FREE & EASY: Luminato Concert Series at David Pecaut Square Toronto

Woman playing guitar and singing on stage

K-os & Serena Ryder – snapping some great Canadian musicians. Home-grown talent at its best!

MIXED BAG MAG is pleased to showcase our talented guest photographer Ardean Peter’s coverage of some this year’s performances at the Luminato Hub. Out under the open air and starry skies (Luminato seems to have the Gods & Goddesses of weather on their side) each year you can enjoy music from all over – the most popular Italian rapper to the most acclaimed Sufi singers from Azerbaijan…it’s a definite trip. And best feature? It’s FREE so hit the Hub from 8 pm to 11 pm each night until this Sunday for some unique beats.

Man singing into microphone on stage

What Ardean has to say about Luminato:

“It is a treat to be able to see such talented and successful Canadian artists – and in a free venue! This past weekend I loved getting a chance to madly sing along to my favorite K-os songs and re-acquaint myself with Serena Ryder – a spectacular and genuine performer.

A bonus though was experiencing these artists amongst a diverse group of spectators – from age to ethnic background. Everyone was there to enjoy great live music and during the course of the night, I even connected with a new friend. Saturday night I found myself back at ‘The Hub’ for the Maxi Priest concert where I busted a move or two to the pop-reggae tunes.

I’m looking forward to attending a few more  performances at David Pecaut Square before the festival closes this Sunday but next year I plan to add even more of Luminato’s events to my schedule so I can experience and enjoy everything that Luminato has to offer!”

More of Ardeans beautiful work can be found at www.mynameisardean.com.
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Man singing into microphone on stage along with breakdancers and other man playing guitar
Man singing on stage with audience looking on
Woman playing guitar and singing on stage with her band in the background
Woman playing guitar and singing on stage with man walking behind her
Woman singing on stage
Woman playing guitar and singing on stage
K-os & Serena Ryder performing for Luminato 2013. All images by Ardean Peters.

Coming up this week at the Luminato Festival Hub:

WEDNESDAY: Patricia Cano (8 pm) & Danse Lhasa Danse (9 pm)

THURSDAY: L’Hsao (8 pm) & Patrick Watson (9 pm)

FRIDAY: Toronto Symphony Orchestra

SATURDAY:Kevin Breit (8 pm) & Roseanne Cash (9 pm)

SUNDAY: Garifuna Collective (2 pm) & Danny Michel (3 pm)

Can’t make it to the out? Each performance will be livestreamed on each artists’ event page.

Crowd lying on ground with bolsters behind their heads and headphones on listening to performer.
Large screen on stage with hands of DJ spinning records and performing
Crowd enjoying the Kid Koala performance at Luminato 2013. All images by Ardean Peters.

 

 

LUMINATO ART SPACES: What’s On This Week

Torso of woman in white address with X painted on the front in dripping paint. Another woman in white outfit in the back with paint strokes on her outfit.

LUMINATO -  great art installations that engage the public making the audience part of the art.

This collection of images is from last year’s Luminato exhibit Soon is Now with Canadian artist Corno.

Corno transformed Airship37 in Toronto’s Distillery District with an intense shock of colour that felt like a crayon box had exploded. Fun, random, spontaneous and indicative of the unexpected you can always expect to find with Luminato.

Model in high heels and dress with X painted on the front. Artist behind her painting the back of her dress.


MIXED BAG MAG recommends checking out:


Image from Luminato.

MAI – Prototype
21st Century Startist Marina Abramović has landed in our city.

“MAI will be the largest expression of what the artist calls the Marina Abramovic Method. Across a series of interlocking pavilions, audience members are guided through exercises and experiences based on Abramovic’s past work. Rather than creating the performance, Abramovic empowers the audience to craft their own experience, as participants don white lab coats and headphones, and disconnect from the outside world for approximately two hours.”  More here on Luminato’s website…

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Image from Luminato.

STOCKPILE
Ok. This sounds like fun!

“An interactive performance spectacle in the heart of Toronto’s financial district. Come one, come all to a life-sized arcade-style claw machine filled with useful objects donated by the community along with special surprises. As the artists themselves become the claw, see if you can manipulate them into delivering the prize you desire while contemplating this carnivalesque exchange of value and examining what winning and losing means to the collective.”  More here on Luminato’s website…

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Image from Luminato.

One Thousand Speculations
& this just sounds crazy!

“The largest mirror ball in the world will make Toronto dazzle and spin in its thousands of reflections for the duration of the Luminato Festival. I don’t think that any Torontonian will have seen David Pecaut Square in this kind of light. It will be sexy, seductive, exhilarating and will amaze anyone from 4 to 104 years old.”  More here on Luminato’s website…

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FOLLOW LUMINATO ON  – Facebook | Twitter | Youtube | Google+Pinterest | Instagram and www.luminatofestival.com!

Female artist painting model in suit and large wig. Crowd watchs.
Female artist uses hair dryer to blow on the back of model's back where she has painted what looks like a peace sign.
Woman painting a large canvas with broad brush strokes. DJ spinning records in the background.
Model in suit, high heels and wig made like a hat smiles down at an old man looking up at her smiling.
Images of Luminato 2012 Corno’s Soon is Now by Leah Snyder for Mixed Bag Mag.

