WHAT BEAUTY!: Alex Janvier retrospective opens to a full house at the National Gallery of Canada Ottawa

Denesuline and Saulteaux artist Alex Janvier’s paintings depict vibrant worlds.

I believe we are all given moments in life where if we pause to be still and present we will know that we have witnessed something truly extraordinary. In the expansive space of the Great Hall of the National Gallery of Canada last night, those of us that were there had the opportunity to feel the burden of history momentarily lifted by the presence of someone who has dedicated his body, mind and soul to beauty and to the upholding of his culture.

The crowd that came out was as expansive as the space. NGC Director Marc Mayer said that he had never seen the place so full for any previous opening. The turnout illustrated how well respected this internationally known artist is and affirmed the place that Indigenous artists hold in the consciousness of the Canadian public. 

At 81 years of age, Alex Janvier is a living legend. His paintings are vibrant expressions of dark emotions transformed via vivid memories of his culture that stayed located inside him despite being sent away to residential school. He spoke of his memories of women doing quill work and beading and the “special Friday from 2 to 4″ where at school the children were given a few hours to paint. “It was the only time I could express what was down deep within and go back to the creator I believe in…go back to the inside of the little boy…where I wasn’t scared.” He went on to say that in his paintings “you will see what I talked about [the experience of residential school] but also the liberation from it.”

He shared these words on the same day as the US celebrate the arrival of the pilgrims on Plymouth Rock. On thanksgiving eve, in the twilight of the night fall, the backdrop of the American Embassy and Canada’s Parliament Hill was lit up and seen through the glass enclosure of the Great Hall. Ministers and MPs came out to express their admiration. An honouring song was sung. Dances performed. The word reconciliation uttered on more than one occasion.

Has Canada arrived at a new place in time? Has something changed? Perhaps reconciliation is less about a future moment to arrive at and more about a process to begin at.

Last night what we witnessed was the spiritual tenacity that comes from thousands of years of culture stretching back farther than the concept of ‘the West.’ Alex has spent his life time tapping into that “source” as he calls it. What he gave to us all was a gift, pointing to an imagined future in these troubled times. “I believe that this moment is meant for all of us to be here.”

If we accepted his gift, we experienced grace – one moment in a lifetime that has the possibility to change us all.

The exhibit runs through until April 17, 2017. More info on the Alex Janvier exhibit here.

Join curator Greg Hill in conversation with Alex Janvier Saturday, November 25 at 2 pm at the National Gallery of Canada. More info on the Facebook Event Page. Admission is FREE for all.

Images by Leah Snyder for Mixed Bag Mag.

 

 

 

 

 

SKETCH @ SAW: Friday Night Fundraiser at SAW Gallery Ottawa


Work by Kingmeata Etidlooie. Image provided by SAW Gallery.

Another year of SKETCH and raising money for local artist-run-centre Galerie SAW Gallery.

This year marks SAW‘s 12th edition of SKETCH, its annual fundraiser that draws an impressive crowd (along with bidding wars.) Always a fantastic event with art work available in everyone’s price range this night never disappoints.

WHEN: Friday, November 25
WHERE: SAW Gallery in the Arts Court building, 67 Nicholas St., Ottawa 

General admission: $15
VIP tickets: $20 (include access to VIP preview and reception)

VIP preview and reception: 5PM–7PM
Silent auction and sale: 7PM–10PM
After-party: 10PM–1AM

Music by The Vile Bodies (Ottawa) and DJs Michael Caffrey (Gatineau) and Chris International (Ottawa)

From the Facebook Event Page:

“Galerie SAW Gallery’s ever popular holiday fundraiser, with more than 150 participating artists!”

You won’t know what to choose from the hundreds of works available in every style imaginable! With many works priced affordably, starting at only $10, you have no excuse not to get your hands on one-of-a-kind treasures for your lovers, friends and family.

This year’s edition will include a spotlight on 1980s contemporary Inuit art, and signed photographic editions from Magnum Photos featuring artists from around the world.

