arctic Defenders.” Like Oo, the artists of KANATA 150 are working in the capacity of activists and ambassadors of culture. Their work is about communicating to Canadians that it is a great risk if Indigenous perspectives, on where this country is headed, are not moved to the centre of all national debates.
KANATA 150? opens tomorrow evening and promises to be an engaging way to start a critical year in Canada’s history. ARTISTS:
WHEN: Thursday, January 12 @ 6 – 9 pm WHERE: Studio Sixty Six, 202-66 Muriel Street, K1S4E1
Free – Bar & Food
Physically accessible building
This event is taking place on the unceded territory of the Algonquin Anishinabeg Nation
“The City of Ottawa and Government of Canada are celebrating the 150th anniversary of the Dominion of Canada with events, promotions, and other ambitious goals to increase Canadian pride and patriotism. These festivities are promoting both the history and future of the nation state confederated in 1867. Canada is a country built from settler colonialism, which leaves the question of how the Indigenous peoples of this land are meant to participate in these celebrations. KANATA 150? (January 12 – February 18), a nod to the origin of the country’s name, presents seven emerging Indigenous artists reflecting on the nature of “Canada 150”.”
Visual Arts created by our local Indigenous Artists.
Tonight starts the first of many art openings this month in Ottawa. SAW Gallery will host Mino Bimaadiiziwin (A Good Life) Art Show. The show is part of the Aboriginal Youth Arts Entrepreneurship Program.
WHEN: Friday, January 6, 2017 @ 7 – 10 pm
WHERE: SAW Gallery, 67 Nicholas Street, Ontario
Traditional appetizers will be served through the evening as well as entertainment by various talented singing artists throughout the event.
Entrance Fee by Donation.
Come on out!
The Parfleche by David Charette, 16″ x 20″, acrylic paint.