FATHER’S WHO FIGHT FOR FREEDOM

Little girl sitting on her father's shoulders during a protest on Syria, holding a flag with message FREEDOM with more flags in backbround. Syrians protest against Assad in Toronto. Image by Leah Snyder for Mixed Bag Mag.

How many father’s actions are motivated by their dreams for their children?

Dreams of freedom. Dreams of safety.
Dreams of justice.

For every revolution resolved there are fathers to thank for the risks they took.

Large crowd of people walking down Istanbul city street waving the Turkish flag.

At protests in Turkey and uprisings in Syria fathers are fighting for their children and their grandchildren to have a life that respects their humanity.

Young woman from Soweto raises her hand with other students behind her holding a flag with words "Students and Parents let's be one. Kruger's boys have killed again."

Today, on June 16, as South Africa commemorates the 1976 Student Uprisings in Soweto, along with those courageous young people, we remember a father to a nation. Because of the sacrifice of Nelson Mandela, as well as the sacrifice of his own children who waited 27 years for their father’s freedom, we see a very different South Africa in the 21st Century.

And today in Canada, as we totter on the edge of environmental disaster of epic proportions, father’s from East to West, from all backgrounds, Indigenous and non-indigenous,  are fighting for Canadians to have a country where they can drink clean water, breathe in fresh air and live healthy lives for all the generations to come.

Let’s support all the fathers who are making this world better.

Older man raises his hand in peace symbol, young boys in behind him holding giant Syrian FREEDOM flag like a blanket.
Syrians protest against Assad in Toronto. Image by Leah Snyder for Mixed Bag Mag.

THE QUINTESSENTIAL 21st CENTURY ARTS FESTIVAL: Luminato

Kids being interviewed at K'Naan.
Young fans talking to the CBC about why they love K’NAAN and performing an impromptu version of K’NAAN’s “Waving Flag”.

LUMINATO 2013 BEGINS TODAY! More info @ www.luminatofestival.com

Reposted from July 12, 2012

Just over a year ago I gave myself an assignment to start the ball rolling on what was ultimately going to be my bigger project – MIXED BAG MAG. On my blog, The L. Project, I began to produce a portfolio of work that demonstrated my knack at uncovering and then curating a theme, a stream, an undercurrent. I went out into Toronto to find other people that spoke a new 21st Century language – intercultural, interdisciplinary, socially innovative – people that with their creativity were into sparking a flame that could lead to BIG change.

And since I went out to explore what made Toronto such a fantastic model for a 21st Century city it only made sense to begin my journey of discovery by covering what I believe to be the quintessential model of a 21st Century arts festival – LUMINATO.

LUMINATO is the ultimate mixed bag!

  • It celebrates all the artistic disciplines, this year even including the Culinary Arts.
  • Not just cross-disciplinary, LUMINATO also makes cross-cultural dialogue the cornerstone upon which it has built an interesting series of hybrid commissions including last year’s 1001 Nights which brought together the talent of British director Tim Supple and Lebanese writer Hanan Al-Shaykh.
  • As well, LUMINATO has a mandate to go out into the community to create successful education & outreach projects that are socially innovative.

For LUMINATO 2011 I cleared out my account and bought all the tickets I could afford. Along with my bank account I cleared my calendar and for the next 10 days immersed myself into all that I love –dance, music, film, literature, visual arts, design and more! Extraordinary was already in season for me in 2011 and with 35+ events attended in all, LUMINATO was undoubtedly the highlight of my year!

At Luminato 2012, I spent most of my nights taking advantage of the free concerts at the Luminato Hub (David Pecaut Square) in an effort to scout out what acts may be a fit for MIXED BAG MAG. The music I experienced criss-crossed the globe from Mali (Fatoumata Diawara) to the Balkans (Shantel & The Bucovina Club Orkestar & our local Lemon Bucket Orkestra), and included Canada’s own K’NAAN, a Somali born performer who mixes hip-hop with traditional Somali musical elements and poetry.

K'naan performing with Nelly Furtado

The crowd at K'Naan.

Each night as I witnessed the diverse crowds that would show up I noticed something. Along with people that were unfamiliar but open to the music that was being performed, others were intimately acquainted with what was being sung. Behind me, beside me and in front of me were people belting out lyrics in a language that was their original mother tongue. In the location of their new home, people were able to joyously sing, at the top of their lungs, the songs from the home they left. You could sense the cathartic release!

How powerful can this be for us as a community if we choose to collectively celebrate the sum of all our ethnically diverse parts?

A beautiful week of beautiful music only confirmed what I already believe – that events like LUMINATO offer more to us than just entertainment. At a societal level these types of events can offer healing.

This is why I began this project and my journey of curating at MIXED BAG MAG the best of what I call New Culture because what is closest to my heart is the transformative power of culture. Ultimately it is the energizing spark that can ignite our souls.