All proceeds from this special edition of SKETCH will go toward Galerie SAW Gallery’s expansion within Arts Court in 2018. The new 15,000-square-foot SAW will include expanded galleries, a new international research and production space, a new archive and library, an expanded multidisciplinary venue and a renovated courtyard to accommodate festivals and screenings during the summer months. SKETCH will help kickstart our capital campaign for this transformative project!

Silent auction:

Pitseolak Ashoona, Alexis Boyle, David Barbour, Beaston (Graham Robinson), Natalie Bruvels, François Cambe, Robert Capa, Jackson Couse, Michael Davidge, Mario Doucette, Pat Durr, Kingmeata Etidlooie, nichola feldman-kiss, Melanie Garcia, Adrian Göllner, Greta Grip, Michael Harrington, Osheen Harruthoonyan, Pedro Isztin, David Kaarsemaker, Rolf Klausener, Charlene Lau Ahier, Jennifer Lefort, Alisdair MacRae, Steve McCurry, Scott McEwan, Susan Meiselas, Andrew Moncrief, Luke Norrad, Komi Olaf, Napachie Pootoogook, Barry Pottle, Oshoochiak Pudlat, Pudlo Pudlat, Raghu Rai, Dale Lancaster Ronson, Kakulu Saggiaktok, Andrew Smith, Anne Wanda Tessier, Amy Thompson, Cara Tierney, Larry Towell, Guillermo Trejo, Winnie Truong, Eric Walker, Owen Wandering, Tavi Weisz + Ambera Wellman

Art sale:

Howard Adler, David Anderson, Tiffany April, Stephany Bearskin, Danielle Beaulieu, Anne Bell, Paige Bultje, Sabastien Callender, David Cation, Jeanette Charron, Pamela Cockcroft-Lasserre, Patrick Cocklin, Kristina Corre, Cairn Cunnane, Shabnam Dastoornejad, Lougien Dawoudian, Krasi Dimtch, Danielle Doucet, Virginia Dupuis, eightyaday, Sarah Ewing, Jonathan Ferrabee, Charlotte Ford, Ioana Georgescu, Elena Gorlenko, Elliot Gould, Macarena Guerra-García, Kate Hanchuk, France Henault, Emily Hobson, Gillian Holt, Rachel Horan, Saghi Hossein, Aurelia Istinah, Olga Janina Chrzanowska, Anne Johnson, Sharon Katz, Manon Labrosse, Mariana Lafrance, LES666, Rachel Lin, Tara MacDonald, Jennifer Macklem, Alex Macneill, Sara Anne Mailhot, André Mantha, Martha Markowsky, Annegret Nill, Maria-Helena Pacelli, Geneviève Parenteau, Christina Petley, Isabelle Poirier, Judithe Poitras, John-David Powell, Rene Price, Yolaine Richards, Pierre Richardson, Ryan Richardson, Maureen Rooney Mitchell, Komi Seshie, Agamjot Singh, Alexander Snetsinger, Stéphanie St-Jean Aubre, Stefan St-Laurent, Jason St-Laurent, Talya Morgana Stein, Erik Stolpmann, Svetlana Swinimer, Justyna Szłuińska, Saranush Tchilingnan, Mai Lan Tom, France-Marie Trépanier, Maddison Trites, Vivien Tytor, Claudia Urbach, Sylvie Vaillancourt, Wendy Vance, Cosette Vandenberg, Truong Vo-Van, Vanessa Waller, Stephanie Wellman, Malika Welsh, Caroline Williams, Christopher Wong, Tanis Worme, Gillian Young, Melanie Yugo + Gabrielle Zimmerman

CIRCLE PRESENTS: Leanne Betasamosake Simpson performers new work at Carleton University Ottawa

Leanne Betasamosake Simpson will perform songs from her new album “f(l)ight: Songs & Stories for a Radical Indigenous Present.”

Tomorrow evening CIRCLE (Centre for Indigenous Research, Culture, Language and Education at Carleton University) will be hosting Leanne as part of their series of events bringing Indigenous culture provocateurs to the Carleton campus. f(l)ight: Songs & Stories for a Radical Indigenous Present is Leanne’s newest album.