Post by Leah Snyder.

Michael Franti & Spearhead performing at Luminato 2012.
Montreal's Nomadic Massive performing at Luminato 2012.
Fatoumata Diawara performing at Luminato 2012.
Afrocubism performing at Luminato 2012.
Afrocubism performing at Luminato 2012.
Afrocubism performing at Luminato 2012.
Michael Franti & Spearhead performing at Luminato 2012 with Jovanotti
Michael Franti & Spearhead performing at Luminato 2012.
Telmary Diaz performing at Luminato 2012.
Shantel and the Bucovina Club Orkestar performing at Luminato 2012.
Shantel and the Bucovina Club Orkestar performing at Luminato 2012.
Shantel and the Bucovina Club Orkestar performing at Luminato 2012.
Lemon Bucket   Orkestra performing on the street after Luminato 2012.
Lemon Bucket   Orkestra performing on the street after Luminato 2012.
Performers from top to bottom – K’NAAN and Nelly Furtado, Michael Franti, Nomadic Massive, Fatoumata Diawara, Afrocubism, Michael Franti and Jovanotti, Telmary Diaz, Shantel & the Bucovina Club Orkestar, and Lemon Bucket Orkestra.

All photography by Leah Snyder for Mixed Bag Mag.

CONTACT CONTINUED: Complete List of the Ongoing Exhibitions

Office door opening to large mounds of small photographs piled for gallery installation
Photography by Ahmed Sirry for Mixed Bag Mag.

TORONTO’S ANNUAL PHOTOGRAPHY FESTIVAL
Missed it? Oops! Well good news is you can still catch a few more exhibits running past the May 31 end date. Here’s Mixed Bag Mag’s comprehensive list of what’s still on for Scotiabank Contact Photography Festival.

LOCAL TORONTO PHOTOGRAPHERS

  1. ENDING JUNE 8 – Edith Maybin’s THE GIRL DOCUMENT @ O’born Contemporary
  2. ENDING JUNE 9 – Janieta Eyre’s THE MUTE BOOK @ Katherine Mulherin Art Projects
  3. ENDING JUNE 16 – Sara Angelucci’s PROVENANCE UNKNOWN  @ Art Gallery of York University
  4. ENDING JUNE 16 – Mark Peckmezian PORTRAIT @ Harbourfront Centre
  5. ENDING JUNE 28-  Janieta Eyre CONSTRUCTING MYTHOLOGIES @ University of Toronto Art Centre Lounge
  6. ENDING JULY 7 – Mark Filipiuk SKOLA / SCHOOL @ Art Gallery of Mississauga


CANADIAN PHOTOGRAPHERS

  1. ENDING JUNE 29 – Andrew Wright’s PENUMBRA @ University of Toronto Art Centre


INTERNATIONAL PHOTOGRAPHERS

  1. ENDING JUNE 9 – Chris Marker’s (France) MEMORY OF A CERTAIN TIME @ Tiff
  2. ENDING JUNE 15 – Erik Kessels’ (Holland) 24HRS IN PHOTOGRAPHY @ Contact Gallery
  3. ENDING JUNE 15 – Danny Lyon’s (United States)  THE BIKERIDERS @ Stephen Bulger Gallery
  4. ENDING JUNE 15 – Doug Ischar’s (United States)  UNDERTOW @ Gallery 44 & VTape
  5. ENDING JUNE 29 – Botto + Bruno (Italy) I WAS ALREADY LOST @ Pari Nadimi Gallery
  6. ENDING SEPTEMBER 2 – Sebastião  Salgado’s (Brazil) GENESIS @ The Royal Ontario Museum
  7. ENDING OCTOBER 20 – Various Artists LIGHT MY FIRE @ Art Gallery of Ontario
  8. ENDING JANUARY 2014(India) Raja Deen Dayal’s BETWEEN PRINCELY INDIA AND THE BRITISH RAJ @ The Royal Ontario Museum 


Photography by Ahmed Sirry for Mixed Bag Mag.

DISLOCATIONS: Contact 2013 Photography Festival


Part of this year’s Contact 2013 Photography Festival Dislocations:

brings together artists who explore the tenuous relationship between identity and place, and who investigate how movement has become a mode of being in the world during an era of globalization.

The month-long exhibition will feature established and emerging artists from Toronto, Calgary, and Vancouver, and highlight their aesthetic engagements with cultural dislocation. Artists Annie Sakkab, Meral Pasha, Mona Kamal, Jin-me Yoon, Brett Gundlock and Jamelie Hassan consider how we negotiate a place for ourselves from one social environment to another.

Mona Kamal, Reflections on Memory, 2011. Photo credit: Terrance Houle.

They examine what travels with us across personal, political, and social borders during different kinds of migratory trajectories, and what we leave behind. As discussions on place and identity have shifted towards more fluid understandings, these artists engage with particular kinds of uprootings and regroundings that are embodied and specific. Their work articulates a sense of self which is gendered and cultured, and explores how visual culture informs the way we see ourselves in the world, as well as how others situate us in it.

The exhibition will launch the opening of the new Riverdale Hub Community Art Gallery and its arts programming which is geared towards community development. Located in the heart of Little India in Toronto, the Riverdale Hub provides invaluable hands-on training opportunities to marginalized women and their families, enabling them to develop sustainable livelihoods.”

Curators Sevan Injejikian and Annie Sakkab are looking for your help to contribute to their crowdfunding campaign on Indiegogo.

“With your contribution, we will be able to establish a new gallery in the heart of Little India, further the Hub’s goal of engaging the community in dialogue through art, and present the work of 7 established and emerging contemporary artists who address experiences of migration.”


Images by Annie Sakkab, Untitled, from the series Projections – Ghosts of Dubai’s Boom, 2008

To contribute to the Dislocations campaign click here.

For more information on Riverdale Hub Community Arts Centre click here.

SCOTIABANK CONTACT PHOTOGRAPHY FESTIVAL 2013: Seeing as a Means to Understanding

Black and white photograph of woman's hand holding a photo of a man with her finger covering his face
Natalie Liconti, Untitled, 2012 for Learning to Look Exhibit

“Exploring the photographic medium as a way of seeing, this year’s Festival theme, Field of Vision, frames a series of primary exhibitions and public installations.”

What lies outside our own field of vision? From gender to sexual orientation; culture, race, place; nature vs the unnatural; the understanding of new technology, the experience of a physical disability…

…sometimes it takes truly seeing what is right in front of us in order to shift our focus.

As artists, photographers will manipulate light, context, and composition to suit the telling of a ‘Truth’.

They use photography to explore how best to let someone into a world they might not be aware exists to experience stories they may not be able to hear. Something about seeing can move people into believing. An image can authenticate an experience not just for the artist but for the viewer.

MIXED BAG MAG’s Recommendations for Contact 2013:

Janieta Eyre’s The Mute Book @ Katharine Mulherin Contemporary Art Projects & Constructing Mythologies @ UTAC Art Lounge

Black and white photograph of woman in costume made of bits of fabric sitting on an antique stool
Janieta Eyre, Mute Book 4, 2009 (image www.scotiabankcontactphoto.com)

“From the age of 14 – 17, the Toronto-based photographer Janieta Eyre developed a disorder that made it impossible to speak. As a consequence, many people gave up attempting to converse with Eyre and instead behaved as if she did not exist. The imposed silence and isolation had a curious effect on the artist’s development: in her silence, she began to have strange thoughts and to wonder if she was, in fact, invisible.” Read more…

Photograph of woman in outfit with different pattersn and a background of many patterns.
Janieta Eyre, Burning Cake, from the series Motherhood, 2002 (imagewww.scotiabankcontactphoto.com)

black strokeQueer Portraits at Gallery 44 & The Gladstone Hotel Art Bar
J.J. Levine, Rae, from the series Queer Portraits, 2012 (image www.scotiabankcontactphoto.com)

“Using professional lighting and a medium-format film camera, Levine creates a studio within each home environment, positioning objects that appear within the frame. These settings explore private queer space as a realm for the development of community and the expression of genders and sexualities often marginalized within the public sphere.” Read more…


JJ Levine, Laurence, from the series Montreal Queer Portraits, 2012, C-Print (image www.scotiabankcontactphoto.com)

black stroke2Fik’s Unreleased @ Gallery West

2Fik, Picnic sur l’étang [Picnic on the swamp], 2009 (image www.scotiabankcontactphoto.com)

“Unreleased explores the gap that can exist between a person’s sense of belonging within a culture, and the culture’s opinion of that person. In this work, 2Fik performs multiple visions of “self,” while exploring the positive and negative prejudices that accompany visual perceptions of the “other.” This exhibition presents a series of dramatic tableau photographs in which characters from different cultures meet and evolve.”  Read more…

black strokeCurators Sevan Injejikian and Annie Sakkab‘s Dislocations @ Riverdale Hub
Annie Sakkab, Projections – Ghosts of Dubai’s Boom, 2010 (image www.scotiabankcontactphoto.com)

“Dislocations brings together artists who explore the tenuous relationship between identity and place, and who investigate how movement has become a mode of being in the world during an era of globalization.” Read more…

NOTE: If you would like to contribute to the Dislocations Exhibit funding campaign click here for their Indiegogo Campaign.

black strokeAkihiko Miyoshi’s The Distance Between @ Circuit Gallery

Akihiko Miyoshi, Abstract Photograph (112811g), 2011 (image www.scotiabankcontactphoto.com)

“Deliberately referencing the constructed aesthetic of digital image-making—the pixel, the choice of red, green, or blue tape, and the surface/depth tension of altered focus—Miyoshi’s analogue self-portraits use metaphor to evoke a slew of contemporary questions about the status of the photographer/author and the referent/real in the digital age.” Read more…

NOTE: This exhibit closes May 11

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Meryl McMaster’s In-Between Worlds @ Katzman Kamen Gallery
Meryl McMaster, Aphoristic Currents, 2013 (image www.scotiabankcontactphoto.com)