MORE ABOUT f(l)ight:

“f(l)ight is a new album of story-songs from acclaimed Michi Saagiig Nishnaabeg artist Leanne Betasamosake Simpson. Effortlessly interweaving Simpson’s complex poetics and multi-layered stories of the land, spirit, and body with lush acoustic and electronic arrangements, f(l)ight claims a unique space in contemporary Indigenous music and performance.

The album is a haunting, powerful hybrid of words, songs, and perspectives. From the gentle invocation of other forms of life offered in songs like “Road Salt” and “The Oldest Tree in the World”, to the dissonant sonics of “Caribou Ghosts and Untold Stories” and the pulsing, hypnotic rhythms of “Under Your Always Light”, Simpson’s words reverberate within and between the sounds that surround them.” Read more…

WHEN: Thursday, November 24 @ 7 – 8:30 pm
WHERE: Azrieli Theatre Rm 302, Azrieli Building, Carleton University, 1125 Colonel By Dr., Ottawa (Paid Parking at Library Parking Lot)

**FREE ADMISSION**

Check out Leanne performing with Anishinaabe / Nehayo singer Tara Williamson for Toronto’s Basement Revue.

Come on out!

Poster design by Leah Snyder for CIRCLE

REMEMBERING ALL VETERANS TODAY: November 11, 2016 #RemembranceDay #Ottawa

Image by Leah Snyder for Mixed Bag Mag. 

HOW TO BUILD A MUSEUM: Theaster Gates’ Exhibit ends this weekend at the Art Gallery of Ontario Toronto

“An ailing house that grew a healing song”

This expansive thematic show that uses House music as both an allegory and an art form ends this weekend. It’s worth spending time moving back and forth through the rooms to hear, or rather feel, how the soundscape informs works that are deceptively benign but loaded with signifiers of oppression / liberation creating intersections where labour meets love.


Throughout the duration of How to Build a House Museum local Toronto dancers Jasmyn Fyffe, Kosi Eze, Esie Mensah, and Diana Reyes have animated the most cavernous of the rooms to echo the movements of the video installation bringing the vision off the wall.

Today, Saturday, October 29 Toronto talent Esie Mensah will be performing between 2 – 4 pm.

“Chicago-based artist Theaster Gates takes over the fifth floor of the AGO’s Contemporary Tower with an immersive exhibition exploring the potential of the house museum—historically important landmarks that have been transformed into legacy sites. Gates proposes new ways of honouring and remembering Black experience and explores the potential of these spaces through music, dance, video, sculpture and painting.”

For more info on the show click here.


Images by Leah Snyder for Mixed Bag Mag.

IN REMEMBRANCE OF CHANIE WENJACK: CBC Airs Gord Downie’s “Secret Path” Tonight at 9 pm

This week Gord Downie premieres his project The Secret Path at the National Arts Centre and on CBC

I had the opportunity to attend the premiere of The Secret Path this past Tuesday at the National Arts Centre. It was not an easy event to get through. Gord Downie along with illustrator Jeff Lemire have created a work that invokes discomfort and deep pain – as it should.

Chanie (Charlie) Wenjack was a young Anishinaabe boy from Marten Falls First Nation. He was only one of 150,000 children that were taken from their parents and placed into residential schools often thousands of kilometres away. Far in physical and emotional distance, a large percentage of these children, an estimated 6000, never returned home.

The Wenjack family was present at the NAC and has been a part of this project to bring awareness not only to the past but also to the present – many Indigenous teenagers must leave their community to attend high school. Having high schools on all reserves would allow for kids to stay in their home communities. This is part of the message of Pearl Wenjack, Chanie’s sister, who shared with the audience at the NAC her memories of her little brother and her hope for his legacy.

Along with the production of The Secret Path video and album a foundation (The Gord Downie & Chanie Wenjack Foundation) has also been established to raise money for projects that promote opportunities for cross-cultural dialogue between Non-Indigenous and Indigenous communities. In the spirit of reconciliation, as Gord Downie says “It’s time to get started folks, we had the last 150 years, now we have the next.”

Tonight, Sunday, October 23 at 9 pm CBC will be airing The Secret Path.

To donate to the Wenjack foundation visit www.downiewenjack.ca.

Images by Leah Snyder for Mixed Bag Mag. 