“In recent years, Meryl McMaster has travelled to remote landscapes on journeys that have helped her begin to understand her place in the natural world. These processes of self-discovery continue when McMaster returns to her studio and incorporates what she has learned into her art practice through the exploration of new themes. In-Between Worlds is an expression of one of these themes: McMasters bicultural Aboriginal-European heritage, which she views as a synergistic strength rather than a struggle between opposing forces.” Read more…

black strokeJessy Pesce’s Captured @ Galleria 814

Jessy Pesce, Up, 2012 (image www.scotiabankcontactphoto.com)

“ The images have a surreal and ethereal quality that blurs the viewer’s concepts of space and reality. Pesce’s photographs depict both explicit and implicit narratives that investigate the idea of objectifying the female body.” Read more…

Contact runs until May 31st. See full list of exhibitions on the Scotiabank Contact Photography Festival Website.

Follow along on Tumblr, Facebook and Twitter @ContactPhoto.

Logo for Contact Film Festival round red dot on white background

DOVE REAL BEAUTY SKETCHES CAMPAIGN: Where the Stats At?

quote saying only four percent of women worldwide consider themselves beautiful

The real truth about “The Real Truth About Beauty: A Global Report”.

This 4% stat wasn’t adding up for me when I first encountered it. I was immediately suspicious.

As someone who doesn’t hover in spaces where dominant culture reigns supreme and as someone who has photographed women of all cultural backgrounds for 20+ years I know the situation of women’s self-esteem isn’t as dire as Dove would make it seem. I circulate in communities where I encounter many women who are comfortable in their skin and who find things like injecting ass fat into their cheeks for the sake of beauty the butt of a joke (most definitely pun intended!).

I am not denying that in Western culture there is a long entrenched tradition of socially sanctioned self-deprecation and body shame. And I know that it can translate across cultures. But 96% of ALL women around the globe can’t see that they are uniquely beautiful?

I am also someone who has had a career in branding and marketing making my BS radar quite acute.

So I got to digging.

I found what I was looking for on Dove’s web page titled Surprising-Self-Esteem-Statistics.

Surprising indeed.

Map of the world flipped asking the question can data be neutral? the delivery can change the way we see our world.

So here is the breakdown. I think the visual of the list illustrates the overarching cultural narrative being presented as fact.

The world according to Dove.

North America:
United States
Canada

Europe:
The Netherlands
Portugal
UK
France
Italy
Germany
Russia
Poland
Romania
Spain

South America:
Brazil
Argentina

Central America:
Mexico

Middle East:
Saudi Arabia
Turkey

Asia:
China
Japan

Southern Asia:
India

Along with the many countries absent from the above listed areas, the parts of the world missing in Dove’s study:

The Continent of Africa

The Caribbean

Central Asia

Australasia

The Oceania Region

The Islands of the Indian Ocean

In other words, from Dove’s perspective, it is mostly North American and European women who speak as the majority for  female voices worldwide.

So I guess worldwide doesn’t mean the ENTIRE world.

#RealConvenient

As the real truth may just be too inconvenient for their marketing strategy. 

And I have a funny feeling that the women that were interviewed in the countries listed above were probably selected from the large urban centres where they have more access to the internet as well as exposure to the Western marketing machine. I also wonder were the women interviewed in Saudi Arabia actually Saudi or were they American women living in an international compound?

#JustSaying

Dove does not disclose the ethnic demographics of its studies and in countries like Canada and The United States the population from where you draw your research can greatly change the results.

#Indigenous #Lesbian #Urban #Bi #Rural #Transgender #Immigrant

#Question the source.

Quote saying Dove's perspective: North American and European women speak for the majority of female voices worldwide. So I guess worldwide doesn't mean the ENTIRE world. Who knew?

MIXED BAG MAG recommends Women For Women International – a women’s initiative doing real work on nurturing women’s self-esteem and self-worth in countries impacted by war.

U ROCK & I ROCK: And the Continued Tale of Why the Dove Campaign Pissed Me Off Part 2

Female toddler in yellow outfit playing on floor with plastic container.
Me in 1971. This photo captures what I hope still comes through as an adult – a happy, playful, open soul. 

DISCLAIMER: My critique is not with the women featured in the newest Dove Campaign. I appreciate that they demonstrated vulnerability in opening themselves up as they did. If this was a documentary presented by an independent female filmmaker with opportunities for productive dialogue I would have a different opinion – but consider the source.

“Only 4% of women worldwide consider themselves beautiful.”

Let me begin by saying I don’t buy that stat!

When Dove first came out with their “Campaign for Real Beauty” in 2004, although in big agreement that there needed to be more diversity in beauty advertising, I wasn’t buying into their feel good message because their products contain chemicals that are known to be toxic, carcinogenic and damaging to a woman’s body and health.

Years ago I owned a green cleaning business. I researched deep into Sick Building Syndrome and how what were using to decorate and clean our homes with was making the inside of our buildings more polluted than the LA freeway at rush hour. The more I researched the sicker I felt at the incredible hole we were digging ourselves into. My research also included personal hygiene products. There and then I simplified – baking soda, vinegar and tea tree to keep my house clean; organic coconut or olive oil and glycerin soap for my beauty routine with the occasional indulgence of vegan body cream when the funds allowed.

Because of a serious car accident my business ended shortly before it got off the ground but I never let go of what I learned and the knowledge I gained allowed me to become more informed as well as critical to brand brainwashing.

So yes, I thought Dove, owned by Unilever, was hypocritical in its proselytizing about its love for women and its desire to promote healthier self-esteem while they sold products that encouraged us to slather our skin with some pretty unhealthy stuff.

I tuned Dove out – that is until the “You are more beautiful than you think” Campaign went viral and I could no longer ignore their damn brand.

I am tired to the bone of mixed messages and beauty campaigns that plug into female self-loathing.

When speaking to a friend just after watching the video my first critique was that despite their promotion of diversity the women featured are predominantly white – the opening scene begins with the thin legs of a young woman walking into a room. She is white, blonde, model proportions looking like the Nordic nemesis from my youth. Next scene – young, dark haired, thin, white woman. Next woman – white, blonde, middle-aged. Back to the dark haired woman shown walking with slender legs in skinny jeans, cute in a Charlotte Gainsbourgy kind of way. Another white woman appears…

More images of white women, many of them slender, young, attractive and fashionable with only brief seconds of non-white women and one black man slipped in, each with little to no dialogue.

My friend’s rant on her Facebook wall:

“The sad music with the message ‘you’re prettier than you think’. Because that’s all we are, right? That’s our only currency – being pretty. Tears of joy “I’m prettier than I thought!” This is feeding some gender bs that makes my blood boil.”

Yet again our self-worth is being bound to our appearance. When do we get released from that yoke?

One comment on her wall wrapped it up well:

“The main message is you should recognize your natural beauty and that you’re less fat than you think? I guess it’s a step up from other beauty ads, but it also ain’t really liberating.”

Self-deprecation is defined as the act of belittling or undervaluing oneself.

Thin, blue-eyed, short-nose used as positive descriptors and fat, dark circles, wrinkles as negative.

After our rant this blog post, by Jazz Brice, popped up on my feed:

Why Dove’s “Real Beauty Sketches” Video Makes Me Uncomfortable… and Kind of Makes Me Angry

She did the math on the diversity (or lack thereof).

“Out of 6:36 minutes of footage, people of color are onscreen for less than 10 seconds.”

Jazz’s post echoed much of what my friend and I discussed.

“Why are so many females I know having such a strong reaction to the sketches video, being moved to the point of tears? 

Because the message that we constantly receive is that girls are not valuable without beauty. 

Brave, strong, smart? Not enough. You have to be beautiful. And “beautiful” means something very specific, and very physical.”

Let’s say that again – BEAUTIFUL MEANS SOMETHING VERY SPECIFIC AND VERY PHYSICAL.

She goes on to say:

“My primary problem with this Dove ad is that it’s not really challenging the message like it makes us feel like it is. It doesn’t really tell us that the definition of beauty is broader than we have been trained to think it is, and it doesn’t really tell us that fitting inside that definition isn’t the most important thing. It doesn’t really push back against the constant objectification of women. All it’s really saying is that you’re actually not quite as far off from the narrow definition as you might think that you are (if you look like the featured women).”

WELL SAID!

And like her I also felt unsettled by this woman’s words that wrapped up the commercial:

“I should be more grateful of my natural beauty. It impacts the choices and the friends we make, the jobs we go out for, the way we treat our children, it impacts everything. It couldn’t be more critical to your happiness.”

Who was the focus group for this marketing campaign? A panel of J Crew models?

As I watched the clip for a second time while writing this post it finally hit me what I was unable to put my finger on before. Dove, for all its “movement marketing“, has aligned itself not with the hopeful “beauty-is-all-encompassing” message. What it has aligned itself with is the white aesthetic notions of the dominant culture and at the same time plugged into the culture of shame regarding the body, culturally sanctioned self-deprecation and privileged guilt regarding fat that can only surface in a capitalist system where constant consumption is the goal. You will not find people starving themselves to be thin where there is scarcity of food. You will not find people complaining about their crows’ feet in places where all-inclusive vacations to the sunny South aren’t the norm. Pinge. Burge. Guilt. Shame. But don’t forget you are more beautiful than you think which makes you worthier than you know (to the marketplace).

That folks…is a white thing!

I will bet that the real reason they didn’t use more non-white women was because the dialogue would probably not be to the level of self-deprecation for the sound bites they required. Who better to perpetuate the message of shame (cue tears of guilt for saying bad things about yourself) and take the scolding that you are not appreciating the natural beauty you really have (but we aren’t going to free you from that nagging notion that you are somehow not enough).

Growing up in this culture I know it well. Putting down one’s body and lamenting over appearance became ritualized behaviour upon leaving the innocence of adolescence and a rite of passage for moving onward into womanhood. Not only was it accepted it was expected. Walk into any women’s change room at a mall on this continent and listen in on the conversations. Something has gone terribly wrong.