 

 

 

THANKS-GIVING WEEKEND: Talented #Indigenous #Women coming to #Ottawa

This weekend the city of Ottawa hosts two talented women. Filmmaker Alethea Arnaquq-Baril will be screening her doc “TUNNIIT: Retracing the Lines of Inuit Tattoos” at Carleton University, a CIRCLE (Centre for Indigenous Research, Culture, Language & Education) event.

WHEN: Friday, October 7 @ 6-8:30 pm
WHERE: St. Patrick’s Building (Behind the Residence Commons) Rm 100 at Carleton University, 1125 Colonel By Drive, Ottawa, ON K1S 5B6, Paid Parking Lot P6
*FREE ADMISSION**

On Saturday night  singer / songwriter Iskwé will be performing at the Mercury Lounge along with cellist Cris Derksen.

WHEN: Saturday, October 8 Doors Open @ 8pm Show starts @ 9pm
WHERE: Mercury Lounge
$12 Advance Tickets. More at the Door.

Visit the TUNNIIT Screening FB Event Page and ISKWE at Mercury Lounge FB Event Page for more information.

 

#JUSTICEFORCOLTENBOUSHIE

Illustration by @zola_mtl & zolamtl.tumblr.com

Colten was a 22 year old man who was murdered on Tuesday, August 9. He was out for the day with friends. On the way back home they got a flat tire. They drove down a farmer’s lane to get help. They chose the wrong farm. While sitting in the back of the car Colten was shot by the farmer whose laneway they drove down. In one article I read the farmer’s wife was reported as saying “that’s what you get for trespassing” to the surviving friends.

Last week the farmer, charged with second degree murder, pleaded not guilty and was let out on $10,000 bail.

After Colten’s murder was released in the news social media was full of people posting in support of the farmer, Gerald Stanley.

1 person posted “In my mind his only mistake was leaving 3 witnesses.” That person was Ben Kautz. Kautz is (was) a councillor for Regina. He was not fired for his post that advocated for the death of 3 people. Rather, he “offered to resign” after social media responses to his post put pressure on him. Kautz’s wife was reported as saying My husband removed his comment. I wish we could just leave it at that.

Kautz himself said “It was a stupid thing to say. It wasn’t serious, (but) the damage is done. I’ve got to live with it.”

Why the callousness and such disregard for the lives of these young people as well as lack of grace for what the mourning family, friends and community of Colten’s must be going through? Because Colten was from Red Pheasant First Nation. Colten, as an Indigenous male, was in the wrong place at the wrong time looking for help from a bigot.

Another city councillor was reported saying about Kautz’s comments ““I think everybody says something sometimes that they regret 10 seconds after. I don’t think you’re human if you haven’t.”

Equating hate speech as something we all do? Only people with bad hearts say things like this and don’t consider the weight, the impact and the hurt those words have.

I have been in arguments with people that say Canada isn’t racist. I have had one person concede that that racism is well – “benign racism.” I am not really sure what that means as racism is never benign. Maybe it means that if that person doesn’t have a weapon that the person on the receiving end of the racism won’t be injured or even worse killed, that racism in Canada is different because the gun laws here differ from the States? Maybe Gerald Stanley’s Canadian brand of benign racism might have had different results if he wasn’t holding a gun that he felt justification for shooting because they were on his “property.”

A life has been lost, a community impacted and the other young people with Colten that day have to carry that trauma now throughout their life.

You can share this image (via instagram @zola_mtl) if you are in support of #JusticeForColtenBoushie.

 

 

LEAVING A LEGACY: #GordDownie speaks to #Canadians about #Indigenous relations & what needs to change

Gord Downie. My kind of man. 

As a teenager, I was saving my grocery store pay cheque to get to concerts like Fishbone and Red Hot Chilli Peppers at venues such as the Concert Hall in Toronto. I remember seeing The Tragically Hip around the same time. A friend, an early and super enthusiastic fan, convinced me to go a with her. It was a local venue (The Highlands in Cambridge, Ontario) and the ticket price was dirt cheap. If I recall, it was 1989. They had just come out with their album Up to Here and were gaining lots of buzz in alternative music circles. There probably wasn’t more than 300 people in the bar that night but they played as tight as they did in Kingston at their final concert and Gord Downie moved around on stage like his pants were on fire. I was impressed. This band had presence for sure and you could tell they were about to get big. At the time, The Hip wasn’t necessarily my kind of music but I came to realize Gord Downie was my kind of man – a solid, compassionate and politically astute person who stands behind his convictions. And so, because I am a big fan of the person he is, I tuned into CBC to participate, along with so many others across the country, in witnessing an act of grace. 