Thanks Dove for nothing…but slick marketing; soft shots of white loft spaces with white girls, camera pans of skinny legs, predictable (read sterile) décor and manipulating music. This is the Forrest Gump of marketing campaigns.

To criticize the miracle my body is and the vehicle it gives me to be present in this world is not something I am willing to partake in.

It took time for my more “Mediterranean-featured” self to come to terms with my looks but when I stepped out of this culture for the first time I encountered non-North American aesthetics of beauty that were less binding then the ones I was experiencing back at home. Upon returning, I started the process of deconstructing the anxiety the advertising had created in me. By the time I accepted my own appearance and decided I actually loved my features I also realized that that journey brought me to a place where I found my outward appearance mattered less than I thought. It took a car accident and wondering if I would ever be able to walk again without pain to love my body for its ability to heal, be grateful for that and to understand I do stand in a place of privilege.

I will keep my lop-sided laugh lines as to me they are proof that I smile often and wink with my left eye as I do. ;)

So I declare it here – I am not one of the 4%.

I am beautiful for the same reasons I see beauty in the other women who are in my life and who I value for what they offer:

Vibrancy. An engaging smile that says – “I am accessible, let’s have a chat.”

Intelligence. A way of looking at the world with a discerning mind so when something isn’t working and they have the skill set to make a change they go after it with gusto and suggesting – “Maybe our skill set can be combined? Let’s collaborate”

Playfulness. Even though they question the world around them they don’t lose that child inside that still believes in magic, serendipity, surprises, and unexpected places just around the corner – “Let’s go explore together sometime.”

Compassion. They are not going to just walk by someone who is visibly hurting. They will take the time to stop and listen. Saying – “If you ever need help let me know.”

Empathy. Fundamentally believing that we are connected and if we don’t acknowledge the stories of others we lose the chance to enrich our own experience as a human being. They are the type of women to say – “Maybe there is something in my story that will strengthen and inspire a part of you. I am not afraid to open up and share.”

I really hope the reactions to this campaign will move women to collectively to say enough is enough. To not echo these words:

It (outward appearance) couldn’t be more critical to your happiness.”

But rather:

“It’s nice but not a necessity to defining my value.”

Dark haired woman smiling in mirror as she takes a photograph of herself.
Me yesterday at 42 years old. Sweaty with no makeup covering the dark circles under my eyes, brows in desperate need of a threading and hair not washed in days but happy after a spring afternoon spent outside and quite digging the way I look! 

Some more antidotes to the Dove Campaign!

Brené Brown’s Ted Talk on “The Power of Vulnerability”

Vulnerability – where real beauty lies.

They (people who have a deep sense that they are worthy of love and belonging) believed that what made them vulnerable made them beautiful. They didn’t talk about vulnerability being comfortable nor did they talk about it being excruciating… they just talked about it being necessary. They talked about the willingness to say I love you first, the willingness to do something where there are no guarantees…the willing[ness] to invest in a relationship that may or may not work out. They thought this was fundamental”

Thandie Newton’s Ted Talk on “Embracing Otherness, Embracing Myself”

Thinking beyond the value of self-worth to the value of oneness.

“I still believed my self was all I was. I still valued self-worth above all other worth and what was there to suggest otherwise. We’ve created entire value systems and a physical reality to support the worth of self. Look at the industry for self image and the jobs it creates the revenue it turns over. We’d be right in assuming that the self is an actual living thing. But it is not. It‘s a projection that our clever brains create in order to cheat ourselves from the reality of death. But there is something that can give the self ultimate and infinite connection and that thing is oneness, our essence. The self’s struggle for authenticity and definition will never end unless it is connected to its creator, to you, and to me and that can happen with awareness – awareness of the reality of oneness and the projection of self-hood.”

Some more opinions on the Dove Sketches Campaign:

Globe & Mail
Dove has it wrong. It’s probably better not to think about your looks by Adriana Barton

The Toronto Star
Dove Sketches video manipulates our emotions by Tracy Nesdoly

The National Post
A Cultured Life: Dove’s latest ‘Real Beauty’ ads are about selling soap, but they raise debate over body image, too by Maryam Siddiqi

The Huffington Post
Why Dove’s “Real Beauty Sketches” Video Makes Me Uncomfortable… and Kind of Makes Me Angry by Jazz Brice

The Problem With Dove’s Real Beauty Sketches Campaign by Kate Fridkis

Who Could Benefit from the Dove Real Beauty Sketch Campaign? Men.  By Sheila Moeschen

Dove’s ‘Real Beauty Sketches’ Ad Campaign Tells Women ‘You’re More Beautiful Than You Think’ (VIDEO) by Emma Gray

Ladies: Dove’s “Real Beauty Sketches” Are More Condescending Than You Think by Rondi Adamson

Forbes
Dove, Your ‘Sketches’ Idea Is More Beautiful Than Your Critics Think by Will Burns

U ROCK: And a Tale of an Antidote to Unilever’s Dove Campaign Part 1


Greeting Card by U Rock. Photo by Leah Snyder for Mixed Bag Mag.

“Be strong. Be confident. Be real. BE YOU.”

On Saturday at Kitchener’s Bloomin Earth Festival on my way to see friend Dona Geagea’s Beyond the Jar table I discovered this really fantastic line of children’s clothing. Super sweet second hand tees embroidered with these funny little monsters made from scraps of other second hand clothes.

Image of child sized t-shirt with funny monster stiched on the front I love inventive up-cycling. I also like to see snazzy alternatives to the brand name kids’ clothing lines that in many cases have been touched by the modern day slave trade – other children paying the price so North American kids can wear trendy but cheap attire.

Not really in the market for shopping for kids clothing though I moved on but not without first noticing U Rock’s handmade greeting cards as I was grabbing for their deets.

Greeting Card by U Rock. Photo by Leah Snyder for Mixed Bag Mag.

Baby's onesy with stitched funny monster on the front and the words I think I rock. Just like the little creatures on the tees and  baby onesies the one-of-a-kind cards were adorned with these humourous characters that were too adorable to pass up. Perfect for the little monsters in my life, my 4 yr old niece (“I am 4 AND ¾s Auntie Leah!”) and 8 yr old nephew, the message was exactly what this proud aunt wants to say –  “I THINK YOU ROCK!”

The reason I decided to share U Rock on MIXED BAG MAG was that after the launch Dove’s “You are more beautiful than you think” Campaign a few weeks back I was pissed that yet again, in some manipulated branded effort to promote self-esteem in females, the “message” still implied that our self-worth is tied to our level of physical attractiveness. HAVEN’T WE ALL HAD ENOUGH?! More on that later in my Part 2…

Greeting Card by U Rock. Photo by Leah Snyder for Mixed Bag Mag.

I had just come from spending a week looking after my young niece and enjoying watching her grow into her unique little self. I shared in her excitement when she learned 16 new words in 1 day. Determined and focused, I adored watching her take pleasure in her victory. She was confident and up for the challenge even if it meant struggling with some unknowns. It was joyful moment for this auntie to participate in but then comes the worry. I know what it is like to be female. As much as the world has changed it hasn’t. I want to spare her the years of agonizing over her appearance, of stitching her self-worth to whether or not someone thinks she is beautiful on the outside.

I am already crying for that moment she caves on the inside and her light is blown out by some stupid comment that drowns out all the good ones from her mother, her grandmother, her aunt. It’s a hard road to get back on once you get knocked off.

So when I read the story of U Rock I thought this is branding done RIGHT. Sorry Dove! Your message is just not that authentic. But Megan Goos comes from a personal place and when I started to talk to her young daughter Bianca (a budding entrepreneur and creative kindred spirit) you could tell this mom has done well! Her daughter has a strong light burning and she was confident in sharing with me the products she designed for U Rock – pins made from bottle caps and her favourite bead combos as well as necklaces. You can sense her self-worth is already meshed with what she can bring to the table as a creative human being. Again, you just want to find a way to keep that fire lit as it was refreshing to speak to a child not afraid to explore her own creativity.

Greeting Card by U Rock. Photo by Leah Snyder for Mixed Bag Mag.

“The story of U ROCK

Once upon a time there was a girl most would have labeled a super nerd – glasses, braces, preppy blouses tucked right in and buttoned all the way up. Of course, she had no choice about the braces or glasses, but the rest of her appearance was designed by fear. She would rather have worn rainbow sock with plaid pants, pink and red when it was still called clashing, or a homemade polkadotted neon trenchcoat. But she dressed safe, for fear of what others may think of her.

After she grew up a little she realized it was rather tiring keeping all this awesomeness buried inside. While trying to work out her “real” self with her younger brother he (intentionally?) played devils advocate with every item she expressed like for. Growing weary of her younger brothers tormenting she said “well I don’t care what YOU think. I think I rock!”

And to this he said, “fine, just put that on your shirt!”

So in early 2007, UROCK was born to help others like herself, build confidence in themselves.

Don’t try to be something you’re not, just to impress people. Don’t act a certain way just because someone told you to. Be who you really are – because who you really are is probably really awesome!!

Be strong. Be confident. Be real. BE YOU.”
(cited from www.ithinkirock.wordpress.com)

By nature we are consumers – we require food, clothing, shelter – but it is good that more and more we have choices that allow us to vote with our money and make purchases aligned with our values, saying NO! to Unilevers of this world.

I applaud Megan for her amazing ideas and for the record – Bianca, I think u rock!

Find U Rock on Twitter @urockrecycled, Facebook and Etsy as well as the U Rock Website.

U Rock header that says U Rock and that's all that matters!

How many slaves work for you?

There are at least 27 million slaves worldwide. That’s roughly the combined population of Australia and New Zealand.”

MIXED BAG MAG challenge: Find out how many slaves you employ in your lifestyle by taking the Slavery Footprint Survey. I took it and my lifestyle employs 23 slaves too many.

Find out more on the Made in a Free World website.

“1.4 million children have been forced to work in Uzbek cotton fields. There are fewer children in the entire New York City public school system.”