Last night people experienced the stellar human being Gord is. His affection and love for his band mates came through with the closeness of their body language – the way they embraced each other at the end of each set and before yet another encore. By the end of the night it was clear to everyone, if you didn’t already know, that the Hip’s frontman is an exceptional storyteller. Sometimes cryptic, other times unconcealed, whether he takes his audience deep into a mystery or documents a moment in history his songwriting sets up a scene for the listener. All can enter in and feel the emotion he evokes with words and notes. And those emotions he sings of are complex filled with longing, doubt, courage, truth, frustration as well as joy.

And so it was fitting and symbolic that this man who has protested against corporate energy giant Enbridge (Rock the Line), donated hundreds of thousands of dollars to environmental organizations (WaterKeeper) and performed in support of an Indigenous community in crisis (Attawapiskat First Nation) would confront his audience with the complicated, emotionally loaded story of Canada at a historical moment when so much anger, confusion and shame is rising to the surface. Along with those darker emotions we are also seeing goodwill and empathy. Hearts are opening. 

Online, in real time, I watched my Facebook start to percolate with feeds of friends thankful that he took this very heightened and intense moment to drop a truth bomb onto the crowd.

Dr. Kahente Horn-Miller is one of those friends. A proud Kanien’kéha (Mohawk) woman from Kahnawà:ke she teaches at Carleton University in Ottawa introducing students to the concepts of Indigenous Governance. She is also a performer who re-enacts the Haudenosaunee creation story of Sky Woman. She “re-matriates” the ethnographic accounts of Sky Woman written down by white men recording what they believed to be a dying culture. She revives the story of Sky Woman by weaving in the reflections of contemporary Haudenosaunee women who use it as a guiding force for their lives asserting spiritual sovereignty. She shares:

His words connected us to the moment. All of us watching across the internet and television screens, the Indigenous and non-indigenous people who grew up loving the music, he brought us together. His last words to us mean so much. He knew the numbers of people that would be watching world wide and used that as a gift to bring his message home. “There are problems in this country…” he said. “The people way up north, that we were trained our entire lives to ignore, trained our entire lives to hear not a word on what’s going on up there. What’s going on up there ain’t good, maybe worse than it’s ever been…. We’re going to get it fixed.” I think he may be right.

Originally from Wasauksing First Nation, Anishinaabe writer and CBC journalist Waubgeshig Rice is now based in Ottawa and was fortunate to see the second-to-last Hip show here at The Canadian Tire Centre. Although he didn’t view CBC’s livestream of the final performance he caught up with the news and comments online after the show. 

It’s very heartwarming to know that with an audience of millions during what could be his last public performance, Gord Downie chose to put the spotlight on the plight of Indigenous people and the government’s responsibility to address the issues. He made few other statements or proclamations during the show, so the fact he spoke about the need to pay attention to Indigenous communities during his limited time was very moving. Hopefully Canadian leaders heed his words, and Canadian fans follow his example.

We need a different kind of land.

We need different kinds of cultural expressions and relationships to this land. So if you are a Hip fan who hasn’t considered how our environment is negatively impacted by corporate / government entanglement around natural resources or considered Canada’s complicated and hurtful relationships with Indigenous folks and the intersection where these problems all meet consider the legacy Gord Downie handed off to the audience last night. 

Change lies in the hands of Canadians. 

This is serious stuff. If this world has a hope in hell of surviving the climate change tipping point we have arrived at it will be because the Inuit elders in the Arctic are heard and consulted. It will be because Canadians decide that a road blockade that asserts First Nations governance isn’t an inconvenience. Rather, these kinds of actions will be understood as the original custodians of the land offering protection for natural resources. Canadians will be able to see that in the long term these actions benefit everyone living here as well as ensure the survival of the entire planet. 

Protection of water, trees, and air is the most critical issue at this moment.

Gord Downie gets that. It’s why he has contributed his time and talent as well as put his money where his mouth is. It’s why he’s been a strong ally in support of Idle No More raising awareness about Canada’s involvement / non-involvement with issues facing Indigenous people living within the political boundaries of Canada. It’s why he is vocal about Canada’s not-so-pleasant past and the current realities faced by everyone living within these borders.

I would not want any part in propagating, galvanizing or burnishing some of the stupid mythology in this country – that we are this clean pristine place, that we got it all figured out, that we know best for the world, that there is nothing anyone can teach us…these things I write about…the Canada I know…I wouldn’t do it if I thought I just was propping up an old stupid mythology. (Q Interview 2012)

Last night this man who has given much to Canada in terms of fleshing out Canadian identity cautioned about the nostalgic trap ‘Canada the Good’ will land this Nation in if Canadians decide to remain comfortable in this narrative. In his role as a storyteller he summoned his audience to critique as well as re-vision what Canadian identity means. Does being a Canadian include consideration of Indigenous sovereignty and support of those working towards environmental equity? He called out his audience as well as Prime Minister Justin Trudeau to be on the right side of history, to push for change.

As a fan, where on this land do you stand?

“ABOUT THIS MAP” by the Tragically Hip

About this map, here we are, here
See, this is us, the exit is here, and
We’ve come too far, to just feel like this, yeah
We’ve come too far, to be feeling like this

Certain, certain
You want to, want to
Certain, certain
You want to, want to

About this map, it’s a bit out of date, yeah
Territories shifted, and things get renamed
There’s coups, revolutions, and boundaries blur
Volcanoes and earthquakes turn words into birds

It’s certain, certain
You want to, want to
Certain, certain
You want to, want to, want to

But, oh, about this map
It goes beyond, beyond
And, oh about this map
About this map

About this map, here we are, here
See, this is me, and there you are, there, and
There’s got to be more than just to despair
There’s got to be more than just to despair

I’m certain, certain
I want to, want to
You’re certain, certain
You want to, want to, want to

And, oh, about this map
It goes beyond, beyond
Forget about this map
About this map

And, oh, about this map
We don’t live in our heads
Forget about this map
About this map
About this map
About this map
About this map

ARTICLES & RESOURCES: 

Gord Downie uses Tragically Hip Concert to spur Trudeau on First Nations
The Politically Hip Gord Downie
Gord Downie speaking on Attawapiskat (CBC Q approximately 25:00)

CBC Aboriginal (Main Website & Facebook)
CBC Radio “Unreserved” (Main Website & Facebook)
CBC’s 8th Fire
APTN (Aboriginal Peoples Television Network Main Website & Facebook)
Environmental Defence (Main Website & Facebook)
WaterKeeper (Main Website & Facebook)
Environmental Defence (Main Website & Facebook)
Idle No More

ASINABKA CELEBRATES 5 YEARS: #Indigenous #Film #Media #Arts #Festival on #Algonquin #Territory #Ottawa

Asinabka Film and Media Arts Festival returns to Ottawa for another year of unique programming.

This year Ottawa’s locally minded but internationally connected Film and Media Arts Festival, Asinabka, turns five. I have been attending this annual festival for the last 3 years and I am looking forward to my 4th year. I have seen it mature and grow its audience while still maintaining an important discourse with the local community of Ottawa especially regarding issues impacting Indigenous communities here on Algonquin Territory. Co-Director / Programmer Howard Adler shares that as “Asinabka Festival returns for our 5th year we couldn’t be more excited about our programming and our local and international partnerships.”

Each year the festival opens on Victoria Island at the site of Aboriginal Experiences, a beautiful location that foregrounds the Indigenous opening night film against the background of Parliament Hill and the Supreme Court of Canada – a highly symbolic vista. This year’s festival opens with Fire Song (Director Adam Garnet Jones), a film about youth suicide, sexuality, family obligations and future options.

Prior to the screening Indigenous Walks will be giving a tour that will begin at the Human Rights Monument (Elgin Street by City Hall) and end at the island where there will be a feast provided to the festival goers to share before the screening begins. Regarding the 2016 Festival programming “this is no doubt our most ambitious festival yet, showcasing more Indigenous film, media art, music, and performance than ever before, utilizing two of Ottawa’s best artist-run Centre’s for our Gallery Crawl (Gallery 101 & SAW), and continuing with our stunning traditional opening night welcome and outdoor film screening on Victoria Island!” states Howard. “There will be more delegates, filmmakers, and guests attending our festival than ever before, and there’s not enough room here to express how excited and thankful we are to host and present so much amazing art! Chi-Miigwech to everyone involved and to our faithful audience who return every year.

Work by Geronimo Inutiq. Image provided by Asinabka. 

Also this year Inuk media artist Geronimo Inutiq will have a solo show (ᐃᓱᒪᒋᓇᒍ – isumaginagu – don’t think anything of it) opening at Gallery 101 (51 Young St. Suite B). Regarding his contribution and involvement Geronimo says that Asinabka “gives us an opportunity to show and see contemporary original art works in a context that goes beyond inter-national boundaries. I am grateful and honoured to exhibit my work with video and images, and – with the Festival – help push the boundaries of what indigenous and Inuit media and art can be today.” 

A little bit about the show:

How do you feel? Have you listened to your instinct today? What is your gut telling you? All the combined fields of natural and social sciences have elucidated great intellectual theories as to the nature and function of what we do and the reasons and functionality behind it. To Geronimo Inutiq, the process of artistic expression is an alternative language to all that. Guided by some sort of arbitrary intuition and abstract sense of aesthetics, he produces cultural artefacts that have been shown in galleries and museums in the context of contemporary indigenous and Inuit art exhibits and performance – both nationally and internationally. read more…

“Cowboys N’ Indians” by Alison Bremner in “Neon NDN.” Image provided by Asinabka. 

“Urban Inuk” Jocelyn Piirainen is an “emerging curator with a growing interest in indigenous contemporary art. Her entry into the curatorial world began in with the first ever Indigenous Curatorial Incubator program, where she put together the “UnMENtionables” screening program and helped coordinate the “Memories of the Future” exhibition for the 2015 Asinabka Film and Media Arts Festival.”  This year Jocelyn returns to Asinabka to curate Neon NDN: Indigenous Pop-Art Exhibition at SAW Gallery (Arts Court Building, 67 Nicolas St.).

From her curatorial statement:

In an article titled “Is There an Indigenous Way to Write about Indigenous Art?”, Richard William Hill recently contemplated “in purely practical terms, how would you bracket off Indigenous culture? Where do you draw the line? No more pop culture?”Had certain Indigenous artists bracketed off pop culture, Neon NDN would have been something quite different. In this Information Age, pop culture is everywhere and it’s not surprising many contemporary Indigenous artists engage with popular characters from film, television, video games, comic books, even corporate symbols and brand names. Through interacting with, reclaiming, and repurposing popular culture, Indigenous artists challenge a number of stereotypes and Hollywood tropes that have been set against Indigenous people and culture. read more…

Jocelyn states that “for this show, I really just wanted to create a sense of fun and bring in lots of colour. The theme is pop art – and for Indigenous artists, this theme isn’t quite so new as one might think.”

Both shows open on Saturday, August 13 and their will be Gallery Crawl with a FREE Shuttle bus provided. The bus will leave SAW Gallery after the 3 pm screening (OKA Legacy) wraps up. The bus will leave Gallery 101 to head back to SAW after the opening of Geronimo’s show that also includes a FREE BBQ. Neon NDN‘s vernissage will begin at 7:30 pm. Stay for the Music Night that will start at 9 pm.

From the Opening Night at Victoria Island to the closing party at Kinki Lounge (41 York St. in the Byward Market) you can find the best in contemporary Indigenous film, media and visual arts at multiple venues across the city from Wednesday, August 10 to Sunday, August 14, 2016.

For the full schedule click here.

Follow on Facebook & twitter @asinabkafest.

Images by Leah Snyder for Mixed Bag Mag unless otherwise noted.